Christopher Guest

Ricky Gervais directs himself in This Side of the Truth, a comedy in which everyone in the world tells the truth except for one misfit in the film industry, who after discovering the act of lying, milks it to become the world's most phenomenal performer. Matthew Robinson will co-direct from his own script that he and Gervais collaborated on. Jennifer Garner, Rob Lowe, Jonah Hill, and Louis C.K. co-star in the Media Rights Capital production, with John Hodgman, Tina Fey, Christopher Guest, and Jeffrey Tambor rounding out the rest of the cast. ~ Jeremy Wheeler, All Movie Guide

Mockumentary mastermind Christopher Guest turns his satirical eye away from dog shows, small-town theater, and folk music to offer a hilarious take on Hollywood award season in this comedy focusing on trio of actors whose lives are turned upside down when they discover that their performances in an independent film are generating a sizable buzz in the entertainment industry. Jay Berman (Guest) is in the process of directing his first feature film -- an intimate family drama set in the 1940s and detailing the tempestuous reunion of an estranged Jewish family that is reluctantly drawn together to celebrate Purim at the behest of their dying matriarch. The cast soon comes down with an infectious case of award fever when rumors on the Internet claim that "Purim" stars Marilyn Hack (Catherine O' Hara), Victor Allan Miller (Harry Shearer), and Callie Webb (Parker Posey) may be delivering Oscar-caliber performances. When "Hollywood Now" co-anchors Chuck Porter (Fred Willard) and Cindy Martin (Jane Lynch) perpetuate the buzz on national television, the entire film crew starts to see stars in their eyes. Subsequently convinced that they have a sleeper hit on their hands, unit publicist Corey Taft (John Michael Higgins), talent agent Morley Orfkin (Eugene Levy), and producer Whitney Taylor Brown (Jennifer Coolidge) immediately cave to requests from Sunfish Classics president Martin Gibb (Ricky Gervais) to alter the film so that it may appeal to a larger audience. Now, while "Purim" screenwriters Lane Iverson (Michael McKean) and Philip Koontz (Bob Balaban) are forced to watch helplessly as their original screenplay is plundered in order to cash in on the positive buzz, awards season draws near and the production takes a most unexpected turn. ~ Jason Buchanan, All Movie Guide

The writing and directing team who created Waiting for Guffman and Best in Show turn their satiric eye toward the world of folk music in this sly mockumentary. Irving Steinbloom was one of the great behind-the-scenes figures of the folk music boom of the late '50s and early '60s, and helped to nurture the careers of three of the best known acts of the era. The Folksmen -- Mark Shubb (Harry Shearer), Alan Barrows (Christopher Guest), and Jerry Palter (Michael McKean) -- were an earnest folk trio who sang of America's noble past and the challenges of the future; they split up in the early '70s after a failed attempt to go electric. Mitch & Mickey were a duo in both music and life, comprised of Mitch Cohen (Eugene Levy) and Mickey Devlin (Catherine O'Hara). They sang soulful songs of love until the collapse of their relationship sent Mitch into a deep and incapacitating depression. And The Main Street Singers were a nine-piece vocal group -- a "neuftet," as they prefer it -- who offered energetic good-time music, cranking out nearly 30 albums in the course of a decade; their current incarnation, The New Main Street Singers (played by Jane Lynch, Parker Posey, John Michael Higgins, David Alan Blasucci, Steve Pandis, Christopher Moynihan, Paul Dooley and Patrick Sauber) is still on the road. When it is announced that the legendary Irving Steinbloom has died (the character never appears in the film), his son Jonathan (Bob Balaban) decides that the best way to memorialize his father is through music, and with the help of Mike LaFontaine (Fred Willard) of Hi-Class Management, they set out to bring The Folksmen, Mitch & Mickey, and The New Main Street Singers back together for a special concert at New York's Town Hall. Christopher Guest, Michael McKean, and Harry Shearer -- who previously teamed up for This Is Spinal Tap -- not only perform together as The Folksmen in A Mighty Wind, but composed most of the songs performed onscreen. ~ Mark Deming, All Movie Guide

