Joseph J. Greene Movies

Two 15-year-old teenagers engage in their first love affair. Dino Martin Jr. and Airion Fromer meet and fall in love with each other. Their romance is sidetracked when the girl has an affair with Mr. Christian (Kerwin Mathews), a man easily twice her age. After she has experienced the pleasures of an older man, she returns to her first love -- presumably to educate him in the ways of love. This is the second film directed by John Derek, who designed the costumes, wrote the music and lyrics to the songs, wrote the screenplay, and photographed the film. ~ Dan Pavlides, All Movie Guide

Lou Costello made his only film appearance without Bud Abbott in 30 Foot Bride of Candy Rock. Lou plays a bumbling junk dealer who fancies himself a great inventor. One of his creations transforms his girlfriend Dorothy Provine into a towering giant! The subsequent shenanigans involve Lou, the humongous Ms. Provine, her bombastic uncle Gale Gordon, and the entire US Army. Before Dorothy can be returned to normal size again, Lou's invention transmogrifies into a time machine and rocketship. 30 Foot Bride of Candy Rock tries to be a satire of Attack of the Fifty Foot Woman, a slapstick comedy, a marital farce, and a sci-fi epic all in one, but it never really jells. Ill with rheumatic fever during shooting, Costello seems more solemn and reserved than usual; still, whenever the material is up to par, he rises to the occasion, offering some choice comic moments in the climactic chase sequence. The special effects are a bit grainy, but convincing within their medium-budget limits. Our favorite bit: the "barking Sputnik", a cute comment on the US-Russian space race. By the time 30-Foot Bride of Candy Rock hit the theaters, Lou Costello was dead, precluding any followups (if, indeed, any were planned). ~ Hal Erickson, All Movie Guide

Man in the Shadow is a better-than-usual Albert Zugsmith production starring Jeff Chandler as the newly appointed lawman in a corrupt southwestern town. A Mexican laborer has been murdered, a crime which powerful land baron Orson Welles wants the sheriff to ignore. Chandler bucks Welles' wishes and investigates the killing, with the trail of evidence leading inexorably to Welles...but what's the motive? Man in the Shadow is unimportant enough on its own, but the fact that it was produced at all would have a far-reaching effect on cinematic history. It was during shooting of this western that producer Albert Zugsmith and actor Orson Welles agreed to collaborate on the Welles-directed masterpiece Touch of Evil (58). ~ Hal Erickson, All Movie Guide

Originally slated for release by Eagle Lion, Skipalong Rosenbloom purchased by United Artists -- who gave it a cursory theatrical release before selling the film to television. As it turned out, TV was the appropriate medium for this heavy-handed satire of video westerns. Former boxing champ Maxie Rosenbloom plays a lampooned variation of Hopalong Cassidy, with all the standard western cliches in evidence. "Skipalong" Rosenbloom is depicted as the star of a heavily commercialized TV kiddie show, presided over by a smarmy announcer. The plot proper finds "Skipalong" at odds with western bad guy Butcher Baer, played by Rosenbloom's onetime ring opponent Max Baer. Others in the cast are Jackie Coogan, Fuzzy Knight and Hillary Brooke, who seem to be having fun with the dreadful material foisted upon them. ~ Hal Erickson, All Movie Guide

The wonderful newfangled world of television provides the backdrop for this musical. The tale begins as an advertising executive has a misunderstanding with his employer's wife and ends up fired. Now her family is left penniless until her younger sister begins impersonating a nightclub singer and becomes a television star. Songs include: "When You're Near," "When Does Love Begin?" (Hal Borne, sung by David Bruce), "For the Right Guy," "I'm So Lonely" (Borne), and "Bob-Bob That Did It" (Borne, Eddie Cherkose). ~ Sandra Brennan, All Movie Guide

In this crime drama, a fading movie star plays a similar character in her farewell film, a B crime-drama about a lonely-hearts club that masks a racketeering operation. ~ Sandra Brennan, All Movie Guide

Famed WW1 aviator Eddie Rickenbacker once more entered the public's consciousness during WW2 when, while serving as an Air Force officer, he and several other pilots crashed into the Pacific. While the world anxiously awaited news of his fate, Rickenbacker and a handful of survivors floated for 19 days in a tiny rubber raft. Captain Eddie recreates this incident, using it as a framework for a series of flashbacks in which Rickenbacker (Fred MacMurray) reminisces on the high points of his life. He is seen experimenting with aviation in his backyard, working in an auto factory to finance his earliest flights, and wooing and winning the lovely Adelaide (Lynn Bari). When America enters WW1, Rickenbacker immediately signs up, eventually shooting down more enemy planes than any other American aviator. Back in "the present", Rickenbacker and his comrades (including Lloyd Nolan and Richard Conte as Lt. Whittaker and Private Bartek) struggle to stay alive while awaiting rescue. Darryl Hickman plays Rickenbacker as a boy, while Charles Bickford portrays his father William. The huge supporting cast includes amusing unbilled contributions by Grady Sutton ("The schottische is my fav-or-ite dance!") and George Chandler. ~ Hal Erickson, All Movie Guide

