Marvin Hamlisch Movies

A rising star in the agricultural industry suddenly turns whistleblower in hopes of gaining a lucrative promotion and becoming a hero of the common people, inadvertently revealing his penchant for helping himself to the corporate coffers and ultimately threatening to derail the very investigation he helped to launch in this offbeat comedy from Academy Award-winning director Steven Soderbergh. Mark Whitacre (Matt Damon) was fast rising through the ranks at agri-industry powerhouse Archer Daniels Midland (ADM) when he became savvy to the company's multinational price-fixing conspiracy, and decided to turn evidence for the FBI. Convinced that he'll be hailed as a hero of the people for his efforts, Whitacre agrees to wear a wire in order to gather the evidence needed to convict the greedy money-grabbers at ADM. Unfortunately, both the case -- and Whitacre's integrity -- are compromised when FBI agents become frustrated by their informant's ever-shifting account, and discover that he isn't exactly the saintly figure he made himself out to be. Unable to discern reality from Whitacre's fantasy as they struggle to build their case against ADM, the FBI watches in horror as the highest-ranking corporate bust in U.S. history threatens to implode before their very eyes. Scott Bakula, Joel McHale, and Melanie Lynskey co-star. ~ Jason Buchanan, All Movie Guide

Based on the 1999 bestseller by K.C. McKinnon, this touching Hallmark Hall of Fame presentation stars Alicia Silverstone as Dee Dee, a single mom and professional candlemaker who returns to her Maine hometown after a lengthy absence. Having left town with a somewhat sullied reputation, she returns with apparently the best of intentions--bringing her 12-year-old son Trooper (Matthew Knight) along for the sentimental journey. Dee Dee's reappearance is initially met with hostility by veterinarian Lydia, whose husband (and coworker) Sam had once been Dee Dee's sweetheart. Ultimately, however, Lydia warms up to both her "rival" and her son--just before Dee Dee poignantly reveals the real reason for her unexpected homecoming. Filmed for television on location in Nova Scotia, Candles on Bay Street was first broadcast by CBS on November 26, 2006. ~ Hal Erickson, All Movie Guide

Directors: Barbra Streisand profiles the actress, producer, film director, and notorious perfectionist. Streisand, who directed Yentl, The Prince of Tides, and The Mirror Has Two Faces, discusses the challenge and responsibility of being a female power player in the male-centered entertainment industry. The one-hour American Film Institute video focuses on Streisand's directorial experiences and features interviews with Streisand, Mimi Rogers, Brenda Vaccaro, Nick Nolte, Lauren Bacall, Marvin Hamlisch, Mandy Patinkin, Amy Irving, and Pierce Brosnan. Robert J. Emery directs the program. ~ Betsy Boyd, All Movie Guide

On December 31, 1999, Barbara Streisand gave a concert that she announced would be her last. This video, Barbara Streisand: Timeless - Live in Concert, is a record of that event. Streisand performs 40 songs, including the standards "Something's Coming," "The Way We Were," "Evergreen," "On a Clear Day (You Can See Forever)," and "People." The concert also features duets with Frank Sinatra, Bryan Adams, Barry Gibb, and Celine Dion, as well as dancing by Savion Glover. ~ Perry Seibert, All Movie Guide

In this romantic comedy-drama, a couple learns that the relationship between the mind and the body can take many different forms. Rose Morgan (Barbra Streisand) is a plain and pudgy middle-aged college English professor who shares a house with her mother, Hannah (Lauren Bacall). Rose got the brains in her family, but her sister Claire (Mimi Rogers) got the good looks, and as Claire prepares for her wedding to Alex (Pierce Brosnon), Rose can't help but despair over the blank page that is her love life, especially since she's long had a crush on Alex. Gregory Larkin (Jeff Bridges) teaches mathematics at the same school as Rose, and he has come to the conclusion that sex serves no purpose but to complicate relationships between men and women; after a series of disastrous romantic affairs, Gregory is looking for an intellectual relationship with a woman -- and nothing more. One day, Gregory passes by Rose's lecture hall as she discusses the role of chaste love in literature, and he's intrigued; he takes her out on a date and is impressed by Rose's quick wit and broad range of knowledge. Gregory is so taken with Rose that he proposes marriage, but under the condition that theirs be strictly a meeting of the minds, without sexual relations. While Rose is very much attracted to the handsome mathematician, the prospect of spending the rest of her life either alone or with Hannah seems far worse than a marriage without passion, and she agrees to his proposal. However, Rose's affection for Gregory makes it difficult for her to stop with a handshake, and one night she puts on her best nightgown and attempts to seduce her husband, much to Gregory's annoyance and confusion. Gregory leaves on a lecture tour shortly afterward, and after Hannah reassures a heartbroken Rose that she was beautiful as a child, Rose goes on a crash course in self improvement. She goes on a diet, starts working out, changes her hairstyle, learns a few makeup tricks, and revamps her wardrobe, and by the time Gregory returns, he discovers that there's a very different woman in the twin bed next to his own. The Mirror Has Two Faces, based on the 1958 French comedy Le Miror a Deux Faces, was Barbra Streisand's third project as a director; she also served as co-producer and helped compose the film's theme song, "I Finally Found Someone." ~ Mark Deming, All Movie Guide

