John Harding Movies

An unlikely romance blossoms at a seaside home in this British made-for-television movie. Joss Ackland stars as Gerald Carmody, an irascible stockbroker who doesn't expect much from his rest at a senior citizen-populated hotel. When he meets Katherine Palmer (Jean Simmons) though, his spirits pick up and a special relationship develops -- however Katherine has something important to reveal to Gerald. ~ Bernadette McCallion, All Movie Guide

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel Police at the Funeral. This time, Campion finds himself in Cambridge, at the ancestral home of the dissolute Faraday family. Most of the family members are hanging around, waiting anxiously for wealthy, strong-willed Caroline Faraday (Marry Morris) to shuffle off her mortal coil. It is not Caroline who dies, however, but instead two of the greedy relatives: Uncle Andrew Seely (John Franklyn-Robbins) is found floating in a nearby river, and then Aunt Julia (Gillian Martell) is poisoned. With no shortage of suspects with motive and opportunity, Campion is somewhat relieved when yet another Faraday shows up, claiming to have witnessed Uncle Andrew's demise -- but can this relative, or anyone else for that matter, be trusted? In America, "Police at the Funeral" was telecast October 26 and November 2, 1989, as part of the PBS anthology Mystery! ~ Hal Erickson, All Movie Guide

After a brief introduction by J.M. Barrie (Alec McCowen) and shots of the young Daisy Ashford (Carina Radford) working on a book, this children's fantasy film about the aristocracy in England at the end of the 19th century begins its surreal journey. Comedian Tracey Ullman plays Ethel Monticue, a woman who must decide between two suitors: the suave and worldly Bernard Clark (John Harding) or the clod Alfred (Kenny Ireland), sent off to London to learn how to become a gentleman. Unreal sequences, such as entering the chambers of the aristocratic elite through caverns, or a train that is really a horse stable, take the narrative of the film away from logic and into the fantasy of a child's imagination. Ullman and Ireland are excellent as the comic Ethel and Alfred, and in general this make-believe tale is one that could be appreciated by parents as well as children. ~ Eleanor Mannikka, All Movie Guide

Made for British television, the 1975 Three Men in a Boat is the latest filmization of the timeworn Jerome K. Jerome comic novel. The plot remains the same: a trio of Englishmen take a boat excursion along the Thames during a two-week holiday. The trio experiences several amusing misadventures especially when they meet three lovely female landlubbers. Starring in this 64-minute adaptation are Tim Curry (as Jerome K. Jerome), Michael Palin and Steven Moore. Additional (and often very esoteric) dialogue has been added by adaptor Tom Stoppard, of Rosencranz and Guildenstern are Dead fame. Previous versions of Three Men in a Boat were produced in 1933 and (most memorably) 1958. ~ Hal Erickson, All Movie Guide

Sydney Pollack's tawdry potboiler, adapted from a one-act play by Tennessee Williams, was rife with production problems, culminating in Williams' failed attempt to have his name removed from the credits. The story is set by a framing device as thirteen-year-old Willie Starr (Mary Badham) sits on an abandoned railroad track with her friend Tom (Jon Provost) and relates the tale of her deceased older sister Alva (Natalie Wood). Alva is a beautiful woman living in a small Mississippi town in the 1930s with her manipulative mother Hazel (Kate Reid), the owner of a boarding house. Hazel wants Alva to marry the well to do Mr. Johnson (John Harding), but Alva has fallen in love with a good-looking stranger from New Orleans, Owen Legate (Robert Redford), who is in Mississippi to lay off railroad workers. Hazel is opposed to their love affair and when Owen is beaten to a pulp by a gang of workers, he decides to leave town and take Alva with him. But Hazel fools Owen into thinking Alva is engaged to Mr. Johnson. In retaliation, Alva marries Hazel's loutish lover J.J. (Charles Bronson). The next day, she abandons J.J. to meet Owen in New Orleans. Her mother, incensed at Alva's betrayal, sets out to ruin her daughter's reputation by exposing her marriage to J.J. to the world. ~ Paul Brenner, All Movie Guide

Pernell Roberts plays a dual role in this February 14, 1965 installment of Bonanza. Adam Cartwright discovers that his exact double, a man named Tom Burns, is posing as Adam to raise money under false pretense. With the help of a saloon girl named Ann (Lola Albright), Adam attempts to track down his lookalike-only to be threatened by Tom's apparent murderer. "The Search" was written by series "regular" Frank Cleaver. ~ Hal Erickson, All Movie Guide

A young woman on a business trip travels by train from L.A. to San Francisco and finds herself implicated in a murder in this crime drama. The trouble begins as she retires to her sleeping compartment and is knocked unconscious. The next day she wakes up beside the dead body of the woman she had been sharing it with. A police detective arrests her and escorts her off the train. She escapes and is picked up by a passing motorist. He takes her to her home where she discovers another corpse, a friend of hers who was an alcoholic writer. She was letting him stay at her apartment while she was gone. The distraught woman tells the motorist all she knows. She then admits that she is a former mental patient. The motorist becomes suspicious and takes the woman back to her boss, who denies that he sent her on the business trip. Trouble ensues until they learn that the boss was behind it all. The first corpse was his wife. He put the body beside the girl so that so she would be suspected of being a homicidal maniac. The boss kidnaps his hapless employee and takes her to the mountains where he plans to kill her and make it look like a suicide. Fortunately, the motorist trails them and saves the day. ~ Sandra Brennan, All Movie Guide

