Frank Griffin Movies

A Man Called Horse stars Richard Harris as Lord John Morgan, an English peer cast somewhat adrift in the American West. Captured by Sioux Indians, Lord Morgan is at first targeted for quick extinction, but the tribesmen sense that he is worthy of survival. The Englishman passes many of the necessary tests that will permit him to become a member of the tribe, the most grueling of which (and the one used most extensively in the film's advertising) is the Sun Vow Initiation. That's where his lordship is hung from the roof of a huge teepee with hooks through his pectoral muscles. Much of the dialogue is spoken in the Sioux language, though the film's much-vaunted "historical accuracy" is not altogether consistent, as witness the casting of British stage luminary Judith Anderson as Sioux woman Buffalo Cow Head. A Man Called Horse spawned warrant two sequels. Originally rated "GP" in 1970, it has since been re-rated R by the MPAA. ~ Hal Erickson, Rovi

The assistant to director Frank Griffin on this Keystone comedy was Jean Havez, whose writing contributions would later be valuable to both Buster Keaton and Harold Lloyd. William Collier is attending art school with Mae Busch, who has fallen in love with him over the objections of her father (Frank Opperman). Her father prefers another gent, who is also an aspiring artist (Joseph Belmont). Collier beats out his rival a number of times. The first time is at an art competition, in which he replaces his rival's sketch for a caricature of Mae's father. Then, during a painting contest, while Collier is off courting Mae, a cow swishes some paint on his canvas with her tail. The painting winds up winning over that of his infuriated rival. Collier finally disguises the maid and sends her off with the rival, while he dashes off with Mae in search of a preacher. The father, however, catches up with them and all seems lost until Collier runs across a motion picture company filming a wedding. He finds a real minister, gets Mae, and tricks his rival into standing up for them. After the couple are wed, the rival can't help but appreciate Collier's craftiness and congratulates him. ~ Janiss Garza, Rovi

Johnny Hines wrote the screenplay for this entertaining comedy in which he starred. Terry O'Toole (Hines) comes to America from Ireland to seek his fortune and becomes a trolley conductor. One day, while working, he saves the life of Bobby Connelly (Byron Sage), the son of the line's president (Fred Esmelton). He is rewarded and welcomed into the Connelly home, where he meets the daughter, Noretta (Doris May). They begin a romance, and Terry's father, Mike (Dan Mason, who was known for his "Toonerville Trolley" shorts), comes over from Ireland. There is a power struggle between the president and vice president of the trolley company, and a mere two shares of stock will determine who is the victor. The bad guys forge the shares, but old man O'Toole digs up two real shares, which he had bought many years before. Connelly keeps control of the company and gives his blessings to Noretta's relationship with Terry. ~ Janiss Garza, Rovi

The humor in this Chevy Chase comedy lies solely in the eyes of the beholder. The comic plays Eddie Muntz, an arms dealer looking to make a big sale of war planes to a South American dictator. In order to do so, his girlfriend (Sigourney Weaver) has to sleep with the dictator and his friend (Gregory Hines) has to be convinced to do one more killing. Eddie's archenemy is Stryker (Vince Edwards) who wants to make that deal himself and will stop at nothing to obtain his ends. ~ Eleanor Mannikka, Rovi

A police officer who would rather use his brains than his gun is put into a situation where neither can help him in this police drama. John Wintergreen (Robert Blake) is a sawed-off and street-smart Arizona motorcycle cop who dreams of climbing the ladder and becoming a police detective, but his ambitions are scoffed at by his partner, Zipper (Billy "Green" Bush). Wintergreen's superiors tend not to take him seriously due to his short stature, but when he stumbles upon the site of a murder, he digs up enough relevant evidence to insure his advancement to detective status. However, after a few days on the job, Wintergreen begins to realize just how corrupt his superior Poole (Mitchell Ryan) truly is after Poole attempts to frame a local hippie, Bob Zemko (Peter Cetera), for a crime he didn't commit. Adding fuel to the fire is Poole's discovery that he and Wintergreen have been dating the same woman, dancer-turned-barmaid Jolene (Jeannine Riley). Electra Glide in Blue was the first (and to date only) directorial credit for James William Guercio. Successful in the music industry as a manager and producer, Guercio was best known for his association with the top-selling jazz-rock group Chicago; several members of the band appear in the movie, as does a young Nick Nolte in a bit part. On a note of sad irony, Terry Kath, the longtime Chicago vocalist who died in 1978 from a self-inflicted gunshot to the head, plays a gun-wielding killer in this film. ~ Mark Deming, Rovi

