Lianne Halfon Movies

Actor Diego Luna stepped behind the camera to direct this warm drama about a young boy whose emotional problems take him in an unexpected direction. Abel is an unstable child whose issues have only gotten worse since his father walked out on the family. No one in the household is sure what to do for Abel or how they should behave around him, and a stay in a mental hospital does little to ground him. However, one day Abel wakes up and decides that he's the man of the house, and begins acting like his absent father rather than the youngest child. To the surprise of everyone, adult responsibilities agree with Abel, and the family seems significantly happier with his new personality. But this proves to be short-lived when Abel's real dad unexpectedly returns, and the two vie for the status of head of the household. Abel received its world premiere at the 2010 Sundance Film Festival. ~ Mark Deming, Rovi

Michael Pena stars as labor activist Cesar E. Chavez in this biopic directed by Diego Luna. America Ferrera and Rosario Dawson co-star. ~ Jeremy Wheeler, Rovi

So well-regarded was the documentary Crumb (1994) that the failure of it and of the same year's equally acclaimed Hoop Dreams (1994) to result in Oscar nominations caused a media furor which forced the Academy of Motion Picture Arts and Sciences to revamp its documentary nomination process. Robert Crumb is a respected but controversial underground comic book artist and writer whose creations include the popular "Keep on Truckin'" and Fritz the Cat (1972). Crumb's adult subject matter includes weird sexual obsessions, social criticism, and personal, confessional observations about abnormal human psychology. The genesis and meaning of Crumb's work is explained through a series of interviews with his colleagues, former lovers, and especially family members, which reveal a horrific upbringing that has crippled both Crumb and his siblings -- but has also fueled the artist's groundbreaking work. A long-time friend of the film's subject, director Terry Zwigoff followed Crumb (1994) with another comic book-related project, Ghost World (2000), a drama based on a story from the anthology series "Eightball" by Daniel Clowes. ~ Karl Williams, Rovi

Filmmaker Terry Zwigoff, who enjoyed breakthrough success with his 1994 documentary Crumb, shifts gears as he examines the lives of two young women on the verge of leaving their adolescence behind in his first dramatic feature. Enid (Thora Birch) and Rebecca (Scarlett Johansson) are two close friends who've just graduated from high school, and are trying to decide what to do with their lives. Enid is a dark-haired arch cynic who is tired of living at home with her ineffectual dad (Bob Balaban) and his annoyingly perky girlfriend Maxine (Teri Garr), while Rebecca is prettier and a bit cheerier, but no more certain about her future. While the two girls have vague plans of getting an apartment together, they seem content to while away their summer hanging out and indulging in their shared infatuation with Josh (Brad Renfro), a friend from school who works at a convenience store and doesn't seem to be especially attracted to either of them. Enid discovers that in order to get her diploma, she'll have to take an additional class over the summer, where she winds up studying art with Roberta (Illeana Douglas), who is determined to encourage Enid's creative impulses, whether Enid likes it or not. More significantly, Enid meets Seymour (Steve Buscemi), a geeky record collector more than twice her age, and while they would seem to have little in common (and Rebecca thinks he's a creep), Enid discovers a kindred spirit in fellow misfit Seymour, who shares her disgust with the world around them, and a relationship begins to develop between the two. Ghost World is based on the award-winning graphic novel by comic artist Daniel Clowes, who also wrote the film's screenplay. ~ Mark Deming, Rovi

Ray Johnson was an artist who followed a creative path so individual than even his closest friends were often hard put to explain just what he was up to. Once described as "the most famous unknown artist in America," Johnson was a legend partly for his work (in which he incorporated pop art images, collage, rubber stamps, and any number of other elements in a unique and groundbreaking manner), partly for his striking sense of humor (he once accepted an offer of 1,500 dollars for a piece after someone had offered to pay 2,000 dollars -- but cut 25 percent of the painting away before sending it to its new owner), and partly for his unique behavior (which many saw as a variety of performance art, including his suicide, after which he was found drowned in Sag Harbor -- with a treasure trove of unseen artwork carefully arranged in his home). How to Draw a Bunny (a title which refers to the cartoon rabbit that was Johnson's signature) is a documentary about Ray Johnson's always memorable life and death, and features video footage of the artist's performance pieces, as well as interviews with friends and contemporaries Roy Lichenstein, Christo, Chuck Close, and Billy Name; jazz great Max Roach composed the film's musical score. ~ Mark Deming, Rovi

When a teenage girl is faced with an unexpected pregnancy, she enlists the aid of her best friend in finding the unborn child a suitable home in this coming-of-age comedy drama from Thank You for Smoking director Jason Reitman. Juno (Ellen Page) may seem wise beyond her years, but after sleeping with classmate Bleeker (Michael Cera), the pregnant teen quickly realizes how little she really knows about life. Thankfully, Juno has been blessed with parents (J.K. Simmons and Allison Janney) who trust their daughter's judgment, and a best friend named Leah (Olivia Thirlby), who's always willing to help out in a pinch. With a little help from Leah, Juno soon comes into contact with Mark (Jason Bateman) and Vanessa (Jennifer Garner) -- an affluent suburban couple who have been unable to conceive a child of their own. Mark and Vanessa seem like they would make great parents, and are eager to adopt Juno's unborn child. Now, as adolescent Juno is faced with a series of very adult decisions, she will draw on the support of her family and friends in order to discover who she truly is, and discover that one bad choice can have a lifetime of consequences. ~ Jason Buchanan, Rovi

A single mother (Kate Winslet) shelters an escaped convict (Josh Brolin) and slowly falls for him over the course of one very eventful Labor Day weekend in writer/director Jason Reitman's adaptation of the novel by author Joyce Maynard. ~ Jason Buchanan, Rovi

A man who lives for pleasure finds his hedonism betrays him in time in this film adaptation of the play by Stephen Jeffreys. The second Earl of Rochester, John Wilmot (Johnny Depp), was a notorious figure in 17th century Europe; well-respected as a poet and author, Wilmot also earned no small degree of gossip for his freewheeling sex life and appetite for decadence. Wilmot was close friends with Charles II (John Malkovich), the powerful and Machiavellian ruler of England, and enjoyed a passionate romance with Elizabeth Barry (Samantha Morton), an actress of note. But Wilmot's seemingly charmed life took a turn for the worse when he wrote a satirical play lampooning his friend Charles II; the monarch failed to see the humor, and exiled the author from Britain. Wilmot found little solace in his relationship with Barry, especially after he contracted syphilis and began drinking heavily as the disease tore away at his body and his mind. The Libertine was produced in part by John Malkovich, who played the role of John Wilmot in a production of Stephen Jeffreys' original play. ~ Mark Deming, Rovi

It's no great surprise that making your way into the United States as an illegal alien can be a dangerous business, but for many getting close enough to the border to make the jump is one of the riskiest parts of the journey. A significant number of undocumented immigrants are from Central America and they must cross through Mexico in order to reach the American border. Filmmaker Rebecca Cammisa follows a handful of youngsters as they make their way across the continent with the United States as their ultimate goal in the documentary Which Way Home. Many of the kids travel by train, hopping rides on a rattletrap line known to locals as "The Beast." This is dangerous enough, with the youngsters riding on top of the cars or holding onto the sides when they can't find an open boxcar, but that's hardly the only risk they face, as violence and criminal predators lay in wait for them along the load road into Mexico and the land of their dreams. Which Way Home was an official selection at Toronto's 2009 Hot Docs Film Festival. ~ Mark Deming, Rovi