Don Gordon

Philandering husband Courtney Masterson (Joseph Cotten) and his paramour, Peg Valence (Julie Adams), are attacked by a robber named Rudy (Don Gordon). Fortunately, Courtney and Peg manage to overpower their assailant and lock the man in the trunk of Masterson's car. At this point, Courtney should have gone to the police -- except that he doesn't, knowing full well that he'll have to explain to the authorities why he's in the company of Peg and not his wife. So should the couple allow Rudy to go free? Well...he could turn out to be a blackmailer...couldn't he? ~ Hal Erickson, All Movie Guide

In this episode,Banacek must investigate the disappearance of an innovative rocket after it is stolen from an exposition center. ~ Sandra Brennan, All Movie Guide

In this limp western melodrama, when Mexican bandit Hector Cordoba (Raf Vallone) attacks a U.S. Army fort a few miles from the Mexican border, General John Pershing (John Russell) orders Captain Rod Douglas (George Peppard) to organize a group of soldiers to cross the border into Mexico to capture Cordoba and to bring him back to the U.S. for trial. When Douglas's band cross into Mexico, Douglas meets Leonora (Giovanna Ralli), a beautiful Mexican woman raped by Cordoba, who agrees to lead the Americans to Cordoba's stronghold. But Leonora is not entirely trustworthy, and when the Americans reach the fort, Cordoba takes them prisoners. Now, the Americans must escape from Cordoba's clutches and make it back to the other side of the border. ~ Paul Brenner, All Movie Guide

A former CIA agent (Robert Ginty) is released from prison to track down his terrorist rival (James Ryan), who has kidnapped the family of a Middle Eastern monarch. ~ John Bush, All Movie Guide

Robert Conrad plays a long-married husband suffering from perceived boredom. In traditional male-menopause fashion, Conrad walks out on his family in search of greener pastures. Before waking up and smelling the coffee, he has a brief affair with the much-younger Ann Dusenberry. Respectively cast as Conrad's wife and daughter, Jennifer Warren and Mary Crosby are a lot more understanding than our "hero" deserves. Produced by General Hospital mentor Gloria Monty, the made-for-TV Confessions of a Married Man premiered on January 31, 1983. ~ Hal Erickson, All Movie Guide

Cannon Productions' first foray into the martial arts milieu, Enter the Ninja stars Franco Nero. While visiting old pal Frank Landers (Alex Courtney) in the Philippines, master ninja Cole (Nero) is approached by villain Charles Venarius (Christopher George). Coveting Lander's plantation, Venarius tries to strong-arm Cole into turning against his friend. Our Hero refuses, whereupon Venarius brings in his own ninja Hasegawa (Sho Kosugi), the first step towards the battle-royal climax. The stunt choreography by Mike Stone is enough to make one completely forget the film's lapses in taste and logic. Enter the Ninja was followed in short order by Revenge of the Ninja. ~ Hal Erickson, All Movie Guide

Revenge and violence are the key motifs in this action film by Philippine director Cirio Santiago). Vince (Richard Young) is a Vietnam vet who has been a shade too brutal in his handling of some petty thieves. His actions rankle the murderous minds of the thieves, and they exact revenge by blowing up Vince's pleasure boat with his wife and child on board. Now fueled with hatred, Vince not only goes after the killers, but with the help of a military friend, he determines who it was that supplied the technical, explosive know-how to the punks who blew up the boat. It seems Vince had an enemy during the Vietnam war who is in league with the murderous thieves. Once the two sides have been defined, a kind of mini-war results. ~ Eleanor Mannikka, All Movie Guide

Fuzz treads the line between raucous comedy and gut-churning melodrama. Based on an "87th Precinct" novel by Ed McBain (aka Evan Hunter), the film stars Burt Reynolds and Jack Weston as, respectively, detectives Steve Carella and Meyer Meyer. Their current assignment is to bring in Deaf Man (Yul Brynner), a mad bomber who has been targeting politicians. A subplot concerning a couple of punks who get their kicks by setting fire to sleeping winos is dramatically justified by the main storyline, but it was this element that caused a lot of trouble for the producers of Fuzz when a pair of real-life teenagers decided to imitate the film. On a lighter note, Raquel Welch co-stars as Detective Eileen McHenry, who is obliged to go undercover -- and under covers -- with fellow officer Bert Kling (Tom Skerritt). And as a bonus, viewers are treated to Burt Reynolds' first "drag" scene. ~ Hal Erickson, All Movie Guide

