Ramiro Gomez Movies

Filmed in two weeks on a budget of 7,000 dollars, El Mariachi was one of the singular pleasures of the 1993-1994 movie season. Kind-spirited guitarist El Mariachi (Carlos M. Gallardo) simply wants to wander through life as his father and grandfather did, with a song in his heart and a smile on his lips. He wanders into a small mob-run town, guitar case in hand. It so happens that the local criminal element is awaiting the arrival of vicious hit man Azul (Reinol Martinez), who is well known for carrying his weapons in...a guitar case. Just when you think you've got a lock on what's going to happen next, director Robert Rodriguez throws us for a loop, unexpectedly alternating whimsical comedy with graphic violence. Rodriguez later retooled the plot of El Mariachi for his far more expensive (and far less satisfying) Antonio Banderas vehicle Desperado (1995). ~ Hal Erickson, Rovi

After the death of Carlos II in 1700, the throne of Spain was up for grabs, and all the European powers got involved. Even after the next king was crowned, anarchy and poverty marred the lives of the Spanish for many years. Finally, Carlos III, attempted to bring significant reforms with the assistance of his minister, the Marques de Esquilache. This film, based on the play Un Sonador Para Un Pueblo by Antonio Buero Vallejo, portrays the struggles of Esquilache (Fernando Fernan Gomez) to implement his monarch's vision for Spain. Despite touching on many issues in Spanish history, it's really more of a character study of the title character. ~ Clarke Fountain, Rovi

Based on a 1943 book of the same title by Camilo José Cela, Colmena features the comings and goings of a wide variety of characters, all trying to survive in a poverty-stricken Madrid during World War II. Rather than feature any single story line, these people from all walks of life cross paths almost randomly as they come to a café to sip their one cup of coffee and work on a book, or pick up a prostitute, or get their shoes shined, or play billiards, or just warm themselves on a cold winter's day. This primary setting is complemented by a brothel where a dirt-poor journalist sleeps if there is a room available that night, while during the day he tries to make ends meet one way or another. The demeanor of the people in the café or in the brothel effectively conveys the atmosphere of a long-lost era that may have had hardships but also brought a subtle sense of camaraderie to very disparate human beings. ~ Eleanor Mannikka, Rovi

Alberto Closas plays a widower who finds difficulty adjusting to retirement and the younger generation after raising 16 children in this satirical social comedy. He and the godfather of his children (Jose Luis Lopez Vasquez) search for lodging after Alberto unwisely gives up his apartment after he retires from his job. ~ Dan Pavlides, Rovi

Jose (Jose M. Sacristan) is a radio disk jockey living in Post-Franco Madrid. He is in his 30s and is separated from his wife. After a liaison with a scholar, he discovers another possible match with a woman who works at the same radio station, who has known and loved him since they were both "revolutionaries" in college. During his radio show, which takes place in the small hours of the night, he comments on his life, and life in general. ~ Clarke Fountain, Rovi

Children strike back at adults in this chilling horror film from director Narcisco Ibanez Serrador. While vacationing on the remote island of Almanzora, Tom (Lewis Fiander) and his pregnant wife Evelyn (Prunella Ransome) notice only giggling children. They wonder where all the adults are, until Tom spies a little girl beating an old man to death with his own walking stick. The man is then hung up in the town square and used as a piñata by the scythe-wielding children. Tom soon discovers that the demonic youths have killed every adult on the island, because none would ever fight back if it meant killing a child. Even Evelyn's unborn baby is affected, and Tom becomes the target of gunfire as the children go after him. Aside from a silly ending, Serrador's film is remarkably effective, slowly introducing the situation and playing on both xenophobia and cultural taboos while building an atmosphere of mounting dread. Unlike most Spanish shockers, this is not an unintentionally funny melodrama or a sexually-charged exploitation item. It is a serious-minded horror film with a message, based on Juan Jose Plans' novel The Game, and is both worthwhile and frightening. ~ Robert Firsching, Rovi

In Los Nuevos Espanoles, the slow-paced and happily inefficient lives of the "old" Spaniards is transformed as international corporations demand that they conform to more modern standards. In this spoof/satire, five "old Spaniard" insurance brokers suffer through the training techniques of the American company which has bought out the little company they worked for. Not only that, their wives come in for training too. Before long, they are "new Spaniards and are energetically selling insurance "the Bruster way." Though they win awards for being top salesmen, each meets with tragedy as a consequence of this radical change. ~ Clarke Fountain, Rovi

This Spanish/Italian melodrama concerns the rivalry between a mother and her daughter for the affections of a rakish drifter. The mother has known his affection before, but on this particular journey through their town, he is drawn to the girl instead. He takes her to his favorite assignation place, a nearby whorehouse, and they begin to see one another regularly, until one day the mother takes her place. The girl's response to this is somewhat drastic. ~ Clarke Fountain, Rovi

In this sword-and-sandal fantasy, the mighty Goliath must battle the evil Bokan who has usurped him from his throne. He must also deal with feisty Amazons, tremendous tempests, and scary sea monsters before he can save the beautiful Elea. He does, and of course, he wins. ~ Sandra Brennan, Rovi

This routine period drama is set during the first half of the 19th century, when Queen Isabela II of Spain was opposed by her uncle, Don Carlos. In this story, Jose (Francisco Rabal) is an officer in Don Carlos' army who deserts but is captured and sentenced to be shot by a firing squad. In the gentleman's war of the day, Jose is given an overnight reprieve before showing up for his appointment with the "ten waiting rifles." While he is out free during this time, he mulls over the idea of running away with the woman he loves. ~ Eleanor Mannikka, Rovi