Eleanore Griffin Movies
Though she penned and co-penned scripts for over 30 years, Eleanore Griffin is best remembered for having co-written the heartwarming script to Boystown (1938), the true story of a forward-thinking priest who launches a reformatory for troubled boys. The script won both Griffin and Dore Schary an Oscar. Griffin began writing screenplays in 1937 and over her career worked for several studios including MGM and Disney. Her other credits include A Man Called Peter (1955) and Back Street (1961). ~ Sandra Brennan, Rovi
- 1963
From at least the 1930s on to the 1970s, the upbeat protestant minister, Reverend Norman Vincent Peale, ministered to the well-heeled and upwardly mobile of the United States from his pulpit at the Riverside church on Fifth Avenue in New York City. At least as positive-thinking as the similarly cheery Dale Carnegie (How To Win Friends and Influence People), his lift-yourself-by-your-bootstraps message of good cheer was perceived as unorthodox by many within the churches he grew up in. After many decades of preaching his message, summed up in his best-selling book The Power of Positive Thinking, he was enshrined as a sort of secular saint. His influence reached to Presidents and corporate heads, and his name became synonymous with a kind of extraverted wholesomeness which has long since vanished. This biopic traces his career in the most respectful possible manner. ~ Clarke Fountain, Rovi
- Starring:
- Don Murray, Diana Hyland, (more)
- 1961
This third film version of the lachrymose Fannie Hurst novel Back Street stars Susan Hayward as Rae Smith the role previously essayed by Irene Dunne (in 1932) and Margaret Sullavan (in 1941). In both earlier films, Rae Smith sacrifices 28 years of her life to her married lover, who can never get a divorce and who compels Rae to squirrel herself away in a shabby back-street apartment. In contrast, Susan Hayward's Rae Smith is a fiercely independent fashion designer, whose fidelity to the very married John Gavin doesn't retard her livelihood in the least. Vera Miles makes a meal of her supporting role as Gavin's shrewish, alcoholic wife. Though cinematographer Stanley Cortez does his utmost, he can't completely hide the fact that Hayward is at least ten years older than her costars, making her seem more of a doting aunt than the "other woman" (the film might have been more effective had Hayward and Miles switched roles). Its plot inconsistencies and logic lapses notwithstanding, Back Street proved to be another hit for producer Ross Hunter. ~ Hal Erickson, Rovi
- Starring:
- Susan Hayward, John Gavin, (more)
This glamorized remake of the 1934 film Imitation of Life bears only a passing resemblance to its source, the best-selling novel by Fannie Hurst. Originally, the heroine was a widowed mother who kept the wolf from the door by setting up a successful pancake business with her black housemaid. In the remake, Lana Turner stars as a would-be actress who is raising her daughter on her own. She chances to meet another single mother at the beach: African-American Juanita Moore. Moore goes to work as Turner's housekeeper, bringing her light-skinned daughter along. As Turner's stage career goes into high gear, Moore is saddled with the responsibility of raising both Turner's daughter and her own. Exposed to the advantages of the white world, Moore's grown-up daughter (Susan Kohner) passes for white, causing her mother a great deal of heartache. Meanwhile, Turner's grown daughter (Sandra Dee), neglected by her mother, seeks comfort in the arms of handsome photographer John Gavin. When Moore dies, her daughter realizes how selfish she's been; simultaneously, Turner awakens to the fact that she hasn't been much of a mother for her own daughter, whose romance has gone down the tubes. ~ Hal Erickson, Rovi
- Starring:
- Lana Turner, John Gavin, (more)
Filmed on location in Switzerland, Walt Disney's Third Man on the Mountain was based on Banner in the Sky, a book by James Ramsey Ullman. James MacArthur plays a Swiss youth who vows to be the first to scale a formidable Matterhorn-like mountain called the Citadel. The fact that MacArthur's father was killed attempting a similar climb only strengthens the boy's resolve. Though discouraged by his mother and uncle, MacArthur prepares for his ascent by taking practice climbs with his friends, learning vital lessons about safety and cooperation along the way. Finally, MacArthur begins making his way up the Citadel in the company of four other hardy souls. The title is a giveaway as to who doesn't reach the top of the mountain first; even so, there's a happy, satisfying ending for the so-called "loser." The film's breathtaking full-color shots of the Matterhorn are brilliantly augmented by the matte work of the legendary Peter Ellenshaw. Watch for Helen Hayes, the mother of Third Man on the Mountain star James MacArthur, in an amusing cameo role. ~ Hal Erickson, Rovi
- Starring:
- Michael Rennie, Janet Munro, (more)
