Conrad L. Hall Movies
One of the rare cinematographers to achieve name recognition, Conrad L. Hall became one of the most revered lensmen in post-1960 Hollywood for work ranging from In Cold Blood's (1967) stark monochrome to the burnished color reveries of Butch Cassidy and the Sundance Kid (1969) and The Day of the Locust (1975), American Beauty's (1999) pristine suburbia, and finally Road to Perdition's (2002) rain-drenched noir. Always aiming to illuminate unspoken emotions with artistry undiminished by age, Hall won Oscars 30 years apart for Butch Cassidy and American Beauty.The son of a fourth-generation Tahitian mother and Mutiny on the Bounty co-author James Norman Hall, Conrad Hall lived in Tahiti until age eight. Educated in Californian private schools, Hall attended U.S.C. to study journalism. After a poor creative writing grade, however, Hall switched to U.S.C.'s school of cinema and TV in 1947. Having already achieved his first professional credit when his class project, Sea Theme, was sold to TV, Hall and two classmates formed the production company Canyon Films after they graduated in 1949. Though Hall really wanted to direct, he fell into cinematography when he and his colleagues drew jobs out of a hat to decide who would do what on their first (and only) film, My Brother Down There, in 1954. Hall earned his union credentials, however, by shooting documentaries for Walt Disney, including The Living Desert (1953), and by working as a camera operator for such seasoned pros as Robert Surtees and Ernest Haller. Hall honed his craft further with commercials and series TV, including The Outer Limits.
Conrad Hall got his first Hollywood cinematographer credit on the low budget The Wild Seed (1965). Quickly distinguishing himself with his skillful black-and-white photography, Hall garnered his first Oscar nomination for his second film, Morituri (1965). The following year, Hall showed that he was just as adept at landscapes and color, with his first collaboration with Richard Brooks, The Professionals (1966). As one of the new generation of craftsmen entering the industry during the transition from the classical studio system-style to the European-influenced, youth-driven New Hollywood, Hall broke from past conventions by ditching the usual "day for night" and shooting The Professionals' night scenes in actual nocturnal darkness. Hall's next film with Brooks, the adaptation of Truman Capote's bleak docu-novel In Cold Blood, underscored Hall's mastery of light and eloquent visuals. Along with the murder scene shot solely by flashlight, the shadows of rainwater falling like tears down condemned killer Robert Blake's face became one of the film's most celebrated images. Though color project Cool Hand Luke (1967) was more popular, Hall got the Oscar nod for In Cold Blood.
Deriding his work on Luke and the Tahitian-shot Hell in the Pacific (1968) as "too good lookin'," Hall was more in his element with Abraham Polonsky's moody return from the blacklist Tell Them Willie Boy Is Here (1969) and the box-office smash Butch Cassidy and the Sundance Kid. Breaking classical "rules" by keeping shots with lens flare and deliberately over-exposing the film, Hall gave Butch Cassidy's outlaw exploits a sepia glow, enhancing the image of Paul Newman and Robert Redford as two beautiful dreamers. Though François Truffaut had already done it a decade earlier, Hall's freeze-frame ending to Butch Cassidy brought the technique into the Hollywood mainstream; his first Oscar win for the film gave the industry stamp of approval to Hall's iconoclastic style. Having married Butch Cassidy star Katharine Ross in 1969, Hall decided to take time off after his Oscar triumph. The marriage ended in 1975.
Returning to movies with the kind of story about the human condition that he preferred, Hall gave John Huston's boxing drama Fat City (1972) an "anonymous," subtly textured style to match the "ordinary" characters. After crafting a similarly "documentary" look for Michael Ritchie's beauty pageant satire Smile (1975), Hall shifted gears with John Schlesinger's The Day of the Locust. Bathing the story of Hollywood's dark side in romantic amber, Hall signaled the dream factory's simultaneous allure and fatal unreality, climaxing in the ultra-stylized, nightmarish riot. After creating a steely cold world of paranoia in Schlesinger's Marathon Man (1976), Hall retired from features for ten years. Along with forming a commercial production company with Haskell Wexler, Hall turned to screenwriting in hopes of finally becoming a director. His efforts, however, came to naught; he never did get to direct. When a chance meeting with Bob Rafelson led to an invitation to photograph Rafelson's noir Black Widow (1987), Hall accepted.
