Tom Gries Movies

With Muhammad Ali cast as himself, The Greatest covers Ali's life from his "Cassius Clay" days to the celebrated Ali/George Foreman bout. Along the way, the film focuses on Ali's conversion to Islam and his potentially career-breaking decision not to serve in the Army. Ernest Borgnine palys Ali's first trainer Angelo Dundee, while Roger E. Mosley shows up as Sonny Liston. The Greatest was the final directorial effort from the late Tom Gries. The same subject would later be covered in Michael Mann's Ali, starring Will Smith as the champ. ~ Hal Erickson, Rovi

Based on the best-selling Vincent Bugliosi book of the same name, Helter Skelter is a made-for-TV account of the investigation and prosecution of Charles Manson (Steve Railsback), who was convicted of leading a group of followers (known as "The Family") to murder seven people in California, including actress Sharon Tate. The film takes a Law & Order-like approach, starting with the discovery of the murders, which leads to the police gathering snippets of evidence that they eventually connect to the bigger picture. The second half of the movie concentrates on how District Attorney Bugliosi (George DiCenzo) attains a conviction despite the enormous amount of press coverage the case received. Nancy Wolfe, Christina Hart, and Cathey Paine portray the three loyal Manson Family members who were the co-defendants at his trial. ~ Perry Seibert, Rovi

The star-director team of Charles Bronson and Tom Gries (Breakheart Pass) combine their efforts again on Breakout. Bronson plays Nick Colton, a reckless pilot who heads to an unnamed South American country, in hopes of rescuing imprisoned Jay Wagner (Robert Duvall). Villain Harris Wagner (John Huston), who has framed Jay, has an unlimited supply of henchmen at his disposal, but they're no match for the dauntless Colton. Jill Ireland, Bronson's real-life wife, costars as Duvall's missus. ~ Hal Erickson, Rovi

This made-for-TV adaptation of the Leon Uris epic stars Anthony Hopkins as a Polish doctor accused by an American writer (Ben Gazarra) of assisting the Nazis with medical experiments. ~ Jason Ankeny, Rovi

Call to Danger was a title that had already been applied to two unsold pilot films before this TV movie made its first appearance in February of 1973. Like the previous 1968 Call to Danger, the 1973 film stars Peter Graves as a federal agent who enlists "ordinary" people to solve crimes. Headquartered in Washington DC (where most of this film was shot), Graves selects his erstwhile agents by means of a computer. The case at hand is the retrieval of an underworld informer who has been kidnapped. Peter Graves appeared in Call to Danger even while his series Mission: Impossible was in production; there was talk that Mission: Impossible would soon be cancelled, and Graves wanted a pilot film to fall back on. Come September of 1973, there was neither hide nor hair of Mission: Impossible, Call to Danger or Peter Graves on any network. ~ Hal Erickson, Rovi

Originally made for television, the story concerns an unemployed journalist (Charles Durning) who mediates a deal between jewel thieves and an insurance company. ~ John Bush, Rovi

A group of new prisoners, including a political science professor, Jonathan Paige (Alan Alda), and a student, Allan Campbell (Kristoffer Tabori), arrive at a state prison, along with a new guard, Brian Courtland (Clu Gulager). Paige is a serving a year for manslaughter -- he accidentally killed a driver who had run down and injured his wife -- but his education doesn't prepare him for what he finds in prison. Nor does Courtland understand everything he sees in his new job, where he hopes to do some good. The warden (Dean Jagger) is spoken of as being on "short time," as though he were serving a sentence; the guard captain, Pagonis (G. Wood), is totally cynical about his work and his job; and one veteran guard, Brown (Roy Jenson), seems to be serving some of the prisoners -- and that small group of inmates have more to do with the running of the prison than does the administration. First among them is Hugo Slocum (Vic Morrow), a lifer who controls the flow of drugs and other contraband to the cons, wielding money and power without challenge until Paige gets assigned by the warden to the prison pharmacy, and -- thanks to his own sense of righteousness -- blocks Slocum's pipeline, a move that could get the professor killed. Meanwhile, Paige is trying to understand Lennox (Billy Dee Williams), the lifer he works with in the pharmacy, and discovers in him a true political visionary and leader, who lives the stuff that Paige has only ever lectured about. Lennox is black and proud, and a killer, and also (incidentally) smarter than Paige; he is also respected as a leader by the other blacks in the prison and feared just enough by the whites, including Slocum, to stay alive. Paige should only learn from him, but the professor is too set in his ways and too arrogant in his assumptions to do that. Complicating things further, Slocum has taken a decidedly physical liking to Paige's cellmate, Allan, a college student who is in on a marijuana charge and too naïve to recognize why the tough con is being so good to him until he rejects Slocum's advances. In retaliation, Allan is gang-raped on Slocum's orders, and later kills himself. Nor has Slocum forgotten about Paige or the pharmacy -- when Paige tries to reach out to another inmate, Sinclair (Edward Bell), who shows promise as a writer, Slocum destroys Sinclair's work and targets him, as well. Before he's killed, however, Sinclair reveals to Paige that, as Slocum's sometime bagman and former bookkeeper, he's recorded every transaction for the past eight years -- including every hit ordered by Slocum and how it was paid off, including the bribes to guards to look the other way -- and he passes the book with that record to the professor. It comes down to a do or die situation for Paige and Slocum, as each now has the power and the need to destroy the other to stay alive; the only question is whether Paige will figure out in time that he may have to back up his good intentions with lethal force. ~ Bruce Eder, Rovi

