Charles Gordon Movies

Boy meets girl who's already met all sorts of boys and girls in this teen-slanted comedy. Matthew Kidman (Emile Hirsch) is a straight-laced and highly ambitious high school student who plans to study at Georgetown University and dreams of a career in politics. While most of his classmates are in the throes of an epidemic of senioritis, Matthew is obsessed with schoolwork and has a hard time relaxing and having fun. But he finds himself a bit less focused on his future career when Danielle (Elisha Cuthbert), a beautiful 19-year-old blonde, moves in next door. Danielle is playful, spontaneous, and doesn't always remember to draw her shades, and before long Matthew is head over heels in love. Danielle soon finds herself taken with Matthew as well, but their relationship takes an unusual turn when he discovers that, before she moved to town, Danielle had a successful career as a porn actress. Matthew is able to convince Danielle that she's cut out for better things in life than appearing in porn videos, but his advice doesn't especially please Kelly (Timothy Olyphant) or Hugo (James Remar), two porn moguls who figure Matthew owes them big-time after convincing their leading lady to drop out of the adult industry. The Girl Next Door -- which, appropriately enough, shares its title with a 1999 documentary about adult film superstar Stacy Valentine -- also features Timothy Bottoms, Paul Dano, and Chris Marquette. ~ Mark Deming, Rovi

In this randier-than-usual teen comedy, Brad (Will Friedle) is madly in love with Brooke (Marley Shelton), but she happens to have a boyfriend who is a star on the school football team. Brad's best friend Leah (Jennifer Love Hewitt) doesn't think much of Brooke or Brad's interest in her, but this is largely because she's secretly in love with him and wishes he felt the same way. Brooke is having problems with her boyfriend and decides she wants to make him jealous, so while Brad and Brooke are studying together, she tells him she'd be more than happy to have sex with him that night. Good news for Brad, but there's one small problem -- Brad doesn't happen to have any condoms, and as the evening wears on, he has a harder time finding some protection than any man since the dawn of time. Leah, of course, is heartbroken -- as much as she wants Brad to get what he wants, she knows that Brooke is merely using him, and would never give him the love she feels for him. Trojan War was also shown under the title Rescue Me. ~ Mark Deming, Rovi

After their Los Angeles suburban house is burglarized, Karen and Michael Carr (Madeleine Stowe and Kurt Russell), are assisted by policeman Pete Davis (Ray Liotta). At first, Davis seems helpful and polite, even helping the Carrs when he is off duty. Soon, it becomes apparent that the policeman has developed an obsession for Karen, and he begins terrorizing the couple, with the intent of killing Michael and running away with Karen. Though the plot is fairly predictable, Unlawful Entry is highlighted by fine performances by all three lead actors. ~ Stephen Thomas Erlewine, Rovi

Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts -- he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie's father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son's entreaties to spend money to clean up the place. Famed screenwriter Nora Ephron co-scripted the story with Sam Simon. ~ Michael Betzold, Rovi

"If you build it, he will come." That's the ethereal message that inspires Iowa farmer Ray Kinsella (Kevin Costner) to construct a baseball diamond in the middle of his cornfield. At first, "he" seems to be the ghost of disgraced ballplayer Shoeless Joe Jackson (Ray Liotta), who materializes on the ballfield and plays a few games with the awestruck Ray. But as the weeks go by, Ray receives several other messages from a disembodied voice, one of which is "Ease his pain." He realizes that his ballfield has been divinely ordained to give a second chance to people who have sacrificed certain valuable aspects of their lives. One of these folks is Salingeresque writer Terence Mann (James Earl Jones), whom Ray kidnaps and takes to a ball game and then to his farm. Another is Doc Graham (Burt Lancaster), a beloved general practitioner who gave up a burgeoning baseball career in favor of medicine. The final "second-chancer" turns out to be much closer to Ray. That "magical" field in Dyersville, Iowa still draws thousands of baseball-happy tourists each year. ~ Hal Erickson, Rovi

Leviathan, a sci-fi thriller directed by George Pan Cosmatos, is the story of a group of scientists who discover a sunken Russian submarine which contains a monster that is the product of a genetic experiment. This film, a hybrid of both The Abyss and Alien, has a decent cast, including Peter Weller as Beck, the lead oceanographer. Working with a good budget, action director Cosmatos, should have been able to put together better action sequences and a more frightening monster, but he gives this derivative, silly film below-par special effects and no particular visual style. Leviathan, while it may entertain a less-sophisticated viewer, has little to offer fans of the genre who are looking for thrilling special effects. ~ Linda Rasmussen, Rovi

It's Christmas time in L.A., and there's an employee party in progress on the 30th floor of the Nakatomi Corporation building. The revelry comes to a violent end when the partygoers are taken hostage by a group of terrorists headed by Hans Gruber (Alan Rickman), who plan to steal the 600 million dollars locked in Nakatomi's high-tech safe. In truth, Gruber and his henchmen are only pretending to be politically motivated to throw the authorities off track; also in truth, Gruber has no intention of allowing anyone to get out of the building alive. Meanwhile, New York cop John McClane (Bruce Willis) has come to L.A. to visit his estranged wife, Holly (Bonnie Bedelia), who happens to be one of the hostages. Disregarding the orders of the authorities surrounding the building, McClane, who fears nothing (except heights), takes on the villains, armed with one handgun and plenty of chutzpah. Until Die Hard came along, Bruce Willis was merely that wisecracking guy on Moonlighting. After the film's profits started rolling in, Willis found himself one of the highest-paid and most sought-after leading men in Hollywood. ~ Hal Erickson, Rovi

Virtually unnoticed during its brief theatrical run, this wildly entertaining horror-comedy achieved healthy cult status following its home-video and cable TV releases. The directorial debut of Fred Dekker (writer of the successful horror parody House), this low-budget effort throws alien monsters, axe-wielding killers, flesh-eating zombies, nudity, and (gasp!) drunken fraternity shenanigans into a blender, spiced with witty one-liners and references to dozens of horror classics (and anti-classics). The result is a satisfying treat that will tickle the tastebuds of horror fans. The film's nominal protagonists are a pair of randy fraternity pledges (Jason Lively, Steve Marshall) who open a literal can of worms when they steal a corpse from the campus medical facility and release a horde of space-leeches, which proceed to infest the bodies of everyone in sight. The host bodies subsequently become homicidal zombies with a penchant for popping in on unsuspecting (and undressing) sorority girls. The town's only hope (such as it is) seems to be a hard-boiled ex-cop (Tom Atkins), who has uncovered the secret link between the zombie invasion and a 30-year-old axe-murder case... and who's also several sandwiches shy of a picnic. Dekker keeps things moving at a brisk pace thanks to some outrageous set-pieces (some of which happen so quickly they'll have viewers reaching for the pause button) and clever dialogue, particularly for Atkins ("Girls, the good news is your dates are here; the bad news is, they're dead"), who dives into his crusty character with relish. ~ Cavett Binion, Rovi