Catherine Hardwicke Movies

A psychiatrist with psychic powers helps a rock star get over the grief of losing his brother in this erotic thriller from Twilight director Catherine Hardwicke. Emily Browning, Cam Gigandet, and Xavier Samuel star. ~ Jeremy Wheeler, Rovi

The secrets that have long been buried in Daggorhorn are about to be revealed in this digital fairytale set twenty years before the events of the film Red Riding Hood. Peace has finally come to the village of Daggorhorn, but it has come at a price. In this tale, Valerie's grandmother recounts the events that have resulted in the town leaving a sacrifice for a beast every harvest moon. Valerie's young friend Peter hints that the relationship with the beast has not always been so peaceful. Valerie and her sister Lucie demand to hear the truth about her family's past and in turn learn that true love is worth any cost. Believe the legend. Beware the wolf.

Amanda Seyfried stars in this dark retelling of the classic Little Red Riding Hood fable, set in a medieval village where a werewolf has been terrorizing the citizens. Though the night has become a more and more dangerous time for the villagers, who never know when the beast will leave more bodies strewn in its wake, Valerie is a girl on the brink of womanhood, and is so preoccupied with her love and lust for an orphaned woodcutter that she risks leaving herself vulnerable -- both literally and figuratively. Meanwhile, the townspeople hire a werewolf hunter (Gary Oldman) to track down the monster and kill it before it wreaks more bloody havoc. But as suspicions brew, the people of the once peaceful town begin to turn on each other, letting the innocence of their formerly happy community fall further and further into the past. ~ Jason Buchanan, Rovi

Australian-born Whale Rider sensation and Oscar nominee Keisha Castle-Hughes stars opposite Oscar Isaac in Lords of Dogtown director Catherine Hardwicke's dramatic account of the Annunciation, and the arduous journey of Mary and Joseph to give birth to baby Jesus. House of Sand and Fog's Shohreh Aghdashloo co-stars in a film with a screenplay by The Rookie and Finding Forrester scribe Mike Rich. Filmed in the village of Matera, Italy (a locale that has remained virtually untouched by modern progress and also served as the backdrop for Mel Gibson's The Passion of the Christ), and Quarzazate, Morocco, former production designer Hardwicke's film strives for authenticity in telling the Bible's most treasured tale. ~ Jason Buchanan, Rovi

Writer/director Lisa Cholodenko follows up her much-acclaimed 1997 debut High Art with this examination of a young couple seduced into a hedonistic, left-coast lifestyle. Taking its title from its central locale, Laurel Canyon focuses on a pair of upper-middle class lovebirds from the East Coast who relocate to Los Angeles. Freshly minted from Harvard, Sam (Christian Bale) and Alex (Kate Beckinsale) are eager to continue their medical studies out West, but they need some lodging while they hunt for a home. Enter Jane (Frances McDormand), Sam's estranged, Age-of-Aquarius mom, who's more than willing to put the couple up in her lavish digs. Jane is a successful record producer whose latest charge -- both in the studio and in her bedroom -- is Ian (Alessandro Nivola), a brazen, libidinous twentysomething Brit-rocker. As Sam and Alex settle in at Jane's, they gradually lose their straight-and-narrow approach to life and begin to experiment. Alex takes to Ian and Jane, while Sam is wooed by co-worker Sara (Natascha McElhone). Laurel Canyon features a score by Shudder to Think's Craig Wedren; the music for Ian's band was provided by Sparklehorse's Mark Linkous and indie-rockers Folk Implosion. ~ Michael Hastings, Rovi