An Oscar nominee with his next film, Robert Towne's romance Tequila Sunrise (1988), Hall worked regularly as a cinematographer into the early '90s. He won the Academy's attention again by giving visual life to the world of chess in Steven Zaillian's directorial debut Searching for Bobby Fischer (1993). After the American Society of Cinematographers honored Hall in 1994 with a lifetime achievement award, he went into semi-retirement, dividing his time between Los Angeles and his private island off Tahiti. Willing to work with old friends, Hall shot Towne's biopic Without Limits (1998) and earned his eighth Oscar nomination for Zaillian's legal drama, A Civil Action (1998). Recommended to film neophyte Sam Mendes by Without Limits producer Tom Cruise, Hall signed on for Mendes' first feature American Beauty and finally won his second Oscar. Applying what he called his "magic naturalism" style to the suburban satire, Hall helped turn family dinners into theatrical displays of discord, and earned kudos for Kevin Spacey's rose-strewn dreams and Wes Bentley's forays into video. Continuing into the new millennium, Hall worked on his second film with Mendes, and fourth with Paul Newman, with the gangster drama Road to Perdition. Though reviews for the movie were somewhat mixed, critics universally praised Hall's nuanced, shadowy images.
Hall, however, passed away in early 2003, weeks before garnering a tenth Oscar nomination (which would ultimately result in his third Oscar win) and the ASC's prize for Perdition. Hall was survived by his third wife, Susan, and his three children by first wife Virginia, including his cinematographer son, Conrad W. Hall. ~ Lucia Bozzola, Rovi
An ex-Special Forces operative and former presidential bodyguard must fight to take back the White House from terrorists who have kidnapped the Commander in Chief in this high-stakes action thriller directed by Antoine Fuqua (Training Day, Shooter) and starring Gerard Butler. In the aftermath of a tragic accident involving the president (Aaron Eckhart) and the first lady (Ashley Judd), Secret Service agent Mike Banning (Butler) is handed his walking papers. When a powerful terrorist group seizes command of the White House and takes the president hostage, the entire nation watches as the Speaker of the House (Morgan Freeman) becomes the acting president, and plans his response. Meanwhile, Banning finds himself trapped in the White House as it comes under siege from all sides. With no choice but to fight back against the heavily-armed invaders, Banning must rely on his extensive knowledge of the building to rescue the president, and prevent the situation from spiraling into all-out war. Melissa Leo, Angela Bassett, Robert Forster, and Radha Mitchell co-star. ~ Jason Buchanan, Rovi
D.J. Caruso's Two for the Money stars Matthew McConaughey as Brandon Lang, a former college quarterback whose life plans changed when he suffered a career-ending injury. Brandon turns out to have remarkable skill at picking winning football bets. Eventually, he comes to the attention of Walter Abrams (Al Pacino), a very successful business tycoon who runs a giant gambling operation. Walter brings Brandon to New York and introduces him to a glitzy, fast-paced, money-drenched lifestyle that Brandon eagerly soaks up. When Brandon's magic touch begins to falter, Walter starts to turn on his protégé. Soon the two men are attempting to outwit each other, with Walter's wife (Rene Russo) caught in the middle. ~ Perry Seibert, Rovi
- Starring:
- Al Pacino, Matthew McConaughey, (more)
Mark Wexler is a successful photojournalist who has also distinguished himself as a documentary filmmaker, but in many ways he has spent much of his life in the shadow of his more famous father, Haskell Wexler. One of Hollywood's greatest cinematographers, Haskell is also known as a director (he made the acclaimed feature Medium Cool as well as a handful of documentaries) and as a tireless political activist. But while Haskell is widely respected as a major talent, he's also known for being fiercely opinionated and difficult to work with, and Mark makes no secret of the fact that he's had a prickly relationship with his dad. Mark Wexler takes a detailed look at the life and work of Haskell Wexler in Tell Them Who You Are, which examines Haskell's career in the movie business, his relationship with his family (including his three marriages and his frequent lack of respect for Mark), and how he's viewed by his friends and peers. Interview subjects include Jane Fonda, Paul Newman, George Lucas, Michael Douglas, Milos Forman, Ron Howard, Dennis Hopper, and many more. ~ Mark Deming, Rovi
