Hugo Haas Movies
Czech-born movie "renaissance man" Hugo Haas is usually excluded from the more scholarly works on film directors, which in a way is a crime: if ever there was an auteur who placed his personal signature on every one of his films, it was the redoubtable Mr. Haas. His film career began in Czechoslovakian comedies, many of which he also scripted. Fleeing his native country when Hitler's armies marched in (a perilous incident he later created on an episode of TV's Screen Director's Playhouse), Haas came to the U.S., where he narrated short-wave broadcasts to the Czech underground. In 1944, Haas resumed his acting career in Hollywood, specializing in oily European villains. Once he'd saved up enough capital from his acting jobs, Haas set up shop as an independent producer/director, turning out a dozen low-budget melodramas between 1951 and 1959. Bearing titles like Pickup (1951), Bait (1953), and Thy Neighbor's Wife (1954), the bulk of Haas' films told the same story over and over: A lonely middle-aged man (always played by Haas) is lured into a ill-advised sexual relationship with a blonde trollop (nearly always played by Haas' protégée Cleo Moore), with fatal results. Amazingly, Haas managed to turn out one "quality" film, the multiple-personality drama Lizzie (1957). Hugo Haas' final cinematic efforts eschewed melodrama for syrupy sentiment: in his last film, Paradise Alley (filmed in 1959 and released in 1962), Haas plays a washed-up movie director who tries to prove that people are basically good at heart. ~ Hal Erickson, All Movie Guide
This erotic horror film from cult director Jesus Franco is based on the witch-hunting exploits of Lord Chief Justice Jeffreys (Christopher Lee), a real historical figure who died in prison in 1702 at the age of 54. In 1685 England, young Alicia Gray is burnt for witchcraft. Alicia's sister Mary (Maria Rohm) unwisely falls for Harry Selton (Hans Hass, Jr.), a rebel against King James II. After the rebels are defeated, Harry is captured by agents of Lord Chief Justice Jeffreys (Christopher Lee), who defends the crown by accusing its enemies of witchcraft. Also a captive, Mary tries to save her lover by surrendering herself to the cruel Judge, who takes perverse sexual pleasure in sadistic torture. The film revels in displays of whipping, sex, and chained women, but is difficult to evaluate otherwise due to the numerous different versions available, some with alternate endings. One version has Jeffreys hanged, then taken down and beheaded, while another has him watching a hanging from a window while a narrator reads his death sentence. There is also a third ending in which Jeffreys makes a confession to Harry's father, the Earl of Wessex (Leo Genn), before suffering a fatal heart attack. Franco used the character again, this time portrayed by Cihangir Gaffari (aka John Foster) in his 1972 film Les Demons. Howard Vernon, who plays the cruel executioner Jack Ketch here, took a heroic role in the sequel. ~ Robert Firsching, All Movie Guide
- Starring:
- Christopher Lee, Leo Genn, (more)
- 1968
The Strange Affair is a fragmentary "'60s" interpretation of a straightforward Bernard Toms novel. Michael York plays a rookie London policeman, appalled at the corruption surrounding him. He does not find comfort in the fact that his own superior (Jeremy Kemp) is just as crooked as the crooks. Susan George is the obligatory "mod" girl with whom York conducts a brief affair. Like many British films of its period, it seems more concerned with inducing pop-art headaches than simply telling its story. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael York, Jeremy Kemp, (more)
- 1961
Stars in the Back Yard is an alternate title for filmmaker Hugo Haas' valedictory feature Paradise Alley. Taking a breather from his usual plot (a dirty old man victimized by a sluttish young wife), Haas casts himself as a washed-up Hollywood director. Hoping to prove that people are basically decent at heart, he pretends to film the comings and goings of the residents of a run-down boarding house. Though he has no film in his camera, his subjects don't know that, and their behavior bears out his thesis. A happy ending is brought about when a major movie studio offers to finance Haas' project-and, incidentally, to give him some film to work with. Among the participants in Haas' faux production are veterans Corinne Griffith, Margaret Hamilton, Billy Gilbert, Chester Conklin and Almira Sessions. Completed in 1958, Paradise Alley didn't attain a release until 1962, when it went directly to television. ~ Hal Erickson, All Movie Guide
- 1960
