Henry Hall Movies

This twisted black comedy is obsessed in turn with swans, twins, and decay. Alba Bewick (Andréa Ferréol) is involved in a swan-related car accident near the zoo. The accident kills two other women, the wives of two twin zoologists, Oliver and Oswald Deuce (Brian and Eric Deacon). Alba is lucky enough to escape with one leg. Eventually her doctor also removes the other "because it was dangerous for the spine." Meanwhile, the Deuce brothers, as a result of losing their wives, have become fascinated with the decay of corpses, and they start making rather gruesome time-lapse films to examine the process more thoroughly. Both brothers become involved with Alba. Needless to say, this film may not appeal to everybody. ~ John Voorhees, Rovi

In this competent entertainment about a minor crook in trouble, Terry is the driver for a successful bank job. He is told by gang-boss Shelton to lie low but instead celebrates with Della, a greedy but alluring party girl, then gets picked up on suspicion. He is released when the key witness refuses to identify him because the gang is holding his fiancee hostage. Shelton tries to shut Terry up for good, but Terry escapes and seeks refuge with Della. She lets him stay, but only if he agrees to confront the gang leader one more time. ~ Michael P. Rogers, Rovi

Back in the 1930s, '40s and '50s, artist George Petty was famous for his "Petty Girl" illustrations; lovingly detailed renderings of ripe young damsels wearing next to nothing, and sometimes not even that. In The Petty Girl, George Petty is portrayed by Robert Cummings, while Joan Caulfield co-stars as strait-laced college professor Victoria Braymore. The plot contrives to have Petty abandon his nubile creations in favor of avant-garde art, all because he's been told to do so by his new patroness (Audrey Long). Somewhere along the way, Petty and the prim Miss Braymore find themselves in a compromising situation at a Greenwich Village nightclub. Thus it is only a matter of time before Petty goes back to the sort of artwork he does best, and Miss Braymore loosens her inhibitions -- and everything else -- to serve as Petty's latest model. Incredibly, this amusing exercise in old-fashioned male chauvinism was based on a story by novelist Mary McCarthy. ~ Hal Erickson, Rovi

Cover-Up transfers the metropolitan "film noir" milieu to a small Midwestern town. Dennis O'Keefe plays Sam Donovan, an insurance detective, investigating the suicide of a policy holder. All signs point to murder, but no one in the victim's hometown is willing to cooperate with Donovan, least of all sheriff Larry Beat (William Bendix). Local girl Anita (Barbara Britton) breaks through the wall of silence and helps Donovan solve the mystery. Intriguingly, the action of Cover-Up takes place at Christmastime, with the tinselly Yuletide atmosphere providing stark contrast to the sordid murder story. ~ Hal Erickson, Rovi

Command Decision is a stagebound but consummately acted adaptation of William Wister Haines' Broadway play. Clark Gable, starring in the role essayed on Broadway by Paul Kelly, plays Air Force Brigadier General "Casey" Dennis. With time at a premium, Dennis sends waves of bomber squadrons into Germany to knock out the enemy's jet plane factories. Though Dennis seems utterly unconcerned about the fate of his pilots (even his superior officer Walter Pidgeon is appalled by the heavy losses), the audience knows that his duty is exacting a severe emotional toll on him. Thanks to pressure from a misguided US senator, "butcher" Dennis is replaced by the supposedly more humane Brian Donlevy. But Donlevy realizes that Gable's decisions were the correct ones, and he vows to continue his predecessor's "suicide missions". ~ Hal Erickson, Rovi

This suspenseful crime drama reenacts the famed 1947 prison break out of the Canon City, Colorado corrections facility and features the actual warden, Roy Best playing himself. The trouble begins when one prisoner manages to fashion a crude pistol. Enlisting the aid of eleven others, they successfully escape and terrorize the town until the warden and his men manage to round up the survivors and bring them back. ~ Sandra Brennan, Rovi

In this low-budget Western from PRC, Marshal Cheyenne (Al "Lash" LaRue) and his sidekick Fuzzy Q. Jones (Al St. John) are looking into the strange goings-on in the town of Buffalo Gap. A ranger (Bob Woodward) has been killed and the trail leads to a gang headed by Bill Judd (Jack Ingram). There is yet another killing, young Al Walters (Steve Drake) is brutally shot by Judd after calling gambler Grayson (Terry Frost) a cheat. But the sheriff (Henry Hall) seems remarkably hesitant to arrest the culprit and may be taking his orders from a mystery boss, who operates out of a shack in the wilderness. Teaming up with Al's pretty sister, Betty and her Uncle Bob (William Fawcett), Cheyenne and Fuzzy go in search of the mystery villain, whose identity may come as a surprise to anyone who has never seen a Grade-Z movie before. ~ Hans J. Wollstein, Rovi

Former army pilot Robert Taylor is accused, on the basis of strong circumstantial evidence, of his wife's murder. Suffering from periodic blackouts, Taylor isn't so certain of his innocence himself. When offered a brain operation, Taylor refuses, knowing that if he is proven sane he will be executed for murder. Instead, he opts for confinement in a high-walled veteran's mental institution. A compassionate lady doctor (Audrey Totter) falls in love with Taylor, convincing him to have the operation. Even after emerging from the ether, Taylor cannot remember any of the details concerning his wife's death--but he does recall that the dead woman had recently taken a job with a publisher (Herbert Marshall) of religious books. While the killer's identity is tipped off by this revelation, the audience is never certain that Robert Taylor isn't a murderer--especially since he'd previously appeared as a homicidal maniac in the 1946 film Undercurrent. The best moment in High Wall is the casual disposal of the sole witness to the murder, via a long, dark elevator shaft. ~ Hal Erickson, Rovi

