Bo Goldman Movies

In October 1991, a dying tropical hurricane from Bermuda collided with a cold front from the Great Lakes, resulting in a "perfect storm" of previously unknown destructive impact that resulted in 100-foot waves; tragically, the crew of a fishing boat was lost in the midst of the fearsome storm. Based on the best-selling book by Sebastian Junger, The Perfect Storm tells the story of the ship's brave and hard-working crew. Billy Tyne (George Clooney), captain of the Andrea Gail, hasn't had much luck finding catch on his most recent trips to sea, and with money short, he and his crew -- Bob Shatford (Mark Wahlberg), Dale Murphy (John C. Reilly), and David Sullivan (William Fichtner) set out again when they hear that the fish are running. Billy's hunch proves correct, but when the ship's refrigeration system goes haywire, they have to return to shore as quickly as possible before the fish spoil, sending them into the middle of the worst storm in history. The supporting cast includes Mary Elziabeth Mastrantonio, Diane Lane, Bob Gunton, and Karen Allen; Wolfgang Petersen, whose breakthrough film was the aquatic wartime drama Das Boot, directed. ~ Mark Deming, Rovi

Three A-list screenwriters -- (Nicholas Pileggi, Bo Goldman, and Paul Schrader) -- contributed to the script of this idealistic political drama. John Pappas (Al Pacino) is the popular, ethical Mayor of New York; Kevin Calhoun (John Cusack) is his even more idealistic and principled deputy. When a detective and mobster kill each other and an innocent six-year-old black child in a shootout, questions arise about what the cop was doing meeting with the gangster in the first place. The Mayor and his staff handle the situation ably, but Calhoun digs deeper and finds troubling evidence that even his seemingly incorruptible boss has not escaped the shadier aspects of political life. The Mafia boss (Tony Franciosa) whose nephew was the dead gangster, along with a Brooklyn political boss (Danny Aiello) with his own agenda, come into the story, becoming part of a series of larger links, secret relationships, and bonds of "honor" between men who, on the surface, would have no reason to be in business with each other. ~ Don Kaye, Rovi

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould's square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis's goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city's criminal activities in the process. Caprice also gains proprietary rights to Manlis's girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy's next move to is unite the rest of the city's crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice's criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy's long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they've been keeping an eye on. The various bad guys, heavily made up to resemble Gould's cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe. ~ Mark Deming, Rovi

Set in 1963, The Flamingo Kid finds 18-year-old Brooklynite Matt Dillon, the son of blue-collar Hector Elizondo, getting a taste of the Good Life by joining several of his friends at "El Flamingo", a swank Long Island beach club. Wealthy car salesman Richard Crenna, the uncle of Matt's girl friend Janet Jones, befriends the boy and takes him under his wing. Thanks to Crenna's influence, Matt secures a good job at the Flamingo. The boy is bedazzled by Crenna's sumptuous lifestyle, and most especially by the older man's reputation as the Flamingo's reigning gin rummy champ. Dillon begins taking on airs, which alienates his down-to-earth father. Watch for a scene in which, while channel-surfing with his new remote control, Richard Crenna watches a fleeting clip from the old TV sitcom The Real McCoys--featuring Richard Crenna. ~ Hal Erickson, Rovi

A very inexperienced rock band flirts with fame thanks to a valuable assist from the media in this comedy-drama directed by veteran music producer Lou Adler. Corinne Burns (Diane Lane) is a fifteen-year-old orphan who gains a measure of local notoriety when she quits her job at a burger stand during a live television newscast. Corinne has few prospects but plenty of nerve, and she's formed a band with her sister Tracy (Marin Kanter) and cousin Jessica (Laura Dern) called the Stains. While checking out a gig by veteran hard rock band the Metal Corpses, led by flamboyant singer Lou Corpse (Fee Waybill), opened by British punk upstarts the Looters, Corrine sneaks backstage to ask advice just as Lou demands tour manager Lawnboy (Barry Ford) find a new opening act. Lawnboy impulsively gives the Stains the gig, and while the first show for the girls (who've had all of three practices) is little short of a disaster, Corrine's skunk-stripe hairdo, provocative clothes and defiant declaration "We don't put out" captures the attention of a television reporter who covered her before. A story on the evening news about the Stains turns the band into a cult sensation, and Looters lead singer Billy (Ray Winstone) tries to offer her some advice and emotional support as the Stains rise from opening act to headliners, but Corinne and her friends learn that their new fans are a very fickle breed. Shot in 1980 but released to only a handful of theaters in 1982, Ladies and Gentlemen, The Fabulous Stains gained a potent cult following after it appeared on cable television, largely among punk rock fans -- the Looters featured Steve Jones and Paul Cook of the Sex Pistols on guitar and drums as well as Paul Simonon from the Clash on bass, while L.A. punk troublemakers Black Randy and the Metrosquad briefly appear as themselves. ~ Mark Deming, Rovi

Milos Foreman's cinematic adaptation of E.L. Doctrow's sprawling pop-culture epic Ragtime follows a variety of characters whose lives intertwine during the earliest years of the 20th century. Brad Dourif plays the meek young brother in a wealthy family who ends up helping Coalhouse Walker Jr. (Howard E. Rollins) when the proud black man stands up to the racism that surrounds him with a criminal act that leads to a standoff with a police commissioner (James Cagney - making his return to the big screen after fifteen years away). Secondary characters include a street artist (Mandy Patinkin) who gets his foot in the door of the nascent film business, and a flighty young woman (Elizabeth McGovern) who inspires men who desire her to violence. Randy Newman composed the score, which included a song that earned him his first Oscar nomination. ~ Perry Seibert, Rovi

Bette Midler stars as Rose in this somber drama loosely based on the life of the late Janis Joplin. She plays an ill-fated singer who succumbs to the pressures of performing by indulging in drugs and alcohol. Her sweetheart Dyer (Frederic Forrest) is the former chauffeur who naively tries to save her from self destruction, while her British manager Rudge (Alan Bates) is ultimately blamed for not preventing her inevitable fall. The story mirrors any one of a number of popular singers who have fallen victim to the excess of success. Midler and Forrest were nominated for Oscars for their performances, with Best Editing laurels given to Timothy O'Meara and Robert Wolf. The Rose was a box office smash and was the plum role that elevated Midler to star status in the eyes of the public and Hollywood. ~ Dan Pavlides, Rovi

With an insane asylum standing in for everyday society, Milos Forman's 1975 film adaptation of Ken Kesey's novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama's boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other's worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy's message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions. ~ Lucia Bozzola, Rovi

Young Tom Black Bull (Frederic Forrest) is a Ute Indian who ventures into the world of white men after the death of his parents. He winds up working at the rodeo. When hard-drinking Red Dillon (Richard Widmark) spots Tom's horse-handling skills, he makes him a bronco-riding star (and keeps the money for himself). Tom eventually tires of their exploitative relationship and sets out on his own, eventually winning a championship. Motivated perhaps by nostalgia, he later seeks Red out. Red, who is nearly dead from alcoholism, steals Tom's championship money to have one last spree. When Red dies, Tom genuinely mourns him and gives him Ute death rites before returning, now a seasoned man, to the reservation. ~ Clarke Fountain, Rovi