Tonino Guerra Movies

Vittorio De Sica directed this sudsy romantic drama, which received punishing reviews on its initial release. Recently-divorced fashion designer Julia (Faye Dunaway) arrives in Venice from the U.S. and meets handsome race car driver Valerio (Marcello Mastroianni) at the airport. While she initially brushes off his advances, she soon has a change of heart and invites him to spend a few days with her at the villa where she'll be staying. After several days divided between lovemaking and sightseeing, a party at Julia's home turns into an orgy, and Valerio decides that he's bitten off more than he can chew and leaves her. However, Valerio soon learns that there's a reason for Julia's reckless abandon -- she is suffering from a terminal illness and has a very short time to live. Faye Dunaway and Marcello Mastroianni were romantically involved at the time Amanti was in production, though little of their personal chemistry appears onscreen. ~ Mark Deming, All Movie Guide

This evocative look at a 1914 ocean voyage to scatter the ashes of a world-famous opera singer (Janet Suzman) is by turns charming, funny, and bizarre. Among the ship's passengers are aristocrats, politicians, singers, and a rhinoceros. Their episodic interactions form the core of the film, with complications (including a group of refugee Serbs boarding the vessel) carefully orchestrated by screenwriters Federico Fellini and Tonino Guerra to highlight the decay of European society prior to World War I. The ship sails on an artificial ocean against an artificial sky, crafted by art director Dante Ferretti in the studios of Cinecitta, with a result that is both disconcerting and oddly comforting. ~ Robert Firsching, All Movie Guide

A man unwillingly looks back upon his life as he prepares for his death in this grim Russian drama that features the final film appearance of star of stage and screen Innokenti Smoktunovsky. Knowing that he will soon pass on, elderly Valentin Grack hires private detective Stanislav to follow him around for an entire day and write down everything that he does. It is a cold day and during Grack's travels he encounters a younger woman who addresses him as "professor." He then meets a prostitute who turns out to be his daughter, and finally he meets an old woman, his worried wife who has been searching eight days for him. In between meeting the women, Grack finds himself in some almost surreal situations and having flashbacks about his youth. ~ Sandra Brennan, All Movie Guide

This comic Italian melodrama recounts the story of a friendship which develops out of a romantic obsession. The Italian communist party was largely independent of the Eastern Bloc, and has played a large political role in that country, particularly on the local level. This story tells of Annibale Pezzi (Adriano Celentano), a hospital patient who is also the local communist party boss, and of Sister Germana (Sophia Loren), the nursing nun who is treating him. Annibale successfully invents one ailment after another in order to avoid having to leave the delightful ministrations of this special woman. Though she is at first antagonistic to him and his beliefs, their mutual respect grows until he is finally able to accept the idea of being discharged. ~ Clarke Fountain, All Movie Guide

A handsome prince searches for love in this whimsical fairy tale. Prince Ramon (Omar Sharif) has been pledged to an arranged marriage by the Queen Mother (Dolores Del Rio), but he balks at marrying a woman whom he doesn't love, and rides away on his horse rather than face the altar. While riding in the woods, Ramon is thrown from his mount, and the wounded prince finds refuge at a nearby monastery presided over by Brother Joseph (Leslie French). Unlike most monks, Joseph has magical powers and can fly when the spirit moves him. The Prince confesses to Joseph that he's been unable to find true love, so the monk puts his powers to work; soon Ramon finds himself awestruck by the beautiful servant girl Isabella (Sophia Loren). Ramon and Isabella fall in love, but her status as a commoner would preclude a marriage between them -- that is, until Brother Joseph does some rummaging through his bag of tricks. More Than a Miracle (also released as C'era una Volta and Cinderella -- Italian Style) was Dolores Del Rio's last dramatic screen appearance for 11 years; she was to act in only one more film, The Children of Sanchez. ~ Mark Deming, All Movie Guide

Georges Bizet's 1875 opera about Carmen, the colorful cigarette factory worker whose flirtations with the soldier Don José are forgotten in her love for the matador Escamillo, is the source for director Francesco Rosi's cinematic version of the same story. Plácido Domingo sings the part of Don José, Julia Migenes-Johnson sings Carmen, and Ruggero Raimondi is Escamillo. Although there is nothing to fault in the singing itself, some viewers may feel that director Rosi has stayed closer to a stage production than the medium of film would warrant. Carmen received the 1984 Cesar award for "Best Sound." ~ Eleanor Mannikka, All Movie Guide

Marcello Mastroianni portrays the handsome lover Casanova pitted against a thoroughly modern woman. This is a legendary hero often depicted in movies, but this time he is portrayed with a slightly different problem - the only time he's "in the mood" is when he feels that he is in danger. His job as NATO officer offers plenty of opportunity for his sexual arousal problems to be assuaged. ~ Tana Hobart, All Movie Guide

