Adam Greenberg Movies

Over a hundred leading cameramen (and women) discuss the fine art of motion picture photography in this documentary. Cinematographer Style is compiled from interviews with a broad cross section of respected cinematographers, ranging from award-winning veterans such as Gordon Willis (The Godfather), Vittorio Storaro (Apocalypse Now), Vilmos Zsigmond (Deliverance), and Haskell Wexler (One Flew Over the Cuckoo's Nest) to contemporary masters of the craft such as Roger Deakins (A Beautiful Mind), Peter Deming (Lost Highway), Ernest Dickerson (Do the Right Thing), and Remi Adefarasin (Match Point). While several participants discuss the tools of their trade, Cinematographer Style focuses as much on the philosophy behind photographing movies -- how they find a style that matches the material, their visual influences, how to prepare for a shoot, establishing a lighting and color scheme, and how "pretty" the image ought to be to match the story. Sponsored in part by Kodak, Cinematographer Style received its world premiere at the 2006 Los Angeles Film Festival. ~ Mark Deming, All Movie Guide

Iconoclastic film director Samuel Fuller spent decades nurturing his dream project, a movie about his experiences in the Army's First Infantry Division during World War II, but it wasn't until 1979 that he was able to finally bring the picture before the cameras. Unfortunately, Fuller was forced by his producers to work with a scaled-down budget, and he did not have final cut on the film; after his first rough cut ran nearly four-and-a-half hours, the studio took over editing on the project, and Fuller was vocally unhappy with the final results. In 2003, critic and film historian Richard Schickel initiated an effort to restore The Big Red One to a form that more closely resembled Fuller's original vision; using a large cache of newly discovered footage and the director's shooting script as a guide, the 113-minute theatrical version was expanded to 158 minutes, adding depth and detail to Fuller's sweeping and episodic tale of a hard-as-nails sergeant (Lee Marvin) and four inexperienced recruits under his command (Mark Hamill, Robert Carradine, Bobby Di Cicco, and Kelly Ward) as they battle their way across Africa to Europe between 1942 and 1945. Schickel's reconstruction received enthusiastic reviews when it went into limited release in the fall of 2004. ~ Mark Deming, All Movie Guide

This action-adventure, that features a terrorist plot from The Fugitive (1993), saw its October 2001 release date moved back four months as a result of real-life terrorist attacks on the United States. Arnold Schwarzenegger stars as Gordon Brewer, a Los Angeles firefighter who witnesses the deaths of his wife and child, innocent victims of a terrorist attack on a motorcade carrying Colombian dignitaries. Responsibility for the deadly explosion belongs to Claudio "The Wolf" Perrini (Cliff Curtis), a terrorist and rebel in Colombia's decade-long civil war. When times passes with no suspect being brought to justice, Brewer rejects the advice of FBI agent Peter Brandt (Elias Koteas) and travels to the jungles of Colombia to find and take revenge upon his family's murderer himself. Encountering a complex web of death squads, right-wing military officials, guerrillas, terrorists and drug-lords, Brewer is aided in his dangerous quest by an unlikely ally, the beautiful Selena Perrini (Francesca Neri), his quarry's wife. Collateral Damage (2002) co-stars John Leguizamo and John Turturro. ~ Karl Williams, All Movie Guide

Barry Levinson directed this $100+ million adaptation of Michael Crichton's science fiction novel about the investigation of a half-mile-long spacecraft sitting on the South Pacific ocean floor. Government functionary Barnes (Peter Coyote) assembles a crack scientific team -- psychologist Dr. Norman Goodman (Dustin Hoffman), who wrote a presidential report on alien contact; biochemist Beth Halperin (Sharon Stone), once involved romantically with Goodman; mathematician Harry Adams (Samuel L. Jackson); and astrophysicist Ted Fielding (Liev Schreiber). After descending a thousand feet, they set up housekeeping at their underwater Habitat base, suit up, and enter the craft, finding evidence that it's a U.S. ship from the future. However, the craft's cargo of a shimmering, golden sphere is definitely alien. After Harry contrives to enter the sphere, Norman notes his odd behavior. When the Habitat computer system receives an email message from the sphere ("I am happy"), it's not long before the messages from this entity take a threatening turn ("I will kill you all"), triggering fears to surface along with violent attacks to the Habitat. The film is divided into chapters, such as "The Ride Down," "The First Exchange," and "The Monster." Shot on soundstages at the abandoned Mare Island Naval Shipyard (Vallejo, California), the effects combine animation, miniatures, prosthetics, animatronics, and digital images. Ed Asner reads the Sphere audiobook. ~ Bhob Stewart, All Movie Guide

