John Hart Movies

A low-budget, tawdry police yarn with the world of prostitution and gangsters thrown in, Vice Raid features Mamie Van Doren as Carol Hudson, a Motor City hooker. The bosses of the prostitution racket have Hudson go to New York City to entrap a police officer and get him thrown off the force. She does as she is told and then the gangsters make a mistake -- they abuse her younger sister. Angered to the core, Hudson decides to team up with the cop she helped frame and put the mobsters behind bars. ~ Eleanor Mannikka, All Movie Guide

Late for school again -- the third time this week -- Beaver (Jerry Mathers) and Larry (Rusty Stevens) decide to avoid getting punished by playing hooky; after all, they can think up a good story as to why they were absent later. Unfortunately, the boys end up in the studio audience of Marshal Moran's live TV show -- and practically everybody in town, including Wally, sees the telecast! The best bit is the boys, explaining how they -- and they alone -- were excused early from school. Richard Lane, an L.A.-based actor and newscaster best remembered for his play-by-play commentary on the old roller derby broadcasts appears as Marshal Moran. ~ Hal Erickson, All Movie Guide

Wally (Tony Dow) is old enough to join the Boy Scouts, but Beaver (Jerry Mathers) isn't. Thus, Beaver feels left out and abandoned when Wally joins his fellow scouts for a weekend camping trip. To cheer himself up in Wally's absence, Beav tries to create his own "fun" -- with remarkable results. Cast as Wally's scoutmaster is John Hart, the actor who briefly replaced Clayton Moore as the title character on the old Lone Ranger TV series. ~ Hal Erickson, All Movie Guide

Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film directed by Cecil B. DeMille. The story relates the life of Moses, from the time he was discovered in the bullrushes as an infant by the pharoah's daughter, to his long, hard struggle to free the Hebrews from their slavery at the hands of the Egyptians. Moses (Charlton Heston) starts out "in solid" as Pharoah's adopted son (and a whiz at designing pyramids, dispensing such construction-site advice as "Blood makes poor mortar"), but when he discovers his true Hebrew heritage, he attempts to make life easier for his people. Banished by his jealous half-brother Rameses (Yul Brynner), Moses returns fully bearded to Pharoah's court, warning that he's had a message from God and that the Egyptians had better free the Hebrews post-haste if they know what's good for them. Only after the Deadly Plagues have decimated Egypt does Rameses give in. As the Hebrews reach the Red Sea, they discover that Rameses has gone back on his word and plans to have them all killed. But Moses rescues his people with a little Divine legerdemain by parting the Seas. Later, Moses is again confronted by God on Mt. Sinai, who delivers unto him the Ten Commandments. Meanwhile, the Hebrews, led by the duplicitous Dathan (Edward G. Robinson), are forgetting their religion and behaving like libertines. "Where's your Moses now?" brays Dathan in the manner of a Lower East Side gangster. He soon finds out. DeMille's The Ten Commandments may not be the most subtle and sophisticated entertainment ever concocted, but it tells its story with a clarity and vitality that few Biblical scholars have ever been able to duplicate. It is very likely the most eventful 219 minutes ever recorded to film--and who's to say that Nefertiri (Anne Baxter) didn't make speeches like, "Oh, Moses, Moses, you splendid, stubborn, adorable fool"? ~ Hal Erickson, All Movie Guide

A long-awaited sequel to Columbia Pictures' popular The Phantom (1943), this film was produced by legendary Hollywood cheapskate Sam Katzman. Katzman refused to pay the owners of the character, King Features, their royalty demands, thus the name change to "Captain Africa." The 1943 Phantom still appeared in this latter-day serial, however, via a vast amount of stock footage. One could actually argue that Tom Tyler, who had starred as the original "Phantom," also starred in the sequel and not John Hart, credited with the role of "Captain Africa." Hart did not resemble Tyler at all but that was of little consequence to Katzman, a producer who never met a corner he wouldn't cut. Captain Africa comes to the aid of an Arabian potentate (Paul Marion) whose prime minister has been kidnapped. There is a beautiful princess (June Howard), a young sidekick (Rick Vallin), a dastardly villain (Bud Osborne), and a great deal of ferocious wildlife fauna, much of which is rather more indigenous to Asia than Africa, where the action ostensibly takes place. In many ways, the carelessness of chapterplays like Adventures of Captain Africa only hastened the demise of the action serial. John Hart is perhaps best known for replacing Clayton Moore for one season as television's The Lone Ranger. Appearing as the kidnapped Prime Minister in Adventures of Captain Africa is Michael Fox, the veteran character actor whose long-time membership of Screen Actors Guild forced the later leading man of the same name to add the middle initial "J" to his billing. ~ Hans J. Wollstein, All Movie Guide