This suspenseful Italian crime drama is set in a Colombian river town and chronicles the series of events that led up to murder. Based on a novel by distinguished author Gabriel Garcia Marquez, the tale begins in the present as a middle-aged doctor returns to the village after a twenty-year absence to investigate the murder that occurred just before he left. A flashback ensues. All the trouble began when a wealthy general's son came to town searching for a bride. He found an appropriate girl and was very happy until he discovered that his bride was not a virgin. In a terrible rage he sent the poor girl back to her family where her father beat her into revealing her lover's name. Her twin brothers then set out to punish the guilty fellow, a much-despised womanizer. Though the entire town knew that the brothers planned to kill him, no one intervened. Strangely, the victim died without a fight. The story jumps back to the present to witness the return of the general's son. He runs into his former fiancee and quietly hands back all of the letters she had written him over the years. Not a single one is opened. ~ Sandra Brennan, All Movie Guide

In this bizarre psychological thriller, a handsome young boy (John Mouder-Brown), who is marred by a strange birthmark on his face, tells a disturbing tale about how his family died. The family had been living for some time in a villa which was overgrown with flowering vines. Some of the vines even penetrate to the inside of the house. It seems that the boy's father, (Fernando Rey), was part of a conspiracy to kill Hitler, and when the plot failed, he was forced to kill his family in order to prevent them from suffering horrible torture. Unable for some reason to kill himself, he escaped but became the victim of amnesia after a motorcycle accident. When a German governess came to stay, his father's memory is revived. The boy travels to Germany in pursuit of the governess and learns that her family seeks vengeance from his father. ~ Clarke Fountain, All Movie Guide

Theo Angelopoulos (Reconstruction) directed this 1998 Cannes Film Festival Palme d'Or winner about a famed author nearing the end of his life. Alexander (Bruno Ganz) lives in his old seaside family home near Thessaloniki, but his daughter and son-in-law plan to sell the house, slightly damaged by an earthquake. Seriously ill, Alexander thinks if he checks himself into the hospital, he'll never check out. Awash in nostalgia, he recalls his late wife, Anna (Isabelle Renauld), seen in flashback, and he lets his daughter read a letter her mother had written to him right after her birth. Alexander's current project involves completing the last unfinished work of a 19th-century poet, but he puts that aside in order to spend time finding a home for his dog. Since his son-in-law won't take the dog, Alexander gives it to his servant. After rescuing an Albanian boy (Achileas Skevis) from a gang that sells children to wealthy Greeks who can't adopt legally, Alexander intends to return the youth to his grandmother in Albania. However, the child lied, and Alexander is unaware the boy has no grandmother. The old man and the boy set forth on a journey, and the other bus passengers include several musicians and the 19th-century poet (Fabrizio Bentivoglio). Bruno Ganz was dubbed into Greek for this Greek-French-Italian co-production. ~ Bhob Stewart, All Movie Guide

Incest, necrophilia, and Joe Dallesandro? It must be Andy Warhol. Warhol did indeed co-produce this 1973 schlock spectacular -- originally presented in 3D -- that was directed by Factory fave Paul Morrissey. Starring Udo Kier in the role of "Ze Baron," Flesh for Frankenstein is a horror story for a new 'n' lewd generation. This time around, the mad scientist has created the nymphomaniacally-inclined Adam and Eve, whose mission it is to spawn a new race. Along for the ride --somewhat literally -- is a lusty stable boy (Dallesandro) who main duty it is to entertain the Baron's equally lusty wife/sister. Sex, gore, unconvincing bat attacks, and the highest camp this side of the Appalachian Trail combine for a dizzyingly outrageous midnight movie. Flesh for Frankenstein got a second chance at life when it was screened at the 2002 Philadelphia Gay and Lesbian International Film Festival. ~ Rebecca Flint Marx, All Movie Guide

The always innovative Taviani Brothers pay homage to another unique filmmaker, D. W. Griffith, in Good Morning, Babylon. Vincent Spano and Joaquim de Almeida star as Nicola and Andrea Bonnano, the latest in a long line of Tuscany-born cathedral builders. Emigrating to America, the brothers settle in Los Angeles in 1915, even as director Griffith (Charles Dance) is preparing his epic production Intolerance. The boys are hired to help construct the massive sets for the film's Babylonian sequence (hence the title), for no other reason than the fact that Griffith is impressed by Italian craftsmanship. As the film progresses, Nicola and Andrea assimilate to their new surroundings, even launching a romance with a pair of pretty movie extras. On the verge of continuing the family tradition, the boys' ambitions are cut short by events well beyond their control. Still, their past artistic accomplishments, like those of their forebears, survive the ages -- but only on the ethereal silver screen. ~ Hal Erickson, All Movie Guide