Considered to be a witch, gypsy girl Tirza (Susan Harrison) has been condemned to death by her own tribe. Taking refuge on the Ponderosa, Tirza falls in love with Joe Cartwright, who is determined to prove to one and all that the girl is not the sorceress she appears to be. Cult film director Hugo Haas appears as tribal leader Zirka, with Arthur Batanides as Spiro and Lily Valenty as Bruja. Originally broadcast on April 23, 1960, "Dark Star" was written by Anthony Lawrence. ~ Hal Erickson, All Movie Guide
- Starring:
- Lorne Greene, Pernell Roberts, (more)
- 1959
Director Hugo Haas reprises the theme of romantic love in this routine yet innocent story of matchmaking. The setting is an overcrowded tenement building in which the residents seem to live beyond the reach of muggers or drug dealers or trigger-happy gangs because they mingle and mix in the halls as they energetically interact with each other. Prof. Brauer (Haas) is a music teacher whose neighbor Dorothy (Carol Morris, a former Miss Universe) is a single woman, a seamstress by trade. Prof. Brauer sees a potentially ideal match for her in his student Eddie (Dick Kallman). While he is promoting that concept, Dorothy is busy introducing him to her friend Mrs. Hoffmann (Vera Vague), a rich widow. Cupid's arrows dart right and left as these two possible couples meet. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Carol Morris, Vera Vague, (more)
- 1959
Scripted in another era, the premise for this interesting though conventional drama defending a partially mixed marriage would not be as convincing a few decades later. Chuck Nelson (John Drew Barrymore) is a wealthy young man who travels South of the border and meets and then marries Ginny (Julie London). His new bride is a wonderful woman until Chuck's socialite mother (Agnes Moorehead) discovers that one of Ginny's grandparents was of African ancestry. The imperious mother-in-law lands the new couple in an embittered court battle as she makes every attempt to annul their marriage. Nat "King" Cole plays Ginny's uncle, and Anna Kashfi is Maria, her cousin. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Julie London, John Drew Barrymore, (more)
- 1957
In this thriller, a middle-aged husband is insanely jealous of his trophy wife, a showgirl. The young bride soon becomes romantically involved with one of her husband's employees. Together they conspire to kill the old goat. The treacherous wife then leaves her late husband's estate to his twin brother, an ex-con recently released from prison. In an interesting plot twist, it is discovered that the lovers actually murdered the twin brother, not the husband. The husband then begins exacting his revenge. ~ Sandra Brennan, All Movie Guide
- Starring:
- Cleo Moore, Hugo Haas, (more)
- 1957
Though his staunchest supporters may disagree, Lizzie is arguably director Hugo Haas' best film. Adapted from Shirley Jackson's The Bird's Nest, the film is a tour de force for Eleanor Parker, who plays the schizophrenic title character. Depending on the circumstances, Lizzie adopts one of three distinct personalities--one is good, one is bad and the third is hopelessly neurotic. Psychiatrist Neal Wright (Richard Boone) tries his best to help Lizzie, but he is undercut by the abusive behavior of the girl's drunken floozy of an aunt (Joan Blondell). Financed by Kirk Douglas' Bryna Productions, Lizzie was overshadowed by the box-office success of the similarly-themed Three Faces of Eve, which was released shortly afterward. Pop crooner Johnny Mathis made his debut as a lounge singer in this film, performing "It's Not for Me To Say." ~ Hal Erickson, All Movie Guide
- Starring:
- Eleanor Parker, Richard Boone, (more)
- 1955
Tender Hearts was the pre-release title of Hugo Haas' Edge of Hell. The film could also have been called Umberto D, Hollywood Style, inasmuch as star-producer-director-scripter Haas plays a kindly old derelict whose only friend is his pet dog. Living on the fringes of a big city, former circus clown Haas depends upon his trained pooch to scrounge around for food. When he becomes too old and feeble to care for the dog, Haas seeks out a wealthy home for his beloved pet. Despite the prevailing sentimentality in Tender Hearts, Hugo Haas manages to work a trashy blonde into the proceedings, in this case a streetwalker played by Francesca de Scaffa, and a climactic murder. ~ Hal Erickson, All Movie Guide
- Starring:
- Hugo Haas, June Hammerstein, (more)
- 1955
In this bizarre drama, an inmate on death row has one final request before his impending hanging: he wants to spend the night with a woman. The police bring him a suicidal prostitute. After a night of lovemaking, the two decide they are in love and are married by the prison chaplain. This eases his torment about going to the gallows. Just before he is to be killed, he describes a dream he had where the rope breaks during the hanging, the death bell rings, and he is freed. As he prays for his miracle the death bell tolls and the film fades to black. ~ Sandra Brennan, All Movie Guide
