Samuel Goldwyn, Jr. Movies

Director Peter Weir's first turn behind the camera since 1998's critically acclaimed The Truman Show, Master and Commander: The Far Side of the World is based on two Napoleanic War-era adventure novels in author Patrick O'Brian's Aubrey/Maturin series, Master and Commander and The Far Side of the World. Russell Crowe stars as Captain Jack Aubrey, a high-seas adventurer who maintains a strong bond with ship-surgeon Stephen Maturin (Paul Bettany). After conquering much of Europe already, Napoleon's forces have set their sights on taking Britain, so Aubrey and the crew of his ship, the HMS Surprise, take to the Pacific to intercept any attacking ships from the French fleet. When Aubrey eyes a renegade French super-frigate, the Surprise pursues, leading to an adrenaline-charged chase through the distant reaches of the sea. Edward Woodall, James D'Arcy, and Lee Ingleby also star as members of the Surprise's crew. ~ Matthew Tobey, All Movie Guide

This documentary, produced for PBS's American Masters series, is based on A. Scott Berg's well-received biography of Samuel L. Goldwyn (1882-1974), Hollywood's first and likely still greatest independent producer. (Berg cowrote the screenplay.) Like many Hollywood pioneers, Goldwyn was born in Europe in modest circumstances, began his professional life in America in another business (selling gloves), and then fell into motion pictures, in Goldwyn's case, just as production was moving to the West Coast. His first film, with partner Jessie L. Lasky, was The Squaw Man, directed by Cecil B. DeMille and shot on location in the newly minted community of Hollywood. Goldwyn's career was slow getting started, but he hit his stride in the sound era, with literary adaptations of Sinclair Lewis's Arrowsmith and Dodsworth, Lillian Hellman's These Three and The Little Foxes (which Goldwyn, famous for slips of speech, always referred to as The Three Little Foxes), Sidney Kingsley's Dead End, and Emily Bronte's Wuthering Heights. He also made the first two screen versions of the venerable weepie, Stella Dallas, produced Eddie Cantor's big foray into film, Whoopee, and made the iconic baseball biography, Pride of the Yankees. Goldwyn finally reached the pinnacle of movie success in 1946 with The Best Years of Our Lives, which brought him his first Oscar for Best Picture. His postwar career arc was largely downward; two big musicals, Guys and Dolls and especially Porgy and Bess, failed to capture the public attention in spite of lavish production values and big-name casts. The newly filmed interviews, mostly with the surviving members of the Goldwyn family, including his son Sam Goldwyn, Jr., his daughter from his first marriage, Ruth Capps, and his actor grandson Tony Goldwyn, offer insights into Goldwyn the man, while excerpts from vintage interviews with Bette Davis, William Wyler, John Huston, Rouben Mamoulian, Lillian Hellman, Danny Kaye, Dana Andrews, Merle Oberon, and Laurence Olivier (doing a hilarious impression of Goldwyn) offer glimpses into his working persona. ~ Tom Wiener, All Movie Guide

Eastern State University isn't particularly notable for anything except its football program. Lately, even that hasn't been doing too well, and the athletic staff led by Coach Winters (James Caan) are under considerable pressure by the administration and alumni to bring in a winning season. To do that, he has to recruit some able, promising young players out of high school. It's not too surprising to learn that he will do almost anything to get these kids, and its even less surprising that, as long as they keep producing on the field, he and the college will overlook almost any obnoxious behavior the boys can perpetrate to the limit of their ability. ~ Clarke Fountain, All Movie Guide

Underrated leading man Jeff Fahey carries most of the dramatic weight of the Australian Wrangler. Fahey plays a handsome, athletic businessman who vies for the hand of rancher's daughter Tushika Bergen. Our hero must not only contend with his romantic rival, a dashing but dangerous cattleman (Steven Vidler), but also with a villainous creditor who craves the land left to Bergen by her late father. By nature of its plotline and setting, Wrangler can't help but invite comparisons to the popular The Man From Snowy River. Still, the stars and director Ian Barry keep up the appearances of freshness and originality. ~ Hal Erickson, All Movie Guide

Best remembered for containing the film debut of phenomenally popular comedian of the early '90s, Jim Carrey, Once Bitten is a horror comedy that chronicles the attempts of a bloodthirsty female vampire living in modern day Los Angeles to find the three male virgins she needs every year to stay alive and young-looking. If she cannot do it by Halloween, she will surely die. ~ Sandra Brennan, All Movie Guide

This sequel to Cotton Comes to Harlem (1970) brings back Coffin Ed Johnson (Raymond St. Jacques) and Gravedigger Jones (Godfrey Cambridge), two freewheeling African-American police detectives working the beat in Harlem. Joe (Peter DeAnda) is a famous photographer who has mounted a crusade to drive drug dealers out of Harlem, but his intentions are hardly civic-minded; he hopes that by cutting out as much competition as possible, he can take over the business and corner the neighborhood's dope market. Caspar (Maxwell Glanville), one of Harlem's biggest dealers, is the only one who has figured out Joe's angle, and he carefully guards his territory. When a few local dealers begin turning up dead, Joe announces that the ghost of a powerful Harlem gangster, Charleston Blue, has returned to clean up the neighborhood; the small-time dope men are a suspicious lot, and many of them flee the city. But Coffin Ed and Gravedigger know that something fishy is going on, and they struggle to get the goods on Joe and Caspar, as well as solving the mystery of Charleston Blue. Like its predecessor, Come Back Charleston Blue was based on a novel by crime writer Chester Himes. ~ Mark Deming, All Movie Guide

Producer Samuel Goldwyn Jr. took a stab at directing with this '60s-era melodrama about college students dealing with the realities of love, sex, and war. Peter Fonda and Sharon Hugueny star as Eddie and Pam, the titular young lovers. An art student and teacher's assistant, the two meet in college and proceed to fall into a passionate affair. Emotional tumult later follows though, when Pam announces she is pregnant with Eddie's child. Also starring Nick Adams' and Deborah Walley, The Young Lovers was the final big-screen appearance by Hugueny whose career spiraled into disarray after her short marriage to producer Robert Evans. ~ Matthew Tobey, All Movie Guide

A gentler but no less resourceful Alan Ladd stars in The Proud Rebel. Ladd is cast as civil war veteran John Chandler, while the star's son David (who grew up to become a powerful Hollywood producer) plays Chandler's emotionally disturbed son David. Since suffering a traumatic shock during the war, David has not spoken a single word. With his son in tow, John wanders the frontier in search of a doctor who might cure David's muteness. Along the way, he runs afoul of sheep baron Harry Burleigh (Dean Jagger), and for a brief period is forced into indentured servitude to pay a debt to farm woman Linnet Moore (Olivia de Havilland). Falling in love with Linnet, John vows to protect her land from the covetous machinations of Burleigh and his brood. It is during the climactic set-to between good guys and bad that David at long last finds his voice again. ~ Hal Erickson, All Movie Guide

The Man with the Gun in this well-paced western is played by Robert Mitchum. A notorious gunslinger, Mitchum has been hired by a group of concerned citizens to restore law and order to the wide-open town of Sheridan City. Before long, however, Mitchum holds the community in a grip of terror, behaving like a Law Unto Himself. So: Is the star of the film actually the villain of the piece? A last-reel plot twist effectively answers that question. Though Robert Mitchum dominates the proceedings, Man With the Gun also includes some good supporting work by Jan Sterling as Mitchum's saloon-gal wife, Henry Hull as an ageing marshal, John Lupton as an honest young farmer, and Emile Meyer as the town's leading citizen. ~ Hal Erickson, All Movie Guide