Impressed by the success of Disney's Snow White and the Seven Dwarfs, Paramount Pictures ordered the studio's resident animation producer Max Fleischer to come up with a feature-length cartoon of his own. Utilizing an expanded staff and new production facilities in Miami, Florida, Fleischer and his brother Dave Fleischer spent six months mulling over story properties before deciding upon Jonathan Swift's Gulliver's Travels; 20 months later, the film was completed and ready for release. Only the first part of Swift's novel, taking place in the miniature lands of Lilliput and Blefuscu, was used in the film, while the original plot, a satire of warfare stemming from an argument over which end of an egg to crack, was jettisoned entirely in favor of a sappy love story with slapstick overtones. Shipwrecked by a storm at sea, normal-sized Lemuel Gulliver washes up on the shore of Lilliput, where the citizens are no larger than Gulliver's thumb. Discovered by excitable town crier Gabby, Gulliver is roped to the ground by the Lilliputians, only to escape with ease upon waking up. While longing to head homeward to England, Gulliver becomes involved in a feud between Lilliput's King Little and Blefuscu's King Bombo. On the eve of the wedding between Little's son Prince David and Bombo's daughter Princess Glory, the two monarchs have a falling out over which national anthem will be played at the ceremony. After a seemingly endless series of misunderstandings and intrigues-many of them perpetrated by Bombo's comic-opera spies Sneak, Snoop and Snitch-Gulliver solves everyone's problems by suggesting that both anthems be played together, resulting in what was supposed to have been the film's hit song "Faithful Forever". Lacking the emotional "pull" of Snow White and the Seven Dwarfs--not to mention the excellence of Disney's animation--Gulliver's Travels must rely upon the slapstick antics of Gabby, the three spies, and carrier pigeon Twinkletoes to keep the audience awake (all of these characters would be spun off into cartoon series of their own). The songs, like the film itself, are nothing special, though Paramount managed to get a lot of mileage out of "All's Well" and "It's a Hap-Hap-Happy Day". Singers Sam Parker, Lanny Ross and Jessica Dragonette are heard as Gulliver, David and Glory, while such Fleischer "regulars" as Jack Mercer and Pinto Colvig play the comic roles. Its many flaws aside, Gulliver's Travels was reasonably successful at the box office, though one wonders if it wouldn't have been an even bigger hit had the Fleischers followed through with their original plan to cast Popeye the Sailor in the role of Gulliver. ~ Hal Erickson, All Movie Guide

Through an incredible series of circumstances, the Bowery Boys sign up for a hitch in the Navy. While clumsily going about the shipboard duties, Slip (Leo Gorcey), Sach (Huntz Hall) and the rest of the gang search high and low for a couple of crooks disguised in sailor suits who've stolen a large sum of money intended for charity. They don't find the bad guys right away, but dimwitted Sach manages to replace the money through a lucky gambling streak. Finally collaring the villains, the Bowery Boys head to Navy headquarters for a reward--only to end up accidentally signing for another hitch at sea. Silly though it sounds, Let's Go Navy is one of the most believable Bowery Boys comedies, as well as one of the funniest. Contributing to the general hilarity is prune-faced Allen Jenkins as the Boys' chief petty officer. ~ Hal Erickson, All Movie Guide

In a story of one woman's revenge against a gang of brutal rapists, Carla Harris (Deborah Tranelli) makes Rambo look like the Easter Bunny. After her husband is killed when he comes to the aid of a woman under assault, Carla leaves New York City and goes to stay with her parents in California. A group of local men badger her for dates; when she puts them off with increasingly sharp comments, they plot an attack against her. Waiting until she is alone at home one night, the men subject her to gang rape and kill both her parents (and a repairman) when they return home unexpectedly. Carla then begins a series of bloody, revenge-motivated killings that eventually take her back to New York City for the final round of bullets. ~ Eleanor Mannikka, All Movie Guide

Out of the Blue captures the turbulence of youth culture of the early '80s by presenting a three-person nuclear family that is about to implode. In a prologue, Don Barnes (Dennis Hopper), a school bus driver, is drunkenly distracted one day behind the wheel, resulting in a horrible accident. He comes home from a stint in prison to find his wife, Kathy (Sharon Farrell), hooked on drugs and his now-teenaged daughter, Cindy (Linda Manz), sullen and remote. Don's old buddies are a fun-loving bunch who work only to afford to get high and party, and he seems to be falling back into his old ways instead of getting straight and pulling his family out of their funk. The story focuses on Cindy's alienation from both her parents and most of her classmates. She's influenced by the energy and anger of punk music and considers her parents pathetic relics of the '60s counterculture. Hopper reportedly took over direction of the film after co-producer/co-writer Leonard Yakir departed the production. It was Hopper's first job behind the camera since The Last Movie, his legendary flop follow-up to Easy Rider. ~ Tom Wiener, All Movie Guide

The saga of the Hatfield-and-McCoy feud is romanticized in Samuel Goldwyn's Roseanna McCoy. Newcomer Joan Evans stars as the title character, whose elopement with Johnse Hatfield (Farley Granger) serves to further fuel the flames of the deadly mountain feud. The opposing patriarches, Devil Anse Hatfield and Old Randall McCoy, are vividly realized by Charles Bickford and Raymond Massey. In West Virginia and Kentucky, the debate still rages over what started the hostilities, but there's no question that the end result was tragedy for all concerned. In Goldwyn's version, the feud comes to a halt because Roseanna and Johnse demand it; would that real life were this simple and clear-cut. Based on a novel by Alberta Hannum, Roseanna McCoy was released through the distribution channels of RKO Radio. ~ Hal Erickson, All Movie Guide