- Starring:
- Haskell Wexler, Mark S. Wexler, (more)
The acclaimed graphic novel from crime writer Max Allan Collins becomes this big budget Dreamworks drama from director Sam Mendes and screenwriter David Self. Tom Hanks stars as Michael Sullivan, a morally conflicted Depression-era hit man committing murder in the name of his employer, John Rooney (Paul Newman). A kindly, aging Irish crime boss who raised Sullivan as his surrogate son, Rooney is affiliated with Al Capone in Chicago and thus wields great power in the "Tri-Cities" of Moline, IL; Rock Island, IL; and Davenport, IA. Curious about his father's mysterious profession, Sullivan's son, Michael Jr. (Tyler Hoechlin), stows away in his father's automobile one night and witnesses the execution of a man at the hands of Sullivan and Rooney's biological son, Connor (Daniel Craig). Although Michael keeps his promise to remain silent about what he's seen, the paranoid and unstable Connor tries to wipe out the entire Sullivan clan anyway, succeeding only in killing Sullivan's wife, Annie (Jennifer Jason Leigh), and youngest son, Peter (Liam Aiken). Enraged at this and another surprise betrayal by the Rooneys, Sullivan embarks on a path of bloody retribution, Michael in tow. Although he intends to leave his boy with relatives in the rural town of Perdition once the coast is clear, he ends up exposing Michael to the goriest aspects of his talents, slaughtering former associates as he dodges contract assassin Maguire (Jude Law) and cripples the cash flow of the Rooney and Capone organizations through a series of bank robberies, attempting to force either mob family to offer up the sequestered Connor as a sacrifice. Inspired by the popular Japanese comic book series Lone Wolf and Cub and based loosely on an episode from the life and career of notorious real-life crime figures John and Connor Looney, Road to Perdition co-stars Stanley Tucci as legendary Chicago mobster Frank Nitti. ~ Karl Williams, Rovi
- Starring:
- Tom Hanks, Paul Newman, (more)
Noted theater director Sam Mendes, who was responsible for the acclaimed 1998 revival of Cabaret and Nicole Kidman's turn in The Blue Room, made his motion picture debut with this film about the dark side of an American family, and about the nature and price of beauty in a culture obsessed with outward appearances. Kevin Spacey plays Lester Burnham, a man in his mid-40s going through an intense midlife crisis; he's grown cynical and is convinced that he has no reason to go on. Lester's relationship with his wife Carolyn (Annette Bening) is not a warm one; while on the surface Carolyn strives to present the image that she's in full control of her life, inside she feels empty and desperate. Their teenage daughter Jane (Thora Birch) is constantly depressed, lacking in self-esteem, and convinced that she's unattractive. Her problems aren't helped by her best friend Angela (Mena Suvari), an aspiring model who is quite beautiful and believes that that alone makes her a worthwhile person. Jane isn't the only one who has noticed that Angela is attractive: Lester has fallen into uncontrollable lust for her, and she becomes part of his drastic plan to change his body and change his life. Meanwhile, next door, Colonel Fitts (Chris Cooper) has spent a lifetime in the Marine Corps and can understand and tolerate no other way of life, which makes life difficult for his son Ricky (Wes Bentley), an aspiring filmmaker and part-time drug dealer who is obsessed with beauty, wherever and whatever it may be. American Beauty was also the screen debut for screenwriter Alan Ball. ~ Mark Deming, Rovi
- Starring:
- Kevin Spacey, Annette Bening, (more)