A Man Called Peter is the story of Scottish-born Presbyterian minister and world-renowned author Peter Marshall, here played by Richard Todd. In his youth, Marshall moves to Washington DC, where he becomes pastor of the Church of the Presidents. His wisdom and conviction enables Marshall to communicate with men of all faiths. In private life, the pastor is given moral support by his loyal wife Catherine Marshall (Jean Peters). At the time of his comparatively early death, Marshall has become chaplain of the US Senate. Interestingly enough, while Marshall and his family are identified by name, the peripheral political characters are given fictional monickers--and sometimes, as in the case of the President played by William Forrest, no names at all. Director Henry Koster expertly avoids filming Marshall's sermons in a static, declamatory fashion. As Catherine Marshall, Jean Peters does wonders with a comparatively limited role; her best scene is her last, when she overcomes her lifelong fear of the ocean for the sake of her son (Billy Chapin). A Man Called Peter was certainly not conceived out of any box-office considerations, but it still paid its way. ~ Hal Erickson, Rovi
- Starring:
- Richard Todd, Jean Peters, (more)
- 1955
This distaff variation of the Goodbye Mr. Chips theme is based on a novel by Frances Gray Patton. While confined to a sickbed, ageing New England schoolteacher Miss Dove (Jennifer Jones) recalls the many students who passed through her classroom. Among her now-grown-up prize pupils are surgeon Tom Baker (Robert Stack), policeman Bill Holloway (Chuck Connors) and playright Maurice (Jerry Paris), all of whom were able to overcome difficult childhoods and strive for success with the help of Miss Dove. As it turns out, it is Dr. Tom Baker who is to perform the operation that may save the life of his ailing former teacher. A 60-minute TV adaptation of Good Morning Miss Dove, with Phyllis Kirk in the Jennifer Jones role, was seen in 1956 as part of the weekly anthology The 20th Century-Fox Hour. ~ Hal Erickson, Rovi
- Starring:
- Jennifer Jones, Robert Stack, (more)
- 1948
Filmed in 1946, Tenth Avenue Angel is yet another treacly vehicle for little Margaret O'Brien. The juvenile star is cast as Flavia Mills, an 8-year-old tenement dweller who insinuates herself into the lives of several down-and-outers, among them ex-convict Steve Abbott (George Murphy). Flavia's well-intentioned efforts to help Steve go straight, and to promote the blossoming romance between Steve and Susan Bratten (Angela Lansbury), are destined to hit several emotional roadblocks before the "End" title. Disillusioned by the contradictory behavior of her adult friends, Flavia eventually learns not to give up on the human race just because of a few setbacks. The Harry Ruskin/Eleanor Griffin screenplay was based on a story by Angna Enders, which in turn was based on a vaudeville sketch by veteran mystery writer Craig Rice. ~ Hal Erickson, Rovi
- Starring:
- Margaret O'Brien, George Murphy, (more)
This glorified Technicolor commercial for the Fred Harvey restaurants stars Judy Garland as a 19th-century mail-order bride. Upon arriving in New Mexico, Garland discovers that her husband-to-be is the town drunk. She cuts her losses and takes a job at the local Harvey restaurant, an establishment which endeavors to bring a little civilization and class to the wide open spaces. Harvey's operation is challenged by saloon-owner John Hodiak, corrupt-judge Preston S. Foster, and local-madam Angela Lansbury. With the help of tenderfoot Ray Bolger, Garland and her fellow waitresses foil the corrupt elements in town. Prominent in the supporting cast are Cyd Charisse, Marjorie Main, Chill Wills, Kenny Baker and Virginia O'Brien (whose musical numbers aren't quite as rambunctious as the contributions of the others, mainly because O'Brien was pregnant during filming). The songs are for the most part perfunctory, with the spectacular exception of the Harry Warren and Johnny Mercer's Oscar-winning "Atchison, Topeka and the Santa Fe." The Harvey Girls is tenuously based on a more sober-sided historical volume by Samuel Hopkins Adams. ~ Hal Erickson, Rovi
- Starring:
- Judy Garland, John Hodiak, (more)
- 1945
The bland performance of star George Raft is the only drawback of this splashy 20th Century-Fox musical. Set in turn-of-the-century San Francisco, the film casts Raft as Barbary Coast saloonkeeper Tony Angel, who endears himself to patrons and pedestrians alike by tossing out silver dollars at the slightest provocation. Though Tony is loved by saloon singer Sally Templeton (Vivian Blaine), he only has eyes for Nob Hill socialite Harriet Carruthers (Joan Bennett). Upon marrying Harriet, Tony realizes he is sorely outclassed, and turns to the bottle as the result. It's up to "Little Miss Fixit" Katie Flanagan (Peggy Ann Garner) to bring Tony and Sally back together. Ample comedy relief is provided by Alan Reed and B. S. Pully, while the largely uncredited supporting cast includes such familiar faces as J. Farrell McDonald, Nestor Paiva, Bud Jamieson, and Frank McCown, who rose to fame under the new moniker of Rory Calhoun. ~ Hal Erickson, Rovi