- Starring:
- Cleo Moore, John Agar, (more)
- 1954
Bait starts out with a cunning pre-credits sequence, wherein a dapper, erudite gentlemen (Sir Cedric Hardwicke), after signing a series of autographs for his admiring fans, introduces himself as the Devil. Addressing the viewer, His Satanic Majesty introduces a cautionary tale of sex and greed--which turns out to be yet another steamy Hugo Haas-directed melodrama, this one titled Bait. Once more, Haas casts himself as a truculent middle-aged man who succumbs to the charms of trashy young blonde Cleo Moore. The plot concerns a lost gold mine, which Haas has been seeking out for nearly 20 years. All he needs is a bright young man to share expenses and responsibilities for a prospecting expedition. Enter John Agar, whose avarice is exceeded only by his lust for Haas' buxom wife Moore. It turns out that Haas has intended all along to use Moore as bait to lure in Agar, as the first step in an elaborate murder and robbery scheme. ~ Hal Erickson, All Movie Guide
- Starring:
- Cleo Moore, Hugo Haas, (more)
- 1954
In this heart-warming drama, a beggar and his performing dog, Flip, struggle to eke out a living upon the cruel streets. He is hired to perform at a rich kid's birthday party. There, the beggar is offered $500 for his beloved dog. He refuses and again hits the streets. Soon he becomes so impoverished that he can no longer provide food for his four-legged friend; he sells him for $20. The beggar is then beaten and robbed. Later he learns that Flip died. The man soon follows the dog to heaven where they begin performing for God. ~ Sandra Brennan, All Movie Guide
- 1954
In this drama, a filmmaker emigrates to the States and ends up marrying the studio head's daughter. Later, he gets into trouble when he refuses to give the studio prima donna the part she wants. For revenge she slips him a mickey, frames him, and the blackmails him for $50,000. The desperate director does the only thing he can--he kills her and blames a nearby vagrant. In the end, he is captured and justice prevails. ~ Sandra Brennan, All Movie Guide
- Starring:
- Hugo Haas, Lance Fuller, (more)
- 1953
Producer-director-star Hugo Haas attempts a costume melodrama in Thy Neighbor's Wife. Plotwise, it's the usual Haas formula: a middle-aged man, his voluptuous young wife and a handsome interloper. In the 19th century, a Moravian magistrate (Haas) swears vengeance when his gorgeous bride (Cleo Moore) renews her romance with her ex-flame (Ken Carlton). When the young man's uncle is murdered, the judge prosecutes his wife's lover for the crime, despite the fact that he's already heard a confession from the village-idiot (Tom Fadden). To make sure that the young man is hanged, the judge kills the real killer; this is witnessed by the judge's wife, who is likewise promptly murdered by her over-zealous husband. Eventually, justice -- or rather, conscience -- emerges triumphant. The ad campaign for Thy Neighbor's Wife included an alluring 8 X 10 of the bare-backed Cleo Moore being flogged, though this is hardly an important moment in the film's course of events. ~ Hal Erickson, All Movie Guide
- Starring:
- Cleo Moore, Hugo Haas, (more)
- 1953
Filmmaker Hugo Haas unfolds his usual cautionary "old man-young woman" story in One Girl's Confession. Perennial Haas leading lady Cleo Moore stars as Mary Adams, whose first step on the road to ruin is a $25,000 robbery. Mary hides the money, then confesses to the crime, secure in the belief that she can dig up the loot upon her release from prison. A few years later, Mary is placed on probation, whereupon she takes a waitressing job at the seaside eatery run by Dragomie Damitrof (Haas). A chronic gambler, Damitrof is on the verge of losing his café when Mary offers to loan him money. When Damitrof begins spending cash like a sailor, Mary is convinced that he's located her hidden loot, whereupon she hits him on the noggin and leaves him for dead. Deciding that the money is too much trouble, Mary donates the rest of the loot to an orphanage and confesses to Damitrof's murder. But that's not the end of the story .... ~ Hal Erickson, All Movie Guide
- Starring:
- Cleo Moore, Hugo Haas, (more)
- 1952
