Bert I. Gordon Movies

In an adolescent softcore story with a plot that is hardly credible, a young teen (Lance Sloane) has taken a bet that he can seduce the daughter of the town's minister in less than seven days. Once that premise is established, sexual encounters and low-level erotica follows with an understanding female (Sylvia Kristel). Character development is not of the essence here, and neither is the troubled, insecure woman who is the target of the bet. ~ Eleanor Mannikka, All Movie Guide

Susan Swift plays the dual role of Loreen and Ann in The Coming (aka Burned at the Stake). The story takes place in modern-day Salem, Massachusetts. Demons who've been seeking revenge since the witch trials of 1692 have reemerged in the quiet New England community. The ghost of a sorceress insinuates herself into the mind and body of her look-alike descendant. Albert Salmi and Guy Stockwell co-star. Its theatrical release scattered and limited, The Coming attained its biggest audience when it premiered in an 80-minute time slot as a CBS Late Night Movie in 1988. ~ Hal Erickson, All Movie Guide

In the '50s, Bert I. Gordon made a career out of sci-fi movies about gigantic mutated insects (Beginning of the End, Earth vs. the Spider), lizards (King Dinosaur, Serpent Island), and even people (The Amazing Colossal Man), and in 1977, he was still up to his old tricks with this picture, loosely adapted from a story by H.G. Wells. Marilyn Fryser (Joan Collins) is a less than scrupulous businesswoman who is trying to sell shares in a worthless Florida housing development to a group of naive souls. However, both Marilyn and her potential customers have bigger things to worry about than low property values, when they discover that a large stock of nuclear waste was dumped near the development site, and the result is a pack of gigantic mutated ants with a nasty disposition and a taste for human blood. The supporting cast features Robert Lansing, John David Carson, and Albert Salmi. ~ Mark Deming, All Movie Guide

A wicked necromancer controls an entire town, forcing its residents to make the special "toys" he needs to cast his evil spells. This horror outing follows what happens when the dastardly wizard, hoping to revivify his dead son by stealing the soul of another, sets his sights on the wife of his new employee. ~ Sandra Brennan, All Movie Guide

This X rated exploitation feature finds Jack (Zack Taylor) trying to talk his fiance Sandy (Mary Jane Carpenter) into having sex before their wedding night. Although she doesn't give in, his dreams are filled with fantasies of erotic lovemaking with his intended. He reads a book on how to seduce women and manages and is successful with everyone but Sandy. Bambi Allen, Shawn Devereaux and Victoria Bond are also featured in the naked romps with the frustrated future groom. ~ Dan Pavlides, All Movie Guide

Based on the same H.G. Wells story as his later Food of the Gods, this silly but good-looking fantasy from Bert I. Gordon is among his more entertaining films. The young Ron Howard plays Genius, who develops a substance which causes animals to grow to monstrous size. After eight kids (led by Beau Bridges and Tisha Sterling) crash their car in the mud, they dance and get drunk, then steal some food containing the growth-gunk, causing them to attain huge physical size as well. It's up to the good teens of the town (including Tommy Kirk, Johnny Crawford from The Rifleman, and "Mickey" crooner Toni Basil) to set things right. That involves a gas-like antidote and a lot of subpar musical numbers from the likes of Freddy Cannon and the Beau Brummels. Joseph Turkel and Rance Howard are also in the cast, and a jokey ending features a number of midgets including Felix Silla, best known as Cousin Itt on TV's The Addams Family. The first in a projected 13-picture production deal with Joseph E. Levine, Gordon followed this with the William Castle-inspired Picture Mommy Dead. ~ Robert Firsching, All Movie Guide

Quickie-flick entrepreneur Bert I. Gordon makes a bid for the kiddie trade in The Boy and the Pirates. Charles Herbert, the juvenile star of 13 Ghosts, plays a contemporary kid who finds a bottle on the beach. The bottle contains genie Joseph Turkel (a loyal member of Stanley Kubrick's "stock company"), who whisks Herbert back in time and on board the pirate ship captained by Bluebeard (Murvyn Vye, whose performance is as shamelessly over-the-top as anything concocted by Robert Newton). Reams of stock footage later, Herbert escapes Bluebeard's clutches, together with his new friend Susan Gordon (Bert I. Gordon's daughter). Veteran Hollywood scrivener Lillie Hayward brings some much-needed class and polish to the low-budget proceedings. ~ Hal Erickson, All Movie Guide

