Tonino Guerra Movies

Georges Bizet's 1875 opera about Carmen, the colorful cigarette factory worker whose flirtations with the soldier Don José are forgotten in her love for the matador Escamillo, is the source for director Francesco Rosi's cinematic version of the same story. Plácido Domingo sings the part of Don José, Julia Migenes-Johnson sings Carmen, and Ruggero Raimondi is Escamillo. Although there is nothing to fault in the singing itself, some viewers may feel that director Rosi has stayed closer to a stage production than the medium of film would warrant. Carmen received the 1984 Cesar award for "Best Sound." ~ Eleanor Mannikka, All Movie Guide

This Italian version of Henry IV is based on the Luigi Pirandello play rather than Shakespeare's historical work. Moreover, the Henry depicted herein is not the English king, but the 11th-century Holy Roman emperor. In addition, central character Marcello Mastroianni doesn't play emperor Henry, but instead a contemporary man of wealth who thinks he's Henry. Also, Mastroianni's delusion is not a delusion, but a subterfuge. Well, we told you it was based on a Pirandello play, so enter ye and leave all sanity behind. ~ Hal Erickson, All Movie Guide

Nostalghia is Russian director Andrei Tarkovsky's enigmatic work about a writer (Oleg Yankovsky) who, trapped by his fame and an unhappy marriage, seeks out his cultural past in Italy. Here he meets Erland Josephson, a local pariah who declares that the world is coming to an end. The writer finds this prophecy curiously more alluring than the possibility of a dead-end future. Nostalghia won the Grand Prix de Creation and the International Critics Prize at the 1984 Cannes Film Festival. ~ Hal Erickson, All Movie Guide

In Tuscan lore, the evening of August 10th is la notte di san lorenzo (the night of the shooting stars). Each of these stars is believed to grant one wish. In this celebrated film by Italy's Taviani brothers, a woman asks for the words to tell her son about that same night during the last days of World War II. The Nazis occupied Italy and the fascists had mined her small Tuscan village of San Martino. Skeptical of the fascists' promise that all peasants will be safe in San Martino's cathedral, a group of villagers opt to leave and search for the Italian partisans and advancing American forces. Among those to depart is the woman, then only six years old. La Notte di San Lorenzo is the story of the villagers' remarkable exodus, the fate of those left behind, and the partisan struggle against fascism -- lyrically intertwined with their thoughts, loves, fears, and memories, as well as the fantasies of a young girl experiencing the tragedy she perceives to be her greatest adventure. ~ Aubry Anne D'Arminio, All Movie Guide

Director Francesco Rosi earned a Best Foreign Film Academy Award nomination for his drama Tre Fratelli (Three Brothers), an adaptation of a work by Andrei Platonov. When the matriarch of an Italian family dies, the husband brings his three boys, each of whom are facing difficult personal problems, back to their farmhouse. Raffaele (Philippe Noiret) is a judge who fears being executed over the politically unsettling case over which he is presiding. Rocco (Vittorio Mezzogiorno) is quite religious and dreams of helping troubled teenagers. Nicola (Michele Placido) is a worker involved in a labor dispute as well as a failed marriage. Each of the men grieves in his own way, while also wrestling with the other emotional issues that are pressing on them. ~ Perry Seibert, All Movie Guide

Based on an autobiographical novel by Carlo Levi, Cristo si e fermato a Eboli stars Gian-Maria Volonte as Levi, a prominent anti-fascist author and artist who, during Mussolini's regime was exiled to Eboli, a tiny village in Southern Italy. The government believed Levi's controversial views would fall on deaf ears, but as he spent time in the small pastoral community, the simple wisdom of the peasants came to have a profound impact on Levi, and his beliefs would also impact the people of Eboli. Francesco Rosi's film is usually screened in a version running 150 minutes, though a longer 210 minute cut is also available. ~ Mark Deming, All Movie Guide