Joe Dante directed this satirical action-comedy about talking tech toys accidentally juiced-up with military microchips. After the defense industry firm Globotech takes over a small toy company, Heartland Play Systems' CEO Gil Mars (Denis Leary) gives the green light to develop a new line of action figures, requesting an upgrade to more realistic figures from Heartland toy designers Larry Benson (Jay Mohr) and fumbling Irwin Wayfair (David Cross). Mars wants toys that act like the ones in TV commercials. The results are fierce fighting figures, the Commando Elite, programmed to seek out and destroy the kindly alien-like Gorgonites. In an effort to make the toys as natural as possible, Benson inserts Globotech's most powerful military computer chips. Meanwhile, in quiet Winslow Corners, Ohio, toy-store owner Stuart Abernathy (Kevin Dunn) and his 15-year-old son Alan (Gregory Smith) are stuck in a failing business, so when Heartland truckdriver Joe (Dick Miller) stops by with the Commando and Gorgonite toys, Alan is convinced they will be hot sellers, commenting, "Maybe this store will finally make a little money." With blistering blows to their blister packs, the Commandos burst out, receive orders from their leader Chip Hazard (voice of Tommy Lee Jones) and ready for an all-out assault on the Gorgonites. When the Gorgonite leader Archer (voice of Frank Langella) begins communicating with Alan, it causes the Commandos to perceive humans as another enemy, simply by their association with the "Gorgonite scum," so an attack on the Abernathy house begins. Unfortunately, the Gorgonites can offer only limited assistance, since they have been programmed to lose. The film combines animatronics, puppetry, and computer animation. The Commando Elite voices include surviving actors from Robert Aldrich's The Dirty Dozen (1967), while the Gorgonite voices reunited several This Is Spinal Tap (1983) cast members. A dedication to Phil Hartman (the voice of Phil Fimple) after the closing credits features a brief Hartman outtake. ~ Bhob Stewart, All Movie Guide

The city of Blaine, Missouri is celebrating its sesquicentennial, and what better reason could there be to put on a show? Corky St. Claire (Christopher Guest), current leader of Blaine's community theater group and creator of a stage musical version of Backdraft that led to the unfortunate destruction of the theater, has been commissioned to put together a musical about the city's noble history, "Red, White and Blaine," which stars a variety of the town's theatrical talent. Corky's cast includes Ron and Sheila Albertson (Fred Willard and Catherine O'Hara), a pair of married travel agents that Corky calls "the Lunts of Blaine;" Allan Pearl (Eugene Levy), a dentist who insists that he wasn't the class clown in high school but did sit next to him; Libby Mae Brown (Parker Posey), a sweet young thing who lives for her job at the Dairy Queen; and Clifford Wooley (Lewis Arquette), an "Old Blainian" who makes gun racks from deer hooves. Somehow, Corky has persuaded a major theatrical producer in New York to send a representative to look at the show -- is it possible that "Red, White and Blaine" could be headed to Broadway? Christopher Guest directed and co-wrote this very funny mock-documentary, in addition to playing the flamboyant Corky; Guests's partners from This Is Spinal Tap, Michael McKean and Harry Shearer, helped write the memorable songs for "Red, White and Blaine." ~ Mark Deming, All Movie Guide

The mock heavy-metal band Spinal Tap (actually comedians Michael McKean, Christopher Guest and Harry Shearer) return to duty in this made-for-TV sequel to Rob Reiner's 1984 mockumentary This Is Spinal Tap, filmed to promote the group's album Break Like the Wind. ~ Jason Ankeny, All Movie Guide

This made-for-cable series features comedy performers starring in various skits and satires. ~ Jason Ankeny, All Movie Guide

This screwball urban comedy is about two dippy roommates, struggling musicians Lolly (Melanie Mayron) and Hattie (Helen Slater), who are asked by an equally spacey, drug-dealing friend-of-a-friend Diane (Loretta Devine) to baby-sit a bag containing nearly a million dollars while she scoots out of town in order to avoid trouble. Once the money is in their possession, however, temptation proves too much for Lolly and Hattie, who use the ill-gotten cash to pay the rent, buy new instruments, and embark on a shopping spree for earrings, clothes, and shoes. While the girls dig themselves deeper into trouble with every dollar spent, they also encounter a variety of eccentric characters, including a fellow musician (Danitra Vance), their ailing landlady (Eileen Brennan), Lolly's boyfriend (Christopher Guest), and a parking lot attendant (Stephen McHattie). The latter, however, is actually a cop who's keeping surveillance on them from across the street. Mayron co-wrote the script for Sticky Fingers (1988) with actress and first-time director Catlin Adams. ~ Karl Williams, All Movie Guide