Top-notch action sequences and exciting stunt work highlight this fast-moving thriller. John Kruger (Arnold Schwarzenegger) is a top agent in the U.S. Marshalls' Witness Protection Program; it's his job to "erase" the pasts of Federal witnesses under his watch and deal with anyone who tries to hurt them. Kruger's latest assignment is to protect Lee Cullen (Vanessa Williams), who while working for a major weapons manufacturing firm discovered evidence that the company was selling new, high-tech weapons to intentional terrorists groups with the cooperation of a faction of enemy agents within the United States government. However, when Kruger discovers that the Witness Protection Program has a rat in the house -- and that rat is his boss, U.S. Marshall Robert Deguerin (James Caan) -- Kruger has to guard his own life while trying to protect Lee's. The supporting cast is highlighted by James Coburn, Robert Pastorelli, and James Cromwell. ~ Mark Deming, All Movie Guide

Ultimate manly man Arnold Schwarzenegger learns what it's like to be an expectant mother in director Ivan Reitman's high-concept comedy. Schwarzenegger plays Dr. Hess, a medical researcher working on a revolutionary drug to help mothers carry endangered infants to term. When government regulations prevent Dr. Hess from testing the drug through normal channels, his partner Dr. Arbogast (Danny DeVito) develops an unorthodox solution: they will steal a female egg and implant it in Hess, who will carry the child himself. Predictably, much of the subsequent humor centers on the incongruous sight of the muscular Schwarzenegger undergoing the trials and tribulations of pregnancy, from morning sickness to labor pains. Emma Thompson returns to her comic roots and provides romantic interest as an incorrigibly clumsy but intelligent scientist who catches on to Hess' deception. Reitman, Schwarzenegger, and DeVito had previously had a hit with Twins (1988), which revolved around a similarly ludicrous medical premise, but they failed to repeat that film's success here, as audiences largely ignored the film and reviewers criticized the humor as disappointingly obvious. ~ Judd Blaise, All Movie Guide

A boy divorces his parents in this comic fantasy for the family. North (Elijah Wood) is the sort of kid most parents dream of -- he's bright, well-behaved, a good student, and a great baseball player. But North's Mom and Dad (Julia Louis-Dreyfus and Jason Alexander) are so busy with their lives and careers that they barely have time for him. A man dressed as the Easter Bunny (Bruce Willis) who serves as North's conscience and advisor suggests to him that if he's not happy with his parents, maybe he could do better elsewhere. North hires a lawyer, Arthur Belt (Jon Lovitz), who presents his case to Judge Buckle (Alan Arkin); the judge declares North a free agent, and he gives North two months to find new parents, otherwise he'll be sent to the orphans' home. North finds himself travelling the globe auditioning prospective parents, while a boy named Winchell (Matthew McCurley) thinks that North's legal victory could be the first step in kids taking over the world. North's would-be parents include Kathy Bates, Dan Aykroyd, Reba McIntire, and Kelly McGillis. ~ Mark Deming, All Movie Guide

After the death of Peter Sellers in 1980, writer/director Blake Edwards assembled a new "Pink Panther" film from outtakes of Sellers as Inspector Clouseau from previous movies in the series (the result was called The Trail of the Pink Panther) and later made two attempts to revive the series with another actor. In this case, Edwards cast Roberto Benigni as Jacques Gambrelli, a hopelessly inept French policeman who turns out the be the illegitimate son of Inspector Clouseau. Gambrelli becomes involved with the investigation of a kidnapping involving the beautiful Princess Yasmin (Debrah Farentino) literally by accident, when he crashes into a car driven by Police Commissioner Dreyfus (Herbert Lom). Gambrelli soon becomes smitten with Yasmin, while the investigation suggests that the kidnapping was set up by her mother, the Queen (Shabana Azmi), and her lover, General Jaffar (Aharon Ipale). Claudia Cardinale who played a different character in the original Pink Panther returns, while Burt Kwouk returns as the violent Korean manservant Cato. Roberto Benigni's Gambrelli proved no more successful at the box office than Ted Wass's Clouseau-like Clifton Sleigh in The Curse of the Pink Panther (1983), though after his multiple-Oscar winning success with 1998's La Vita e Bella, Roberto's probably gotten over it. ~ Mark Deming, All Movie Guide

A sleeper hit that received a lukewarm reception from critics but was a success with audiences, Sister Act (1992) was star Whoopi Golberg's first bona fide smash after her Oscar victory for Ghost (1990). Goldberg stars as Deloris Van Cartier, a Reno lounge singer who accidentally witnesses a brutal murder carried out by her gangster boyfriend Vince (Harvey Keitel). Under the protection of a detective (Bill Nunn) who's trying to bring down Vince's criminal operation, Deloris is placed in protective custody at a San Francisco convent. Masquerading as a nun renamed Sister Mary Clarence, Deloris shakes up the established order of the sisters' lives, particularly enlivening their choral efforts. Although running constantly afoul of the Mother Superior (Maggie Smith), the new, jazzed-up musical act becomes a huge hit in the community, even drawing the attention of the Pope, but also alerting Vince to Deloris' whereabouts. Although credited to the pseudonymous Joseph Howard, Sister Act was actually written by Paul Rudnick and Carrie Fisher. The film was followed by a sequel, Sister Act 2: Back in the Habit (1993). ~ Karl Williams, All Movie Guide

