Luis Guzman Movies

A pair of twentysomething entrepreneurs in Brooklyn try to hustle their way to prosperity by using their street smarts and often shady connections. ~ Joe Friedrich, Rovi

Created by the same team responsible for the quirky, iconoclastic HBO western series Deadwood, John from Cincinnati was a magical mystery tour of the California surfing scene. Set in the town of Imperial Beach, the story focused on the multigenerational Yost family, led by Mitch Yost (Bruce Greenwood), a onetime surfing legend who had been forcibly retired (except for a few early-morning forays into the waves) by a serious knee injury. The fall of the Yost fortunes had a deleterious effect upon Mitch's son Butchie (Brian Van Holt), who had become a seemingly hopeless druggie; conversely, Butchie's own son Shaun (Grayson Fletcher) was a surfing phenom who bade fare to surpass his grandfather's celebrity--if he ever got the chance. Holding the family together was Mitch's levelheaded wife Cissy (Rebecca De Mornay), owner of the surfing-goods store that provided their income. Into this dysfunctional family unit came a fabulously wealthy and truly bizarre dude known as John Monad (Austin Nichols), who when pressed for details identified himself as "John from Cincinnati." Outwardly a boorish dimwit with an annoying habit of repeating everyone else's conversations, John was clearly operating on some Higher Plane or other, implicitly possessing the ability to heal the sick and revive the dead, and holding out the hope of redemption for the fractured Yosts. With John in the vicinity, no one found it odd that, for example, Mitch suddenly developed the ability to float in the air; everyone seemed to accept the newcomer without question or prejudice. Only the Yosts' friend Bill Jacks (Ed O'Neill), a fancier of birds and pro wrestlers, distrusted John and his motives, suspecting that he was more Satan than Saint. The series' events--subtly but inextricably linking each character with the other--unfolded in a leisurely, day-by-day "need to know" basis, with small, tantalyzing clues as to the story's outcome (Rapture? Armageddon? The Perfect Wave?) buried within each episode. Cocreated by Deadwood's David Milch and "surf noir" novelist Kern Nunn, and featuring Luke Perry and Deadwood alumnus Jim Beaver in key supporting roles, John from Cincinnati began its HBO run on June 10, 2007. ~ Hal Erickson, Rovi

The scene is a parking garage, where a defiant Frasier (Kelsey Grammer) takes a stand -- and blocks traffic -- when he feels he's being unjustly charged for a full 20 minutes' parking when he only owes for a few minutes. Refusing to allow anyone to pay the fee for him, Frasier transforms an insignificant molehill into an impassable mountain, much to the dismay of his passenger Niles (David Hyde Pierce). Meanwhile, Roz (Peri Gilpin) makes an unexpected public confession when she subs for Frasier on his radio show. ~ Rovi

Before he broke out with the J.D. Salinger-esque Tadpole in 2002, producer-turned-director Gary Winick filmed this little-seen relationship drama. Fisher Stevens stars as the title character, a writer with one novel under his belt who can't seem to deliver the follow-up. Instead, he spends his time compulsively cheating on his photographer girlfriend, Cass (Annabella Sciorra); giving the runaround to his agent, Richard (Ron Rifkin); and trying to keep his landlord, Murray (Luis Guzman), at bay. Things take a turn for the worse when the husband of one of Sam's conquests (Maria Bello) confronts him, leaving Sam covered in hard-to-explain injuries. Soon, with the help of his barkeep brother, Lorenzo (Saverio Guerra), Sam is holding down a day job for the first time in years and reexamining every aspect of his life. After the success of Tadpole, the Independent Film Channel picked up Sam the Man for broadcast on cable television. The film's cast, filled with notable and lesser-known New York actors, includes George Plimpton, Griffin Dunne, and Rob Morrow. ~ Brian J. Dillard, Rovi

Season two of Oz gets under way in the wake of the bloody riot at "Emerald City," the experimental unit set up on Cell Block 5 of Oswald Maximum Security Penitentiary, in which eight are killed and 34 wounded. Though it is obvious to many observers that the ruthlessly ambitious Governor Devlin (Zeljko Ivanek) has used the riot as an excuse to violently smash Warden Glynn's (Ernie Hudson) efforts to rehabilitate the prisoners via more freedom of movement and extra privileges, Devlin's questionable actions in the incident are condoned by the prison board. Ten months later, the convicts are herded into Emerald City's new facilities -- whereupon the old power struggles and drug trading resumes as if nothing had happened. The unit's still-idealistic manager, Tim McManus (Terry Kinney), hopes to mollify the prisoners and mold them into useful citizens worthy of rehabilitation by reinstating many of their privileges, and by attempting to bring the various factional subgroups -- the Latinos, the Italians, the Muslims -- into a homogenous "whole" in which everyone is equal and no one is mad at anyone. McManus has also convinced himself that the cons would benefit from an education program. Before long, alas, most of McManus' New Age notions are flattened beneath the juggernaut of reality. New to the Em City prisoner population this season are Chris Keller (Christopher Meloni), Agamemnon "The Mole" Busmalis, (Tom Mardirosian), and Cyril O'Reily (Scott William Winters). Events crucial to the action include the rape of Gov. Glynn's daughter by members of the Latinos; the publication of a "true" interpretation of the riot by inmate Kareem Said (Eamonn Walker), the powerful and nationally famous leader of the Muslims; the governor's announcement that prisoner Shirley Bellinger (Kathryn Erbe) is to be the first woman executed by the state since 1841; and a "foolproof" escape attempt that ends in a double tragedy. ~ Hal Erickson, Rovi

