John Hart Movies

This film should have been a press agent's dream: Hollywood's two greatest "big mouths," Joe E. Brown and Martha Raye, together in the same picture. Brown and Raye play a show business couple who inherit a near-bankrupt college. They decide to build up the school's scraggly football team in hopes of improving alumni funding; somewhere along the line it is agreed to grant one thousand dollars for every touchdown scored, hence the title. Slapstick opportunities abound, and with the two stars at the helm, the film should have been far funnier than it is. But thanks to uninspired direction and a threadbare budget, $1000 a Touchdown was a disappointment for fans of both Martha Raye and Joe E. Brown. ~ Hal Erickson, All Movie Guide

A long-awaited sequel to Columbia Pictures' popular The Phantom (1943), this film was produced by legendary Hollywood cheapskate Sam Katzman. Katzman refused to pay the owners of the character, King Features, their royalty demands, thus the name change to "Captain Africa." The 1943 Phantom still appeared in this latter-day serial, however, via a vast amount of stock footage. One could actually argue that Tom Tyler, who had starred as the original "Phantom," also starred in the sequel and not John Hart, credited with the role of "Captain Africa." Hart did not resemble Tyler at all but that was of little consequence to Katzman, a producer who never met a corner he wouldn't cut. Captain Africa comes to the aid of an Arabian potentate (Paul Marion) whose prime minister has been kidnapped. There is a beautiful princess (June Howard), a young sidekick (Rick Vallin), a dastardly villain (Bud Osborne), and a great deal of ferocious wildlife fauna, much of which is rather more indigenous to Asia than Africa, where the action ostensibly takes place. In many ways, the carelessness of chapterplays like Adventures of Captain Africa only hastened the demise of the action serial. John Hart is perhaps best known for replacing Clayton Moore for one season as television's The Lone Ranger. Appearing as the kidnapped Prime Minister in Adventures of Captain Africa is Michael Fox, the veteran character actor whose long-time membership of Screen Actors Guild forced the later leading man of the same name to add the middle initial "J" to his billing. ~ Hans J. Wollstein, All Movie Guide

Inasmuch as the spectacular Richard Rodgers and Lorenz Hart Broadway musical Jumbo was written in 1935, this 1962 film version can't help but seem a little quaint. Still, the film features the original production's star Jimmy Durante, energetically recreating his stage role as circus owner Pop Wonder; it is Durante's bravura performance that saves the film from dullness. Threatened with foreclosure, Pop Wonder and his pretty daughter Kitty (Doris Day) put their fates in the hands of go-getter Sam Rawlins (Stephen Boyd). What they don't know is that Sam is the son of Pop's biggest rival (Dean Jagger), and he's been sent to undermine the Wonder Circus. It goes without saying that Sam turns the tables on his dad, thereby saving the day and winning Kitty's hand. Martha Raye shows up as Lulu, a fortune teller who can't figure out what's going to happen next (funny, we can). And of course there's Jumbo the elephant, who figures into the film's funniest scene (as well as one of Jimmy Durante's most celebrated punchlines). Old MGM musical hands Charles Walters and Busby Berkeley share directing chores, but somehow the film hasn't the panache of their earlier work. Happily, most of the Rodgers-Hart songs are retained, including "My Romance" and "The Most Beautiful Girl in the World"-not to mention a few Rodgers-Hart tunes borrowed from other show, e.g. "This Can't Be Love". ~ Hal Erickson, All Movie Guide

Based on a popular comic strip, this 15 episode Columbia chapterplay produced by legendary cheapskate Sam Katzman (aka "Jungle Sam") heralded the beginning of the end of the American movie serial. Starring the otherwise watchable Kane Richmond in the title role, Brick Bradford had pretensions of becoming the next Flash Gordon, but Katzman's notorious reluctance to part with a dollar bill sealed its fate. Perhaps the cheapest producer releasing through a major company (Columbia) in the '40s, Katzman employed a generous dose of carelessly inserted stock footage in his serials, thus earning the epitaph as the typical cigar-chomping hack producer who is in the movie business merely to make a fast buck (actor Mike Starr eminently portrayed the prototype in Ed Wood, 1995). A Secret Service agent employed by the United States government to protect the Interceptor Ray, a newly invented missile, Brick Bradford gets involved with a mysterious scientist, whose "crystal door" transports him to the moon and back, to 18th century Central America, etc. All of this demanded inspiring sets and special effects and not Jungle Sam's tired potted plants and moth-eaten stock footage fauna. Comic strip hero Brick Bradford deserved better and so did his portrayer, Kane Richmond. ~ Hans J. Wollstein, All Movie Guide