Amy Heckerling's adaptation of Cameron Crowe's Fast Times at Ridgemont High is often considered one of the finest films of a disreputable genre (the teen sex comedy), and kick-started the careers of many future stars. The center of this ensemble film is Jennifer Jason Leigh as Stacy Hamilton. She is a young, innocent high-school student who, as the film opens, is asking for advice from her friend, the sexually outspoken Linda Barrett (Phoebe Cates). Stacy takes a liking to nebbish Mark Ratner (Brian Backer), but he is too afraid to make a move even after Stacy all but throws herself at him. She eventually hooks up with Mark's more confident best friend, Mike Damone (Robert Romanus). When not concerning itself with these four characters, the film spends time with stoned surfer dude Jeff Spicoli (Sean Penn) and his ongoing feud with history teacher Mr. Hand (Ray Walston). The film includes brief appearances by such future stars as Nicolas Cage, Eric Stoltz, and Forest Whitaker. ~ Perry Seibert, Rovi

Fort Savage Raiders is another entry in Charles Starrett's "Durango Kid" western series. Starrett once again does double duty as a peacekeeper named Steve (this time his last name is Drake) and as masked avenger Durango. The heavy of the piece is escaped military prisoner Craydon (John Dehner) who, with several other fugitives from justice, forms an army of terrorists. After dozens of attacks on peaceful communities, Craydon is targeted for elimination by the authorities. Steve Drake is assigned to put an end to Craydon's activities. Why he needs to adopt the disguise of the Durango Kid to pull this off is a mystery left unsolved by screenwriter Barry Shipman (who later went on to such prestige westerns as Republic's Stranger at My Door). ~ Hal Erickson, Rovi

George Sidney and Charlie Murray are "Cohen and Kelly" in everything but name in this wartime farce. Shipped to Russia during the 1919 civil war between the Bolsheviks and the Royalists, American soldiers Krauss (Sidney) and Muldoon (Murray) waste no time commiserating with the local female population. Trying to sneak back to their own lines, our heroes disguise themselves as peasant girls, leading to a hilarious tete-a-tete with a pair of amorous Russian officers. Several other "Charley's Aunt" complications are in store for Krauss and Muldoon before they attempt to end the war with a bomb-detonation device of Krauss' invention. Lost at the Front was directed by Del Lord, future helmsman of dozens of Three Stooges comedies. ~ Hal Erickson, Rovi

In this darkly comic film noir from writer/director David Atkins, Steve Martin revisits dentistry -- an occupation he'd explored 15 years prior, in the camp musical Little Shop of Horrors. Novocaine casts Martin as a much more mild-mannered D.D.S., Dr. Frank Sangster. Engaged to a prim and delicate hygienist, Jean (Laura Dern), Sangster leads a placid, upper-middle class existence, save for the occasional visit from his deadbeat artist brother Harlan (Elias Koteas). But Sangster finds his life turned inside out from the moment the alluring Susan (Helena Bonham Carter) plops down in his reclining vinyl chair: Complaining about her molars, she's really more interested in the refrigerator of narcotics the good dentist keeps on hand for his patients in pain. Once they manage to get Sangster's guard down, Susan and her brother (Scott Caan) rob him blind -- and worse yet, frame him for the theft. When a dead body turns up in Sangster's sleek suburban home, he finds that clearing his name will be a difficult proposition indeed. Novocaine marks the directorial debut of screenwriter Atkins, who first made his mark with the script for Emir Kusturica's oddball cult favorite Arizona Dream (1993). ~ Michael Hastings, Rovi