Based on the play by Christopher Durang, Robert Altman's Beyond Therapy is a comedy set in New York City but filmed in Paris, where Altman was living at the time. Arrogant Bruce (Jeff Goldblum) grows bored with his live-in lover, Bob (Christopher Guest), so he looks for a change by placing an ad in the personals. He meets neurotic Prudence (Julie Hagerty) at a French restaurant and they prove to be a terrible match-up. Then Bruce goes to see his therapist, Charlotte (Glenda Jackson), who has a strange disorder herself. In the same building, Prudence goes to see her own bizarre therapist, Stuart (Tom Conti), who believes in sex with his patients. Charlotte and Stuart also have an arrangement where they meet for anonymous sexual trysts. Meanwhile, Bob's mother (Genevieve Page) is worried about her son's relationship with Bruce and she interferes with everything. ~ Andrea LeVasseur, All Movie Guide

It started as a 1960 Roger Corman horror comedy, filmed in two days; it then inspired a lavish 1982 Broadway musical with music and lyrics by Alan Menken and Howard Ashman. Finally in 1986, Little Shop of Horrors (1960) graduated into a multimillion-dollar, all-star film musical. Rick Moranis plays nebbishy Seymour Krelborn, who works in a rundown flower shop on Skid Row. While his boss (Vincent Gardenia) bemoans the lack of business, Seymour seeks a way of bringing the shop -- and himself -- fame and fortune. He purchases a strange plant from an even stranger oriental street vendor (Vincent Wong), naming the plant after his girlfriend Audrey (Ellen Greene, one of the few carry-overs from the Broadway version). Gradually, Seymour learns to his horror that "Audrey II" (given the voice of R&B performer Levi Stubbs) craves blood and flesh. With each of Audrey II's "FEEED MEEE"s, Seymour must scare up human food to satisfy the plant's appetite. One such victim is dentist Steve Martin, a leather-jacketed Elvis type (the dentist's ultra-masochistic patient played by Jack Nicholson in the 1960 original is here impersonated by Bill Murray). The lighthearted tone of the film darkens as Audrey II grows in monstrosity, but the unhappy ending of the Broadway version is avoided herein. ~ Hal Erickson, All Movie Guide

Largely improvised by director Rob Reiner and his cast, This Is Spinal Tap looks and sounds like a "real" documentary, with Michael McKean, Harry Shearer, and Christopher Guest as David St. Hubbins, Derek Smalls, and Nigel Tufnel, the key members of a going-nowhere British heavy metal band called Spinal Tap. The "group" started as an informal skiffle band, eventually maturing into an R&B act called the Thamesmen (their hit was "Gimme Some Money"). After going through a psychedelic period with "Listen to the Flower People," the band mutated into Spinal Tap, a hard rock outfit responsible for such albums as "Intravenous DeMilo," "The Sun Never Sweats," and "Bent for the Rent." This Is Spinal Tap finds them in the midst of their first American tour in years as they support their new LP Smell the Glove, with filmmaker Marty DiBergi (Rob Reiner), who specializes in TV commercials, on hand to document the occasion. Just about anything that can go wrong does: shows get canceled, stage props go wrong, wireless guitar pickups start broadcasting air-traffic reports, no one shows up for in-store appearances, David's girlfriend tries to take over the band, they wind up billed second to a puppet show at an amusement park, and the group teeters on the verge of breakup. After the film's initial release, McKean, Guest, and Shearer did a short club tour as Spinal Tap; the "band" reunited in 1992 for a new album, Break Like the Wind, followed by a full-fledged tour and TV special, The Return of Spinal Tap. ~ Mark Deming, All Movie Guide

Rob Reiner coproduced, cowrote and costarred in this TV-movie about suburban "angst" in the 1980s. Reiner is one of four wealthy Long Islanders who play for an amateur softball team. All four men (Reiner, Bruno Kirby, Robert Costanzo and Christopher Guest) suffer from profound personal and professional problems, thus the weekly ball game becomes a method of working out their frustrations. So adept do they become at this cathartic activity that their team makes it to the state-wide championship--which leads to yet another crisis. Million Dollar Infield was the first of several "behind the scenes" projects for onetime TV sitcom star Rob Reiner; more recently, Reiner has been responsible for such moneymaking theatrical films as This is Spinal Tap, Misery and A Few Good Men. ~ Hal Erickson, All Movie Guide