Caribbean was another box-office winner from Paramount's "two dollar bills," producers William H. Pine and William Thomas. Set in the 18th century, the film stars John Payne as adventurer Dick Lindsay, hired by pirate leader Charles Barclay (Sir Cedric Hardwicke) to pose as the long-lost nephew of wealthy slave-trader Andrew McAllister (Francis L. Sullivan). It's all part of Barclay's revenge scheme against McAllister, his bitterest enemy for the past 20 years. Through a series of exciting (if slightly incredible) plot twists, Lindsay manages to foment a slave revolt against McAllister and to settle the hash of Barclay. As the exotic leading lady, Arlene Dahl looks terrific in Technicolor. In one priceless moment, both Cedric Hardwicke and Francis L. Sullivan intone "I've waited this long, I can wait a little longer" within a few moments of each other--and the word-for-word repetition is not intended to be funny! ~ Hal Erickson, All Movie Guide

In this holiday western an aging saddletramp discovers the spirit of Christmas when he must spend it with a widow and her family during the great blizzard of 1888. ~ Sandra Brennan, All Movie Guide

In this drama, a gangster finds the woman of his dreams, but before he can have her he must frame her fiance. Meanwhile the Asian lover he dumped plots her revenge. ~ Sandra Brennan, All Movie Guide

The wife of a commercial artist risks her life to discover the truth about her husband after he is accused of killing a woman. She believes that he could have committed the crime and sets out to prove it after the police are unable to locate a corpus delicti. First she visits her husband's father, a shrink. Just after leaving, she runs into the "corpse" who is very much alive and out to kill her. Fortunately, the wife survives. Unfortunately, her father-in-law isn't so lucky, but before he dies, he recognizes the she-killer as someone he knows all to well. ~ Sandra Brennan, All Movie Guide

Fury of the Congo was the sixth entry in Columbia's "Jungle Jim" series, though in most markets it was the fifth to be released. Johnny Weissmuller returns as Alex Raymond's comic strip hero Jungle Jim. The plot this time around has Jim coming to the rescue of a native tribe which has fallen under the influence of evil dope peddlers. Benumbed by drugs, the tribesmen have been ordered to hunt the Okongo, a hybrid beast that is the source of a dangerously powerful narcotic. The film builds steadily to an exciting climax in a blinding sandstorm. The villainy is handled by William Henry, Lyle Talbot and George Eldredge, while the "femme interest" is provided by shapely native girl Sherry Moreland. ~ Hal Erickson, All Movie Guide

In the wake of the Beatles' landmark film Help comes this campy movie featuring British pop-rockers Herman's Hermits. The story begins as the English cuties find themselves pursued by a NASA scientist while on a U.S. tour. The scientist is trying to determine whether the group should have a space capsule named after it. Meanwhile the lads find themselves mixed up with an ambitious starlet willing to stop at nothing, and of course there is one of their girlfriends around to complicate things. During the film's musical finale, the Hermits perform at the Rose Bowl and get their name upon the spacecraft. ~ Sandra Brennan, All Movie Guide

After a riotous night on the town in which Lucy (Lucille Ball) drives a waiter (Frank Nelson) into a frenzy over her indecision as to what she wants for dinner -- or even which table she wants to sit at -- Ricky (Desi Arnaz) accuses his wife of being constitutionally incapable of making up her mind. He further insists that she has never finished anything she has ever started. Hoping to get even, Lucy digs up an unfinished love letter from her old beau Tom Henderson and adds a few "finishing touches," which she is convinced will arouse Ricky's jealousy. Unfortunately for Lucy, Ricky has been tipped off to her little scheme...and the plot rolls merrily onward to a sidesplitting climax wherein Lucy outrageously "flirts" with a department-store mannequin. ~ All Movie Guide

J. Carroll Naish positively oozes immigrant gangster charm in this fairly entertaining thriller from Paramount. He plays Louis Zonta, an immigrant gangster running a racket that transports wanted criminals. At their wits end, the authorities send in undercover agent Bent Martin (Robert Preston) to infiltrate the gang and the young G-Man concocts a plan to trap Zonta by using the gangster's mistress, Marie Arden (Judith Barrett). The scheme nearly backfires, but Martin finally manages to gun down the gang leader from his airplane. ~ Hans J. Wollstein, All Movie Guide

Invisible Strangler tells the story of a boy who strangles his mother and while in a mental institution finds books which give him the key to making himself invisible. He then escapes from the hospital and goes on a murder spree, strangling his mother's friends in a series of unintentionally hilarious episodes, while they sit in their comfortable, expensive homes. The detective assigned to the case, Lt. Charles Barrett (Robert Foxworth) devises an unusual way to dispose of the killer. Sue Lyon, previously seen in Lolita, has a tiny role, as does Elke Somer. Originally shot in 1976 and titled The Astral Factor, this silly, obvious film sat on the shelf for 10 years before being released directly to video ~ Linda Rasmussen, All Movie Guide