Marie Bryant Movies

1958  
 
In this espionage film, an American journalist goes to London. There he becomes friends with a young woman who is really a secret agent carrying an important list of enemy spies disguised as a diary. When she drops it, he picks it up and finds himself facing a gun barrel. They get involved in a scuffle and the woman ends up accidentally dead. Now the reporter has the secret list. He finds himself the target of spies desperate for the information. ~ Sandra Brennan, All Movie Guide

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Starring:
Larry ParksConstance Smith, (more)
1950  
 
Betty Grable's Wabash Avenue is an agreeable remake of Grable's 1943 hit Coney Island. The locale is changed from New York to Chicago, but the plot remains basically the same. Once again, the star is cast as a honky-tonk singer, Ruby Summers, who is groomed for classier show-business endeavors by a handsome producer -- in this case, Andy Clark (Victor Mature). Saloon owner Uncle Mike (Phil Harris) doesn't want to lose Ruby (Grable) for both professional and personal reasons, but Clark is more persuasive, and, frankly, better-looking. Once she reaches the top in a Hammerstein show, Ruby's head is turned by Clark's suave, sophisticated partner English Eddie (Reginald Gardiner). Margaret Hamilton has a wonderful cameo as a Carrie Nation-style saloon basher, while old-time vaudevillian James Barton steals the show with his rendition of such standards as "Harrigan" and "Green River." ~ Hal Erickson, All Movie Guide

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Starring:
Betty GrableVictor Mature, (more)
1949  
NR  
"This boy...and this girl...were never properly introduced to the world we live in." With this superimposed opening title, director Nicholas Ray inaugurates his first feature, They Live by Night. Farley Granger and Cathy O'Donnell play a "Bonnie and Clyde"-type fugitive couple, who in trying to escape their past are hell-bent down the road to Doom. Despite their criminal activities, Bowie (Granger) and Keechie (O'Donnell) are hopelessly naïve, fabricating their own idyllic dream world as the authorities close in. The entrapment -- both actual and symbolic -- of the young misfit couple can now be seen as a precursor to the dilemma facing James Dean in Ray's 1955 film Rebel Without a Cause. A box-office disappointment upon its first release, They Live by Night has since gained stature as one of the most sensitive and least-predictable entries in the film noir genre. The film was based on a novel by Edward Anderson, and in 1974 was filmed by Robert Altman under its original title, Thieves Like Us. ~ Hal Erickson, All Movie Guide

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Starring:
Cathy O'DonnellFarley Granger, (more)
1938  
 
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Also known as The Duke Is Tops, this is one of the best examples of the many all-black films made in the 1930s for what were then designated as "colored" theatres. Looking about 15 years old, Lena Horne plays the main attraction for the stage shows put on by a fellow named Duke (Ralph Cooper). When she gets a chance at a Broadway show, Lena swiftly severs all ties with Duke. But when Lena's big-time debut threatens to be a disaster, it is Duke who saves the day. The dialogue is for the birds, but The Duke Is Tops is aces when it comes to musical numbers. ~ Hal Erickson, All Movie Guide

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Starring:
Ralph CooperLena Horne, (more)

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