In this comedy thriller two dopey pals try to solve a puzzling riddle. If they succeed, one of them will inherit a valuable artifact, an object desired by a number of suspicious characters willing to do just about anything to obtain it. ~ Sandra Brennan, All Movie Guide

The two-part, four-hour TV movie Switched at Birth is based on an actual event which began unfolding in Wauchula, Florida in 1978. Brian Kerwin and Judith Hoag play the new parents of a baby girl; a few days later, another couple, played by John M. Jackson and Bonnie Bedelia, have a baby at the same hospital. Kerwin and Hoag's baby is healthy; Jackson and Bedelia's baby has a heart defect. Switched at Birth traces the lives of the two girls over a period of eight years--up to the point of a tragedy which opens the possibility that the girls may not have been given over to the correct parents at the hospital. The four parents involved find themselves in court, battling over custody of the surviving child. This intensely personal problem is bloated into a cause celebre by the press and by parents' rights pressure groups. Edward Asner and Caroline McWilliams appear as the opposing attorneys. Those who'd been following the two-part Switched at Birth during its first telecast in April of 1991 may have found themselves in family conflicts of their own, inasmuch as Part Two was shown opposite the network TV premiere of Die Hard. ~ Hal Erickson, All Movie Guide

Since its London and Broadway stage debut, playwright Willy Russell's Shirley Valentine has proven an excellent showcase for any number of talented actresses (Loretta Swit won the 1989 Sarah Siddons Award for her work in the Chicago production). In the film version of Shirley Valentine, Pauline Collins re-creates the role that had previously brought her theatrical fame and a Tony Award. Spending the bulk of the film speaking directly to the audience, the titular Shirley (Collins), a middle-aged Liverpool housewife, reveals her innermost thoughts and fears in a manner that is both insouciant and poignant. Once an incorrigible anti-establishment rebel, Shirley now chafes under the plodding insensitivity of her husband Joe (Bernard Hill). Her life enters a new and exciting phase when, after her best friend Jane (Alison Steadman) wins an all-expenses-paid vacation to Greece, Shirley is given the opportunity to travel to faraway places without her husband. Shirley Valentine represents the second felicitous collaboration between playwright Willy Russell and director Lewis Gilbert; the first was Educating Rita (1983). ~ Hal Erickson, All Movie Guide

In this above-average made-for-television drama, Bernadette Peters stars as a mother facing the greatest challenge of her life. Based a true story, Matthew Lawrence stars as David Rothenberg, a six year-old who was viciously set on fire by his jealous father. Severely burned and disfigured, David courageously clung to life despite the odds against him. Determined to see her son through the ordeal, the film shows how his mother Marie (Peters) tirelessly worked to help nurse him back to life. ~ Bernadette McCallion, All Movie Guide

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, All Movie Guide

Claudette Colbert made her first screen appearance in 25 years in the 2-part TV movie The Two Mrs. Grenvilles. The story involves social-climbing actress (read: "chorus girl") Ann-Margret, who marries American-aristocrat naval ensign Stephen Collins, the son of Ms. Colbert (the two female stars, you see, are the "two Mrs. Grenvilles"). Try as she might, Ann-Margret can neither assimilate herself to her husband's lifestyle, nor overcome the animosity of her mother-in-law. Collins starts cheating on his new wife....and before long, Ann-Margret is standing trial for the fatal shooting of her husband. Marvin Hamlisch wrote the music for the sumptuously stylish The Two Mrs. Grenvilles, which was based on novelist Dominick Dunne's a clef rehashing of the 1955 murder of Long Island millionaire William Woodward Jr. ~ Hal Erickson, All Movie Guide

Writer Jill Clayburgh wants to remove her coke-addicted daughter Martha Plimpton from the corruptive environs of Manhattan. When assigned to write an article about family trees, Clayburgh, with daughter in tow, heads to the bayous of Louisiana, there to seek out an elusive great-uncle--and, it is hoped, to give Plimpton a new start in life. Upon their arrival in the deep south, Clayburgh and Plimpton are confronted with the uncle's rugged, iron-willed wife Barbara Hershey and her four grown sons. The anticipated culture clash results in tragedy for all concerned. Wavering between the plausible and the outrageous, Shy People makes for fascinating, almost mesmerizing viewing. Released late in 1987 to qualify for the Academy Awards, the film was given a general release in mid-1988. ~ Hal Erickson, All Movie Guide

Barret Oliver stars as robot boy Daryl (Data Analyzing Robot Youth Lifeform). The film begins with an intense chase through hairpin mountain roads as a helicopter chases after a racing automobile and the driver of the car shoves a young boy out of the door. The child is rescued and is adopted by Joyce (Mary Beth Hurt) and Andy (Michael McKean) Richardson, a well-meaning, childless couple. It is only after the Richardsons have adopted Daryl and find that the child can't stop hitting home runs that they realize their adopted son is, in fact, a robot. The Richardsons decide to take Daryl back home -- home being a top security research facility where scientists Dr. Jeffrey Stewart (Josef Sommer) and Ellen Lamb (Kathryn Walker) have "given birth" to the boy robot. Once at the research facility, the Richardsons realize that government forces are determined to destroy Daryl and anyone who knows about him. ~ Paul Brenner, All Movie Guide