Just how far should one man go to stay ahead of his competition? Milo Hoffmann (Ryan Phillippe) is a young and gifted computer software designer who with his close friend Teddy is about to launch a high-tech start-up firm based on Milo's inventive ideas in convergence, in which he's helping to create new ways for different forms of digital technology to work in harmony. However, before Milo and Teddy can get their company off the ground, Milo receives a very tempting offer from Gary Winston (Tim Robbins), a trailblazing genius in the digital world who has turned his company N.U.R.V. (which stands for "Never Underestimate Radical Vision") into one of the richest and most powerful computer firms on Earth. While Milo is sympathetic to Teddy's beliefs that computer technology should belong to the people and that open source software is the most promising future lies, Winston has long been Milo's role model in design and research, and Milo feels Winston's offer is too good to pass up. Milo and his girlfriend Alice Poulson (Claire Forlani) move out to Silicon Valley, and at first Milo thrives on the challenges of his new position, and develops a close working relationship with fellow designer Lisa Calighan (Rachael Leigh Cook). But Milo underestimates the ruthlessness of the leading-edge software industry, and he soon learns there's a sinister undercurrent to Winston's drive to stay on top. Antitrust earned rising star Ryan Phillippe his first million-dollar paycheck after well-regarded roles in 54 and Cruel Intentions. ~ Mark Deming, Rovi

Richard Linklater's fifth feature is a major departure from his previous work -- his first big-budget picture, it's also the first of his films since his 1987 Super-8 effort "It's Impossible to Learn to Plow by Reading Books" not set during his signature 24-hour time frame, offering instead a ravishing bankrobber period piece buoyed by a gentleness of spirit rare among movies of any genre. Its true story tells of the four Texas-born Newton brothers, who between 1919 and 1924 were the most successful robbers in the U.S.; led by the newly-paroled Willis Newton (Matthew McConaughey, in arguably his strongest performance to date), the gang -- siblings Jess (Ethan Hawke), Joe (Skeet Ulrich) and Dock (Vincent D'Onofrio), as well as nitroglycerin expert Brentwood Glasscock (Dwight Yoakam) -- embarks on a crime spree which spreads across the U.S. and into Canada, heisting bank vaults only at night in order not to hurt or kill anyone. (As Willis figures it, the bankers -- all covered by insurance -- are merely thieves themselves anyway.) A sweetly contemplative film, The Newton Boys is almost an anti-crime caper -- no one gets killed, and the violence which does occasionally erupt is handled with a light comic touch. By no means a master storyteller, Linklater has instead crafted a movie tailored to his own strengths, among them his skillful direction of actors, his flair for period detail and his unerring sense of rhythm; like all of his work, The Newton Boys is also informed by its maker's deep and abiding love for the film medium itself, complete with any number of striking visual and emotional references to classics ranging from Greed to Jules et Jim. While viewers expecting slam-bang action typical of the genre will undoubtedly be disappointed, those seeking a more humane and poetic alternative will be utterly charmed. ~ Jason Ankeny, Rovi

Director Richard Linklater and writer/actor Eric Bogosian collaborated on this adaptation of Bogosian's play about a handful of people edging into their 20's who seem like the poor relations of the genial eccentrics in Linklater's Slacker. While the Texas bohemians in Slacker has their myriad obsessions to keep them occupied (even if they didn't do much about them), SubUrbia's protagonists have few if any clear goals and hang out not as a means of killing time, but as a way of life. Jeff (Giovanni Ribisi) talks about going back to college some day while he lives in a tent in his parents' garage. His girlfriend Sooze (Amie Carey) imagines herself a performance artist; most of her "work" is displayed in he parking lot of a convenience store, though she often talks about moving to New York. Tim (Nicky Katt) was bounced from the Air Force and spends his evenings soaking up alcohol and bitterness. Buff (Steve Zahn) is obsessed with pizza and is content with his reputation as the wacky guy who will do anything. And Bee-Bee (Dina Spybey) is Sooze's best friend, just out of rehab, with her willpower hanging by a thread. It's a big night in front of the convenience store; Pony (Jayce Bartok), who used to play guitar at school dances, has become a rock star, and promises to stop by after his show at the local hockey arena (none of his friends have the money to see him play). Meanwhile, the American work ethic is represented by Nazeer (Ajay Naidu), an immigrant from Pakistan who runs the store where the kids hang out; he's sick to death of them, and lives for the day when he gets his engineering degree and never has to see their faces again. Bogosian has said this play (and in particular the character of Jeff) was freely drawn from his own post-teenage years. ~ Mark Deming, Rovi