- Starring:
- George Raft, Joan Bennett, (more)
- 1944
Part of the series of Universal B-musicals teaming Martha O'Driscoll and Noah Beery Jr., this film is also a remake of the 1937 comedy Love in a Bungalow. Patty Callahan (O'Driscoll) offers residence in a model home to soldier Jeff (Beery) and soon falls in love with him. Although the pair are unmarried, they enter a marital contest intended to celebrate the "Happiest G.I. Couple." Winning the contest brings on all sorts of farcical troubles until the couple are able to be united for real. Songs include "Don't Sweetheart Me" and "Best of All." ~ Nicole Gagne, Rovi
- Starring:
- Martha O'Driscoll, Hattie McDaniel, (more)
In Old Oklahoma is better known today by its reissue title, War of the Wildcats. John Wayne heads the cast as oil man Dan Somers, who carries on a bitter feud with his crooked rival Hunk Gardner (Albert Dekker). Furthering the animosity between the two men is schoolteacher-turned-novelist Catherine Allen (Martha Scott), with whom both Dan and Hunk fall in love. The main story and the romantic second story both come to a head when Dan is offered a valuable contract if he can deliver an oil shipment within a specific deadline. Naturally, Hunk does everything he can to keep Dan from fulfilling his contract, resulting in a thrill-packed chase sequence that served as stock footage for many a future Republic western and serial. A pre-Roy Rogers Dale Evans costars as sexy dancehall chanteuse "Cuddles" Walker. ~ Hal Erickson, Rovi
- Starring:
- John Wayne, Martha Scott, (more)
- 1941
Blondie in Society is another delightful excursion into comic insanity for Blondie (Penny Singleton), Dagwood (Arthur Lake) and Baby Dumpling (Larry Simms). The trouble begins when Dagwood brings home a huge Great Dane as a favor to an old friend. It turns out that the gigantic hound is a pedigree, and that Waldo Pincus (William Frawley), an important client of Dag's boss Mr. Bumstead (Jonathan Hale) would like to buy the dog. Alas, Blondie has already entered her new pet in a dog show, ultimately winning a $500 prize and beating out the previous champion-which, of course, belongs to Mr. Pincus. On the verge of losing his job, Dagwood is rescued one more by the resourceful Blondie, with the help of irascible veterinarian Edgar Kennedy. Like the previous Blondie Goes Latin, Blondie In Society affords Penny Singleton the opportunity to display her musical skills, as she sings two songs with the Mitchell Boys' Choir. ~ Hal Erickson, Rovi
- Starring:
- Penny Singleton, Arthur Lake, (more)
- 1941
Three disparate young men struggle to become Army Air Corps pilots in this rousing drama that earned an Oscar for its excellent aerial special effects. The film is also noted for making Veronica Lake, who previously appeared in films under the name Constance Keane, a star. For added realism, the three male leads, William Holden, Ray Milland and Wayne Morris were placed into the same training program at Randolph Field, Texas (and also Kelly Field, Texas) as real recruits. Lake plays a seductress who pursues Holden while Constance Moore plays a female photographer who comes to shoot a story and ends up falling for Milland. By the time the pilots' rigorous training has finished only one will have proved himself fit to fly. ~ Sandra Brennan, Rovi
- Starring:
- Ray Milland, William Holden, (more)
- 1939
Dorothy Lamour had been playing "sarong girls" long enough to parody her screen character in 1939's Best of the Blues. Tired of portraying jungle princesses, a temperamental Broadway star (Lamour) runs out on her manager (Jerome Cowan) and joins a Mississippi showboat under a phony name. Incredibly, none of the showboat audiences recognize this supposedly world-famous star, and she becomes the toast of the South--as well as the object of boat owner Lloyd Nolan's affections. When the truth comes out, Nolan spurns Lamour, but they're back together for the musical finale. Best of the Blues is the television title for St. Louis Blues; the change was made to avoid confusion with the 1958 biopic of W.C. Handy, also titled St. Louis Blues. ~ Hal Erickson, Rovi
- Starring:
- Dorothy Lamour, Lloyd Nolan, (more)
- 1939
Sad-eyed Ann Dvorak plays Jo, the "café hostess" of the title. Poor put-upon Jo doesn't know it, but she's being used by her gangster boyfriend Eddie Morgan (Douglas Fowley), who relies upon her as an alibi to cover up his recent crimes. Likeable sailor Budge (Bruce Bennett) is in love with Jo, but can't pry her loose from the possessive Mr. Morgan. This dilemma is resolved by Eddie's cast-off mistress Annie (Wynne Gibson), who resolves her problems with the business end of a revolver. It's up to detective Dan Walters (Preston Foster) to clean up the mess. Café Hostess was also released as Street of Missing Women. ~ Hal Erickson, Rovi
- Starring:
- Charles Bickford, Harry Carey, (more)
Spencer Tracy won his second Oscar for his portrayal of Father Edward J. Flanagan--then promptly turned the statuette over to the real Father Flanagan out of gratitude. The priest's philosophy that no boy will grow up bad if given a chance in life culminates in his formation of Boys Town in Omaha, Nebraska. Unable to raise funds through "proper" channels, Flanagan finds that his staunchest supporters are the workaday folks who have faith in him; none is stauncher than Jewish pawnbroker Henry Hull, who digs deep into his pockets to help Flanagan realize his dream. The story of the struggle to get Boys Town on its feet paralleled with the regeneration of punkish Mickey Rooney, the younger brother of criminal Edward Norris. At first a wise-guy rebel, Rooney rises to a position of authority, responsibility and respect in Boys Town's self-maintained government. Boys Town, by the way, is the source of the classic line "He ain't heavy--he's my brother." ~ Hal Erickson, Rovi
- Starring:
- Spencer Tracy, Mickey Rooney, (more)
- 1937
Scheduled to marry a man she doesn't love (and for good reason), spoiled heiress Barbara Blanchard (Claire Trevor) runs away from her wedding and hits the road. While hitchhiking, Trevor is given a ride by Bob Reynolds (Michael Whalen), a personable young auto salesman who's been hired to deliver what was then called a "caravan car" but would now be labelled an RV. As luck and the screenwriters would have it, a fugitive jewel thief hides his stolen gems in Bob's vehicle. Our hero is arrested, causing Barbara to cease her incessant put-downs of the poor guy. In trying to spring Bob from jail, Barbara realizes that she's fallen in love with him (why didn't she just ask the audience, who knew it all along?) It's positively awe-inspiring how many runaway-heiress films were spawned by the freak success of It Happened One Night. ~ Hal Erickson, Rovi
- Starring:
- Claire Trevor, Michael Whalen, (more)
- 1937
In this drama, a girl from a small town in Pennsylvania dreams of being a star while she goes to school. The trouble is, no one notices her. Later a mentor turns her into a successful Broadway entertainer. She returns to her former college to get sweet revenge. Songs include: "When Love Is Young," "Did Anyone Ever Tell You" (Harold Adamson, Jimmy McHugh). ~ Sandra Brennan, Rovi
- Starring:
- Virginia Bruce, Kent Taylor, (more)
- 1937
Raymond McCarey, the prolific if less-inspired brother of Leo McCarey, called the directorial shots for Universal's Love in a Bungalow. Nan Grey stars as young real estate agent Mary Callahan, whose job it is to guide potential house-buyers through a "model" bungalow. Enter Jeff Langan (Kent Taylor), a handsome young indigent who moves into the bungalow and steadfastly refuses to move out. Falling in love with the stubborn but charming Jeff, Mary conspires with him to enter a radio contest in hopes of winning the bungalow rent-free. But there's a catch: Jeff and Mary have to pretend to be married. Never a studio to throw anything away, Universal recycled the plot of Love in a Bungalow for one of its mini-musicals of the 1940s. ~ Hal Erickson, Rovi
- Starring:
- Nan Grey, Kent Taylor, (more)
- 1937
Young Roger Calverton (Ronald Sinclair) and his uncle Sir Peter Calverton (Sir C. Aubrey Smith) bring their prize race-horse The Pookah to America, hoping to win a major purse and save their impoverished family estate. They cross paths with Tim Donahue (Mickey Rooney), one of the top young jockeys in the business, and also with Cricket West (Judy Garland), the niece of Mother Ralph (Sophie Tucker), who runs the boarding house where Donahue resides. Cricket likes to sing every chance she gets, and also has a terrible crush on Tim, but even she can't abide his brash, cocky attitude about himself -- and as a good hostess and also a sensible girl, she also gets just a tiny bit smitten with Roger. He and Tim have a rough first meeting but find that they do sort of like each other, and soon Tim -- who has had a tough, hard-scrabble life -- becomes very close to his new friend from England and to Sir Peter, especially when he finds out how much they love horses and racing. He agrees to ride The Pookah -- but then the young jockey is suckered by his estranged father (Charles D. Brown), a low-life member of a gambling syndicate, into throwing the race. This leads to a tragedy that forces Tim to walk away from his profession and everyone he knows, until Cricket finds him and convinces the boy that what he did wasn't entirely his fault, and that he still has the power to make up for a part of it. Tim steals some of the money he gave his father -- supposedly to save the man's life -- to help Roger get The Pookah into another race, but he still has to overcome the machinations of the mob so he can right the wrong he did to the best friends he's ever had. ~ Bruce Eder, Rovi
- Starring:
- Judy Garland, Mickey Rooney, (more)
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