Lee Grant Movies

Jack Ryan (Ryan O'Neal) is a cucumber picker who is fired after a fight with a Mexican-American (Victor Paul) co-worker. He finds work on a ranch owned by Ray Ritchie (James Daly). Soon his private secretary Nancy (Leigh Taylor-Young) is after Jack. She spends her free time in pursuit of hedonism and reckless pleasure by fornicating on tombstones and breaking hearts as well as windows. Sam Mirakian (Van Heflin) is the motel owner whose lonely resident (Lee Grant) makes a play for Jack. She ends up killing herself and Nancy ends up killing someone else for sheer pleasure. This forgettable and pointless movie -- one critic described it as "a rancid piece of trash" -- is O'Neal's big-screen debut. Some nudity required an "R" rating. ~ Dan Pavlides, All Movie Guide

Unable to recover valuable documents concerning America's missile system, the IMF must resort to a contingency plan. In order to convince enemy agents that the documents are worthless, Phelps and his cohorts work hand in glove with Susan Buchanan (Lee Grant), the wife of an American diplomat. Mrs. Buchanan's mission: To lure playboy-spy Roger Toland (Fernando Lamas) into a highly compromising situation. Originally broadcast on December 1, 1968, "The Diplomat" was written by Jerry Ludwig. ~ Hal Erickson, All Movie Guide

A cinematic take on a 1960s best-seller, Valley of the Dolls traces the ups and downs of three young women as fame, booze, pills, and men consume their lives. Well-bred, small-town Anne Welles (Peyton Place star Barbara Parkins) arrives in New York eager for fame but settles for a job assisting theatrical attorney Henry Bellamy (Robert H. Harris). The job leads her to cross paths with Helen Lawson (Hollywood veteran Susan Hayward), the grand dame of Broadway musicals, and Neely O'Hara (sitcom star Patty Duke), an up-and-coming performer whom Lawson unceremoniously boots from her latest show. Neely lands on her feet thanks to a series of nightclub gigs, and soon she and Anne befriend Jennifer North (Sharon Tate), a buxom starlet. As Neely becomes a huge star of stage and screen and Jennifer appears topless in a string of European "art" films, Anne becomes a wealthy cosmetics spokeswoman and suffers though a passionate but failed affair with aspiring writer Lyon Burke (Paul Burke). As the pressures of fame and failed romance take their toll on all three women, they take refuge in food, sex, liquor, and pills -- especially Neely, who becomes downright monstrous (the titular "dolls" are the uppers and downers to which she becomes hopelessly addicted). Although the film's characters are fictitious composites, Neely most closely resembles Judy Garland; Garland herself was originally cast as Lawson, but she was replaced after only a few days by Hayward. Although the film's trailer played up the story's titillating subject matter, the script for Valley of the Dolls actually toned down Jacqueline Susann's novel. And despite the fact that Dionne Warwick can be heard singing "(Theme From) The Valley of the Dolls" twice during the film, contractual snags kept her from releasing the soundtrack version; a different arrangement later became a number two pop hit in 1968. ~ Brian J. Dillard, All Movie Guide

This 60-minute drama was originally telecast May 17, 1967 on The Bob Hope Chrysler Theatre. Lee Grant plays Virginia Cloyd, the widow of notorious criminal. Early one morning, Virginia calmly walks into a police precinct office--armed with a pistol and vial of nitroglycerine. In a measured voice, she announces that she intends to wait for detective James Lassiter (Donald May), the man responsible for the death of her husband. She also declares that she intends to kill Lassiter, in full view of the other cops. Detective novelist Ed McBain adapted the teleplay from his own story. An earlier version of Deadlock appeared on the McBain-inspired TV series 87th Precinct (1961-62). ~ Hal Erickson, All Movie Guide

Advice columnist Francesca Kirby (Lee Grant) is being plagued by death threats and attempts on her life, prompting Francesca's old friend Ironside (Raymond Burr) to offer his protection. It turns out that there are several people in San Francisco who'd probably prefer to see Francesca dead, among them her two-timing husband Mitch (Farley Granger) and her own sister Doris (Maria Lennard). Quincy Jones, who composed the Ironside theme music, appears in a key supporting role; also, Raymond Burr's longtime stand-in Lee Miller shows up in a speaking part. ~ Hal Erickson, All Movie Guide

