Alan Hale, Jr. Movies

Next to Slightly Scarlet, Silver Lode is the best of the many 1950s collaborations between producer Benedict Bogaeus and director Allan Dwan. Clearly inspired by High Noon, the story covers three hours in the lives of a group of westerners. As the townsfolk prepare for the Fourth of July celebration, stranger Dan Duryea rides into view, followed by three tough-looking hombres. Duryea claims to be as US marshal, and further claims that he has a warrant for the arrest of the town popular sheriff, John Payne. A few hours away from his marriage to Lizabeth Scott, Payne assumes that no one will believe the troublemaking Duryea, and that his spotless record will speak for itself. But since it is impossible to confirm or deny Duryea's allegations, the seeds of doubt are planted in the minds of the townspeople, and before long virtually all of Payne's "friends" have turned against him. It soon becomes clear to the movie audience that Duryea is lying, especially after he guns down one of his own men. But Duryea is able to pin the blame of the killing on Payne, and in a twinkling the sheriff is a hunted man. The only person willing to give Payne the benefit of the doubt is town trollop Dolores Moran (Mrs. Benedict Bogeaus), who hides the sheriff while telegrapher Frank Sully tries to find out if Duryea is telling the truth. Building slowly and methodically to a slam-bang climax, Silver Lode is an above-average psychological western--and, like many "guilt by supsicion" films of the 1950s, a thinly veiled attack on McCarthyism. Best line: when Duryea bursts into Dolores' boudoir to see if Payne is hiding under the bed, she moans "Oh, what is this? A French farce?" ~ Hal Erickson, All Movie Guide

MGM romantic Robert Taylor turns nasty in this low-budget crime melodrama. Taylor plays a cop who subsidizes his income with bribes and payoffs from various criminals and politicians. Taylor's brother (Steve Forrest), a rookie on the police force, is as honest as his brother is crooked. The younger brother witnesses a gangland murder; the killer goes to Taylor, demanding that he buy his brother off. When he realizes that his brother can't be corrupted, Taylor tells the Mob to lay off. An out-of-town torpedo is brought in to rub out both brothers, but he succeeds only in killing the honest sibling. His conscience aroused, Taylor goes after the mob leaders himself; though seriously wounded, he clears his family name. Rogue Cop set something of a schedule record at MGM, with only four months elapsing from the time the story was optioned to the time the film was released. ~ Hal Erickson, All Movie Guide

Whether true or not (evidence indicates "not"), the legend of Captain John Smith and Pochahontas is one of history's great romantic stories. This 1953 filmization of the story was made on a near-nonexistent budget. Anthony Dexter, who two seasons earlier had starred in the unsuccessful biopic Valentino, plays Captain Smith, while Jody Lawrence, a Columbia all-purpose heroine, is Indian maiden Pocahontas. After rescuing Smith from the wrath of her father (Douglass Dumbrille), Pocahontas is presented to the court of Britain's King James II. In flashback, Captain Smith attempts to explain why Pocahontas chose not to marry him, but his best friend Rolfe (Robert Clarke) instead. ~ Hal Erickson, All Movie Guide

Mr. Walkie Talkie was the second attempt by producer Hal Roach Jr. to revive the popular series of William Tracy/Joe Sawyer service comedies filmed by Hal Roach Sr. back in the early 1940s. Like its predecessor As You Were, this film stars Tracy as Sgt. Doubleday, a garrulous soldier with a photographic memory and Sawyer as Sgt. Ames, his flustered sergeant. Sick unto death of being around the troublesome Doubleday, Ames has himself transferred to the front lines of Korea. So guess who follows along shortly afterward? Before the film has run its course, Doubleday and Ames have become heroes by flummoxing the Red Army, herein depicted as boobish buffoons. ~ Hal Erickson, All Movie Guide

Ever since slipping into Public Domain, The Big Trees has become one of the most accessible and oft-televised of Kirk Douglas' pictures. Douglas plays an unscrupulous lumberjack who covets the land owned by a religious sect. All that's saving him from being the film's main villain is the fact that there's an even nastier contingent out to claim the sect's territory. His greed tempered by the love of pious Eve Miller, Douglas turns out to be a good guy after all in the film's climax. Watch for Alan Hale Jr. as "Tiny," doubling for his own father, who appears in long-shot in the stock footage. ~ Hal Erickson, All Movie Guide

The upbeat title belies the film's often melancholy subject matter. Based on a novel by Ferdinand Reyher, Nellie stars David Wayne as a small town barber in the early 20th century. Wayne's bored wife (Jean Peters) leaves him for a city slicker (Hugh Marlowe), whereupon both are killed in a train accident. Wayne does his best to raise his two children alone, but the oldest son (Tommy Morton) becomes a criminal and is shot down in a Chicago gang war (a startlingly graphic sequence for a 1952 film). Wayne's life seems to be one disaster after another, but he perseveres, and upon his town's 50th anniversary he is honored as a pillar of his community. Somehow all of the previous tragedies are compensated for by the presence of Wayne's doting granddaughter Nellie (Helene Stanley). ~ Hal Erickson, All Movie Guide

