Peter Guber Movies

This comedy returns to the exclusive but crazy country club golf course seen in the original Caddyshack. This time its the blue-bloods against the blue collars as a loud, vulgar self-made millionaire tries to join the stuffy upper-crust club after his daughter falls in love with the son of one of the members. Naturally, the boisterous millionaire is rejected by the genteel jerks. He retaliates by buying the golf course and turning it into an ultra-tacky amusement park. Merry mayhem ensues, but in the end, the snobs learn a valuable lesson, the millionaire gets to join, and his daughter and her lover are finally united. ~ Sandra Brennan, All Movie Guide

Gorillas in the Mist is based on the autobiographical 1983 book by naturalist Dian Fossey. Before the book could be brought before the cameras, Fossey had been mysteriously killed; her death provides a logical, if somewhat ghoulish climax to the film. A Kentucky girl, Fossey (Sigourney Weaver) is inspired by famed anthropologist Louis Leakey (Ian Cuthbertson) to devote her life to the study of primates. Travelling into deepest Africa, Fossey becomes fascinated with the lives and habits of the rare mountain gorillas of the Ugandan wilderness. Studying them at close quarters, Fossey develops a means of communicating with the gorillas, and in so doing becomes obsessed with the beasts' well-being. She is so devoted to "her" mountain that she loses the opportunity for a romance with a National Geographic photographer (Bryan Brown). Appalled by the poaching of the gorillas for their skins, Fossey complains to the Ugandan government, which dismisses her by explaining that poaching is the only means by which some of the Ugandan natives can themselves survive. She refuses to accept this, and becomes a militant animal-rights activist, burning down the poachers' villages and even staging a mock execution of one of the offenders. ~ Hal Erickson, All Movie Guide

The Witches of Eastwick, a memorable comedy with a dark edge, is based upon a novel by John Updike. On Thursday nights three female friends -- Alex (Cher), Sukie (Michelle Pfeiffer), and Jane (Susan Sarandon) -- meet to chug martinis, learn Chinese aphrodisiac cooking and lament the scarcity of eligible men. As they sit around, they fantasize about and describe their idea of the ideal male. Arriving in town the following day is Satan, disguised as mysterious stranger Darrell Van Horn (Jack Nicholson). One by one, Van Horne seduces each of the women. Then, strange things begin to happen. When the town matriarch Felicia (Veronica Cartwright) publicly denounces Van Horne, she sustains a nasty compound fracture. When she forces her editor husband to publish a story about Van Horne's sexual antics, Darrell gets his revenge with revoltingly large amounts of cherries. The women now see that they may be in danger and begin to plot their escape. ~ Linda Rasmussen, All Movie Guide

A year after appearing in the box-office sleeper Shanghai Surprise, pop superstar Madonna starred in the screwball comedy Who's That Girl? She plays Nikki Finn, who is being released from prison after serving a four-year sentence for a murder she didn't commit. Meanwhile, wealthy lawyer Loudon (Griffin Dunne) is about to get married that afternoon to the snobby Wendy (Haviland Morris), the daughter of Simon Worthington (John McMartin). Worthington does not approve of the wedding and he wants Nikki out of town as soon as possible, so he sends Loudon to collect Nikki and take her to the bus station. Instead, the flamboyant Nikki seeks her revenge while trying to find out what happened to her friend Johnny, which causes Loudon a lot of trouble. Naturally, wild action ensues -- some of it involving an escaped Cougar belonging to Loudon's boss, the millionaire animal collector Montgomery Bell (John Mills) -- and Loudon having to choose between the prim Wendy and the unpredictable Nikki. ~ Andrea LeVasseur, All Movie Guide

With a script that is too anemic for the red-blooded actors featured here, this anorexic comedy moves slowly up and down the corporate ladder with the fortunes and misfortunes of several company men. Jack Issel (Judge Reinhold) gets a VIP position at INC in the PR department (business-speak). Suddenly the corporation's shady activities come to the fore -- especially when a U.S. plant is set to close for a move south of the border where labor is almost free. Enmeshed in these tangles, Jack is hardly prepared to fall in love with the leading activist against the plant closing -- but he does. Meanwhile, a lot of other subplots quickly dispose of potentially budding villains like Stedman (Danny DeVito) the inside trader -- too bad. DeVito and Don King (appearing as himself) would have made a great team. ~ Eleanor Mannikka, All Movie Guide

