Michael Gross Movies

Prehistoric terror comes to contemporary Los Angeles when time traveling scientists mistakenly return to the modern era with a carnivorous dinosaur in tow. ~ Jason Buchanan, Rovi

Originally telecast in tandem with "The Passion of the Wick", this aptly titled episode marks the series finale of The Drew Carey Show. At virtually the same moment that she agrees to marry Drew (Drew Carey), Kellie (Cynthia Watros) goes into labor. Racing against time so that Kellie's son won't be born a bastard, Drew hastily arranges a hospital-room wedding, then seeks high and low for a priest to perform the ceremony. Unfortunately, the only priest available is currently administering the Last Rites to a dying patient--and he isn't about to be distracted by anything as mundane as marriage until the aforementioned patient expires! In the tradition of Seinfeld, this climactic episode goes full circle by repeating the final gag of the very first episode--just before the "fourth wall" is smashed for the umpteenth time, and the Drew Carey Show cast streams out of the studio to greet their many fans. ~ Hal Erickson, Rovi

Mimi (Kathy Kinney) contacts matchmaker Larry (Ian Gomez) to find a new man in her life--and winds up with Larry himself. Meanwhile, Kellie (Cynthia Watros) tries to mend the rift between her perfectionist father Don (Michael Gross) and her slovenly soulmate Drew (Drew Carey) by arranging for the two men to work together on fixing up an old house for sale. Unfortunately, it doesn't take long for Don to drive Drew crazy--and off the project entirely. This episode originally aired in tandem with "Arrivederci, Italy". ~ Hal Erickson, Rovi

Kellie (Cynthia Watros) announces that she is pregnant. What Kellie isn't, is ready to be married to Drew (Drew Carey), the baby's father. Hoping to change Kellie's mind, Drew tries to enlist the aid of her parents Don (Michael Gross) and Annette (Susan Sullivan)--who make it rather clear that they'd sooner their daughter marry anyone EXCEPT Drew. This episode originally aired back-to-back with "Sealed with a Kiss". ~ Hal Erickson, Rovi

Abby's (Maura Tierney) bipolar brother, Eric (Tom Everett Scott), raises a ruckus at the funeral of Millicent Carter. To save a dying Croatian boy, Kovac (Goran Visnjic) may destroy his own future -- or completely alter his purpose in life. And both Lewis (Sherry Stringfield) and Romano (Paul McCrane) are faced with two different but equally critical decisions. ~ Hal Erickson, Rovi

Lopez (Lisa Vidal) tries to force Weaver (Laura Innes) out of the closet with a startling public display of affection. Romano (Paul McCrane) rehires Chen (Ming-Na), who has a long memory when it comes to getting even with Weaver. Abby (Maura Tierney) offers help to her new neighbor Joyce (Christina Hendricks), whose husband, Brian (Matthew Settle), is obviously beating her -- and who is in a severe state of denial. Carter (Noah Wyle) is trapped in the middle of his parents' acrimonious divorce. And should Lewis (Sherry Stringfield) attempt to save the life of a death-row inmate? ~ Hal Erickson, Rovi

This episode marks the final regular ER appearances of Eriq La Salle and Michael Michele. After resorting to desperate measures to retain custody of his son, Reese (Matthew Watkins), Peter Benton (La Salle) realizes that he must make a choice between the boy and his overloaded ER schedule. He opts to take a less demanding job at a clinic in the Chicago suburbs, where his current love, Cleo Finch (Michele), is already working. In other developments, a boy accidentally shot by his mom on Christmas Eve is a cause of great concern amongst the ER staffers; Abby (Maura Tierney) sees Nicole (Julie Delpy) where she didn't expect to see her; the relationship between Weaver (Laura Innes) and Lopez (Lisa Vidal) enters a new phase; and Carter (Noah Wyle) receives startling but not unexpected news about his parents. ~ Hal Erickson, Rovi