The third of actor Hugo Haas' endeavors as producer-director, Strange Fascination is at least superficially better and more original than the first two. While it's true that Haas once more deploys the theme of a middle-aged man falling hopelessly in love with a much-younger woman, he eschew his usual fondness for melodrama in favor of sentiment. Haas plays Paul Marvan, an international renowned concert pianist. Marvan's career goes into eclipse almost immediately after his marriage to the beautiful Margo (Cleo Moore, in the first of her many Hugo Haas films). It isn't anyone's fault, really: it is simply that Cruel Fate is dead set against Mr. and Mrs. Marvan ever enjoying true happiness. The grimly ironic finale of Strange Fascination is proof positive that there is, indeed, a long long time from May to December. ~ Hal Erickson, All Movie Guide
- Starring:
- Cleo Moore, Hugo Haas, (more)
- 1951
Hugo Haas wrote, produced, directed and starred in the tawdry but fascinating Girl on the Bridge. Like most of Haas' films, this one deals with the ill-fated romance between a middle-aged man and a much-younger woman. Saved from suicide by kindly watchmaker David (Haas), unwed mother Clara (Beverly Michaels) takes a job at his store, and eventually accepts his proposal of marriage. Their happiness is shattered by the arrival of the girl's lover Mario (Robert Dane), whose cousin Harry (John Close) extorts a tidy sum of money from David. When he can stand no more, David murders Harry, but the evidence points to Mario. At first willing to allow Mario to fry for the crime, David relents when he realizes that Mario has reformed and that Clara is still in love with the younger man. However, David's ultimate solution to set things straight is not one to be tried out by the viewer at home! ~ Hal Erickson, All Movie Guide
- Starring:
- Beverly Michaels, Robert Dane, (more)
- 1951
Pickup was the first self-financed directorial effort by the redoubtable Hugo Haas. The film falls neatly into the pattern followed by virtually all future Haas extravaganzas: A romantic triangle involving a susceptible middle-aged man, a scheming blonde wench, and a handsome hunk. Haas himself plays railroad dispatcher Jan Horak, who succumbs to the charms of zaftig doxy Betty (Beverly Michaels). Upon hearing that Horak has a few thousand dollars salted away, Betty inveigles him into marriage. Soon bored by her new husband, Betty inaugurates an affair with Horak's studdish assistant Steve (Allan Nixon). Because Horak is going deaf, Betty and Steve freely discusses their plans to bump off the old man and abscond with his dough. But Horak isn't quite as hearing-impaired as they think he is. ~ Hal Erickson, All Movie Guide
- Starring:
- Hugo Haas, Beverly Michaels, (more)
- 1950
Vendetta began as a pet project of producer/director/writer Preston Sturges. Producer Howard R. Hughes was at first enthusiastic about the project, but lost interest after a bitter argument with Sturges. Director Max Ophuls was originally slated to direct, but Hughes lost interest in him and hired Mel Ferrer instead. Eventually, Hughes decided to make the film anyway, primarily to introduce his latest protégé, Faith Domergue. The film sat on the shelf for four years before Hughes finally released it through RKO. The story begins in old New Orleans, where hot-blooded Corsican maiden Colomba (Faith Domergue) coerces her brother Orso (George Dolenz) into avenging their father's murder. There follows a series of labyrinthine plot twists, leading to a corpse-strewn denouement. Hillary Brooke co-stars as British gentlewoman Lydia Nevil, with whom Orso has a brief romance before sacrificing love for honor. The screenplay, which was credited to W.R. Burnett after several other writers had a crack at it, was based on Colomba, a novel by Prosper Merimee. ~ Hal Erickson, All Movie Guide
- Starring:
- Faith Domergue, Hillary Brooke, (more)
MGM's expensive remake of the 1937 British adventure film King Solomon's Mines stars Stewart Granger as fearless-explorer Alan Quartermaine, and Deborah Kerr as the spunky Irish lass who hires him on to locate her husband. Kerr's spouse has disappeared somewhere in Africa while attempting to unearth the long-lost diamond mines of King Solomon. Quartermaine wants no part of so risky an undertaking until Kerr waves 5000 pounds of sterling under his nose. Coming upon a Watusi tribe, the explorers discover that their taciturn native bearer (Siriaque) is actually a deposed Watusi king, who intends to wrest the throne back from his usurpers. Quartermaine uses his wits to quell the natives and keep his party from being killed on the spot. The group finally reaches King Solomon's Mines, where rests the bones of Kerr's late husband. The ending of this version of King Solomon's Mines doesn't pack the same ironic punch as the climax of the 1937 version, but this MGMization is more concerned with the blossoming romance between the leading man and leading lady than with full fidelity to the H. Rider Haggard novel on which it is based. King Solomon's Mines was filmed on location in Africa, which proved an excellent decision in the long run: for several years afterward, MGM adventure films like Watusi (1959) and Trader Horn (1973) were able to economically lift huge chunks of Technicolor stock footage from King Solomon's Mines. The property would be remade once more in 1985, this time as an Indiana Jones rip-off starring Richard Chamberlain and Sharon Stone. ~ Hal Erickson, All Movie Guide