Nightmare Alley is the sordid tale of a conniving young man who, in the words of one of the film's supporting characters, ends up low because he aimed so high. Drifter Tyrone Power sweet-talks his way into a job as barker for a rundown carnival. He is fascinated by an illegal side-show attraction called "The Geek," a near-lunatic who bites the heads off live chickens and then is "paid off" with a cheap bottle of rotgut and a warm place to sleep it off. Otherwise, Power's attention is focussed on a beautiful if slightly stupid carnival performer (Coleen Gray) who works in an "electricity" act with an equally dense strongman (Mike Mazurki). Power also befriends an alcoholic mentalist (Ian Keith), who demonstrates how easy it is to fool an audience into thinking that his mind reading is genuine. When the mentalist dies after accidentally drinking wood alcohol, Power works his way into the confidence of the performer's widow (Joan Blondell), who teaches Power all the tricks and code words of the mind-reading racket. Power walks out on Blondell in favor of Cathy Downs, who marries him and becomes his partner in a classy nightclub mentalist act. But Power is dissatisfied with show business, and with the help of a beautiful but shifty psychiatrist (Helen Walker) he convinces several wealthy people that he can communicate with their dead loved ones...for a price. One elderly millionaire (Taylor Holmes) offers Power a fortune if he can conjure up the spirit of the millionaire's dead daughter. Power enlists his wife to impersonate the deceased girl, but at the crucial moment she has an attack of conscience and exposes the fraud. His career ruined, Power goes to the crooked psychiatrist for help, but she laughs in his face and calls the cops. He escapes the law by going on the bum, and before long is a drunken derelict. When he approaches a carnival for work, he is told that there is only one job open...as a "geek." When asked if he wants the job, the defeated Power replies "Mister, I was born for it." Based on a lurid bestseller by William Lindsay Gresham, Nightmare Alley was Tyrone Power's attempt to break away from romantic leads in favor of roles with more substance. The picture wasn't a success, but it proved that Power was more than just a pretty face. ~ Hal Erickson, Rovi

This threadbare PRC production plays like an Aztec variant on the studio's earlier Devil Bat, with PRC favorite George Zucco assaying the Bela Lugosi role. Zucco plays mad archaeologist Andrew Forbes, who stumbles upon the nest of a monstrous winged serpent -- the apparent source for the myth of the Aztec god Quetzalcoatl -- while on a dig in Mexico. After the creature seeks out and kills his wife to recover one of its missing feathers, Forbes learns that he can eliminate his enemies (and protect a cache of plundered Aztec treasure) by planting one such plume on their person and letting Quetzalcoatl do the rest. Like most PRC quickies, this one is painfully cheap but quaintly entertaining; credited director Sherman Scott is actually prolific B-movie journeyman Sam Newfield. The Quetzalcoatl myth would be more cleverly mined by horror auteur Larry Cohen 35 years later in his low-budget monster-fest Q. ~ Cavett Binion, Rovi

Larceny in Her Heart was the second entry in PRC's revival of the "Michael Shayne" series, with Hugh Beaumont as Brett Halliday's two-fisted sleuth. It all starts when Shayne agrees to track down the stepdaughter (Marie Harmon) of a local bigwig. But when his client's corpse turns up at his doorstep, our hero finds himself reluctantly involved in yet another murder mystery. Along the way, he must fend off femme fatale Phyllis (Cheryl Walker), who may or may not be intimately involved in the killing. He also endures a chilling episode at an alcoholic ward that's straight out of The Lost Weekend, by way of Murder My Sweet. It says in the credits that Larceny in Her Heart is based on a novel by Brett Halliday, though liberties were obviously taken. ~ Hal Erickson, Rovi

The most thrilling aspect of the PRC oater Lightning Raiders is the film's title. Though Buster Crabbe earns top billing as do-gooder Billy Carson (aka Billy the Kid), the first reel is dominated by Al St. John as Billy's mangy saddle pal Fuzzy Q. Jones. Expecting an important letter, Fuzzy gets suspicious when the mail fails to arrive on time. Billy and Fuzzy soon learn that the mail has been hijacked by bandits, who are holed up in a seemingly impenetrable shack. The brains behind the criminal operation is a "leading citizen" type who hopes to gain a financial leg-up in the community by reading the stolen mail. ~ Hal Erickson, Rovi

PRC's Apology for Murder is aptly named: the production values in this 67-minute quickie are pretty sorry. If you're willing to look past the mildewed sets and murky lighting, however, this well-paced film noir is pretty enjoyable. Hugh Beaumont (yes, that Hugh Beaumont) plays a tough reporter whose honesty is compromised by scheming Anne Savage. Unable to unwrap himself from Savage's little finger, Beaumont agrees to go in on her plan to murder her husband Russell Hicks. They then contrive to frame an innocent man for their perfidy. You've seen this before as Double Indemnity and The Postman Always Rings Twice, but the actors are energetic and the direction by the overworked Sam Newfield is better than usual. ~ Hal Erickson, Rovi