The Hawaiians is the sequel to 1969's Hawaii; both films were adapted from the same sprawling novel by James A. Michener. Charlton Heston is top-billed as a sailor who returns to his Hawaiian homestead, only to learn that his grandfather's fortune has been bestowed upon his hated cousin Alec McCowan. As a reprisal, Heston sets up his own pineapple plantation in competition with his cousin. Heston's son John Phillip Law falls in love with the daughter (Virginia Ann Lee) of a Chinese farmer (Mako). The issue of miscegenation rears its ugly head, but by the end of this very long film Heston's family is united by marriage to the Chinese clan. The British title of The Hawaiians was Master of the Islands. ~ Hal Erickson, Rovi

Ron Catlin (Charleton Heston) is a pro-football player who realizes his playing skills have eroded. His actions on the field have slowed to the point where retirement looms. His wife Julie (Jessica Walter) has her own fashion-designing business and his former teammate Richie (Bruce Dern) has parlayed his football heroics into a successful auto-leasing company. As "The Cat" loses his legendary quickness, he finds himself ill-suited to join the real world after his pampered isolation in the NFL. He takes to the bottle and to the lure of an illicit affair with Ann (Diana Muldaur). John Randolph plays a realistic coach who can't rely on this fading player's past heroics to win the next big game. Trumpeter Al Hirt and members of the New Orleans Saints appear as themselves. Bobby Troupe plays a local businessman who offers Catlin a job. ~ Dan Pavlides, Rovi

Jack Cassidy guest-stars as Nick Fleming, an American filmmaker who despises the U.S. government and the black race with equal fervor. Assigned to prove that Fleming is selling secret films of NATO maneuvers to the highest bidder, Kelly makes time with Fleming's disgruntled girlfriend Temple (Carol Wayne). Unbeknownst to Kelly, his partner Scotty has been kidnapped by Fleming's henchmen, who are at this very moment sadistically torturing the helpless agent. First shown on January 25, 1967, "The Trouble With Temple" was written by Mort Fine and David Friedkin (Friedkin is also listed as director in some sources). ~ Hal Erickson, Rovi

The IMF journeys to the Free World country of Valeria, where an election is about to be held. The police-controlled Nationalists intend to rig the votes so that they will emerge triumphant over the Liberty Party. The agents' mission is to "unfix" a crucial voting machine that has been tampered with by the Nationalists. Tension mounts as Cinnamon is targetted for surveillance by the police and Barney is shot in a skirmish. Written by Laurence Heath, "Wheels" was originally seen on October 29, 1966. ~ Hal Erickson, Rovi

It's another tour of duty for Lt. Hanley (Rick Jason), Sgt. Saunders (Vic Morrow) and the men of King Company as Combat launches its fourth season. In one of those bureaucratic snafus that proliferated during WW2, pro boxer Willy Kleve (Ben Cooper) and his manager Doc Murphy (Jack Carter), originally slated for a cushy Special Services unit, are assigned to Saunders' squad instead. Knowing that Willy's hands are his meal ticket, Murphy is determined to protect his boy from harm at all costs--even if it means that the rest of Saunders' men must sacrifice their own lives. ~ Hal Erickson, Rovi