Roland Fériaud (Lino Ventura), on returning from a seaside vacation, discovers a corpse in a room adjoining his. He is abducted by a mysterious group who take him to a clinic of some kind, where he is interrogated. He is shown a small suitcase he has never seen before, and he tries in vain to understand what it is his captors want. Director Jacques Deray specialized in this kind of thriller, which is a typical specimen of the genre. At this time Lino Ventura was at the peak of his stardom, playing silent, stoical heros after the manner of Jean Gabin. ~ Clarke Fountain, All Movie Guide

Francesco Rosi utilizes the breathtakingly beautiful Italian landscape in an unspecified Italian city to hatch this mystery film involving murder and corruption in high places. As the film begins, a well-known prosecutor is killed. The murder turns out to be the first in a series of murders -- and all the victims are judges. With Italy lapsing into chaos because of the crimes, the craggy and careworn Inspector Rogas (Lino Ventura) is brought in to solve the murders. Rogas thinks that a man, sent to prison for a crime he didn't commit, is the person responsible for the killings. But when Rogas reports that fact to his superiors, they want nothing to do with the case. When more killings occur, Rogas uncovers a plot involving his superiors who are using one man's revenge murder as a ploy in order to affect nefarious changes on the entire country. ~ Paul Brenner, All Movie Guide

In this bizarre psychological thriller, a handsome young boy (John Mouder-Brown), who is marred by a strange birthmark on his face, tells a disturbing tale about how his family died. The family had been living for some time in a villa which was overgrown with flowering vines. Some of the vines even penetrate to the inside of the house. It seems that the boy's father, (Fernando Rey), was part of a conspiracy to kill Hitler, and when the plot failed, he was forced to kill his family in order to prevent them from suffering horrible torture. Unable for some reason to kill himself, he escaped but became the victim of amnesia after a motorcycle accident. When a German governess came to stay, his father's memory is revived. The boy travels to Germany in pursuit of the governess and learns that her family seeks vengeance from his father. ~ Clarke Fountain, All Movie Guide

Director Francesco Rosi returns to his recurring theme of the connections between legal and illegal exercises of power in this sensationalized account of the infamous gangster Charles "Lucky" Luciano (Gian Maria Volonte). The film examines the life of Luciano after serving nine years of his 50-year sentence in the 1930s and 1940s, after which he was pardoned and deported to Italy. Once back in Italy, Luciano travels to Naples, where he finds himself under a continuous ten-year investigation by narcotics investigator Charles Siragusa (who plays himself). Rosi uses Luciano as a clinical study, questioning his legendary status and exploring the truth behind the legend. ~ Paul Brenner, All Movie Guide

Well-known actor Gian Maria Volonte carries this Italian biographical film almost single-handedly in his role as the industrialist Enrico Mattei. Mattei gave Italian industry a much-needed shot in the arm in the postwar era and died under suspicious circumstances in 1962. However, like many larger-than-life figures, he is not without his flaws. He created a giant monopolistic industry, which he is thought to have maintained free from interference by the government through the application of generous bribes. When he set out to make Italy a power in the petroleum world, however, he ran into serious difficulties. ~ Clarke Fountain, All Movie Guide

The first Italian feature film shot in Moscow was directed by the renowned Vittorio De Sica and produced by Carlo Ponti. Sophia Loren stars as Giovanna, an Italian woman who marries Antonio (Marcello Mastroianni) 12 days before the outbreak of WWII. Antonio has no desire to fight in the conflict, and he fakes insanity to try to avoid the draft, but officials see through the charade. Antonio is sent to the Russian front, where the soldiers are plagued by freezing temperatures and short supplies of rations. He is found half-dead in the cold by a Russian peasant girl, Mascia (Lyudmila Savelyeva). She takes him in, and eventually, they marry. Giovanna waits in vain for word on the fate of her husband, who is officially declared missing in action. She goes to Russia to try to find him, searching records and cemeteries. Finally, she discovers first his new wife, then him, and reluctantly decides not to fight the situation. Returning home to Italy, she marries an older factory worker, Ettore (Germano Longo), and they have a son (who is played by the real-life son of Ponti and Loren). But Antonio still longs for Giovanna, and he returns to Italy to discuss a reconciliation with her. ~ Michael Betzold, All Movie Guide