A sequel to the sci-fi action thriller that made him and star Arnold Schwarzenegger A-list Hollywood names, writer/director James Cameron upped the ante with this follow-up by employing a more sweeping storyline and cutting-edge special effects. Linda Hamilton returns as Sarah Connor, now a single mother to rebellious teen John Connor (Edward Furlong), during the late nineties. Having been informed by a time-traveling soldier in the first film that John will one day grow up to become humanity's savior from a computer-controlled Armageddon, Sarah has responded by becoming a muscle-bound she-warrior bent on educating John in survival tactics and battle strategies. Her ranting about humankind's future has landed Sarah in an insane asylum and John in the foster care system. The rebellious John has responded to his situation by getting into scrapes with the law. When a new and improved Terminator android called the T-1000 (Robert Patrick) arrives from the future to eliminate John, an older model T-800 (Schwarzenegger) is sent to protect the boy. The T-1000, however, has the ability to morph itself into any shape it desires, allowing it chameleon-like powers and near indestructibility. The T-800 saves John's life and helps break Sarah out of the institution. Staying only one step ahead of the dogged T-1000, Sarah leads her son and the T-800 to the headquarters of Cyberdyne Systems, the company that will invent a robotic intelligence that will eventually take over the world. There, they attempt to convince inventor Miles Dyson (Joe Morton) to help them stop the future from ever occurring by destroying his work. Dyson sacrifices himself in an explosion to save the world, leading to a final showdown between the two Terminators at a steel foundry. Terminator 2: Judgment Day (1991), which won four Oscars in technical categories for its groundbreaking effects, was followed by a short sequel filmed exclusively as an attraction for theme parks, Terminator 2: 3-D Battle Across Time (1996). ~ Karl Williams, All Movie Guide

Emile Ardolino directed this treacly sequel to Three Men and a Baby. The middle-aged trio of doting fathers -- Peter the architect (Tom Selleck), Michael the cartoonist (Steve Guttenberg) and Jack the actor (Ted Danson) -- have returned, sublimating their swinging bachelor instincts in order to raise 5-year-old Mary (Robin Weisman). The child of Jack and Sylvia (Nancy Travis), Mary was abandoned by Sylvia in the foyer of the boys' apartment house in the first film. In five years, Mary has grown from a diaper-filling infant to a cute kid who insists that the guys sing rap songs to her before she goes to bed. Sylvia now also lives with the bachelors as she pursues a promising Broadway career. Peter, Michael, and Jack dote on the moppet and parenthood has rarely seemed more idyllic. But Sylvia once again disrupts their placid existence. Accepting the marriage proposal of British director and surly cad Edward (Christopher Cazenove), she announces that she and Mary are going to move to England, leaving the boys high and dry. When it turns out that Edward is secretly planning to ship Mary away to a boarding school after the marriage, the three guys race frantically to disrupt Sylvia's wedding. ~ Paul Brenner, All Movie Guide

A self-centered womanizer makes a wager that he will be able to propose to three women in a three month time and have each one accept in this romantic Philadelphia-set comedy. His three victims are an icy concert pianist, an innocent blonde receptionist for the Philadelphia Eagles, and a rich, horny hausfrau. The fellow plans to prove his success by videotaping each proposal. Sure enough he succeeds, but things quickly sour when the ladies find out that he's duped them. They then team up to get revenge and teach him a thing or two about real love. ~ Sandra Brennan, All Movie Guide

In this vaguely allegorical science fiction-crime film, a Los Angeles cop tries to solve the murder of his best friend with the help of his new partner -- a member of a star-faring alien race. In the near-future world of Alien Nation, the "Newcomers" are a race of formerly enslaved humanoids seeking refuge and integration into Earth society. These unusual immigrants face anger and resentment from some humans, including Matthew Sykes (James Caan), a cop whose partner, Tug (Roger Aaron Brown), was killed in a shoot-out with several Newcomers. In order to get some insight into Newcomer society and track down the "slags" who killed Tug, Sykes volunteers to take on a new partner,Sam "George" Francisco (Mandy Patinkin), the first alien ever promoted to the rank of detective. As Sykes tries to overcome his bigotry against George and his kind, who eat raw beaver and get drunk on spoiled milk, the friendly, helpful George soon learns the identity of Tug's killer: William Harcort (Terrence Stamp), a pillar of Newcomer society who is secretly manufacturing the same powerful narcotic that was used to enslave his race. It's up to Sykes and George to stop Harcort before he turns his fellow Newcomers into drooling addicts and pulls the skeletons out of his race's closet for all of humankind to see. Omen 3 director Graham Baker made his screenwriting debut with Alien Nation, as did co-writer Rockne S. O'Bannon. Kenneth Johnson, creator of the miniseries V, would adapt Alien Nation into a weekly television show in 1989 and several made-for-TV movies in the mid-'90s. ~ Brian J. Dillard, All Movie Guide