Alex Gordon Movies

In this western, a gunfighter finds himself mistaken for a judge when he journeys to a beleaguered town that is under the oppressive influence of an outlaw and his evil gang. One couple knows the gunslinger's true avocation and they talk him into working as a lawman and putting one of the crooks on trial. Things go well until one of the outlaws recognizes him and tells all during the trial. This leads to a classic showdown in which the gunfighter shoots the gun from the villain's hand. He then discards his own weapon and literally rides off into the sunset to pursue a more peaceful life. ~ Sandra Brennan, All Movie Guide

This sci-fi melodrama about housing construction in the murky deep sea is as clear as the muddied water itself. Enterprising individuals have decided that if humans are going to blow themselves sky-high at some point in the future then it might be a good idea to have an escape hatch down at the bottom of the ocean. And so a series of underwater living units are carefully created and tested until it seems like they are ready for residents to move in. What no one considers is that the sea floor and the sea itself may not be as stable as they first seem. ~ Eleanor Mannikka, All Movie Guide

Seasoned serial director Spencer Gordon Bennett helmed this story of a one-eyed, octopoidal space alien, wreaking havoc upon atomic subs at the North Pole. The monster is determined to take over the world, though it seems ill equipped for that purpose. Heroes Arthur Franz, Dick Foran, and Brett Halsey head underwater to neutralize the alien's submerged flying saucer. The cast is peopled with such veterans as Tom Conway, Bob Steele, Victor Varconi, Selmer Jackson, and Jack Mulhall. Movie buffs may wish to take note of the exterior scenes in Atomic Submarine; several of them are played out in front of the easily recognizable studios of Allied Artists, formerly Monogram and later the home of LA's PBS channel 28. ~ Hal Erickson, All Movie Guide

Another American-International opus which managed to attain top bookings on the strength of an exploitational titles, Runaway Daughters concentrates on the misadventures of a trio of teenaged girls. Audrey Barton (Marla English) wants something more out of life than her parents' money can buy; Dixie (Mary Ellen Kaye) wants to escape the tyranny of her misogynistic father; and Angela Forrest (Gloria Castillo) is a child of divorce, left to fend for herself in a hostile world. Not surprisingly, our three heroines end up in a heap of trouble in their pursuit of happiness; also not surprisingly, the film promises far more than it delivers. Of interest is the presence in the cast of 1930s film star Anna Sten. Runaway Daughters was originally released on a double bill with A-I's Shake, Rattle and Rock; it was remade for cable TV in 1994, as part of Showtime's "Rebel Highway" series. ~ Hal Erickson, All Movie Guide

One of the least-known of the American-International "B" westerns of the 1950s, Flesh and the Spur offers the spectacle of the inimitable John Agar in a dual role. When his twin brother Mathew is killed, Luke Random goes gunnin' for his brother's murderer. Along the way, he teams up with gunslinger Stacey (Touch Connors, aka Mike Connors), who is also seeking out an old enemy. Five points to anyone who guesses before the fadeout who Mathew Random's killer turns out to be. Written by A-I regular Charles B. Griffith, Flesh and the Spur was originally released on a double bill with Naked Paradise. ~ Hal Erickson, All Movie Guide

Originally double-billed with Rock All Night, Dragstrip Girl is a typical J.D. potboiler from American-International. The title character, played by Fay Spain, is insatiable in her search for new thrills. Fay derives great pleasure in playing her two boyfriends, garage mechanic Steve Terrell and wealthy, arrogant drag-racer John Ashley, against each other. The story comes to a lively conclusion during a winner-take-all race, but not before the viewer is treated to a rip-off of the "Chickie Run" in Rebel Without a Cause. The 1994 entry in Showtime Cable's "Rebel Highway" series titled Dragstrip Girl bears little relationship to the original. ~ Hal Erickson, All Movie Guide

The lovely assistant of an evil hypnotist has no idea that she is the descendant of a horrifying prehistoric sea monster she is mesmerized by her boss. When the monster comes forth, she goes on a killing spree. A promoter learns about the hypnotist's shenanigans and figures a way to cash in on the death and destruction. Meanwhile, each time the assistant is hypnotized and the monster emerges, she is able to better control it. The monster costume was created by master make-up artist Paul Blaisdell and is considered one of his best. ~ Sandra Brennan, All Movie Guide

To most outside observers, Bride of the Monster probably seems like a ridiculously inept horror film, and in many ways it is just that. To connoisseurs of the work of director Edward D. Wood Jr., however, it is the biggest budgeted film in his entire output, made with the resources of a normal B-movie (as opposed to his usual totally emaciated finances) and the most easily accessible of his three horror films. Bela Lugosi, in his final complete performance, portrays Dr. Eric Vornoff, a renegade Eastern European scientist with a plan to create a race of atomic supermen, giants charged with radioactivity. The problem is that the hapless hunters and other passersby at Lake Marsh, where he has set up shop with his hulking, mute assistant Lobo (Tor Johnson), whom the pair waylay, keep dying when he straps them in and switches on his atomic ray machine (which is a not-at-all disguised photographic enlarger). A dozen victims later, reporter Janet Lawson (Loretta King) goes out to investigate the disappearances -- attributed to a monster -- and falls into Vornoff's hands, with her police detective fiance Dick Craig (Tony McCoy) hot on her trail, and a devious spy (George Becwar) from Vornoff's former nation also nosing his way around the swamp and the old house. Vornoff dresses Lawson in a wedding gown and plans to irradiate her but Lobo refuses to allow it, straps Vornoff into the machine, and turns him into a radioactive giant (and into stuntman Eddie Parker, totally unconvincing in his doubling for Lugosi). ~ Bruce Eder, All Movie Guide

Jail Bait was the place where Edward D. Wood Jr.'s career as a director entered the mainstream. Having exposed the world of transvestism in Glen or Glenda, he now turned to less ambitious fare in an effort at commercial success. Loosely patterned after the television series Dragnet, Jail Bait tells the story of Don Gregor (Clancey Malone), the spoiled, arrogant son of a successful plastic surgeon (Herbert Rawlinson), who is out for some kicks and excitement and hooks up with Vic Brady (Timothy Farrell), a career criminal. Opening with Don's arrest for illegal possession of a pistol, the film tracks his interaction with a pair of detectives (Lyle Talbot, Steve Reeves); his deceiving of his sister (Dolores Fuller) and his father; the robbery that goes wrong and leads him to murder an ex-cop; and his attempt to go straight, which gets him killed. That action, and Brady's attempt to force Dr. Gregor to alter his face, leads to a bizarre revenge that makes up the final 15 minutes of the movie. Little of this plot is unfolded skillfully -- Wood was already out of his depth in directing actors -- but having access to Howco's finances (meager as they were) and facilities gives Jail Bait a slightly smoother, less emaciated look than most of Wood's later movies. Coupled with the fact that he was trying to do a straight crime film, and the resulting restraint he showed in the writing, Jail Bait can just about "pass" as a normal, albeit very low-budget film, although, as with all of Wood's movies, there is still an unintended laugh every minute or so. And just to show how close to the edge Wood was working even at the outset of his career, in terms of using marginal talent, neophyte performers, and one-time successful actors, Bela Lugosi was not the first leading actor in a Wood movie to die during production -- that distinction went to Herbert Rawlinson, who played Dr. Gregor here. The former silent-era leading man reportedly died the night after he finished shooting his role in Jail Bait. ~ Bruce Eder, All Movie Guide