Virginia Bruce Movies

Wallace Beery plays one of his patented good bad guys in this MGM Western. "Trigger" Bill (Beery) is an outlaw with a heart of gold who discovers that his estranged son Jeffrey Burton (Dennis O'Keefe) has become a prizefighter. In his attempts to get Jeffrey out of the ring and into law school, Bill reforms and gives up thieving. When the villainous "Blackjack" McCreedy (Bruce Cabot) tries to interfere with Bill and Jeffrey's lives, however, Bill must return to the way of the gun. This film was initially released in a sepia-tone tint; most prints now available are in black-&-white. ~ Nicole Gagne, All Movie Guide

Loretta Young is the wife, Warner Baxter the doctor and Virginia Bruce the nurse in this 20th Century-Fox trifle. Society gal Young marries Park Avenue medico Baxter, little guessing that humble nursie Bruce also loves the doc. Young raises vociferous objections, compelling Bruce to leave. Baxter's practice suffers due to Bruce's absence. Young realizes that the doctor needs his nurse, while Bruce comes to accept that Young needs her doctor. You may need one too after 85 minutes of this. ~ Hal Erickson, All Movie Guide

In this drama, a girl from a small town in Pennsylvania dreams of being a star while she goes to school. The trouble is, no one notices her. Later a mentor turns her into a successful Broadway entertainer. She returns to her former college to get sweet revenge. Songs include: "When Love Is Young," "Did Anyone Ever Tell You" (Harold Adamson, Jimmy McHugh). ~ Sandra Brennan, All Movie Guide

In MGM's three-hour-plus The Great Ziegfeld, William Powell stars as the titular theatrical impresario, whose show business empire begins when he stage-manages a tour for legendary strongman Sandow (Nat Pendleton). With nary a penny in the bank, he charms European stage star Anna Held (Luise Rainer) to headline his "Follies", and later marries the luscious Ms. Held. From 1907 onward, Ziegfeld stages annual editions of Broadway's most fabulous revue, dedicated to "Glorifying the American Girl" but also giving ample time to develop the comic talents of Fanny Brice (played by herself), Will Rogers, Eddie Cantor and many others. Eventually, Ziegfeld abandons Ms. Held in favor of other beauties, setting the stage for the "telephone scene" which won Luise Rainer the first of her Oscars. ~ Hal Erickson, All Movie Guide

Edmund Lowe made his only screen appearance as S. S. Van Dine's dilettante sleuth Philo Vance in The Garden Murder Case. The story wastes no time getting started, with Floyd Garden (Douglas Walton) being killed in the first reel from a fall in a steeplechase. It looks like an accident -- but then, so do the subsequent deaths of Lowe Hammle (Gene Lockhart) and Mrs. Fenwick-Ralston (Frieda Inescourt). The police are baffled, but Philo Vance (Lowe) deduces that the victims were done in by a very clever -- and very deadly -- hypnotist. The revelation of the killer's identity won't be surprising to longtime mystery buffs, but it proved quite a shock to audiences in 1936. The tense final scene, in which the murder attempts to mesmerize Vance into committing suicide, was effective enough to be "borrowed" for the 1946 Sherlock Holmes film The Woman in Green. ~ Hal Erickson, All Movie Guide

In this musical, a songwriter goes to court to claim the rights to his song that was stolen by an unscrupulous music publisher. He brings his girlfriend with him. Also going to court are the Jubilee singers, hillbillies, and some cowboys and Indians who demonstrate that the composer wrote his song by rearranging four folk tunes. He wins his song back and $50,000 in damages. Songs include: "Heading Home," "Roll Along Prairie Moon," "Tender Is the Night," "You're My Thrill," "I'm Bound for Heaven," and "The Army Band." ~ Sandra Brennan, All Movie Guide

Adapted from a typically tricky J. B. Priestley stage play, Dangerous Corner is a cautionary fable about the damage caused by telling the unvarnished truth. A burned-out radio tube is the catalyst for a series of painful and potentially dangerous revelations during a weekend party. The upshot of all this is the suicide of party guest Ian Keith and the mysterious theft of a large sum of money. Through an ingenious last-act plot twist (of the kind so beloved by Priestley and his ilk), the audience is treated to both a happy and a tragic denouement. Long ignored by film historians, Dangerous Corner was rediscovered when it popped up repeatedly on the American Movie Classics cable service in the mid-1980s. ~ Hal Erickson, All Movie Guide

A crusading physician supervises his own life-threatening operation in this farfetched potboiler from MGM, which marked Robert Taylor's first co-starring assignment. Taylor plays handsome Dr. Tommy Ellis, whose proposal of marriage is at first turned down by surgical nurse Madge Wilson (Virginia Bruce). But when Madge's paramour, the upstanding young Dr. Bill Morgan (Chester Morris), takes a leave of his principles to cater to a rich hypochondriac (Billie Burke), she gives Tommy her "yes." Shot by an escaping convict (Arthur Vinton), Bill survives a risky operation conducted by Tommy under his own guidance, and when he recovers, he finally pops the question to Madge. With Tommy's blessing, the nurse agrees to become Mrs. Morgan. Society Doctor, which was originally reviewed as Under Eight Hours, was directed by George B. Seitz, the veteran craftsman who later helmed MGM's "Dr. Kildare" films. ~ Hans J. Wollstein, All Movie Guide

