Lawrence Gordon Movies

John Milius's first directorial effort in its own small way set the stage in the 1970s for a subgenre of action films that depict a nostalgia for historical figures tinged with a hard-edged skepticism. Warren Oates stars as John Dillinger, whose short-lived career as Public Enemy No.1 was, at least according to Milius, promoted by Dillinger with a self-absorbed boosterism, comforting his victims by telling them, "Someday you'll tell your grandchildren about this." The film captures the highlights of Dillinger's criminal career, as seen through the eyes of Melvin Purvis (Ben Johnson), the FBI agent whose obsession with capturing Dillinger led to Dillinger's death in the back alley of Chicago's Biograph Theater. ~ Paul Brenner, All Movie Guide

The 1972 British farce Percy was about the world's first penis transplant; Percy's Progress constitutes the sequel, with Leigh Lawson taking over for Hywel Bennett in the leading role. The plot concerns a chemical that contaminates the world's water supply; as a result, every man is rendered impotent -- -except Percy. Percy's Progress was also released as It's Not the Size That Counts. ~ Hal Erickson, All Movie Guide

William Devane plays a rare sympathetic role in Rolling Thunder, though his behavior is just as cold-blooded and sharkish as in any of his villainous assignments. Devane is cast as Maj. Charles Rane, a recently released Vietnam POW who is given a hero's welcome in his Texas hometown. Things sour pretty quickly, however: Rane's wife has lost all love for him, his son doesn't recognize him, and there are those in town who consider him a "loser" or "baby-killer." All he really has to show for his ordeal in Nam is a cache of silver coins bestowed on him by the more sympathetic townsfolk. A scumbag gang of thieves decides to relieve Rane of his money; they kill his family, then torture and disfigure Rane to ascertain the whereabouts of the coins. Now living only for vengeance, the taciturn Rane heads to Mexico to exact his own brand of justice on the fleeing crooks. Tommy Lee Jones co-stars as Rane's best friend, Johnny Vohden, who unquestioningly agrees to help Rane in his mission of revenge. ~ Hal Erickson, All Movie Guide

Walter Hill's stripped down neo-noir features a protagonist who makes the laconic boxer of the director's similar Hard Times (1974) seem logorrheic by comparison. The film's tone is set in the opening scene as the Driver (Ryan O'Neal) gloms a V-8 sedan and proceeds to whip through claustrophobic parking garages, narrow alleyways, and sundry other high-risk macadam, as he demonstrates why he's known as the best getaway driver in the business to some potential clients, before giving his vehicle a proper burial. Such plot as there is in this highly abstract film concerns the Driver's cat and mouse game with the Detective (Bruce Dern), an employee of the constabulary of an unnamed city, intent on his arrest. A mysterious and beautiful woman, the Player (Isabelle Adjani), soon appears on the Driver's radar, a perfect match for his taciturnity. ~ Michael Costello, All Movie Guide

Following the blockbuster success of Smokey and the Bandit, Burt Reynolds, Sally Field and director Hal Needham reunited to make the very similar Hooper, an action-laced comedy about a Hollywood stunt man who enters a dangerous rivalry with a younger stunt man. Hooper (Reynolds) and the younger stunt man (Jan-Michael Vincent) compete in a series of increasingly complex stunts in order to earn the title of "the greatest stunt man alive." Hooper is lightweight, mindless fun that doesn't have much story, but it is a stronger film than Smokey and the Bandit, largely because the characters are somewhat stronger. Everyone involved looks like they're having fun; the good-humor translates on screen. ~ Stephen Thomas Erlewine, All Movie Guide

Who better than former stuntman Hal Needham to direct the made-for-TV Stunts Unlimited? Glenn Corbett stars as former CIA agent Dirk Macauley, who enlists three movie stunt experts as an elite counter-espionage team. Macauley's "angels"-two male, one female-are Bo Carlson (Sam Jones), Matt Lewis (Chip Mayer) and C.C. Brandt (Susan Dalton-and do you want to bet that Macauley originally thought that "C.C." was a guy?) Their first assignment: retrieve a deadly laser weapon, stolen by special guest villain Alejandro Ray. While this 2-hour TV pilot didn't sell, the similarly themed The Fall Guy did. Stunts Unlimited debuted January 4, 1980. ~ Hal Erickson, All Movie Guide

In this film, the mysterious Kira (Olivia Newton-John) appears to assist and inspire a young artist, Sonny Malone (Michael Beck). When she helps him meet up with the rich Danny McGuire (Gene Kelly), the two join up together to create an artistic and business success, an unique club called "Xanadu." ~ Iotis Erlewine, All Movie Guide

