James Goldman Movies

An elderly king must come to terms with his past as he plots his nation's future in this historical drama. In 1183, aging monarch King Henry II (Patrick Stewart) decides it is time to pick an heir to his throne, and he must choose one of his three sons -- John (Rafe Spall), Geoffrey (John Light), or Richard (Andrew Howard) -- to rule the British empire. Henry wants to announce his successor at a Christmas gathering of his court a few weeks hence, and in time for the event, he has decided to free his headstrong wife, Eleanor of Aquitaine (Glenn Close), who has been held in captivity for attempting to overthrow her husband's rule and expressing her displeasure with his mistress, Alais (Yuliya Vysotskaya). As Henry and Eleanor become re-acquainted, they are reminded of the love they share as well as the strife that drives them apart, and while Henry finds himself favoring his youngest son, John, for his post, Eleanor makes a strong case for her first-born, Richard, with Geoffrey attempting to consolidate influence in a bid for power. However, as the king looks back at his long past and short future, he comes to the sad realization that none of his sons are truly fit to rule. James Goldman wrote the screenplay for this, the second screen adaptation of his award-winning play, which finally came to fruition 5 years after Goldman's death. Peter O'Toole and Katharine Hepburn starred in the Oscar-winning 1968 version. ~ Mark Deming, All Movie Guide

This two-part TV movie recounts the life of Anna Anderson, who until the day she died at age 82 insisted that she was really Anastasia Romanov, daughter of Czar Nicholas. Anna first makes her claim in 1920, when she is an inmate in a Berlin asylum. Her story of escape from the Bolsheviks who killed the rest of her family in 1918 seems so vivid that many Russian expatriates are willing to believe her. The film concludes in 1928, with Anna restating her claim before the surviving Romanovs living in New York. Amy Irving plays the leading character in a lady-or-the-tiger fashion, so that we never know if she truly swallows her own tale or if she's merely a clever charlatan. Olivia DeHavilland, Rex Harrison, Claire Bloom, Omar Sharif and Susan Lucci co-star in this opulent, location-filmed production, which originally aired on December 7 and 8, 1986. ~ Hal Erickson, All Movie Guide

The best-known of the 12 filmed adaptations of Tolstoy's Anna Karenina include the 1936 Garbo vehicle and the 1947 Vivien Leigh vehicle. This made-for-TV version is every bit as elaborate and tasteful as those earlier efforts. Jacqueline Bisset makes her TV-movie debut as Anna, the wife of 19th century Russian nobleman Karenin (Paul Scofield). When she falls in love with the dashing Count Vronsky (Christopher Reeve), Anna runs afoul of the rigid social structure of the era-and of a husband whose anguish translates into revenge. The teleplay was by James Goldman, author of The Lion in Winter and screenwriter of another Russian-based period piece, Nicholas and Alexandria. Anna Karenina premiered March 26, 1985. ~ Hal Erickson, All Movie Guide

Though the story told in Robin and Marian is unfamiliar to most audiences, it is actually quite faithful to several of the ancient Robin Hood legends. During the Crusades, Robin (Sean Connery) is still loyal to King Richard the Lionheart (Richard Harris), but even he has trouble adjusting to the monarch's ever-increasing paranoia and lunacy. After Richard's death, Robin returns to England, his first visit to his home turf in 20 years. He looks up his beloved Maid Marian (Audrey Hepburn, last seen in 1967's Wait Until Dark), who is now a middle-aged nun. No sooner do Robin and Marian renew their relationship than the aging Merry Men demand Robin's services in thwarting their old foe, the Sheriff of Nottingham (Robert Shaw). Marian is aghast that the long-standing feud between Robin and the sheriff threatens to expand into wholesale bloodshed. The two venerable enemies agree to one last mano a mano battle -- only to watch helplessly as the all-out war they'd tried to avoid commences anyway. Both the tragic climax and Robin's last, defiant arrow shot are drawn directly from authentic Robin Hood ballads of the 14th and 15th centuries. ~ Hal Erickson, All Movie Guide

George C. Scott stars as Justin Playfair, a retired, widowed judge who labors under the delusion that he's Sherlock Holmes. Feigning concern, Playfair's greedy brother Blevins (Lester Rawlins) hires psychologist Dr. Mildred Watson (Joanne Woodward) to certify that Justin is insane--and in so doing gain control of the judge's millions. Instead, Dr. Watson is drawn into Playfair's dream world, accompanying the judge on his quest to find the elusive (and imaginary) Professor Moriarty. Reality rears its head when a group of vicious blackmailers, to whom Blevins is deeply in debt, attempt to assassinate brother Justin. In a sequence originally cut from the release version but restored for television, Playfair and Watson are rescued by a group of middle-aged eccentrics, who like the judge would give anything to live the lives of their literary favorites (the most poignant of these is librarian Jack Gilford, who "wishes to God" that he were the Scarlet Pimpernel). ~ Hal Erickson, All Movie Guide