John Hackett Movies

Season One of the lavishly produced sci-fi series War of the Worlds begins with a two-hour pilot episode, establishing the fact that the Earth had first been visited by aliens from the planet Mortax in 1938, and that the two planets waged a violent war in 1953, with the Earth emerging triumphant and the Mortaxian "casualties" entombed in steel drums and buried in various nuclear testing sites throughout the world. And why wasn't this common knowledge to the public. Well, thanks to mass hypnosis, Mankind had been convinced that the 1938 visitation was merely a radio hoax perpetrated by a young actor named Orson Welles, and the 1953 war--which ended with the aliens being killed off by bacteria--was nothing more than a Hollywood movie produced by George Pal! Unfortunately, the Mortaxians are not dead, only hibernating, and after awakening they escape to an abandoned nuclear site in Nevada, there to receive orders from their leaders, the Advocates (played this season by such actors as Richard Comar, David Calderisi, Isle Von Glatz and Michael Rudder). Those orders are simple and two the point: Proceed with the original mission to conquer the earth! Simplifying this task is the fact that the aliens can absorb the bodies of human beings and assume their identities, thereby moving about without detection--at least until the high radiation level in their systems cause them to literally melt into nothingness. Alone among his colleagues, Dr. Harrison Blackwood (Jared Martin) suspects that the "myth" of the Mortaxians is a reality, and he tries vainly to alert the world that the aliens are alive, well, and dangerously close to taking over. Expressing high skepticism over Blackwood's theories are his astrophysicist colleague Suzanne McCullough (Lynda Mason Green), a divorcee with a young daughter named Debi (Rachel Blanchard). Similarly, martinet Native American military officer Col. Paul Ironhorse (Richard Chaves) finds Blackwood's notions hard to swallow. Only when paraplegic computer whiz Norton Drake (Philip Akin), who manages to get about with the help of his computer-activated wheelchair, "Gertrude", punches up evidence that the aliens are burrowing their way towards their old warships, still held in storage, do Suzanne and Ironhorse begin to come over to Blackwood's side--and then, it still takes several violent "close encounters" to win the hearts and minds of the disbelievers. The rest of the season's 22 episodes finds Blackwood and his team coordinating their counterattack against the Mortaxians from their hidden headquarters, The Cottage. Along the way, Blackwood wins several more converts to his cause, and also crosses paths with other aliens who have either cast their lot with Mortaxians or who side with the humans. And throughout it all, it is very, very difficult to distinguish the good guys from the bad guys--even for the viewers at home! ~ Hal Erickson, Rovi

It's late 1944, and the Allied armies are confident they'll win the World War II and be home in time for Christmas. What's needed, says British general Bernard Law Montgomery, is a knockout punch, a bold strike through Holland, where German troops are spread thin, that will put the Allies into Germany. Paratroops led by British major general Robert Urquhart (Sean Connery) and American brigadier general James Gavin (Ryan O'Neal) will seize a thin road and five bridges through Holland into Germany, with paratroops led by Lieutenant Col. John Frost (Sir Anthony Hopkins) holding the most critical bridge at a small town called Arnhem. Over this road shall pass combined forces led by British Lieutenant Gen. Brian Horrocks (Edward Fox) and British Lieutenant Col. Joe Vandeleur (Michael Caine). The plan requires precise timing, so much so that one planner tells Lieutenant Gen. Frederick Browning (Dirk Bogarde), "Sir, I think we may be going a bridge too far." The plan also has one critical flaw: Instead of a smattering of German soldiers, the area around Arnhem is loaded with crack SS troops. Disaster ensues. Based on a book by historian Cornelius Ryan, A Bridge Too Far is reminiscent of another movie based on a Ryan book, The Longest Day. Like that movie, it is loaded with more than 15 international stars, including Sir Laurence Olivier, Robert Redford, Hardy Krueger, Gene Hackman, Maximilian Schell, and Liv Ullman. ~ Nick Sambides, Jr., Rovi

Director Monte Hellman and writer-star Jack Nicholson filmed this western simultaneously with The Shooting (1967). Nicholson stars as Wes, cowpuncher pal to Vern (Cameron Mitchell) and Otis (Tom Filer), who have all been hired as hands for a cattle roundup. En route to their new jobs, the men come across the handiwork of a lynch mob. Later, they find hospitality at the home of Blind Dick (Harry Dean Stanton), who graciously provides them with food and shelter. The cowboys are unaware that Blind Dick and his men recently robbed a stagecoach and murdered the driver. A sheriff (Bradon Carroll) and his posse surround the cabin and hang the thieves. Though innocent, the terrified cowboys flee. Otis is killed, but Wes and Vern escape -- with the posse in pursuit. When they stop to rest at the ranch of Evan (George Mitchell), Wes considers taking Evan's daughter hostage. Trying to steal Evan's horse, Vern is killed by the rancher, who in turn is shot by Wes. Once a law-abiding citizen, Wes has been transformed by unjust vigilantism into a killer. Fascinated by frontier era journals that he discovered in an L.A. library, Nicholson used the documents as inspiration in writing the script. ~ Karl Williams, Rovi

Though filmed in black and white on a wafer-thin budget, Fortress of the Dead is a most worthwhile psychological drama. John Hackett plays an World War 2 veteran who fought at Corregidor back in '42. Twenty years later, he makes a return visit to the Pacific island. But this isn't a sentimental journey: Hackett is forced to relive a harrowing wartime incident that has haunted him for two decades. Conrad Parham and Ana Corita costar in this location-filmed mood piece. ~ Hal Erickson, Rovi

Roger Corman's Tales of Terror stars Vincent Price in a trio of short stories, liberally adapted by Richard Matheson from the works of Edgar Allan Poe. The film gets off to a rousing start with "Morella," in which Price's bitterness over the long-ago death of his wife results in tragedy for his estranged daughter Maggie Pierce. The last of the three terror-filled tales, "The Case of Mr. Valdemar," finds Price being put into a state of suspended animation by the diabolical Basil Rathbone; when Rathbone claims Price's bride Debra Paget for himself, Price briefly revives, only to melt before our eyes (this horrific image was reproduced on the film's advertising posters). The film's best story is its centerpiece, "The Black Cat," which weaves elements of "The Cask of Amontillado" into a mordantly funny revenge tale concerning Price, his bitter enemy Peter Lorre, and Lorre's two-timing wife Joyce Jameson. This is the one in which a besotted Lorre walls up Price and Jameson in his cellar, then endures a hellish hallucination of Vincent and Joyce playing a football game with his head! A mixed bag, to be sure, but Tales of Terror remains one of the best of Corman's Poe cycle (though it does lose a lot when not shown in its original Cinemascope form). ~ Hal Erickson, Rovi