Virginia Bruce Movies

James Cagney stars as a popular prizefighter who loses his winnings through too much partying and too many women. Cagney's fans finance the boxer's regenerative stay at a New Mexico health resort. For the sake of pretty, poverty-stricken Marian Nixon, Cagney enters into a return bout. He splits his winnings with Nixon, then goes back to his old skirt-chasing pattern with fickle society girl Virginia Bruce. Having had his nose broken, Cagney fixes it up to please Bruce, and stops taking chances in the ring lest his beezer get smashed again. It doesn't take long for Cagney to plummet from popularity, but true-blue Nixon is there for him when he gets wise to himself. The beautifully staged fight scenes in Winner Take All, wherein James Cagney disdains the use of a double, were later excerpted in Cagney's last-ever film, 1985's Terrible Joe Moran. ~ Hal Erickson, All Movie Guide

Directed by Victor Fleming, Wet Parade chronicles the effects of alcoholism and the Prohibition on the lives of two families from very different backgrounds. The Tarletons reside in New York City, where the family patriarch (Walter Huston) repeatedly drowns himself in liquor and local bars. The Chilcote family has the same type of problem, though they live in the deep south. Colonal Roger Chilcote (Lewis Stone) also drinks heavily, and illegally makes his income by selling moonshine. Ultimately, both families are torn apart by the alcoholism. The two stories collide when Kip Tarleton (Robert Young) and Maggie May (Dorothy Jordan), both children of alcoholic fathers, join in a common fight against alcohol, feeling it was a key factor in the destruction of their lives. Wet Parade also features actor Jimmy Durante in a small role as a bearded federal agent. ~ Tracie Cooper, All Movie Guide

A remake of West of Zanibar, this strange, gut-wrenching melodrama set in the African jungles, offers a disturbing portrait of a bitter, crippled and insane megalomaniac who vents his rage via mental torture against all those who get too near. Walter Huston plays the madman who lost the use of his legs during a battle with his nemesis Gordon. The accident happened many years ago and since then Huston has dragged himself about in his jungle home making the lives of those around him waking nightmares. He has terrified the local tribesmen into total submission with his knowledge deadly voodoo (he tells them guns are magical instruments). He is even crueler to his fellow Anglos. A young white woman comes to visit one day. Believing her to be the daughter of his arch rival Gordon, he gleefully embarks upon a heavy reign of psychological abuse until the poor girl is nearly destroyed. For more fun, he gets a new doctor addicted to drugs and of course he can also torment the woman who loves him, Velez. The horror continues until Gordon suddenly shows up. Vengeful Huston quickly picks a fight and during the ensuing struggle Gordon tells Huston a bitter truth, one that leads Huston to a horrible realization. ~ Sandra Brennan, All Movie Guide

Silent screen sweetheart Corinne Griffith, who originally wanted to retire when talkies came in, proved the wisdom of her earlier decision when she starred in the clunky musical drama Lilies of the Field. Griffith is cast as Mildred Harker, who loses custody of her child in a messy divorce settlement. Leaving her hometown in disgrace, Mildred heads to New York, where after a crash course in the school of hard knocks she joins the chorus of a Ziegfeld-like musical revue. Now a full-fledged gold-digger, she enjoys the favors of backstage johnnies and elderly sugar daddies, but finally finds true love in the form of Park Avenue socialite Ted Willing (Ralph Forbes). Alas, Mildred is damaged goods, and soon she's back in the gutter whence she came. A remake of a 1924 silent film which also starred Corinne Griffith, Lilies of the Field is distinguished by a bizarre musical number in which the star is dressed (just barely) as an art-deco automobile hood ornament! ~ Hal Erickson, All Movie Guide

In this lightweight musical comedy, an aspiring songwriter tries to make it big on Broadway. Later his uncle decides to show him all about the world and so hires three gorgeous show girls to take him around the Big Apple. All three of the opportunistic young lasses find themselves attracted to the man; of course it doesn't hurt that he is heir to $350 million. He does choose one of them. Songs include: "My Future Just Passed", "The Pickup" "Business Girl", "Pepola", "I'd Like to Be a Bee in Your Boudoir", "You Appeal to Me" and "Do You Play, Madame?" (George Marion, Jr., Richard A. Whiting, sung by Buddy Rogers). ~ Sandra Brennan, All Movie Guide

The third in a succession of film adaptations of author E.W. Hornung's novel Raffles, the Amateur Cracksman, this version was the first to also be produced in sound. Ronald Colman stars as A.J. Raffles, an utterly unflappable British gentleman cricket player who by night is secretly a thief known in the press as The Amateur Cracksman and causing apoplectic fits at Scotland Yard. Raffles has fallen in love with society girl Gwen Manders (Kay Francis) and intends to give up his criminal pursuits, but first he must help an indebted pal, Bunny (Bramwell Fletcher) by stealing a valuable necklace owned by Lady Melrose (Alison Skipworth) at a weekend soiree. Suspecting that Raffles and the Cracksman are one and the same, Inspector McKenzie (David Torrence) is a guest at the same party, with a keen eye peeled at Raffles. In the meantime, rival crook Crawshaw (John Rogers) also has designs on the necklace, setting himself as an unfortunately perfect scapegoat. Although George Fitzmaurice was credited as the sole director of Raffles (1930), he was actually the replacement for Harry d'Abbadie d'Arrast, who was fired during production. ~ Karl Williams, All Movie Guide

