Curtis Harrington Movies

Assembled by film historian Kevin Brownlow and narrated by actor Kenneth Branagh, this 90-minute special celebrates the classic horror films that emanated from Hollywood's Universal Studios. Beginning with such silent classics as The Phantom of the Opera and The Cat and the Canary, Universal went into full gear in the early '30s, launching such valuable properties as Dracula, Frankenstein, The Invisible Man, The Mummy, and (in the 1940s) The Wolf Man, and making stars of the "twin titans of terror," Bela Lugosi and Boris Karloff. The studio maintained its horror quota well into the 1950s with its Creature From the Black Lagoon series, but the emphasis in this special is on the pre-1948 scare fests. Highlights include interviews with surviving Universal actors and technicians (Gloria Stuart is particularly amusing), and rare clips from Dracula [Spanish-language version]. Universal Horror made its American TV debut on the Turner Classic Movies cable service. ~ Hal Erickson, Rovi

Sylvia Kristel adds her sexual allure to the story of Mata Hari (Margaretha Geertruida Zelle), executed by the French in 1917 at the age of 41 for being a double agent. In reality, "Mata Hari" had been married, had children, and performed as a dancer around Europe -- not the normal background for a spy. And according to the man who requested her execution, Captain Ladoux, she was a lousy spy indeed. But Kristel and director Curtis Harrington capture one aspect of Mata Hari that made her most infamous -- her willingness to bed down with just about any military man she found attractive, and none were not. As Kristel jumps into bed with both Germans and French, and others in-between, something of the spirit of Mata Hari may live on in this ostensible biography. Viewers may definitely want to compare versions with Greta Garbo, Marlene Dietrich, or Jeanne Moreau in the lead. ~ Eleanor Mannikka, Rovi

Piper Laurie (the mother in the horror film Carrie) appears here as the mother of a deranged deaf-mute girl. The mom runs a drive-in theater which shows mostly horror films. The girl is deranged because she is possessed by the spirit of her long-dead dad, a gangster who was gunned down by the mob. The vengeful spirit uses his daughter to gain vengeance on his assassins, many of whom now work at the drive-in. One by one the mobsters bite the dust as the demonized little girl extracts revenge for her deceased daddy. ~ Rovi

Killer Bees a made-for-TV thriller, directed by Curtis Harrington, is the story of a strong willed woman with a curious power. Madame von Bohlen (Gloria Swanson) matriarch of a family and controller of the family wine business rules her family with an iron hand. What is becoming increasingly obvious, after a series of mysterious bee attacks, is that she also has psychic control over a swarm of bees that reside in her vineyard. This silly, fun thriller has a great cast including Kate Jackson, Craig Steven and Edward Albert, and they all seem to be having as much fun with their roles as Gloria Swanson. Swanson attacks her role with the same feline energy that make her a star. She is outstanding as the controlling, iron-willed woman who will stop at nothing to get her way. A fun time is had by all in this outlandish, well-acted thriller. ~ Linda Rasmussen, Rovi

This genuinely perverse horror film stars John Savage as a young man forced to participate in the beachfront gang rape of Sue Bernard by his nasty friends. After two years in jail, he returns to the boardinghouse run by his mother (Ann Sothern), who does things like kissing him on the mouth and photographing him in the shower. Before long, he freaks out and strangles a cat while peeping at a new tenant (Cindy Williams), then almost drowns the poor girl in the pool before slashing her panties with a razor and choking her in the bathtub. He forces Bernard's car off a cliff, then makes his lawyer (Ruth Roman) drink herself stupid at knifepoint before setting her on fire. Savage and Sothern are fabulous and Luana Anders is creepy as the librarian next door who keeps trying to seduce the disturbed man. Quite a twisted little chiller, with several priceless bizarre moments like a dream sequence featuring a diapered Savage in a crib on the beach surrounded by laughing neighbors. The ubiquitous Gary Graver did 2nd unit photography. ~ Robert Firsching, Rovi