Based on a popular British cult comic book, this film is the story of a futuristic feminist superhero and her fight to preserve the environment against an evil government bureaucracy. The action is set in the year 2033, after an ecological disaster of drought and pollution has ravaged the countryside, and water is scarce. Tank Girl (Lori Petty) is a sassy punker who has her own vintage tank in tow, along with other high-tech weapons. Her mutant friends join her in bizarre battles against the corporate-statist Department of Water and Power and its villainous chief, Kesslee (Malcolm McDowell). At stake is the world's water supply, which the Department is hoarding and which the rebels frequently raid. Rock star Iggy Pop has a cameo as Rat Face, one of the half-human, half-kangaroo Rippers. Courtney Love coordinated the post-punk soundtrack. ~ Michael Betzold, Rovi

The manic writing-directing comedy team of Tom Stern and Alex Winter (the latter of Bill & Ted's Excellent Adventure and Bill & Ted's Bogus Journey) followed up their deranged short-film collaborations and the short-lived MTV series The Idiot Box with this comic fantasy, which amounts to a virtual car crash of anarchic, mind-blowing weirdness. The brain-damaged plot follows self-centered sitcom actor Ricky Coogin (Winter), official spokesman for the E.E.S. (Everything Except Shoes) corporation, into the jungle-bound South American nation of Santa Flan. Coogin has been sent as an emissary on behalf of E.E.S. to placate the media uproar over a substance called Zygrot-27, a chief ingredient in many E.E.S. products which has been decried as a fatal environmental toxin. Accompanied by his friend Ernie (Michael Stoyanov) and environmental activist Julie (Megan Ward), Ricky takes a detour into the jungle to a bizarre amusement park overseen by bombastic barker/inventor Elijah C. Skuggs (Randy Quaid), who specializes in the display of "Hideous Mutant Freekz" (the film's original title). The trio soon discover that Skuggs manufactures his oddities himself, and they find themselves at the mercy of his hideous freakmaking factory -- which coincidentally uses Zygrot-27 as a catalyst. Once he has the hapless heroes strapped down, Skuggs reveals his intention to transform Coogin into an evil mega-freak who will destroy all the others in a slam-bang, standing-room-only closing event. Miffed at the notion of sustaining an acting career as a spine-covered, pus-gushing monster, Coogin joins a rebellion within Skuggs' captive stable of other man-made freaks -- whose ranks include such monstrosities as effete human worm; a bearded lady (Mr. T in a frilly dress); a man with a sock-puppet for a head (voiced by Bob Goldthwait); and Ortiz the Dog-Boy (an uncredited Keanu Reeves). Their plans to turn Ricky into a zygrot-powered superhero go astray, however, leading to a hilariously apocalyptic finale. Doomed to home-video status by lethargic distribution from Twentieth-Century Fox, this unappreciated gem deserves a second look; packed with hilarious visual gags, ultra-gross setpieces and body-function jokes, Freaked is a hallucinogenic funhouse of a movie. ~ Cavett Binion, Rovi

Writer, director, and star Mario Van Peebles tried to correct historical misconceptions about African-Americans on the frontier with this action-packed western that's also an homage to spaghetti Westerns. During the Spanish-American War, a squadron of black soldiers led by Jesse Lee (Van Peebles) is assigned a dangerous mission behind enemy lines in Cuba by evil Colonel Graham (Billy Zane). Joined by a white gambler, Little J (Stephen Baldwin), the troupe is to recover a chest of gold. Realizing that Graham will slaughter them once they've relinquished the booty, Lee and his men retrieve the chest, wound Graham, and head for home. Ambushed by Graham in New Orleans, the "posse" heads for Lee's hometown of Freemanville, a frontier settlement of ex-slaves. Years ago, Lee's minister father (Robert Hooks) was murdered there by Klansmen, and the gunslinger wants revenge. There's new trouble brewing in Freemanville, however. Sheriff Bates (Richard Jordan), top lawman in neighboring Cutterville, plans to wipe out Freemanville's citizens and sell their lucrative property to a railroad. Then there's Graham, still on Lee's trail. ~ Karl Williams, Rovi

Businessman Larry Burrows (James Belushi) has a wife who ignores him, a screwball friend who won't leave him alone, and a car that continually breaks down. All that and more is enough to give him a mid-life crisis. After his car stalls once more, he enters a bar looking for help and encounters a bartender (Michael Caine) who shows him what his life would have been like, if he hadn't struck out in a baseball game back in high school. ~ John Bush, Rovi