War of the Colossal Beast picks up a year after the end of The Amazing Colossal Man -- Joyce Manning (Sally Fraser), sister to the first film's 70-foot-tall Colossal Man, Lt. Col. Glenn Manning (Glenn Langan), believes that her brother is still alive, despite his fall off of Boulder Dam at the denouement of the first movie.Her hope is based on reports out of Mexico about a "very big man" attacking truckers and other passersby in a remote part of the country. As it turns out, Manning (played here by Dean Parkin, since Langan turned down the request to star in a sequel) is alive and hiding somewhere in the mountains, bigger than ever and suffering from serious brain damage, with a hideously deformed face that is covered in scar tissue and missing an eye. Every effort at communicating with the giant fails, and as things always transpire in movies of this sort (at least since the silent version of The Lost World), he breaks out of the place where he is being held and goes on a rampage. ~ Bruce Eder, All Movie Guide

A man driving along a lonely back road at night is suddenly startled by what he sees, and is promptly killed by something that crashes through his windshield. The next day, in the nearby town of River Falls, teenagers Carol Flynn (June Kenney) and Mike Simpson (Gene Persson) decide to go looking for her father, who didn't get home last night. They find his wrecked truck and enter a nearby cave to begin searching for him. There they find his blood-covered hat and other signs of human remains and, as they go deeper inside, suddenly get trapped in a huge web -- then they spot its maker, a spider the size of a small house. They manage to escape and alert the county sheriff (Gene Roth), who doesn't take them seriously but does heed the warning of Mr. Kingman (Ed Kemmer), the science teacher at the local high school, to bring a pest-control crew along with his deputies, and a tanker loaded with DDT. They encounter the creature, and, after losing one of their men, dispatch it with the insecticide. Kingman persuades the sheriff to bring the carcass into town so that he can arrange to have it studied, leaving it in storage at the high school recreation room, for lack of anywhere bigger to keep it. As it turns out, the creature isn't dead, just stunned. As the local rock & roll band rehearses, the giant spider comes to bloodthirsty consciousness, breaking out of the building and ravaging the town. Bullets won't hurt it -- as Kingman says, you could punch holes in it all day without hitting a vital spot -- and the town is soon cut off when the telephone lines are knocked down. ~ Bruce Eder, All Movie Guide

Producer/director Bert I. Gordon began his career-long devotion to movies about giant-sized people and animals with this low-budget chiller, which has a surprisingly strong cast of onetime Hollywood leading men. Gloria Talbott plays Susan Winter, a young American woman who hires soldier-of-fortune Russ Bradford James Craig to lead an expedition into a remote valley in Mexico where her fiance, Bruce Barton, was lost in a plane crash two years earlier. Also along are greedy speculator Martin Melville (Lon Chaney Jr.) and pilot Lee Brand (Tom Drake). They get to the valley and discover that it is, as was rumored, rich in deposits of uranium, but also dangerously radioactive -- the immediate threats include giant insects and spiders and huge mutated lizards, but Susan is positive that they're being watched by an unseen observer. The title creature, 25 feet tall with a disfigured face, a single eye, and motivated by the most bestial of impulses, shows himself by trapping them inside of a cave, and quicker than you can say Polyphemus, the rescue mission becomes a fight for survival that has a particularly nasty, bitter ending. ~ Bruce Eder, All Movie Guide

From the title on down, King Dinosaur consistently promises more than it delivers. Filmed in three days by quickie king Bert I. Gordon, the story is predicated on the notion that a new solar system has set up shop "a half-year's rocket flight away" from our own. A group of intrepid space travellers blast off (via stock footage of Germany's V-2 rocket) to explore the earth's new neighbors. Upon landing on one of the planets (actually the mountains surrounding Los Angeles) the astronauts confront all manner of outsized reptiles (courtesy of clips from One Million BC). They are also "attacked" by a harmless-looking kinkajou. When the planet's dinosaurs threaten our heroes, the huge lizards are dissipated by an atomic-bomb blast (more library footage). Having made the planet safe for colonization (?), the space travellers return to Earth. Finding nice things to say about King Dinosaur is about as easy as swallowing lighter fluid. ~ Hal Erickson, All Movie Guide