- Starring:
- Stewart Granger, Deborah Kerr, (more)
Set shortly after the Battle of New Orleans, the film casts John Wayne as John Breen, a Kentucky trooper making the long journey homeward with his confreres. Breen becomes involved with a plan by robber baron Blake Randolph (John Howard) to deprive hundreds of French army refugees of land granted to them by an Act of Congress. Championing the cause of the refugees, Breen does his best to defeat Randolph and his minions--and to prevent the villain's marriage to Fleurette De Marchand (Vera Ralston), the daughter of a former French general (Hugo Haas). Oliver Hardy makes a rare appearance sans Stan Laurel as Wayne's pugnacious, philosophical sidekick Willie Payne. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Vera Ralston, (more)
- 1948
Casbah is a musical remake of the 1938 film Algiers, which was itself a remake of the French film Pepe Le Moko. Tony Martin stars in the old Jean Gabin/Charles Boyer role as Pepe Le Moko, a master thief who lives in the Casbah section of Algiers. A French police inspector (Peter Lorre) would love to capture Pepe, but realizes that as long as the thief remains in the Casbah he is protected by his vast network of criminals. When Pepe falls in love with a beautiful tourist (Marta Toren), he schemes for the first time to leave his little "empire". Betrayed by a former lover (Yvonne De Carlo), Pepe is shot down by the police as he emerges from his sanctuary. Casbah lacks the atmosphere of the earlier non-musical versions of the story, but Tony Martin is reasonably convincing as Pepe Le Moko, even when bursting into song. ~ Hal Erickson, All Movie Guide
- Starring:
- Yvonne De Carlo, Tony Martin, (more)
- 1948
Deanna Durbin's career was clearly on the downswing when she starred in For the Love of Mary. Durbin plays a switchboard operator at the White House, whose hiccuping spells throw several incoming special-interest callers into a tizzy. The President himself cures Durbin of her hiccups, thereby becoming entangled with the girl's various romances. She, in turn, finds herself neck-deep in numerous political intrigues. A forgettable comedy with disposable songs, For the Love of Mary turned out to be Deanna Durbin's last picture. The onetime mortgage-lifter of Universal Pictures was tired of the Hollywood grind and of fighting a losing battle with her fluctuating weight; thus she retired to France with her director-husband Charles David. ~ Hal Erickson, All Movie Guide
- Starring:
- Deanna Durbin, Edmond O'Brien, (more)
- 1948
Adapted by Allen Boretz from Lucille S. Plumbs and Sara B. Smith's stage play Ever the Beginning, My Girl Tisa is set in New York at the turn of the century. Tisa Kepes (Lilli Palmer) is a newly arrived immigrant girl who hopes to bring her father to America. She is fleeced by travel-agent Hugo Haas, browbeaten by sweatshop-owner Akim Tamiroff, and offered sagacious but ineffectual legal advice by Sam Wanamaker. It takes a "deus ex machina" appearance by Theodore Roosevelt (Sidney Blackmer) to solve Tisa's dilemma. When asked about My Girl Tisa, director Elliot Nugent was proudest of his ability to cut down on the budget by filming several of his street scenes from an overhead vantage point, thereby economizing on sets and extras. The film was produced independently by Milton Sperling's United States Pictures, and released by Warner Bros. ~ Hal Erickson, All Movie Guide
- Starring:
- Lilli Palmer, Sam Wanamaker, (more)
- 1947
Frank Yerby's Foxes of Harrow was one of those long historical novels so popular in the 1940s. 20th Century-Fox boiled the novel down into 118 minutes' worth of essentials for this film version. In antebellum New Orleans, roguish Irish gambler Rex Harrison buys his way into society--something he couldn't do in his homeland because he is illegitimate. Sequestering himself in a mansion won in a card game, Harrison courts Southern belle Maureen O'Hara, but their subsequent marriage is befouled by Rex's incessant womanizing. Though tempted to walk out for good, O'Hara stays by her husband's side after he loses his fortune, hoping that the impoverished Harrison will now behave more responsibly. ~ Hal Erickson, All Movie Guide
- Starring:
- Renee Beard, Rex Harrison, (more)