Co-written by Paul Reubens and Phil Hartman, Pee Wee's Big Adventure marks the debut of director Tim Burton, who stamps the entire film with his quirky trademark style. The premise: Pee Wee (Reubens), an overgrown pre-pubescent boy sporting a molded Princeton cut, blush, lipstick, and a shrunken gray flannel suit, lives an idyllic life in his bizarre home (some have compared the remarkable set design to the expressionistic The Cabinet of Dr. Caligari) until someone nabs his most prized possession: a fire engine-red customized bicycle. He then embarks on an epic cross-country search to find his lost love, not to mention more than a little adventure. Along the way, he makes friends with various oddball characters, visits the Alamo, endures various hallucinatory nightmares, and has a supernatural run-in with a spectral trucker. In this reprisal of his popular standup routine, Reubens is wonderful as the nerdy man child; he plays it silly, yet he manages to imbue the role with some sensitivity without ever seeming maudlin. The score by Danny Elfman is terrific -- as is the case in nearly every film Burton has directed -- and the script is fresh and inventive. Some of the most memorable moments: the opening sequence involving Pee Wee's morning activities is a stroke of genius (note the bunny slippers and talking breakfast), as are the scenes at the truck stop, and the "Hollywood" version of Pee Wee's story at the end (starring James Brolin and Morgan Fairchild in surprise cameos). In all, Pee Wee's Big Adventure is a delightful film, enjoyable for children as well as adults. ~ Jeremy Beday, Rovi

An ex-con learns the value of friendship in Jerry Schatzberg's picaresque road movie. Trying to hitch a ride on a desolate California road, fresh-out-of-prison Max (Gene Hackman) meets ex-sailor Lion (Al Pacino). They are both headed east, as Max dreams of opening a deluxe car wash in Pittsburgh and Lion believes that the wife and child he left behind will still welcome him home. The two decide to journey together, forging an increasingly deep yet uncertain friendship, as Lion teaches Max how not to be so pugnacious and Max senses Lion's fragility. When the pair hits Detroit, Lion finally gets in touch with his wife and discovers how she really feels. When Lion is shattered by the revelation, Max must decide if he should forge on alone or sacrifice his carefully guarded savings to help his friend. One of a cycle of late 1960s-early 1970s buddy movies that included Midnight Cowboy (1969) and California Split (1974), Scarecrow suggests how alienated men had become from such traditional institutions as marriage and family. Max's and Lion's salvation comes from being on the road with each other, rather than settling down with jobs and families. Pacino's first film after his triumph in The Godfather (1972), and Hackman's follow-up to The Poseidon Adventure (1972) and his Oscar for The French Connection (1971), Scarecrow won the 1973 Palme d'Or at the Cannes Film Festival, but the two stars were not enough to make it a hit. Even so, their nuanced performances enhance this moody study of contemporary dislocation. ~ Lucia Bozzola, Rovi

Director John Landis helmed this Cold War farce starring Dan Aykroyd and Chevy Chase as Austin Millbarge and Emmett Fitz-Hume -- two loser misfits who dwell in the lower ranks of the Central Intelligence Agency. Convinced despite much evidence to the contrary that they're prime secret agent material, both men keep taking service exams in an effort to win promotion. Caught cheating on their latest round of tests, Austin and Emmett expect to be fired but are instead made full field agents and ushered into intense training. Little do they know that it's all a ruse and that they're about to be dumped in Pakistan to throw Russian spies off the scent of two real agents with an important clandestine assignment. A spoof of the "road" pictures popularized by Bing Crosby and Bob Hope, the film features a cameo by the latter as his golf-playing self. ~ Karl Williams, Rovi