Sharon Harel Movies

Within the Orthodox Jewish Community, the attitudes toward females have remained virtually unchanged for 2,000 years. In this religious-themed drama, accomplished Israeli filmmaker Avi Nesher explores the complications that arise when the relationships between a group of women residing in a midrasha (all female seminary) in Safed turn suddenly volatile. Every girl has a different motivation for enrolling in the midrasha: for Naomi (Ania Bukstein) enrollment in the seminary meant avoiding a marriage that she didn't want, and for the rebellious Michelle (Michal Shtamler) it was simply an effective means for her parents to keep her out of serious trouble. Unlikely allies at first, Naomi and Michelle soon forge a powerful bond that is later threatened by the ailing Anouk (Fanny Ardant). Anouk is a much older woman who has come to Safed in search of redemption. Despite her outward sincerity, however, Anouk is quickly turned away by the powers that be. Realizing that the brilliant Naomi can certainly find the kabbalistic texts that could restore Anouk's purity, compassionate Michelle volunteers her scholarly friend to help the desperate woman in her time of need. While her initial hesitation is soon compounded by the fact that the head mistress forbids both students from any further contact with the mysterious Anouk, Naomi selflessly vows to expunge the sins of Anouk's past even if it means putting her own future at risk. ~ Jason Buchanan, All Movie Guide

A travel agent in deep debt attempts to swindle a by-the-books insurance agent by claiming the corpse of a gangland hit as his long-missing brother in director Mark Mylod's dark crime comedy. Paul Barnell (Robin Williams) is in trouble. Saddled with a cantankerous wife (Holly Hunter) and unable to convince ambitious insurance company agent Ted (Giovanni Ribisi) to pay off the one-million-dollar claim on his brother, who has been missing for five years, Paul's debts are mounting as fast as his life is crumbling. When Paul discovers the corpse of a nameless man who ended up on the wrong side of the mob, desperation drives him to stage a grizzly death scene and make it look as if his brother has suffered a horrible fate. Though the local police force is easily taken by Paul's elaborate ruse, it's going to take a little more convincing before Ted is willing to sign off on the hefty insurance payment. ~ Jason Buchanan, All Movie Guide

Robert Altman directs the musical drama The Company from an original story by actress Neve Campbell, based on her own experiences with The National Ballet of Canada. At the center of the ensemble cast is the young dancer Ry (Campbell), a rising star with the Joffrey Ballet of Chicago. She struggles with the demands of being a dancer while supporting herself as a waitress and starting up a romance with Josh (James Franco). Meanwhile, the ballet company director, Alberto Antonelli (Malcolm McDowell), manages to balance his own administrative and artistic duties. Campbell does her own dancing in the film and the rest of the company is played by the actual members of the Joffrey Ballet. The Company was shown at the 2003 Toronto Film Festival. ~ Andrea LeVasseur, All Movie Guide

Ralph Fiennes plays a grown man haunted by his childhood in David Cronenberg's stylized psychological drama Spider. Upon his release from a mental institution, Spider (Fiennes) takes up residence in a halfway house. Paranoid, quiet, and forever making notes, Spider spends much of the film remembering scenes from his youth, specifically a horrific event from his childhood that occurred after he came to believe that his father (Gabriel Byrne) was having an affair on his mother (Miranda Richardson). The psychological terror builds to a climax that challenges how much the viewer can believe Spider's recollections of the event. Bradley Hall plays Spider as a boy, and Richardson portrays many different women who come into contact with Spider. Spider was screened in competition at the 2002 Cannes Film Festival. ~ Perry Seibert, All Movie Guide