In this modern parable of middle-American values, a nine-year-old boy leaves behind the family farm for a few very instructive days in New York. A disagreement with his father sends Brill (Richard Bray) hitching to New York City to seek his fortune. After arriving in Manhattan, he falls in with a young gang of shoe-shine boys and paper carriers who are "managed" by Rick (Jaime Charlamagne), a teenage punk who "protects" them in exchange for half their earnings. With the help of his new friend Paco (Roberto Marsach), a Puerto Rican boy about his own age, Brill gets a job selling papers. The next day Brill wins most of Rick's money in a crap game and he takes Paco out for a night on the town. When Rick's gang beats up Brill for winning the money, Suzy (Lee Grant), a prostitute, takes him home to care for him. The next morning, Suzy buys Brill new clothes and takes him on a tour of the city. He sees Suzy picked up by the police and decides to return home, purchasing a bicycle for the trip. Rick's gang spots him and gives chase, but Paco intercepts them, allowing Brill to escape. On the highway home, a truck wrecks the bike, and Brill stays the night at an elderly African-American couple's house. Upon returning home the next day, he presents his father with the remainder of his "fortune."

Pie in the Sky was Allen Baron's second attempt at directing and screenwriting. His 1961 Blast of Silence received good reviews, but never gained popularity in the United States. Pie in the Sky is a better film, painting a realistic yet heartwarming picture of a young boy's adventures. Richard Bray gives a commendable performance as the wayward youth, despite his non-professional status as an actor. The film was criticized for choppy narration in 1964, giving a "too European" feel, although modern audiences would likely be more accepting. Donald Malkame's cinematography is one of the film's strongest points. It is clear, crisp, and shot entirely on location -- including 42nd Avenue through hidden camera, and the exciting bicycle chase through upper Manhattan. ~ Lucinda Ramsey, All Movie Guide

The denizens of a sordid brothel become embroiled in a bloody coup in this arty political satire adapted from the Jean Genet play. Shelley Winters stars as the cathouse's madam, a stern woman who supervises the fantasy role-playing of her beautiful employees and their well-heeled customers, including the local police chief (Peter Falk). As various whores and their johns dress up like judges, penitents, bishops, and generals, a revolution rages outside in the streets. The leaders of society -- including the queen -- are done away with by an angry mob. Soon, the madam and her compatriots find themselves ordered to impersonate the slain bigwigs in order to restore law and order. Shot in black-and-white by cinematographer George Folsey and producer/director Joseph Strick, The Balcony features a number of future stars in its cast, from Ruby Dee and Lee Grant to Leonard Nimoy. Nimoy would go on to produce and star in Deathwatch, another Genet adaptation. Unlike the later film, Genet was actually involved in the film version of The Balcony, collaborating with Strick on the original treatment but leaving the final screenplay to poet and novelist Ben Maddow. Strick acquired the rights to The Balcony from Genet only after failing to mount another literary adaptation, of James Joyce's Ulysses. ~ Brian J. Dillard, All Movie Guide

Much of this gripping crime drama takes place in a remote New England farm house owned by the brother of a bank robber. The crook is mortally wounded during his last heist and suddenly shows up seeking shelter. The brother reluctantly harbors the fugitive and his henchmen. Time passes and the henchmen are anxious to move on; unfortunately, their leader is healing. He is also still in love with his brother's wife with whom he had an affair. More trouble ensues when it is revealed that the woman's son was fathered by the crook, not her husband. Meanwhile, a farmhand manages to escape. He tries to alert the cops and this causes the criminals to flee. To help them through the woods the robber takes the boy to guide him. The boy is devastated when his heretofore "decent" uncle shoots his father. ~ Sandra Brennan, All Movie Guide

When Women Kill is a poignant documentary exploring the shocking violence that seven women fell victim to at the hands of men. The program profiles the battered women who speak frankly about the cruel abuse, threats, and fears, and the overassertive men who led them down a one-way path to death and destruction. The film features in-prison footage, including a segment depicting a confession by a follower of the notorious Charles Manson, Leslie Van Houten, who was convicted of two killing sprees and committed to life in prison. ~ Sally Barber, All Movie Guide