Cinematographer Michael Chapman directed this John Sayles adaptation of Jean M. Auel's best-selling ode to Cro-Magnon women. The story begins at the moment in pre-history when the last of the Neanderthal men were becoming extinct and the superior race of Cro-Magnons were starting to supersede them. Focusing on a tribe of wandering Neanderthals who adopt a young girl named, Ayla (played as an adult by Daryl Hannah). She grows tall, lithe, and smart. The Neanderthals quickly accept her into their tribe, but once a tribal member, Ayla begins to question the tribe's male chauvinistic presumptions. Unable to conceive of why only men are given weapons, she takes it upon herself to learn how to use a slingshot. She then questions the tribe's assumptions concerning sexual politics. She learns to count and becomes the assistant to the local medicine expert. As the seasons wear on, the tribe utilizes Ayla's knowledge for their own good while Ayla's continues to try the patience of the tribe with her unspeakable feminist demands. ~ Paul Brenner, All Movie Guide

In this spoof of McCarthy-era paranoia and 1950s wholesomeness, the characters and plot are drawn from the popular Parker Brothers board game of the same name. On a dark and stormy night in 1954, six individuals with ties to Washington are assembled for a dinner party at the swanky mansion of one Mr. Boddy (Lee Ving). Boddy's butler, Wadsworth (Tim Curry), assigns each guest a colorful name: Mr. Green (Michael McKean), Col. Mustard (Martin Mull), Mrs. Peacock (Eileen Brennan), Professor Plum (Christopher Lloyd), Miss Scarlet (Lesley Ann Warren), and Mrs. White (Madeline Kahn). Two additional servants, the Cook (Kellye Nakahara) and Yvette, the maid (Colleen Camp), assist Wadsworth as he informs the guests that they have been gathered to meet the man who has been blackmailing them: Mr. Boddy. When Boddy turns up dead, however, the guests must try to figure out who killed him so they can protect their own reputations and keep the body count from growing. Three separate endings were filmed for Clue and shown in different theaters; all three are collected for the video edition. Although the film is set in the 1950s, the original Clue game was actually devised by Anthony Pratt, a clerk in Leeds, England, to pass the time during World War II air-raid drills. First released in 1946 under the name Cluedo by British manufacturer Waddington's, Clue was renamed and released in the U.S. in 1949. Today, Clue/Cluedo is marketed in 70 countries around the world and has been adapted into a British game show and an off-Broadway musical. ~ Brian J. Dillard, All Movie Guide

With their father dead and their mother busy trying to land a steady beau, pretty teen Billy Jean Davy (Helen Slater) and her younger brother, Binx (Christian Slater), spend their time riding Binx's moped and dreaming of life in Vermont -- several climate zones away from the humid, omnipresent heat of their Texas town. One day, on their way from their trailer park home to a swimming hole, the Davy kids run afoul of rich boy Hubie Pyatt (Barry Tubb) and his cronies, who steal -- and later trash -- the scooter Binx bought with his father's paltry life insurance benefits. Demanding payment from Hubie and his merchant dad (Richard Bradford) for the damage that's been inflicted on both the bike and her brother's face, Billie Jean narrowly escapes being raped by the elder Pyatt. In the ensuing scuffle, Binx accidentally shoots Mr. Pyatt, sending himself, Billie Jean, and their friends, Ophelia (Martha Gehman) and Putter (Yeardley Smith), on the lam. When the "Billie Jean Gang" becomes a media sensation, Pyatt capitalizes on their notoriety by selling T-shirts and bric-a-brac, while policeman Ringwald (Peter Coyote), who feels guilty for having refused to help Billie Jean, tries to bring the kids in without anyone getting hurt. However, when the gang mock-kidnaps rich amateur filmmaker Lloyd (Keith Gordon), unaware that he's the district attorney's son, the situation spins out of control. Soon, Lloyd's videotape of the suddenly crop-topped, Joan of Arc-emulating, eminently telegenic Billie Jean elevates a local headline into a national sensation, and even Lloyd's attraction to Billie Jean can't protect her from the media lightning rod she's become. The Legend of Billie Jean marks the screen debut of Christian Slater, who is no relation to co-star Helen Slater. Actor Gordon, who made his debut as a screenwriter with Mark Romanek's Static the year Billie Jean came out, would go on to direct a number of critically acclaimed films. ~ Brian J. Dillard, All Movie Guide