Washington Irving's tale of Ichabod Crane and the Headless Horseman gets a few new twists in a screen adaptation directed by Tim Burton. In this version, Ichabod (Johnny Depp) is a New York City detective whose unorthodox techniques and penchant for gadgets make him unpopular with is colleagues. He is sent to the remote town of Sleepy Hollow to investigate a series of bizarre murders, in which a number of people have been found dead in the woods, with their heads cut off. Local legend has it that a Hessian ghost rides through the woods on horseback, lopping off the heads of the unsuspecting and unbelieving. Ichabod refuses to believe in this legend, convinced that there must be a logical explanation for the murders. In time, Ichabod becomes smitten with a local lass, Katrina Van Tassel (Christina Ricci), who is the sweetheart of the burly Brom Bones (Casper Van Dien), and he becomes determined to capture the murderer to prove his bravery and win her heart. Christopher Walken, Jeffrey Jones, and Christopher Lee highlight the supporting cast; Lee's appearance is particularly apt, since Burton has cited the Hammer films of the 1960s as a major influence in making this film. Andrew Kevin Walker and Tom Stoppard contributed to the screenplay. ~ Mark Deming, Rovi
- Starring:
- Johnny Depp, Christina Ricci, (more)
One of two filmed biographies of late track star Steve Prefontaine to be produced in the late '90s, Without Limits comes from director Robert Towne, who previously took a stab at the track-star drama with his directorial debut, 1982's Personal Best. Billy Crudup stars as the ill-fated athlete who overcame physical obstacles to win an NCAA championship and compete in the 1972 Munich Olympics. The film follows Prefontaine from his youth in Oregon where, despite one leg being longer than the other, he shows himself to be a talented runner. Later, while attending the University of Oregon, Prefontaine meets and forms a strong bond with his coach, Bill Bowerman (Donald Sutherland), the man who would later go on to found the Nike shoe corporation. College is also where Prefontaine falls for classmate Mary Marckx (Monica Potter), beginning a romance that lasts until his untimely death in a 1974 automobile accident. The other film about Steve Prefontaine was 1997's Prefontaine which starred Jared Leto in the titular role. ~ Matthew Tobey, Rovi
- Starring:
- Billy Crudup, Donald Sutherland, (more)
Directed by Schindler's List screenwriter Steve Zaillian, this courtroom drama is based on a true story and non-fiction book by Jonathan Harr. The case revolves around an incident in 1979 in East Woburn, MA, where two drinking wells supplying water to the town were found to be contaminated with industrial solvents. When toxic waste was discovered later that year, suspicions arose that the local factories caused the pollution. The residents felt these companies were responsible for the unusually high rate of leukemia deaths amongst the town's children. Anne Anderson (Kathleen Quinlan), a mother who lost her son Jimmy to leukemia, fronts an effort to bring a lawsuit against the major conglomerates Beatrice Foods and W. R. Grace & Co for their pollution crimes -- a heavy-duty problem, because these companies have the money to squash the less powerful citizens. Enter Jan Schlichtmann (John Travolta), a personal injury lawyer whose small law firm is hired to sue these industrial giants for millions of dollars in damages. He's up against Jerome Facher (Robert Duvall) and William Cheeseman (Bruce Norris), high-priced lawyers who represent the big companies. Most of the film takes place in the courtroom during the trial. It also features William H. Macy as Schlichtmann's accountant and John Lithgow as the judge. ~ Arthur Borman, Rovi
- Starring:
- John Travolta, Robert Duvall, (more)
The 1939 Irene Dunne-Charles Boyer romance Love Affair, remade with Cary Grant and Deborah Kerr in 1957 as An Affair to Remember, became a vehicle for real-life couple Warren Beatty and Annette Bening in this 1994 rendition. The well-worn story remains the same, as a man and a woman, both engaged to other people, fall madly in love while traveling, indulge in a brief but intense affair, then agree to part and sort out their feelings. They are to meet again at the top of the Empire State Building if their feelings persist, but a series of unfortunate circumstances threatens to keep the lovers apart. Despite polished visuals and a time-tested narrative, this variation suffers in comparison to its two predecessors, not to mention the previous year's Sleepless in Seattle, which had drawn on An Affair to Remember for several of its most memorable sequences. It does features Katherine Hepburn's first film appearance in 13 years. ~ Judd Blaise, Rovi