In her American film debut, British stage luminary Constance Collier dominates MGM's Shadow of Doubt as wealthy, reclusive Aunt Melissa, a character obviously based on "witch of Wall Street" Hettie Green. Emerging from a 20-year seclusion, Melissa announces her intention to disown her nephew Sim (Ricardo Cortez) if he marries temperamental actress Trenna (Virginia Bruce), who has been implicated in a double murder case. A ubiquitous presence throughout the picture is Sim's best friend, eternally inebriated columnist Reed Ryan (Regis Toomey), who's more than a little anxious to crack the case -- or so he claims. But the person responsible for the film's happy ending is none other than Melissa, who turns out to be a sweet old gal after all. Shadow of Doubt was one of a brief mid-1930s cycle of "female-detective" films, which included the Hildegarde Withers and Nurse Sarah Keane mysteries. ~ Hal Erickson, All Movie Guide

This version of the Charlotte Bronte classic is the first to use sound. The story closely follows the book as it chronicles the romantic travails of a troubled orphan girl who grows up to be a governess in love with her employer who returns her affections. She has finally found happiness. Alas, her happiness is short-lived as she learns that her love has locked his crazy wife in a remote wing of the house. The distraught governess flees and gets engaged to a new man. Just before they marry, she learns that her true love's house has burned down, immolating his wife and leaving him nearly blind. Without hesitation she returns to him and romantic bliss ensues. ~ Sandra Brennan, All Movie Guide

Anyone who believes that the career of silent screen idol John Gilbert ended because his voice has too high for the talkies hasn't seen this marvelously black comedy. In perhaps his best performance of the sound era (with his supporting role in 1934's The Captain Hates the Sea running a close second), Gilbert plays a rogue who can get away with just about anything because of his charisma and charm -- and his voice suits his character perfectly. Karl (Gilbert) is a chauffeur who goes to work for a Viennese Baron and Baroness (Reginald Owen) and Olga Baclanova) on the day that two of their servants -- head butler Albert (Paul Lukas) and maid Anna (an astonishingly lovely Virginia Bruce) -- are being wed. Almost immediately Karl creates havoc in the household -- he flirts with the innocent, susceptible Anna, blackmails the Baroness, who is having an affair, and seduces the middle-aged head cook, Sophie (Bodil Rosing), only so he can get his hands on her life savings. In spite of his wickedness, there is something magnetic about Karl, and Anna -- who is vaguely dissatisfied with her loving but dogmatic husband -- finally succumbs. But all of his schemes inevitably backfire on him and after Albert gets Sophie's money back, he gladly tosses Karl out of the Baron's mansion. The next we see of him, he is c harming his way into yet another chauffeur position (hinting at a potential sequel that, unfortunately, never came). Gilbert, who wrote the story four years earlier, originally had an appropriately macabre ending -- after a brutal fight, Albert drowns Karl in a vat of wine. When he first came up with the idea, Gilbert had wanted Erich Von Stroheim to direct. By 1932, this was out of the question (MGM mogul Louis B. Mayer had little use for Stroheim). Instead, the highly capable Monta Bell was given the job -sadly, it was one his last directing assignments. During the shoot, Gilbert and Virginia Bruce fell in love and they were married in August, 1932, the month that the film was released. ~ Janiss Garza, All Movie Guide

In director Leo McCarey's film The Kid From Spain, actor Eddie Cantor plays mischievious college boy Eddie Williams, who, with his buddy Ricardo (Robert Young), is kicked out of college for sneaking into the women's dormitory. Ricardo (Young), on his way back to Mexico, suggests Eddie (Cantor) come along. First, however, Ricardo must stop at the local bank for some cash. Unfortunately, the bank is robbed as the two boys are leaving, and the fleeing thieves mistake Eddie for their getaway driver. In a panic, Eddie races off towards the Mexican border in hopes of getting way from them. Realizing that the bank robbers will go after him--Eddie, after all, is the only one who saw their faces--he convinces a skeptical border guard that he, too, is a Mexican. Once in Mexico, he's mistaken for a renowed bullfighter, and plays along with his newly assigned identity in order to avoid the American detective on his trail. Mayhem ensues, and Eddie eventually falls in love with Rosalie (yda Roberti), a young Mexican woman with an over-protective father. The musical numbers in The Kid From Spain were staged by a young Busby Berkeley and feature the oldwyn Girls, whose ranks in this film include Betty Grable, Paulette Goddard, and Jane Wyman. ~ Tracie Cooper, All Movie Guide

A San Francisco gangster hot foots it out of town to cool down after his crime boss is suddenly killed. He ends up in a little coastal town where he begins devising one of the nastiest little con games around. It seems there is a faith healer in town with the ability to help the crippled walk again. The crook's plan is to use a contortionist pretending to be a cripple to convince people that the healer is for real. He will then further exploit the healer by having him broadcast live over the radio. Unfortunately, the gangster and his men didn't count on the fact that the healer is the real deal. As they all get to know him, real miracles occur, and the gangsters suddenly find themselves using their loot to build the town a brand new chapel. ~ Sandra Brennan, All Movie Guide