There was once a time within living memory when people eagerly awaited a TV-movie starring Mister T. The Toughest Man in the World casts the former Laurence Turand as nightclub bouncer "Bruise" Brubaker. Marshmallow-soft on the inside, Bruise befriends a group of underprivileged kids at a youth center. The film bears a marked resemblance to Mister T's Saturday-morning cartoon series; whether it is better or worse is left to the viewer. I pity the fool who missed The Toughest Man in the World when it was first telecast on November 7, 1984. ~ Hal Erickson, All Movie Guide

In this casual, uninvolved comedy running on a low-octane script, a scruffy taxi company is about to be wiped out when its owner Harold (Max Gail) exhorts his cabbies to do what they can to help save the company -- and what they can do turns out to be a surprise to everyone concerned. Saving the day (and the film) are the likeable, eccentric drivers, introduced by means of a new trainee (Adam Baldwin) who rides around with each in turn. ~ Eleanor Mannikka, All Movie Guide

Costa-Gavras's tense political drama opens in an unspecified South American country (though clearly intended to be Chile) in the throes of a military coup. American activist Charles Horman (John Shea), who has been a thorn in the side of the country's military ever since his arrival, suddenly disappears. In trying to find out what has happened, his wife Beth (Sissy Spacek) is stonewalled, not only by the ruling junta but by the American consulate. His father, staunchly patriotic Ed Horman (Jack Lemmon), joins Beth in her search. Ed and his daughter-in-law have never seen eye to eye politically, and he refuses to entertain the notion that his son's disappearance might be part of a larger conspiracy or cover-up. But as the days grow into weeks, Ed comes to the shattering conclusion that he and his family have been betrayed by the American government, on behalf of the "friendly" South American dictator who holds his people in a grip of iron. Adapted by Costa-Gavras and Donald E. Stewart from a book by Thomas Hauser, Missing was inspired by the true story of the late Charles Horman. In spite of (or perhaps because of) condemnation from certain high-ranking officials in the Reagan administration, the film went on to win an Academy Award for Best Adapted Screenplay, as well as nominations for Best Picture, Best Actor, and Best Actress. ~ Hal Erickson, All Movie Guide

Based on a novel by Scott Spencer, Endless Love details the doomed romance between 17-year-old David (Martin Hewitt) and 15-year-old Jade (Brooke Shields). Banished from Jade's home by her daddy Hugh (Don Murray), David obsessively cooks up a scheme to get back into the family's good graces. Since this plan involves setting Jade's house on fire, one can easily predict that the puppy-love romance is in for a bumpy ride. Jailed for arson, David heads directly to Jade the moment that he's released, with tragic results. Posting respectable earnings thanks to the popularity of Brooke Shields, Endless Love was also the film debut of Tom Cruise, billed 18th in the cast list. A young James Spader lends a supporting role. ~ Hal Erickson, All Movie Guide

Midnight Express is a harrowing tale of a naïve American caught in a nightmare of his own making thousands of miles from his home. Billy Hayes (Brad Davis) is an American tourist visiting Turkey with his girlfriend Susan (Irene Miracle) when he's caught by customs officials trying to smuggle a large amount of hashish out of the country. The crime would normally carry a sentence of four years, but officials decide to make an example of Billy, and he draws a 30-year sentence despite the promises of his Turkish legal counsel. While Susan and Billy's father (Mike Kellin) pledge to do everything they can to speed Billy's release, in fact there's little than can be done. Billy quickly finds himself in a hellish prison that's a nightmare of filth, violence, rape, inedible food, and unspeakable health conditions. However, Billy gains a few confidantes behind bars: Jimmy (Randy Quaid), an American in a constant state of emotional overdrive; Max (John Hurt), an intelligent, drug-addicted Englishman; and Erich (Norbert Weisser), a gay Scandinavian who is attracted to Billy but accepts his gentle refusals of sex. Before long, Billy is convinced that he can take no more, and he makes plans to take the "midnight express" -- jailhouse slang for escape. While his friends are willing to help, they also make clear that almost no one who has tried to escape has lived to tell the tale. Based on a true story, Midnight Express was a box-office hit which won wide acclaim for the performances of Brad Davis and John Hurt; and the screenplay, by Oliver Stone, won an Academy Award. ~ Mark Deming, All Movie Guide