- Starring:
- Warren Beatty, Annette Bening, (more)
- 1993
- NR
- Add Visions of Light: The Art of Cinematography to Queue Add Visions of Light: The Art of Cinematography to top of Queue
The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern-day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them. A who's-who of cinematographers -- Nestor Almendros, John Bailey, Conrad Hall, Laszlo Kovacs, Sven Nykvist, Vittorio Storaro, Haskell Wexler, Gordon Willis, Vilmos Zsigmond and others -- discuss their craft with rare perception and insight, paying homage to pioneers like Gregg Toland, Billy Bitzer and John Alton and explaining the origins behind many of the most indelible images in movie history; from Citizen Kane to The Godfather and from Sunrise to Night of the Hunter, many of the truly unforgettable moments in American film history are here in all their brilliance and glory. ~ Jason Ankeny, Rovi
- Starring:
- Néstor Almendros, John A. Alonzo, (more)
Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, Rovi
- Starring:
- Joe Mantegna, Max Pomeranc, (more)
Stressed out LA detective John Berlin gets too near the edge following the destruction of his marriage and decides to leave the violence an un-ending hub-bub of the big city and take a job in the supposedly quiet northern tow of Eureka. Unfortunately, he isn't there long before he finds himself obsessed with pursuing a serial killer with a thing for blind young women. The case isn't new and Berlin's old-time buddy, Freddy Ross and his boys have spent the last six months investigating a string of seven murders. They have dubbed the case "Jennifer 8" because Berlin is positive that he knows the identity of the next victim. She is beautiful blind student Helena Robertson, the roommate of the latest victim. As he steps up his investigation, Berlin finds himself falling for Helena. Meanwhile, he has become so obsessed with finding the killer that pal Ross begins worrying that Berlin is having a breakdown and so goes with him on a late night surveillance of Helena's school. A tragedy ensues leaving Berlin to not only go it alone, but also to clear his own name. ~ Sandra Brennan, Rovi
- Starring:
- Andy Garcia, Uma Thurman, (more)
A pair of lawyers must balance their professional principles (such as they are) against family loyalties in this courtroom drama. Jedediah Ward (Gene Hackman) is a leftist lawyer who has based his career on helping people avoid being taken for a ride by the rich and powerful; he's pursued principle at the expense of profit, though he has a bad habit of not following up on his clients after their cases are settled. Jed's daughter, Maggie (Mary Elizabeth Mastrantonio), has had a bad relationship with her father ever since she discovered that he was cheating on her mother, and while she also has made a career in law, she has taken a very different professional route by working for a high-powered corporate law firm and has adopted a conservative political agenda. Jed is hired to help field a lawsuit against a major auto manufacturer whose station wagons have a dangerous propensity to explode on impact, but while his research indicates he has an all but airtight case against them, the case becomes more complicated for him when he discovers that Maggie is representing the firm he's suing. ~ Mark Deming, Rovi
- Starring:
- Gene Hackman, Mary Elizabeth Mastrantonio, (more)
For his first directorial project in six years, Robert Towne selected a timeworn romantic-triangle yarn, injecting the material with subtlety and conviction. Tequila Sunrise stars Mel Gibson and Kurt Russell as two lifelong friends who, in true James Cagney-Pat O'Brien fashion, grow up on the opposite sides of the law. One is a retired drug dealer (at least he says he is), the other a "celebrity" cop. Both fall in love with gorgeous restaurateur Michelle Pfeiffer. Veteran movie buffs will enjoy spotting director Budd Boetticher as a judge, and will welcome the presence in the production credits of cinematographer Conrad Hall, who earned an Oscar nomination for his richly textured color camerawork. ~ Hal Erickson, Rovi