It's back to Perfection, NV, for munitions-crazed Graboid hunter Burt Gummer (Michael Gross), who has made a career out of chasing and slaying the burrowing "sub-terrestrial" creatures that pop out of the ground and eat whomever happens to be standing there. This time Gummer is assisted by wisecracking cowboy Jack Sawyer (Shawn Christian), who runs a shabby theme park based on the critters, and Jodi Chang (Susan Chuang), whose convenience store is unfortunately at Graboid Ground Zero. Gummer and company have their hands full this time, when the oversized worms have mutated to a new state -- not only do they burrow, but they have wings and can fly like carnivorous dragons. Does Gummer have enough shells in his artillery cannons to knock them all from the sky? ~ Buzz McClain, Rovi

Not only is the teeming metropolis of Isola in the grips of its worst heat wave in history, but the city is also in the thrall of a serial rapist who is targeting his previous victims. Hoping to stop the predator in his tracks, police detective Eileen Burke (Erika Eleniak) goes undercover, posing as one of those prior victims -- only to be raped for real by the elusive assailant. Thus does the search for the perpetrator become a personal mission, especially for Eileen's detective boyfriend, Bert Kling (Paul Johansson). Along the way, the media's culpability in making celebrities out of scumbag criminals is carefully scrutinized, dissected, and condemned. Inspired by Evan Hunter's popular "87th Precinct" novels (written under Hunter's nom de plume , Ed McBain), this made-for-TV thriller features most of Hunter's familiar recurring characters, among them detectives Meyer Meyer (Paul Ben-Victor) and Steve Carella (Dale Midkiff), as well as Carella's deaf-mute wife, Teddy (Andrea Ferrell). Ed McBain's 87th Precinct: Heatwave made its ABC network bow on January 12, 1997. ~ Hal Erickson, Rovi

While being escorted to prison from Phoenix to New York, crazed killer Peter Cronin (Anthony Michael Hall) hijacks a commercial jet in flight with the help of accomplices. Holding the 200 passengers and the crew members hostage, Cronin forces the plane to land in Dallas, then demands another, more powerful aircraft for the last leg of his escape. As FBI agent Frank Layton (Perry King) and detective Deni Patton (Ally Sheedy) attempt to negotiate with Cronin, time runs perilously short for the hostages, who know that the killer isn't bluffing when he threatens to kill one prisoner per hour unless his demands are met. A curious reunion for former Breakfast Club costars Anthony Michael Hall and Ally Sheedy, the made-forTV Hijacked: Flight 285--which is so weighed down with the "backstories" of the many characters that it could well have been retitled "The High and the Mighty at Gunpoint"--made its ABC network debut on February 4, 1996. ~ Hal Erickson, Rovi

Critics were somewhat amused when this made-for-TV movie first aired over CBS on February 21, 1996. They could understand why someone would want to make a biopic about notorious "Hollywood madam" Heidi Fleiss (here played by Tricia Leigh Fisher)--but of what possible dramatic value was a film about Heidi's father, California consulting pediatrician Paul Fleiss? Well, that question was sufficiently answered throughout the film's 90 minutes, told largely in flashback from the point of view of Dr. Fleiss, portrayed by Michael Gross. According to Karol Ann Hoeffner's teleplay, Fleiss was a good, caring, almost saintly family man, whose misguided liberal sympathies led him to excesses of self-indulgence when it came to raising his children. So far as as the spoiled and pampered Heidi is concerned, Dr. Fleiss doesn't believe in discouraging her on any issue, including sex--and this, coupled with the neurotic attitudes of Heidi's repressed, high-strung mother Elissa (Cindy Pickett) led the girl into her life's work, using sex for profit while remaining coolly detached from her work and using her associates and customers rather than ever allowing them to use her. That Heidi is clearly the villain of the piece is made obvious not only by actress Fisher's vitriolic performance, but also by the dramatic core of the story, in which Dr. Fleiss ends up being charged with fraud when Heidi pressures him into signing a highly suspicious bank loan application. The sweeping inaccuracies in The Good Doctor: The Paul Fleiss Story evidently didn't hurt its ratings, nor did the film lack viewers when it was subsequently rerun on cable TV under the title The Making of a Hollywood Madam. ~ Hal Erickson, Rovi