A variation on the "buddy-cop" hybridized genre, 48 HRS. greatly bolstered the career of Nick Nolte and made comedian Eddie Murphy a bonafide box-office sensation. When a pair of reckless cop-killers break out of prison, grizzled detective Jack Cates (Nolte) is left no alternative but to spring fast-talking hustler Reggie Hammond (Murphy) from the penitentiary in order to find the criminals. The catch: the pair only have 48 hours to complete their assignment before Hammond must return to prison. Naturally, the two despise each other and even engage in fisticuffs, but eventually the danger facing them proves a strong enough common bond for them to play on the same team, and even achieve a little mutual admiration. ~ Jeremy Beday, All Movie Guide

More like a series of MTV sequences than a long-term narration, this super-thin story line focuses on a kidnapped singer (Diane Lane) and her ex-boyfriend (Michael Pare) who goes forth to save her through rainy streets, the roar of elevated subways, several alleys, and the usual warehouses. Each thrust of the story has rock music that follows along with the narration. ~ Eleanor Mannikka, All Movie Guide

Shortly after The Terminator wrote his name in bold neon lights across box-office grosses, this action thriller took advantage of the hitherto (almost) unexploited comic side of star Arnold Schwarzenegger and paired him with Rae Dawn Chong. Colonel Matrix (Schwarzenegger) is retired and living peaceably with his 10-year-old daughter when she is kidnapped by the henchmen of an exiled Latin American dictator. The dictator's plan is to reinstate himself in power by eliminating the president of his country, using Matrix to kill him (or he will kill the kidnapped daughter). Matrix escapes from the plane that is supposed to be carrying him to his mission and then proceeds to go from one violent confrontation to the next as he hunts down the dictator and moves to rescue his daughter. Helping him is Cindy (Chong), who has her own reasons for wanting the dictator dead. ~ Eleanor Mannikka, All Movie Guide

Dutch (Arnold Schwarzenegger) has a code of honor which he will not violate, even when his life depends on it. Paradoxically, his code of honor gives him the backbone to survive as a military special forces operative when he is sent on a covert mission to rescue another group which was sent in to assist some nefarious U.S. government plan in a Latin American country. Once there, he encounters an old army buddy (Carl Weathers) who has gotten too deep in the CIA's good graces for Dutch's comfort. When he and his team go into the jungle to rescue the others, they get involved in a pitched battle with local guerillas, but they are more than capable of besting these vicious fighters. However, not long after that, they encounter signs that the equally capable men they were sent to rescue were all killed unawares and in an unusually gruesome fashion. Given their training, it should have been impossible for anyone to best all of these commando warriors. Soon, the men from Dutch's own team get picked off one by one, as they grow aware that they are up against something uncanny, not of this world, something that is hunting them for sport. Why? Because their skills make them worthy opponents for the perfectly camouflaged Predator. This carefully paced action movie was given poor reviews by many movie critics, but was sufficiently satisfying for its (largely male) audiences that a successful sequel (Predator 2) was released in 1990. ~ Clarke Fountain, All Movie Guide

Michael Ritchie's The Couch Trip follows a long line of Hollywood films (One Flew Over the Cuckoo's Nest, The Disorderly Orderly) in which the psychos are seen as saner than the psychiatrists. Charles Grodin plays Dr. George Maitlin, a pompous radio self-help guru, who is having his own personal mental breakdown. Maitlin's lawyer puts in a call to a Cicero, IL, mental facility and the telephone is answered by schizophrenic mental patient John Burns (Dan Aykroyd). Thinking Burns is a crony of Maitlin, Burns is offered the job of replacing Maitlin during his recovery. Of course, Burns accepts the job. Immediately jetted to Los Angeles, Burns meets panhandler Donald Becker (Walter Matthau) at the airport. While wearing the garb of a priest, Becker sounds off against the madness of societal conventions; Burns takes to him immediately and they become fast friends. When Burns assumes command of the airwaves in Maitlin's place, his words of wisdom are so obvious and commonsensical that he is an overnight sensation. Meanwhile, in London, where Maitlin is convalescing, he gets wind of Burns' success. With renewed vigor and outrage, Maitlin leaves his recovery room and hops on a plane back to Los Angeles in an effort to recover his radio show. ~ Paul Brenner, All Movie Guide

"If you build it, he will come." That's the ethereal message that inspires Iowa farmer Ray Kinsella (Kevin Costner) to construct a baseball diamond in the middle of his cornfield. At first, "he" seems to be the ghost of disgraced ballplayer Shoeless Joe Jackson (Ray Liotta), who materializes on the ballfield and plays a few games with the awestruck Ray. But as the weeks go by, Ray receives several other messages from a disembodied voice, one of which is "Ease his pain." He realizes that his ballfield has been divinely ordained to give a second chance to people who have sacrificed certain valuable aspects of their lives. One of these folks is Salingeresque writer Terence Mann (James Earl Jones), whom Ray kidnaps and takes to a ball game and then to his farm. Another is Doc Graham (Burt Lancaster), a beloved general practitioner who gave up a burgeoning baseball career in favor of medicine. The final "second-chancer" turns out to be much closer to Ray. That "magical" field in Dyersville, Iowa still draws thousands of baseball-happy tourists each year. ~ Hal Erickson, All Movie Guide