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Luis Guzman Movies

A well-respected character actor who specializes in playing tough guys with a heart, Luis Guzman has appeared in a dizzying array of film and television productions since he began his professional acting career in the early 1980s.

Born August 28, 1956, Guzman graduated from City College and worked for some years as a youth counselor at the Henry Street Settlement House. During his time as a social worker, he began performing in street theatre and independent films. Guzman got his first big break in the early '80s with a role on the popular TV series Miami Vice. He went on to work sporadically in film and television throughout the rest of the decade, appearing in such films as Sidney Lumet's Family Business and Ridley Scott's Black Rain (both 1989).

Guzman's work schedule grew increasingly crowded as the 1990s progressed; kicking off the decade with an appearance in another Lumet piece, Q & A (1990), the actor began popping up in films ranging from romantic comedy (Anthony Minghella's Mr. Wonderful, 1993) to crime drama (Brian De Palma's Carlito's Way, 1993) to gay and lesbian historical docudrama (Nigel Finch's Stonewall, 1995).

Thanks to directors Steven Soderbergh and Paul Thomas Anderson, Guzman became more readily recognizable in the late 1990s. For Soderbergh, he had substantial roles in Out of Sight (1998), which cast him as a prisoner whose planned escape is ruined by George Clooney; and The Limey (1999), in which he played Terence Stamp's gruff but good-hearted partner in revenge. For Anderson, Guzman appeared in both Boogie Nights (1997) and Magnolia (1999), playing a wannabe porn star in the former and a game show contestant in the latter. 2002 proved Guzman's busiest year to date as the increasingly visible actor appeared in no less than five films, including a prominant role in the caper comedy Welcome to Collinwood and a re-teaming with director Anderson with Punch-Drunk Love.

On television, Guzman became a regular presence thanks to a recurring role on the HBO prison drama Oz, as well as appearances on such shows as Law and Order, NYPD Blue, and Walker, Texas Ranger. ~ Rebecca Flint Marx, Rovi
1988  
PG  
Add Crocodile Dundee II to Queue Add Crocodile Dundee II to top of Queue  
An evil drug baron rears his ugly head in this sequel to the blockbuster Crocodile Dundee, kidnapping Sue so that Dundee will butt out of the Baron's affairs. Using outback strategy, Dundee attempts to rescue his girlfriend. Reversing the procedure of the first film, the story later takes the hero and heroine from America back to Australia, making Sue the fish out of water. In the interim between the two films, stars Paul Hogan and Linda Kozlowski became husband and wife. ~ Hal Erickson, Rovi

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Starring:
Paul HoganLinda Kozlowski, (more)
 
1987  
 
In this small, independent production by a first-time director and the co-owner of a New York city music club named The Great Jones Cafe, a young man attempts to make his way in the music business and in the midst of his struggles becomes acquainted with all sorts of would-be musicians, great artists, and has-beens. One highlight of the film is its soundtrack, featuring The Raunch Hands, Raw Youth, and Richard Hell. ~ Clarke Fountain, Rovi

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Starring:
David Brisbin
 
1985  
R  
This Mexican children's film concerns a most unchildlike subject: the traditional "Day of the Dead" celebration. David Gonzalez plays a small boy who discovers that the Devil plans to take over the festival. His Satanic Majesty's master plan is to replace the sugar skulls made in Calacan with cheap plastic imitations. Gonzalez foils this (literally) diabolical scheme with the help of the festival's "skeleton boy." You don't have to be Mexican to understand Calacan, but it sure helps. ~ Hal Erickson, Rovi

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Starring:
David GonzalezHumberto Leon, (more)
 
1983  
 
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Christine (Sandy McLeod) is a ticket-taker at a Manhattan porn cinema. Her ability to separate reel life from real life is seriously impaired in this slow, often silent, and ultimately enigmatic study of a lonely young woman who first despises the porn and then becomes fascinated with it and the clients who attend the shows. Her inclinations become more active than passive after she decides to follow an elegantly turned-out "businessman" from the theater into an adult video shop, where they begin talking and he invites her to a Yankee game (that dates this movie!). Once at the game, the man leaves for a moment, and Christine follows him again, this time to some sort of strange rendezvous. At this point, it is difficult for both Christine and the viewers to distinguish reality from fantasy, leaving everyone in limbo. ~ Eleanor Mannikka, Rovi

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Starring:
Sandy McLeodWill Patton, (more)