Isadore G. Goldsmith Movies

Inspired by the 1949 hit A Letter to Three Wives, this takes the other side of the coin with a deceased playboy leaving letters to the husbands accusing their wives of having had affairs with him. Although the 1949 hit was done as a dramatic treatise on the reactions of the wives to the revelations, this movie is played strictly for laughs as the husbands stumble all over themselves trying to dig out the truth behind the allegations. ~ Tana Hobart, All Movie Guide

Margaret Lockwood is cast against type as a "black widow" in the British Bedelia. Wealthy but naïve Charlie Carrington (Ian Hunter) is swept off his feet by the beauteous Bedelia (Lockwood), whose three previous husbands, also wealthy, have died ostensibly of natural causes. While on their honeymoon, the Carringtons are pestered by a young artist named Ben Chaney (Barry K. Barnes), who seems to be falling in love with Bedelia. No matter where they go, the Carringtons are pestered by the persistent Ben. On the verge of tossing the interloper out, Charlie reconsiders-and a good thing, too, since Bedelia has been planning all along to poison him at the first opportunity. In the film's operatic climax, Bedelia discovers that this time she has been set up for a fall! Bedelia is based on a novel by Vera Caspary, of Laura fame. ~ Hal Erickson, All Movie Guide

Paramount Pictures' British division was responsible for this adaptation of A.J. Cronin's novel Hatter's Castle. Robert Newton is appropriately mean-spirited as an 1890s hatter, James Brodie, who is anxious to claw his way up from poverty. Desperate to make himself socially acceptable as his income increases, Brodie proceeds to make life miserable for those closest to him: his wife (Beatrice Varley) and daughter (Deborah Kerr). For all his blinkered social climbing, Brodie can never truly escape his true station in life -- a moral better suited to the class-conscious British audiences than the equal-opportunity Americans. Hatter's Castle was well distributed in the U.S. through Paramount's intimidatingly efficient studio-owned theater circuit. ~ Hal Erickson, All Movie Guide

A. J. Cronin's novel was brought to the screen by director Carol Reed. The film is set in a northern England mining town (far more realistically depicted than the back-lot Welsh village in John Ford's How Green Was My Valley. The parents of Michael Redgrave have labored long and hard so that their son can escape his grimy environs and make something of himself. While away at school, Redgrave is trapped into marriage by Margaret Lockwood, previously the lady friend of ill-tempered Emlyn Williams (the actor was himself a product of the Welsh mining community). When Lockwood and Williams resume their romance, the disillusioned Redgrave returns home, where he becomes deeply involved in a labor dispute. He ultimately decides that it is best for all if he remains in the village of his birth, working tirelessly on behalf of his friends, relatives and neighbors. Denied the larger budgets indigenous to Hollywood films, Carol Reed invested a gritty documentary "feel" into The Stars Look Down; the film brought him international acclaim, serving as a stepping stone for even greater cinematic accomplishments. Curiously, Reed himself didn't subscribe to A. J. Cronin's opinions vis-a-vis the nationalization of the coal mines; he was simply attracted to the dramatic possibilities of the tale. ~ Hal Erickson, All Movie Guide

In this musical comedy, a wandering troupe of English actors wend their way toward Spain. En route they toy with the father of one actor to prevent him from finding out that his boy has gone ahead and married the woman his father told him not to. To keep the daddy in the dark, the woman pretends to be married to her husband's best friend. ~ Sandra Brennan, All Movie Guide