- Starring:
- Mel Gibson, Michelle Pfeiffer, (more)
Black Widow bears no relation to the 1954 film of the same name--beyond its characterization of the female as the deadlier of the species, that is. Debra Winger stars as a federal agent who has sworn to bring Theresa Russell to justice. Ms. Russell has married several millionaires who have all died mysterious deaths, for which she has remained undetected because she has assumed a number of different identities. Ms. Winger is the only person in her department who suspects that all of the deceased millionaires' widows are the same person. Finally tracking down Russell, Winger finds herself inexorably becoming friends with the charming murderess. ~ Hal Erickson, Rovi
- Starring:
- Debra Winger, Theresa Russell, (more)
- 1977
Marlo Thomas' first mistake was optioning the classic It's a Wonderful Life for this TV remake; her second was starring in it herself in the Jimmy Stewart part! This gender switch aside, It Happened One Christmas follows the original virtually to the letter. Thomas is a young woman who dreams of leaving her small town to see the world, but circumstances force her to remain in town as head of the local bank--and in so doing she enriches the lives of everyone around her. In a moment of financial crisis, Thomas contemplates suicide, but is rescued by her guardian angel (Cloris Leachman, overacting her way--complete with British accent--through the old Henry Travers part). The angel shows Thomas what life in her town would have been like if Thomas had never been born. You know the rest. It was already hard to believe in the original film that Donna Reed would have become a spinster had she never met Jimmy Stewart; it was impossible to believe in the remake that Wayne Rogers (in the equivalent to the Reed part) would not only have remained unmarried, but also would have become an embittered failure without Thomas' presence. Only Orson Welles, in the Lionel Barrymore role as the villainous Potter, comes across with any credibility. ~ Hal Erickson, Rovi
Doc Levy (Roy Scheider) is an American secret agent who has been running interference between the U.S. government and escaped Nazi war criminal Szell (Laurence Olivier). Believing that Doc has stolen a valuable cache of gems, Szell emerges from his South American hiding place and heads for New York. He has Doc killed, then kidnaps Doc's in-the-dark brother, Babe (Dustin Hoffman). Repeating the phrase "Is it safe?" over and over, Szell, a onetime concentration camp dentist, tries to extract information from Babe by performing sadistic "oral surgery" upon him. Babe, who still doesn't know about the gems, escapes, breaking his own self-imposed rule of nonviolence to defend himself against his pursuers and gearing up for sadistic revenge. ~ Hal Erickson, Rovi
- Starring:
- Dustin Hoffman, Laurence Olivier, (more)
The American beauty-contest ritual is skewered by screenwriter Jerry Belson and director Michael Ritchie in Smile. The film takes place during an annual pageant in Santa Rosa, CA. The event is supervised by local mover and shaker Brenda DiCarlo (Barbara Feldon), to whom the contest is the most important thing on earth. Nothing -- not even the violent backlash of her neglected husband, Andy (Nicholas Pryor) -- is allowed to interfere with her pet project. Choreographer Tommy French (Michael Kidd), outwardly nasty and cynical, takes money out of his own pocket to insure the safety of the contestants as they parade down a rickety stage runway; chief judge "Big Bob" Freelander (Bruce Dern) discovers that his son is a budding voyeur, information which leads to a silly "politically correct" consequence; and the various contestants scheme to upstage one another through a variety of means (one girl puts Vaseline on her teeth to assure a gleaming smile). Among the contestants are such stars-to-be as Colleen Camp, Denise Nickerson, Annette O'Toole, and Melanie Griffith. Though not a hit itself, Smile has developed a fervent cult following, which led to a Broadway musical version of the property in 1986, with songs by Marvin Hamlisch. ~ Hal Erickson, Rovi