Though it bears more than passing resemblance to his macabre hits Hush ... Hush, Sweet Charlotte and Whatever Happened to Baby Jane?, this lesser-known outing from screenwriter Henry Farrell takes a more satirical turn, skewering the eccentricities of the Hollywood studio system. The story opens during the advent of talking pictures, where a school for would-be child stars is opened by voice coach Helen Hill (Shelley Winters) and dance instructor Adelle Bruckner (Debbie Reynolds). Haunted by a dark secret -- each of the women's sons was convicted of murder -- Hill and Bruckner are pursued by a cloaked interloper whose incessant snooping leads to a fatal altercation. Suspicion builds between the two until the expected climax, where it is revealed that one of the two women is even more lethal than her homicidal son. Though the film's absurdist tone is a harsh about-face from the deadly deadpan camp of Farrell's Gothic 1960s thrillers, the period flavor is a nice touch, and accomplished director Curtis Harrington frequently achieves the right balance of horror and humor. ~ Cavett Binion, Rovi

In this psychological thriller, Paul (James Caan) and Jennifer (Katherine Ross) are a pair of wealthy but blasé socialites with a sadistic streak. Lisa (Simone Signoret), an older woman from France, arrives at their door one day selling cosmetics; the couple invite her in, and when the conversation reveals that Lisa is believed to have psychic abilities, Paul and Jennifer ask her to arrange some "games" for their amusement. Lisa proceeds to set up several situations of simulated domestic discord that the couple can react to. The arrival of Norman (Don Stroud), a delivery boy, is Jennifer's cue to seduce him, just in time for Paul to arrive and shoot him in a fit of jealousy. Norman is then coated with plaster and placed in the corner, disguised as a work of art; however, Paul soon leaves on a business trip, and Jennifer discovers that Norman isn't dead after all. She panics and shoots Norman dead, only to discover that the previous murder was merely a "game" staged by Lisa. Jennifer, however, is having a very real nervous breakdown, which seems to be what Paul had in mind all along. But once Jennifer is committed to a mental hospital, Paul discovers that Lisa is not necessarily his ally in this increasingly dangerous game. Games was directed by Curtis Harrington, a one-time experimental filmmaker who previously helmed such horror cult movies as Queen of Blood and Night Tide. ~ Mark Deming, Rovi

Astronauts fly to Venus and find the planet filled with dangers gleaned from the epic Russian sci-fi film Planeta Bur (1963). Much of the film was shot on the set of executive producer Roger Corman's film Planet of Blood. ~ Sandra Brennan, Rovi

Writer/director Curtis Harrington does an admirable job working around the severe budget limitations of the 1963 psychological chiller Night Tide. Sailor Johnny (Dennis Hopper) falls in love with carnival-girl Mora (Linda Lawson), despite warnings that Mora is a "jinx" who has brought about the deaths of two previous suitors. Mora performs a mermaid act at the carnival, but to her it's no act: she believes herself the descendant of an underwater race that must kill by the light of the full moon to survive. One evening, Mora tries to kill Johnny, prompting his quick exit. He returns some time later to discover, all too late, that the film's real villain is the jealous carney owner (Gavin Muir). ~ Hal Erickson, Rovi

The only reason for the existence of the colorful musical 3DMardi Gras3D is the star power of Pat Boone. The plot is set in motion when a group of Virginia Military Institute cadets organize a raffle: the "prize" is French movie star Michelle Marton (Christine Carere), queen of the New Orleans Mardi Gras. On his own, cadet Pat Newell (Pat Boone) meets and falls in love with Michelle, not knowing her true identity. The cause of True Romance is nearly compromised by the raffle and by Hollywood publicity hacks, but by film's end everything works out fine. The film is deftly stolen by supporting actress Sheree North, who also performs the film's best musical number, "That Man." ~ Hal Erickson, Rovi