Man Behind the Gun is a standard-issue Randolph Scott western elevated by good performances and exciting action sequences. Scott plays Callicut, newly arrived in the bustling mid-19th century metropolis of Los Angeles. Outwardly just another soldier of fortune, Callicut is actually an undercover agent for the government, sent to LA to investigate a covert organization that hopes to make Southern California a separate state. When he finds the time, he romances schoolteacher Lora Roberts (Patrice Wymore), whose life he'd previously saved during a stagecoach holdup. Callicut's rival for Lora's attentions is Roy Giles (Philip Carey), a hotheaded Army captain who may be in on the secessionist movement. Once Callicut finds out who's behind the movement, all hell breaks loose. Robert Cabal makes a brief appearance in Man Behind the Gun as a supposedly harmless Latino who turns out to be firebrand desperado Joaquin Murietta. ~ Hal Erickson, All Movie Guide

After a lengthy absence from the screen, Judy Canova returned in the raucous musical Honeychile. The plot had been utilized in several previous Republic films, but was good for yet another go-round here. Canova plays Judy, a would-be songwriter who sends one of her tunes to a big-city composer. When the song, published under another author's name, becomes a hit, music agent Eddie Price (Eddie Foy Jr.) heads to the sticks to negotiate a contract with Judy. By now, however, she doesn't want to sell her song: instead, she wants all the royalties for herself. Eddie's efforts to get her to change her mind are stymied by the presence of Judy's muscle-bound boyfriend Joe Boyd (Alan Hale Jr.) Somehow, everything is resolved during a climactic chuck-wagon race. ~ Hal Erickson, All Movie Guide

William Bendix is perfectly cast as a diehard baseball fan who hates umpires with every fibre of his being. Bendix' devotion to baseball has lost him job after job, so his father-in-law (Ray Collins)--who happens to be an umpire--forces Our Hero to enroll in umpire school. Eventually Bendix learns to respect his new job, even gaining a measure of popularity by earning the nickname "Two-Call Johnson" (the result of double vision brought about by an overdose of eye drop medicine). But when Bendix calls a play against a popular pitcher, he is accused of cheating by the angry fans. Forced to disguise himself to get to the Big Game, Bendix arrives at the ball park to a chorus of "boos." Exonerated by the pitcher, who praises the umpire's honesty, Bendix is the hero of the day...until he makes another unpopular call two seconds later. Kill the Umpire is climaxed by a zany chase sequence scripted by former cartoon director Frank Tashlin. ~ Hal Erickson, All Movie Guide

Western aficionados tend to regard Short Grass as the best-ever directorial effort by Lesley Selander. Considerably longer than most Monogram westerns (82 minutes), the film never lags, thanks to the expertise of Selander and a top-rank cast. Rod Cameron plays Steve, a drifter who briefly settles down on a ranch. During a range war, Steve comes to blows with avaricious rancher Hal Fenton (Morris Ankrum). Shortly thereafter, a man is killed and Steve is implicated in the crime. He leaves town in a hurry, returning five years later to clear his name and reclaim his land. He finds that his former girl friend Sharon (Cathy Downs) is married to alcoholic newspaperman John Devore (Tris Coffin), and that Fenton now holds the commuity in an iron grip of fear. Lawman Keown (Johnny Mack Brown) can't administer justice because of the political strings pulled by the villains. With Steve's help, Keown and the rest of the town's honest citizens are finally able to swing into action, leading to a superbly staged climax. Comic actor Raymond Walburn essays a relatively straight role as the town's leading citizen. ~ Hal Erickson, All Movie Guide

James Cagney delivers a vibrant performance as a down-on-his-luck Broadway musical director in The West Point Story, featuring songs by Sammy Cahn and Jule Styne. Cagney plays out-of-work director Elwin "Bix" Bixby, who reluctantly accepts a job from producer Harry Eberhart (Roland Winters) to stage a show at West Point written by Harry's nephew Tom Fletcher (Gordon MacRae). Harry thinks Tom's show could be a Broadway success if he would only quit West Point. Bix travels to West Point, with his girlfriend, Eve (Virginia Mayo), in tow, to whip the show into shape. But Bix is frustrated by the academy's rules, which interrupt his rehearsal schedule. In frustration, Bix hits a cadet. In order to continue to work on the show, Bix must become a cadet himself, and deal with the attendant hazing that entails. When the one of the show's stars, Jan Wilson (Doris Day), is brought out to work on the production, Tom falls in love with her and goes AWOL to return with her to Hollywood. Bix, in order to save Tom's military career, has to go to Hollywood and bring Tom back to West Point. ~ Paul Brenner, All Movie Guide