- Starring:
- Bruce Dern, Barbara Feldon, (more)
The Day of the Locust is anything but a cheerful, light look at Hollywood in the '30s. It recreates both the town as well as the filmmaking world around which much of the town revolved with devastating accuracy. The movie tells the twin tales of talentless wannabe actress Faye Greener (Karen Black) and Homer Simpson (Donald Sutherland), a lovelorn accountant who couldn't care less about movies. Around this framework, a huge and intricate social network is tellingly revealed, until the film's gruesome and tragic ending. Not for those who prefer to hang onto their illusions about the glory days of Hollywood, The Day of the Locust, based on the novel by Nathanael West, is a must-see for serious film buffs. ~ Clarke Fountain, Rovi
- Starring:
- Donald Sutherland, Karen Black, (more)
- 1974
- R
Screenwriter John Good's rock & roll adaptation of Shakespeare's Othello is a real oddity and features some surprisingly good tunes. Set in the American Southwest, Othello is a wandering evangelist who happens onto Iago's remote commune. There he marries the lovely Desdemona much to the chagrin of Iago, who also loves her. The conniving commune leader then manages to quietly pressure Othello until murder and tragedy ensue. Songs include: "Othello", "Working on a Building," "Eat the Bread, Drink the Wine," "Book of Prophecy," "That's What God Said," "Chug a Lug," "Open Your Eyes," "Lust of the Blood," "Put Out the Light" and more. ~ Sandra Brennan, Rovi
- Starring:
- Richie Havens, Season Hubley, (more)
A police officer who would rather use his brains than his gun is put into a situation where neither can help him in this police drama. John Wintergreen (Robert Blake) is a sawed-off and street-smart Arizona motorcycle cop who dreams of climbing the ladder and becoming a police detective, but his ambitions are scoffed at by his partner, Zipper (Billy "Green" Bush). Wintergreen's superiors tend not to take him seriously due to his short stature, but when he stumbles upon the site of a murder, he digs up enough relevant evidence to insure his advancement to detective status. However, after a few days on the job, Wintergreen begins to realize just how corrupt his superior Poole (Mitchell Ryan) truly is after Poole attempts to frame a local hippie, Bob Zemko (Peter Cetera), for a crime he didn't commit. Adding fuel to the fire is Poole's discovery that he and Wintergreen have been dating the same woman, dancer-turned-barmaid Jolene (Jeannine Riley). Electra Glide in Blue was the first (and to date only) directorial credit for James William Guercio. Successful in the music industry as a manager and producer, Guercio was best known for his association with the top-selling jazz-rock group Chicago; several members of the band appear in the movie, as does a young Nick Nolte in a bit part. On a note of sad irony, Terry Kath, the longtime Chicago vocalist who died in 1978 from a self-inflicted gunshot to the head, plays a gun-wielding killer in this film. ~ Mark Deming, Rovi
- Starring:
- Robert Blake, Billy Green Bush, (more)
With a screenplay adapted by Leonard Gardner from his own novel, John Huston's drama examines the meager hopes and resigned dreams of small-time boxers. In limbo between retirement and his youthful prime, alcoholic farm laborer Tully (Stacy Keach) shacks up with fellow outcast Oma (Susan Tyrrell) and keeps trying to make a boxing comeback, but his personal demons repeatedly overpower his ambitions. Meanwhile, fellow Stockton, CA resident and budding fighter Ernie (Jeff Bridges) takes Tully's advice to join trainer Ruben (Nicholas Colasanto)'s gym and make something of himself. Learning the tough lesson that winning is not as easy as it sounds, Ernie is still determined to get what he can out of boxing and, unlike Tully, not let disappointments get the best of him. Shot on location in Stockton by Conrad Hall, the film maintains a realistic, slice-of-life view of Tully's and Ernie's struggles, eschewing theatrical boxing victories for psychological and social details. As Huston avowed at the Cannes Film Festival that Fat City's virtue was its "modesty," critics agreed that he had made his best film in two decades; and Tyrrell was nominated for a Best Supporting Actress Oscar. However, despite the praise and the efforts of producer Ray Stark, Fat City failed at the box office. Even so, its unromanticized depiction of modest wins and personal losses revealed that old Hollywood pro Huston had adapted well to the late '60s-early '70s New Hollywood grit, and the film revived his artistic standing. ~ Lucia Bozzola, Rovi