This cinemadaptation of John O'Hara's From the Terrace stars Paul Newman as Alfred Eaton, an unhappily married financial adviser, while his real-life wife Joanne Woodward portrays Mary St. John, his promiscuous screen spouse. Mary's libertine behavior is a by-product of her husband's inability to express love and affection, a trait he has inherited from his cold-blooded father. Mark Robson directs and Myrna Loy heads up a large supporting cast as Newman's alcoholic mother. ~ Hal Erickson, All Movie Guide

In this drama set just after the end of WW II, an American officer falls in love with a German woman. Their blissful affair is disrupted when her German ex-lover returns and begins trying to exact his jealous revenge upon the Yankee. When the jealous shows up dead, the American is blamed. His courageous girl friend then risks all to prove his innocence. ~ Sandra Brennan, All Movie Guide

Ten North Frederick is a generally satisfying adaptation of one of John O'Hara's weaker novels. Gary Cooper plays wealthy businessman Joe Chapin, whose politically ambitious wife Edith (Geraldine Fitzgerald) hopes to ramrod into the White House. To this end, Edith donates tons of money to the party of her choice and forces Joe into a maelstrom of power meetings and high-profile social engagements. Threatening to upset Edith's plans is her daughter Ann (Diane Varsi), who insists upon conducting a romance with an "undesirable" musician. Joe buys off Ann's boyfriend, thereby alienating his daughter. Soon Joe's chickens come home to roost when a rival politician makes public Ann's indiscretions. Adding insult to injury, Edith lets her husband know about her many extramarital affairs. In hoping to win back his daughter's affections, Joe falls in love with Ann's roomate Kate Drummond (Suzy Parker). Finding true happiness and contentment for the first time in his life, Joe is denied even this balm when he becomes mortally ill. Gary Cooper makes a valiant effort at playing a more complex individual than he was accustomed to, succeeding about 75 percent of the time. ~ Hal Erickson, All Movie Guide

Frank Sinatra stars as legendary nightclub comic Joe E. Lewis in this dramatic screen biography. In the 1920s, Lewis was a popular singer in Chicago who could fill any nightclub he chose to play. This doesn't go unnoticed by the mobsters who control many of the city's venues; when they ask Lewis to leave his steady gig and come work for them, he politely but firmly refuses. This does not make Al Capone and his men happy, and they respond by brutally attacking Lewis, cutting his throat and damaging his vocal cords so severely that he can never sing again. Lewis sinks into a deep depression and develops a highly caustic sense of humor, but his friend Austin Mack (Eddie Albert) suggests that he could put his sharp wit to work as a comedian. With little to lose, Lewis tries his hand at comedy, and with the encouragement of famous entertainer Sophie Tucker, Lewis once again rises to stardom as his salty material makes him the talk of late-night spots and burlesque houses everywhere. Along the way, he becomes involved with chorus girl Martha Stewart (Mitzi Gaynor) and wealthy socialite Letty Page (Jeanne Crain); while he marries Martha, he's not able to get Letty out of his thoughts for long. Lewis' romantic conflicts and the pressures of success fan the flames of his already potent taste for alcohol, and soon Lewis becomes a bitter drunk whose addiction to the bottle threatens to send his career (and his life) back into the gutter. The classic Sammy Cahn and Jimmy Van Heusen number "All the Way" was introduced in The Joker Is Wild, and it won a 1957 Academy Award for Best Song; the film was later re-released as All the Way. ~ Mark Deming, All Movie Guide

One of the gutsiest movie musicals of the 1950s, Love Me or Leave Me is the true story of 1930s torch-singer Ruth Etting, here played by Doris Day. While working in a dime-a-dance joint, Ruth is discovered by Chicago racketeer Martin "The Gimp" Snyder (fascinatingly played with nary a redeeming quality by James Cagney). The smitten Snyder exerts pressure on his show-biz connections, and before long Ruth is a star of nightclubs, stage and films. Ruth continues to string Snyder along to get ahead, but she can't help falling in love with musician Johnny Alderman (Cameron Mitchell). After sinking his fortune into a nightclub for Ruth's benefit, Snyder is rather understandably put out when he finds her in the arms of Alderman. Snyder shoots the musician (but not fatally) and is carted away to prison. Upon his release, Snyder finds that Ruth is still in love with Alderman; he is mollified by her act of largesse in keeping her promise to perform in his nightclub at a fraction of her normal salary. No one comes off particularly nobly in Love Me or Leave Me, even though the still-living Ruth Etting, Martin Snyder and Johnny Alderman were offered full script approval. The fact that we are seeing flesh-and-blood opportunists rather than the usual sugary-sweet MGM musical stick figures naturally makes for a more powerful film. In his autobiography, James Cagney had nothing but praise for his co-star Doris Day, and bemoaned the fact that she would soon turn her back on dramatic roles to star in a series of fluffy domestic comedies. ~ Hal Erickson, All Movie Guide