The epic eighth-century poem of Saxon lore gets moved into the Scandinavian future in this science fiction adaptation of Beowulf. Here, Beowulf (Christopher Lambert) rescues a damsel in distress, Pendra (Patricia Velasquez), who is being menaced by two men with large swords and bad tempers. Beowulf hears tell of Grendel, a force of evil that feasts on the flesh of warriors of Hrothgar (Oliver Cotton), who are holding their ground in the Outpost. Before long, Beowulf finds himself doing battle with Hrothgar's daughter Kyra (Rhona Mitra), Hrothgar's master of arms, Roland (Goetz Otto) and even Grendel's mother (Layla Roberts). Patricia Velasquez appeared in Beowulf shortly before she filmed her showy turn in The Mummy, while Layla Roberts's resume includes an October 1997 appearance as Playboy's Playmate of the Month. Beowulf was completed and released in Europe before another version of the same story hit the screens, Disney's The 13th Warrior (aka Eaters Of The Dead). ~ Mark Deming, All Movie Guide

James Ivory directed this drama adapted from Kaylie Jones's 1990 autobiographical novel in which the character Bill Willis is based on her father, James Jones, author of From Here to Eternity and A Thin Red Line. Ruth Prawer Jhabvala's screenplay about expatriate Americans in Paris during the 1960s/1970s offers a portrait of a normal family (as opposed to the dysfunctional families of The Ice Storm and many other 1990s films), seen from the point of view of daughter Channe. Her father is Bill Willis (Kris Kristofferson), a successful novelist and WWII veteran who's married to enthusiastic poker-player Marcella (Barbara Hershey). Divided like the sections of a novel, the story's first chapter is titled, "Billy," in which French orphan Benoit (Samuel Gruen) is brought to the Willis household for adoption, while his unmarried biological mother (Virginie Ledoyen) writes about him in her diary. Six-year-old Benoit has been shipped through so many orphanages and foster homes that he doesn't unpack his suitcase. Benoit's presence prompts the young Channe (Luisa Conlon) to turn to her protective Portuguese nanny Candida (Dominique Blanc). After Benoit becomes acclimated to his new family, he asks that his name be changed to Billy. In the second segment "Francis" a strong friendship develops between Channe (Leelee Sobieski) and fatherless Francis Fortescue (Anthony Roth Costanzo). Obsessed with opera, Francis lives with his expatriate British mother (Jane Birkin). The family's French idyll is disrupted when Bill Willis plans a return to the United States because he wants American doctors to treat his bad heart. The closing act "Daddy" takes place in North Carolina during the 1970s as Bill's health worsens, Billy (Jesse Bradford) grows up, and an alienated Channe seeks acceptance through sex. A bedridden Bill dictates his fiction to Channe, who transcribes tapes and types his manuscript pages. During intimate conversations about boys and sex, Willis helps his daughter find her footing on the path of life. This movie arrived only 14 weeks prior to the release of Terrence Malick's 1998 adaptation of the elder Jones' The Thin Red Line. Shown at 1998 film fests (Venice, Toronto). ~ Bhob Stewart, All Movie Guide

A loser looking for work is asked to become a hired killer in this dark comedy. Frank (Mark Addy)'s life is going nowhere when his mother throws him out of the house. Frank ends up sharing a house with his friend Kenny (Charlie Creed-Miles), who lives with his alcoholic grandfather and disabled brother. Frank is shooting the breeze with Kenny one day and mentions he was once in the service as a Special Air Services officer. Kenny, very impressed, offers Frank some work -- he'd like him to kill Donut (Alan Atherall), a low-level crook responsible for his brother's injury, along with Donut's girlfriend Jackie (Samantha Morton). Frank is taken aback but eventually agrees, and he shows up at Donut's place to discover that he's not in. Jackie, however, lets Frank inside, and Frank and Jackie get to know each other a bit as he waits for his target to show up -- and wonders if he really has the nerve to kill someone. The Last Yellow was screened at the 1999 Edinburgh Film Festival. ~ Mark Deming, All Movie Guide