- Starring:
- Stacy Keach, Jeff Bridges, (more)
- 1969
- PG
After being blacklisted from Hollywood for 21 years, writer/director Abraham Polonsky made a healthy comeback with Tell Them Willie Boy is Here. The title character, played by Robert Blake, is a Paiute Indian living in 1909 California. After several years in the White Man's world, Willie Boy returns to his reservation, hoping to renew his romance with tribeswoman Lola (Katherine Ross). Old Mike (Mike Angel), Lola's father, strongly disapproves of her relationship with Willie Boy and attacks the youth. Acting in self defense, Willie Boy kills Old Mike. Under tribal rules, Willie Boy is now permitted to claim Lola as his woman. But white lawman Christopher Cooper (Robert Redford) is forced to charge Willie Boy with murder. The Indian and his girl escape the reservation, pursued by the essentially decent Cooper and a less-than-decent crowd of white vigilantes. What begins as comparative minor incident, snowballs into a huge political crisis, with the bewildered but defiant Willie Boy as the catalyst. Tell Them Willie Boy is Here is distinguished by the fine performances of leading players Redford, Blake, Ross and Susan Clark, and by the haunting cinematography of Conrad Hall. ~ Hal Erickson, Rovi
- Starring:
- Robert Redford, Katharine Ross, (more)
- 1969
- PG
Suburban housewives console themselves with pills and alcohol to tolerate their spouses' infidelities in The Happy Ending. Mary Wilson (Jean Simmons) is married to Fred (John Forsythe) and she prepares for their 16th wedding-anniversary party with tranquilizers and booze. The guests are clients of Fred's, a successful tax attorney. Harry (Dick Shawn) and wife Helen (Tina Louise) are two of the guests. Helen offers herself to Fred, as Mary entertains thoughts of bedding down with the playboy Sam (Lloyd Bridges) or a young gigolo (Bobby Darin). Agnes (Nanette Fabray) is the level-headed housekeeper who wryly observes the proceedings, and Shirley Jones is on hand as one of the guests. Mary ends up in the hospital in need of a stomach pump after a half-hearted suicide attempt. After the incident, her incredulous husband shallowly suggests that she needs a hobby. All is not well in the suburban Shangri-La in this feature, that tends to sympathize with the female characters. ~ Dan Pavlides, Rovi
- Starring:
- Jean Simmons, John Forsythe, (more)
- 1969
- PG
- Add Butch Cassidy and the Sundance Kid to Queue Add Butch Cassidy and the Sundance Kid to top of Queue
Opening with a silent "movie" of Butch Cassidy's Hole in the Wall Gang, George Roy Hill's comically elegiac Western chronicles the mostly true tale of the outlaws' last months. Witty pals Butch (Paul Newman) and Sundance (Robert Redford) join the Gang in successfully robbing yet another train with their trademark non-lethal style. After the pair rests at the home of Sundance's schoolmarm girlfriend, Etta (Katharine Ross), the Gang robs the same train, but this time, the railroad boss has hired the best trackers in the business to foil the crime. After being tailed over rocks and a river gorge by guys that they can barely identify save for a white hat, Butch and Sundance decide that maybe it's time to try their luck in Bolivia. Taking Etta with them, they live high on ill-gotten Bolivian gains, but Etta leaves after their white-hatted nemesis portentously arrives. Their luck running out, Butch and Sundance are soon holed up in a barn surrounded by scores of Bolivian soldiers who are waiting for the pair to make one last run for it. ~ Lucia Bozzola, Rovi
- Starring:
- Paul Newman, Robert Redford, (more)
Rating Systems
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