In classic noir tradition, the protagonist of the made-for-TV Double Deception is hard-boiled private eye John Kane (James Russo), who provides the first-person narration for the deliciously convoluted plotline. Kane knew that former call girl Pamela Sparrow (Alice Krige) was a keg of dynamite the minute she uncrossed her beautiful stems in his seedy office. "Please help me," pleaded Pamela in that come-hither voice, "My husband is missing." But the dame wasn't up front at first, failing to mention that her soul-mate was tied in with a 10-year-old murder case. Funny thing: Pamela reminded Kane of his dead wife -- and funnier still, there are some things just don't stay dead. It figured that Kane would get a few lumps on the casaba along the way, and that he'd have a couple of waltz-arounds with the top brass. But a case is a case, and when murder's involved, someone's got to do something about it, or it's bad for business. Double Deception was originally broadcast by NBC on June 21, 1993. ~ Hal Erickson, Rovi

Visiting his drug-addicted brother Roberto (Mark Adair-Rios), detective Martinez (Nicholas Turturro) finds out that Roberto's landlord is a crooked cop who is shaking down his tenants on behalf of the Mob. After one of the tenants is murdered, Martinez wants to take action against the bad cop, but Kelly (David Caruso) intervenes. Meanwhile, newly appointed ADA Laura (Sherry Stringfield) turns up the heat on Giardella (Robert Costanzo). And the 15th Precinct is bedeviled by an inveterate practical joker. ~ Hal Erickson, Rovi

When a decorated New York City policeman voiced his opposition to an accused cop killer's death sentence, his co-workers ostracized him in this true story. ~ Rovi

Fifty-three people die in a fire at a private Manhattan nightclub. Suspects include a disgruntled patron who was not allowed entry to the popular night-spot, and a rival club owner. But as the investigation proceeds, the trail of evidence leads to a particularly nasty green card scam, targeting illegal aliens. This episode is distinguished by its impressive supporting cast of Hispanic actors. ~ Hal Erickson, Rovi

Just released from prison, Carlos Delgado (Luis Guzman) attends his grandson's christening, where he is reunited with his mobster father Ernesto (Joe Santos). Though Carlos wants to go straight, Ernesto pressures him into remainng with the Organization for one more "hit"--and to make matters worse, Carlos' own son Tomas (Raymond Cruz) likewise insists that his dad resume his life of crime. As a mobster's son himelf, Hunter (Fred Dryer) takes a special interest in this extreme example of family loyalty. ~ Hal Erickson, Rovi

Christine (Sandy McLeod) is a ticket-taker at a Manhattan porn cinema. Her ability to separate reel life from real life is seriously impaired in this slow, often silent, and ultimately enigmatic study of a lonely young woman who first despises the porn and then becomes fascinated with it and the clients who attend the shows. Her inclinations become more active than passive after she decides to follow an elegantly turned-out "businessman" from the theater into an adult video shop, where they begin talking and he invites her to a Yankee game (that dates this movie!). Once at the game, the man leaves for a moment, and Christine follows him again, this time to some sort of strange rendezvous. At this point, it is difficult for both Christine and the viewers to distinguish reality from fantasy, leaving everyone in limbo. ~ Eleanor Mannikka, Rovi

A New York City subway dispatcher draws on his extensive knowledge of the subway system in order to outsmart a dangerous criminal mastermind who's hijacked a subway train in this remake of the 1974 thriller inspired by John Godey's best-selling book. Walter Garber (Denzel Washington) is drifting through his daily routine when he receives word that a heavily armed gang of four has hijacked a subway train and is holding all of the passengers hostage. Led by cunning master thief Ryder (John Travolta), the gunmen will begin executing everyone aboard should the authorities fail in delivering ten million dollars in the space of just one hour. With the tension in the tunnels rising, Walter races to save the hostages before the shootings start. But through it all, there's one part of Ryder's plan that Walter can't quite comprehend: even if the thieves do succeed in getting their money, how could they possibly get out of the tunnels undetected? ~ Jason Buchanan, Rovi