Shep Gordon Movies

This film is a remake of the classic 1960 science-fiction thriller, Village of the Damned, which was based on the novel The Midwich Cuckoos by John Wyndham. Veteran horror director John Carpenter is at the helm this time, with Christopher Reeve replacing George Sanders in the starring role. Aliens put the entire village of Midwich to sleep for 24 hours and impregnate many women. Reeve plays Alan Chaffee, the town doctor, whose wife Barbara (Karen Kahn) is one of the women carrying an alien baby. Visiting scientist Dr. Susan Verner (Kristie Alley) is monitoring the situation for the government. She supervises a mass birthing in a barn. The children turn out to be white-haired, glassy-eyed, and telepathic. Their plan is to use their supernatural powers to kill the villagers and help the aliens take over, and only Chaffee and Verner can stop them. ~ Michael Betzold, All Movie Guide

Wes Craven wrote and directed this surrealistic horror-comedy, which was inspired by a true story of parents keeping their children locked in a basement for years. Fool (Brandon Adams), an African-American teen, breaks into the home of the wealthy landlords who evicted his family from a ghetto tenement. A fortune in gold coins is rumored to exist inside, but Fool discovers that the mansion is a chamber of horrors presided over by a pair of incestuous, serial killer siblings (Everett McGill and Wendy Robie). The twisted couple has also tried to raise a succession of kidnapped boys. Each botched effort is handled the same way -- the victim's eyes, ears and tongues are removed, and he's sent to live in the sealed-off basement, where a colony of similarly deformed "brothers" resides. Fool is able to avoid the evil lovers as he moves through the house's maze of hidden passageways. He discovers that the occupants have a daughter, Alice (A.J. Langer), who has survived their abuse, so he rescues her and they attempt to free the "people under the stairs." Adams, who made his feature debut with in film, was familiar to viewers as the star of rock singer Michael Jackson's Moonwalker (1988). ~ Karl Williams, All Movie Guide

Wes Craven's Shocker takes media manipulation to a new level in this story of an evil force emitted from television sets that has the power to kill. The film centers on high school athlete Jonathan Parker (Peter Berg). His estranged father is homicide detective Don Parker (Michael Murphy), who has been working on capturing an elusive serial killer plaguing the town. One night, during a particularly vivid nightmare, Jonathan dreams that while Parker is away on an assignment, his family is murdered by the serial killer. In the dream, Jonathan can identify the killer -- local television repairman Horace Pinker (Mitch Pileggi). Amazingly, it turns out that Jonathan's nightmare was reality. Using Jonathan's dream as evidence, Pinker is brought to trail, found guilty, and sentenced to death in the electric chair. Before his execution, Pinker makes a pact with the devil so when he is electrocuted, the electricity from the chair will give his spirit powers of evil. At first, Pinker's murderous spirit travels in and out of people's bodies, prompting the host to commit murder. But when it seems more effective to communicate with people by television signals, the spirit is willing and soon people suddenly become possessed by Pinker's spirit through TV screens and engage in murderous atrocities. All this is done by Pinker to exact retribution upon Jonathan, who was responsible for sending him to his death. ~ Paul Brenner, All Movie Guide

Writer/director Sam Shepard's jaundiced view of "Lake Woebegone" territory is essentially a vehicle for his lady fair Jessica Lange. Far North is set in rural Minnesota, at the home of a dour, curmudgeonly farm family. Only Kate (Lange) has been able to escape this repressive environment, but she comes home when dad Bertram (Charles Durning) is laid up in the hospital. Despite her city-bred sophistication, Kate almost instantly reverts to childhood, trying desperately to "prove herself" to her misogynistic papa. To do this, she vows to kill the poor old horse that caused her father's injury. Considering its bleak surroundings and vituperative characters, Far North contains very funny dialogue; in terms of the film's cinematic value, however, Shepard's idea of directing seems to be to yell "Action!" and hope for the best. ~ Hal Erickson, All Movie Guide

In the expatriate-littered Paris of the 1920s, painter Nick Hart (Keith Carradine) mingles with Ernest Hemingway (Kevin O'Connor) and other leading lights of the Lost Generation while palling around with gossip columnist Oiseau (Wallace Shawn), whose reportage has helped establish the international reputation of the writers and artists who fled America for France after WWI. Older and less successful than many of his fellow painters, Hart relies on gallery owner Libby Valentin (Genevieve Bujold) to sell what she can of his work while he supports himself drawing cartoons for Oiseau's weekly column. In a café one day, Hart spies Rachel Stone (Linda Fiorentino) on the arm of her husband, Bertram (John Lone), a condom magnate and art patron who's trying to buy his way into society. It seems Hart and Rachel share a romantic past of which Stone is completely unaware. At the salon of writers Gertrude Stein (Elsa Raven) and Alice B. Tolkas (Ali Giron), Hart suffers a nasty run-in with the Stones and meets Nathalie de Ville (Geraldine Chaplin), a rich socialite who wants to steal three paintings from her estranged husband. Nathalie plies Hart with sexual favors and the promise of cash in exchange for his help in forging copies of the paintings. Although he's loath to follow in the footsteps of his father, a gifted forger, Hart acquiesces, and soon his rivalry with Stone and his involvement with the forgeries leads to death, destruction, and scandal in the art world. Bujold, Shawn, Chaplin, and Carradine are all regular collaborators of iconoclastic director Alan Rudolph, who filmed The Moderns in Montréal and would go on to lens the similarly intellectual Mrs. Parker and the Vicious Circle. ~ Brian J. Dillard, All Movie Guide

A once-in-a-lifetime cast of veterans performs David Berry's play about Libby Strong (Bette Davis) and Sarah Webber (Lillian Gish), widowed sisters vacationing on a Philadelphia island for their 60th consecutive summer. Libby is blind and embittered, while Sarah is healthy, supportive, and almost annoyingly chipper. Their neighbor Tisha (Ann Sothern) tries to convince Sarah to put Libby in the care of her daughter, but Sarah hasn't forgotten Libby's moral support when her own husband died, and she won't entertain such notions -- until she is swept off her feet by an aging roué (Vincent Price). When Libby spitefully sabotages this romance, an infuriated Sarah decides that gratitude has its limits. But when it actually comes down to selling their summer house and sending Libby packing, Sarah can't do it. In the film's flashback sequences, Libby is played by Margaret Ladd, Sarah by Mary Steenburgen, and Tisha by Ann Sothern's real-life daughter Tisha Sterling. Another film personality of long standing, Harry Carey Jr., is well cast as the sisters' handyman. ~ Hal Erickson, All Movie Guide

For the first time since its limited theatrical release in the mid-1970s comes this feature-length performance film starring the grandfather of shock rock himself, Alice Cooper. Never before available on home video or DVD, this film captures the band in peak form during their 1973 Billion Dollar Babies tour. This is the early cut of Good to See You Again, Alice Cooper, featuring not only a variety of skits performed by the band themselves, but thunderous live performances of such classic tunes as "Elected", "Under My Wheels", "No More Mr. Nice Guy" and, of course, Billion Dollar Babies". ~ Jason Buchanan, All Movie Guide