In this high-spirited satire of competitive sports, boxer Marco Perkins is creamed during a fight and decides to play polo instead so he can impress an extremely wealthy young woman who merely considers him amusing. The poor social climbing fellow soon learns that she is only toying with his affections and so goes back to the vulgarity of the ring. Fortunately, his devoted former girl friend is there to welcome him back and cheer him on. ~ Sandra Brennan, All Movie Guide

Adapted from Owen Davis's stage comedy The Nervous Wreck (itself filmed in 1927), Flo Ziegfeld's musical spectacular Whoopee! was one of the solid hits of the 1928-29 Broadway season, thanks largely to the irrepressible Eddie Cantor. The property was transferred to film virtually intact in 1930, again produced by Ziegfeld (in collaboration with Sam Goldwyn) and again starring Cantor. The star plays Henry Williams, a wide-eyed hypochondriac who heads to a western resort town in the company of his long-suffering nurse Mary Custer (Ethel Shutta). Meanwhile, Wanenie (Paul Gregory), the son of an Indian chief, pines away out of love for white heiress Sally Morgan (Eleanor Hunt), who has been forbidden to marry Wanenie because of their racial differences. One of the most unsympathetic heroines in screen history, Sally coerces Henry into helping her elope then allows the poor boob to be accused of kidnapping. All sorts of zany complications ensue, not least of which is the side-splitting scene in which Henry, disguised as an Indian, adopts a thick Jewish accent while trying to sell a rug to a tourist. The Sally/Wanenie dilemma ends happily when the young man turns out not to be Indian after all, while Henry, cured of his ills by all the excitement, marries nurse Marie. The "Ziegfeld Touch" is most obvious in the final reels, when the story stops dead in its tracks to offer a long, drawn-out parade of "Glorified" Follies girls wearing enormous headdresses and precious little else. But the film's highlight is Eddie Cantor's sly, insinuating rendition of the title song, in which he details in humorous fashion the pitfalls of "makin' whoopee" with the wrong girl. Featured among the Goldwyn Girls are such future stars as Claire Dodd, Virginia Bruce, and 14-year-old Betty Grable, who energetically performs the very first chorus of the very first song in the film. Lensed in eye-pleasing early Technicolor, Whoopee was a success, launching a long and fruitful cinematic collaboration between Eddie Cantor and Sam Goldwyn. It was remade by Goldwyn in 1944 as Up in Arms, a showcase for the producer's "new Cantor" Danny Kaye. ~ Hal Erickson, All Movie Guide

Accused of murdering her employer, nightclub vocalist Alice Carroll (Madge Bellamy) is vigorously prosecuted in court by ambitious young DA Dick Starr (Don Terry). After Alice is sent to prison, however, Starr begins having second thoughts. He ends up helping her escape from jail so that she can help him prove her innocence. Alice returns the favor by rescuing Starr from the genuine murderers. Based on a story by journalist Richard Harding Davis (who seldom allowed himself to be confused by the facts), Fugitives was one of the last Fox silent films before the studio switched over exclusively to the Movietone sound process. ~ Hal Erickson, All Movie Guide

Carlee Thorpe (Buddy Rogers) and Claire Jernigan (Nancy Carol) enjoy considerable success with their vaudeville magic act. Offstage, Carlee thrives as a solo, performing various bits of sleight-of-hand at fancy society parties. At one such function, he falls in love with Hilt (June Collyer), the daughter of wealthy social-climber Jake Schmidlap (Knute Erickson). Heartbroken, Claire breaks up her act with Carlee and signs on as a "human target" for stage sharpshooter Magus (Rychard Cramer). Her depression deepening over Carlee's affair with Hilda, Claire suicidally replaces Magus' blank pistol cartridges with real bullets, hoping to be killed in the course of their act. Sure enough, Claire ends up being wounded on stage, but when she awakens in the hospital, the repentant Carlee is at her bedside. ~ Hal Erickson, All Movie Guide

In this 1929 comedy, two white minstrel comedians, Moran and Mack, in black-face, re-create their most beloved routines in this comedy. Their acts are loosely framed by a story involving a con woman after one of the comedian's money. Despite her efforts the "Crows" end up winning in the end. Among the routines are "Head Man," "Let's Not Talk about That," and the popular "Early Bird Gets the Worm." Some viewers may find the abounding racist attitudes in the film offensive. ~ Sandra Brennan, All Movie Guide