The bland performance of star George Raft is the only drawback of this splashy 20th Century-Fox musical. Set in turn-of-the-century San Francisco, the film casts Raft as Barbary Coast saloonkeeper Tony Angel, who endears himself to patrons and pedestrians alike by tossing out silver dollars at the slightest provocation. Though Tony is loved by saloon singer Sally Templeton (Vivian Blaine), he only has eyes for Nob Hill socialite Harriet Carruthers (Joan Bennett). Upon marrying Harriet, Tony realizes he is sorely outclassed, and turns to the bottle as the result. It's up to "Little Miss Fixit" Katie Flanagan (Peggy Ann Garner) to bring Tony and Sally back together. Ample comedy relief is provided by Alan Reed and B. S. Pully, while the largely uncredited supporting cast includes such familiar faces as J. Farrell McDonald, Nestor Paiva, Bud Jamieson, and Frank McCown, who rose to fame under the new moniker of Rory Calhoun. ~ Hal Erickson, All Movie Guide

Based on Norman Corwin's satirical radio play My Client Curley, Once Upon a Time is an engaging bit of whimsy, completely dominated by the personality of star Cary Grant. It all begins when fly-by-night Broadway producer Jerry Flynn (Grant) learns of a trained caterpillar (!) that dances to the tune of "Yes, Sir, That's My Baby." In short order, Jerry has promoted Curly the Caterpillar to international stardom-and in the process he alienates both Pinky Thompson (Ted Donaldson), the impressionable 9-year-old who owns Curley, and Pinky's attractive older sister Jeanne (Janet Blair). Eventually, Flynn comes to his senses and regains his essential decency-though it's too late to continue capitalizing on Curley, who has turned into a non-dancing butterfly! Full of delightful contemporary references and "cameo appearances" by such celebrities as producer Walt Disney and radio commentator Gabriel Heatter (both played by uncredited impressionists), Once Upon a Time proved an agreeable diversion for wartime audiences. ~ Hal Erickson, All Movie Guide

Producer Darryl F. Zanuck had high hopes that Wilson would immortalize him in the manner that Gone With the Wind did for David O. Selznick. The notion of bringing the life story of Woodrow Wilson, 28th president of the United States, to the big screen was a labor of love for Zanuck, and accordingly the producer lavished all the technical expertise and production values he had at his disposal. Though Alexander Knox seems a bit too robust and overnourished for Wilson, his is a superb performance, evenly matched by those of Ruth Nelson as Wilson's first wife Ellen, Geraldine Fitzgerald as second wife Edith, Thomas Mitchell as Joseph Tumulty, Sir Cedric Hardwycke as Henry Cabot Lodge, Vincent Price as William Gibbs McAdoo, Sidney Blackmer as Josephus Daniels, and the rest of the film's enormous cast. The story begins in 1912, a time when Wilson is best known as the head of Princeton University and the author of several books on the democratic process. Urged into running for Governor of New Jersey by the local political machine, Wilson soon proves that he is his own man, beholden to no one-and that he is dedicated to the truth at any cost. From the governor's office, Wilson is nominated as the Democratic presidential candidate, an office he wins hands-down over the factionalized Republicans. The sweetness of his victory is soured by the death of his wife Ellen, but Wilson ultimately finds lasting happiness with Edith Galt. When World War I breaks out in Europe, Wilson vows to keep America out of the conflict, despite pressure from such political foes as Henry Cabot Lodge (who is depicted as a thoroughly unsympathetic power broker). After being elected for a second term, however, Wilson finds it impossible to remain neutral, especially in the wake of the Lusitania sinking. Reluctantly, he enters the war in April of 1917. Deeply disturbed by the mounting casualties, Wilson decides that, after the Armistice, he will press for a lasting peace by helping to organize a League of Nations. Unfortunately, the isolationist congress, urged on by Lodge and his ilk, refuses to permit America's entry into the League. His health failing, Wilson nonetheless embarks on a whistle-stop tour, imploring the public to support the League of Nations and Wilson's 12-point peace program. During this campaign, he is felled by a stroke, whereupon Mrs. Wilson begins acting as liason between the president and the rest of the country (the commonly held belief that Edith Galt Wilson virtually ran the nation during this crisis is soft-pedalled by Lamar Trotti's script). All hopes for America's joining the League of Nations are dashed when, in the 1920 election, the Republicans gain control of the White House. The film ends as the ailing but courageous Woodrow Wilson bids farewell to his staff and walks through the White House doors for the final time. Idealistically ignoring the negative elements of the Wilson regime (notably his attitudes toward racial relationships), Wilson is not so much a biography as a paean to the late president. Though too long and overproduced, the film survives as one of Hollywood's sturdiest historical films of the 1940s. However, audiences did not respond to Wilson as Zanuck had hoped; the film was a terrific flop at the box office, so much so that it was for many years forbidden to speak of the project in Zanuck's presence. Still, Wilson garnered several Academy Awards: best original screenplay, best color art direction (Wiard Ihnen), best color cinematography (Leon Shamroy), best sound recording (E. H. Hansen), best film editing (Barbara McLean) and best color set decoration (Thomas Little). ~ Hal Erickson, All Movie Guide

In this frothy musical, a sultan's lovely daughter finds herself courted by a handsome American. WW II erupts and her father finds himself courted by an agent from the German government for the rights to the oil fields. When that doesn't work, the conniving agent then tries to sway the Sultan's personal secretary. Songs include: "I'm Always the Girl," "The Sultan's Daughter," "Clickety-Clack-Jack," and "I'd Love to Make Love to You." ~ Sandra Brennan, All Movie Guide