Framed in flashback form, The Man Who Loved Redheads is an anecdotal comedy about a man (John Justin) whose life is defined by his first romantic experience. That liaison occurred in Justin's youth with the luscious Moira Shearer (for her alone, this film must be seen in its original Technicolor). When the young man matures and enters the diplomatic world, he spends the rest of his career searching for his first love. Along the way, he romances two redheaded damsels who look exactly like Ms. Shearer--as well they may, since Shearer plays all the women in Justin's life. Terence Rattigan adapted The Man Who Loved Redheads from his own stage play Who Is Sylvia? ~ Hal Erickson, All Movie Guide

Caribbean was another box-office winner from Paramount's "two dollar bills," producers William H. Pine and William Thomas. Set in the 18th century, the film stars John Payne as adventurer Dick Lindsay, hired by pirate leader Charles Barclay (Sir Cedric Hardwicke) to pose as the long-lost nephew of wealthy slave-trader Andrew McAllister (Francis L. Sullivan). It's all part of Barclay's revenge scheme against McAllister, his bitterest enemy for the past 20 years. Through a series of exciting (if slightly incredible) plot twists, Lindsay manages to foment a slave revolt against McAllister and to settle the hash of Barclay. As the exotic leading lady, Arlene Dahl looks terrific in Technicolor. In one priceless moment, both Cedric Hardwicke and Francis L. Sullivan intone "I've waited this long, I can wait a little longer" within a few moments of each other--and the word-for-word repetition is not intended to be funny! ~ Hal Erickson, All Movie Guide

Wendell Corey and Forrest Tucker, the Clark Gable and Spencer Tracy of Republic, star as a pair of World War II Army Air Corps officers. In between their battles over the affections of beautiful nurse Vera Hruba Ralston, Corey and Tucker prepare to fly a bombing mission in the South Pacific. Before boarding their B29 Superfortress, Tucker appears to be chickening out, but he's steadfastly at his cockpit post at takeoff time. For a big-budget war picture, Wild Blue Yonder contains a surprising amount of chorus boy-style singing. The best musical vignette is supporting player Phil Harris' rendition of his hit song "The Thing" ("Get outta here with that [thump! thump! thump!] /Before I call a cop" etc.) ~ Hal Erickson, All Movie Guide

After several elaborate Republic western vehicles, William Elliot returns to the clean-cut minimalism of his "Wild Bill Elliot" days in Longhorn. The story involves the efforts by cattle rancher Jim Kirk (Elliot) to cross-breed his Longhorn cattle with Hereford stock, thereby increasing their value. To this end, Kirk heads to Oregon to pick up a prime group of Herefords. Unfortunately, his head cowboy Andy (Myron Healey) is in cahoots with a gang of rustlers who intend to steal Kirk's improved stock. Featured in the cast are all-purpose heroine Phyllis Coates and such sagebrush veterans as I. Stanford Jolley, William Fawcett, Zon Murray, and future TV "Lone Ranger" John Hart. ~ Hal Erickson, All Movie Guide

A stage line is once again threatened by a greedy rival in this ultra low-budget western from small-scale Monogram Pictures. This time the owner is lovely Phyllis Coates, who desperately needs to win a valuable mail contract in order to survive. The rival appears at first to be none other than the local sheriff (Pierce Lyden), but he is actually in the employ of a mystery man. Enter the whip-wielding Whip Wilson and his faithful sidekick Fuzzy Knight, and Miss Coates' stagecoach is saved in no time. In fairness to the age-old plot, here credited to former serial writer Joseph F. Poland, we shall not reveal the identity of the mystery villain; suffice it to say, the blackguard turns out to be the least likely candidate and is therefore highly suspicious from the get-go. Stage to Blue River was filmed many times before, most recently as Stage to Mesa City (1948), a "Cheyenne Kid" series entry featuring Al "Lash" LaRue and Al "Fuzzy" St. John. ~ Hans J. Wollstein, All Movie Guide

Texas Lawmen was one of the shortest entries in Monogram's Johnny Mack Brown series, running a scant 54 minutes. This time, Brown is hunting for three desperate criminals. Fortunately for Our Hero, two of the crooks -- Bart and Steve Morrow (Stan Jolley and Lee Roberts) -- are father and son, on the verge of a major falling out. Ultimately, Steve Morrow casts his lot with the Good Guys. Texas Lawmen differs from previous rubber-stamp Johnny Mack Brown westerns in one respect: there is no heroine, nor even a supporting actress in the cast. Texas Lawmen was based on a story by actor Myron Healey, who often showed up in the Brown vehicles as a villain. ~ Hal Erickson, All Movie Guide

Jim Bannon's final "Red Ryder" western was the Cinecolor effort Cowboy and the Prizefighter. Aiding and abetting the red-headed Ryder is his youthful Indian sidekick Little Beaver (Don Kay Reynolds, aka Little Brown Jug) and a tough galoot named Steve (Don Haggerty), whose life the hero saves in the opening reel. This time, Ryder takes on a crooked boxing promoter who's been fleecing the locals. The villain is played by John Hart, who later went straight as TV's Lone Ranger (replacing Clayton Moore in 26 episodes). Hart's cohort is real-life pugilist Lou Nova, with whom Ryder squares off in the boxing ring. ~ Hal Erickson, All Movie Guide