Can a homophobic tough guy and an out-of-the-closet gay man find happiness splitting the rent in Midtown Manhattan? This and other crucial questions are answered in this comedy. Frankie (Nick Scotti) is a macho and slightly thick-headed Italian-American from the Bronx who works in a pizzeria but dreams of becoming a successful actor, like his heroes Robert De Niro and Al Pacino. He's long had vague plans of someday moving to Manhattan and taking a serious shot at making his dream a reality, but it takes a personal crisis to put Frankie's plans into first gear -- namely, learning that his brother Pino (Anthony DeSando) has been sleeping with his girlfriend. This turn of events leaves Frankie with neither a significant other nor a place to live, so he starts hunting for affordable digs downtown. Looking in an alternative newspaper, Frankie spots an ad for a "GWM seeking same to share fully furnished apartment;" naive Frankie figures "GWM" means "Guy With Money," and since the price is right, he moves in right away. However, after spending several days with his new roommate Warren (Anthony Barrile) and his friends, Frankie slowly makes the discovery "GWM" actually means "Gay White Male," which is most certainly not what Frankie was looking for. However, he's in no financial position to go anywhere else, so both Frankie and Warren wind up confronting their fears and learning a lot about people different from themselves. As it turns out, Warren does a bit of acting, and when he hurts his leg shortly before the opening of an off-Broadway play in which he's to appear, Frankie arranges to take his place. There is, however, a catch -- Frankie will be playing a gay man, and he'll have to kiss another actor full on the lips in his big scene. Kiss Me Guido was the first feature film from writer and director Tony Vitale. ~ Mark Deming, All Movie Guide

Based on a novel by William Boyd (who also wrote the film's screenplay), this darkly witty drama explores the political, social, and sexual gamesmanship of a group of British and African politicians. Morgan Leafy (Colin Friels) is a British diplomat who, for the past three years, has been assigned to the British High Commission of Ninjana, an African nation slowly divesting itself of colonial rule. Leafy is an arrogant and frequently confused alcoholic romantically involved with an African woman named Hazel (Jackie Mofokeng). Arthur Fanshawe (John Lithgow), a new High Commission appointee who wants nothing more than to be promoted and moved out of Africa, brings some interesting news to Leafy: massive reserves of oil have been discovered in Ninjana, and if the British want to reap the full profits of this windfall, they will want to stay on the good side of Sam Adekunle (Louis Gossett Jr.), who in all likelihood will be the next president of Ninjana. However, something of a diplomatic crisis has come up; a native woman was struck by lightning in the courtyard of the High Commission's compound, and the locals insist that she cannot be moved until certain time-honored rituals have been performed. At a loss for advice, Leafy turns to Dr. Alex Murray (Sean Connery), a Scottish doctor who has been in Africa for 23 years and is one of the few people equally at ease with both the British colonials and the natives. However, Leafy doesn't seem so eager to seek out assistance in his romantic problems; while he's involved with Hazel, Leafy also finds himself dallying with Adekunle's wife Celia (Joanne Whalley-Kilmer) and Fanshawe's wife Chloe (Diana Rigg). By the way, don't bother looking for Ninjana on a map -- it doesn't really exist. ~ Mark Deming, All Movie Guide

A pair of American pilots are forced to cooperate with their Soviet counterparts on a mission to destroy a Middle Eastern nuclear weapons site in this predictable, low-budget action sequel. The first Iron Eagle's rebellious fly boy Cooper (Mark Humphreys) has returned, as has his gruff mentor Chappy (Louis Gossett Jr. as yet another military man). They must work with two Russian pilots, one of whom is a beautiful woman that handsome young Cooper naturally sets out to woo. An extended build-up, including the requisite government conspiracy, leads to the climactic final battle. Average-at-best production values fail to elevate the film above a derivative screenplay, although the film did find enough success to produce further installments in the series. ~ Judd Blaise, All Movie Guide

The time is just after the 1967 Six-day War when a group of Israeli soldiers travel around the country entertaining their fellow servicemen and women in more or less amateur musical numbers and stand-up comedy routines. Interspersed with the entertainment scenes is a plot that brings certain characters together in romantic liaisons and separates others in jealous competition, as the troupe heads towards the goal of appearing on national television. ~ Eleanor Mannikka, All Movie Guide