Gary Goetzman Movies

An unhappy couple discover breaking up really is hard to do in this satiric comedy. Richard Harmon (Dick Van Dyke) and his wife, Barbara (Debbie Reynolds), are a typical married couple in American Suburbia -- which is to say they're not very happy with each other. After 15 years together, Richard and Barbara decide they've reached the end of their collective rope, and after several rounds of marriage counseling proves fruitless, they file for divorce. Between negotiating child custody, alimony, and finding new places to live, Richard and Barbara discover divorce isn't appreciably easier than being married; meanwhile, Richard makes a new friend in Nelson Downes (Jason Robards), a fellow divorcé who would love nothing more than for Richard to marry his former wife, Nancy (Jean Simmons), and take away the burden of alimony. Also featuring Van Johnson, Lee Grant, Shelley Berman, and Eileen Brennan in her first film role, Divorce American Style earned an Oscar nomination for Norman Lear and Robert Kaufman's original screenplay. ~ Mark Deming, All Movie Guide

Considered the quintessential "girls in prison" flick of the 1970s, novice director Jonathan Demme's Caged Heat is set in a hellish American woman's penitentiary run by vicious, wheelchair-bound Barbara Steele. Statuesque convict Erica Gavin is forced to undergo horrible (but legal) tortures when she is falsely accused of trying to escape. Gavin and fellow con Juanita Brown decide to make a real break, but return to prison to rescue a friend who is about to be lobotomized by the sadistic prison doctor. Then they stage a robbery, only to find a group of male robbers at the bank ahead of them. A final shootout in the prison yards brings the film to a bloody climax. Caged Heat was also released under the title Renegade Girls. ~ Hal Erickson, All Movie Guide

A young racer attempts to win a dragstip competition where the outcome has already been fixed by the local mob, in this film alternately known as Hotrod and Rebel of the Road. ~ Jason Ankeny, All Movie Guide

Jonathan Demme's breakthrough movie featured the shaggy energy and affection for marginal American eccentrics that marked his earlier Citizens Band (1977) and such later films as Something Wild (1986) and Married to the Mob (1988). Melvin Dummar (Paul LeMat) is a barely-getting-by Nevada milkman. One day in the early 1970s, while driving down a lonely highway, Melvin picks up a shaggy, bearded bum (Jason Robards Jr.) and offers him a ride into town. Melvin gives the bum a quarter at the end of the ride, and that, so far as Melvin is concerned, is that. The story goes off on a new tangent, involving the on-and-off marriage between Dummar and his contest-happy wife Lynda (Mary Steenburgen). During one of the multitude of financial crises endured by the Dummars, Melvin discovers that the tramp he picked up was none other than billionaire Howard Hughes -- and when Hughes dies, Melvin inherits $150 million. The movie's wide acclaim included Oscars for Steenburgen and Goldman's script and New York Film Critics Awards in almost all major categories, including Best Picture and awards for Demme, Goldman, Steenburgen, and Robards. Demme would gain even greater attention in the 1990s as the director of The Silence of the Lambs (1991) and Philadelphia (1993). ~ Hal Erickson, All Movie Guide

Director Jonathan Demme made one of his more conventional movies with Swing Shift, an examination of life on the American home front during WWII. Goldie Hawn, who also served as the film's producer, stars as Kay, a woman who takes a job on the line at a plant producing war planes after her husband goes off to fight in Europe. One of her coworkers is her best friend Hazel, played by Christine Lahti, whose performance earned an Oscar nomination and a New York Film Critics award. Kay falls in love with another coworker, Lucky (Kurt Russell), who couldn't enlist because of a weak heart. Kay's husband Jack (Ed Harris) comes home on leave and finds out that his wife has betrayed him. Lucky then decides to pursue Hazel, driving a wedge between the two best friends. ~ Michael Betzold, All Movie Guide

A wildly inventive and entertaining comic nightmare from former Roger Corman prodigy Jonathan Demme (The Silence of the Lambs), this screwball odyssey is a ride to remember. Jeff Daniels plays clean-cut New York bond trader Charlie Driggs, who accepts a ride home from a strange but attractive lower-class woman named Lulu (Melanie Griffith). The sexy Louise Brooks lookalike doesn't take him home, but shanghais him for a bizarre roadtrip to Virginia that includes kinky bondage sex, destruction of property, and robbery. Things get stranger when Lulu tells Charlie that her real name is Audrey and takes him home to meet her mother, asking him to pose as her husband. The charade continues until her high-school reunion, where the roadtrip (and the entire film) takes a sharp U-turn into psycho-thriller territory. Audrey's dangerously psychotic ex-con husband, Ray Sinclair (Ray Liotta), shows up. What had been a liberating fling for Charlie turns into a bloody and vicious battle for survival. ~ Robert Firsching, All Movie Guide

French director Roger Vadim pillages his own grave in this nominal re-make of his 1956 creamy sensation And God Created Woman -- the film that made Brigitte Bardot an international star. Unfortunately, he is unable to do the same thing for the cool and cryptic Rebecca DeMornay in this version. DeMornay plays an escaped convict who lands in the limousine of New Mexico gubernatorial candidate Frank Langella and seduces him. For some inexplicable reason, she turns into a hot singing act. DeMornay also seduces innocent stud carpenter Vincent Spano along the way and suckers the poor guy into marrying her so that she can get an early parole. But the joke is on him when she announces that their marriage does not include sexual relations. ~ Paul Brenner, All Movie Guide

Dominick Luciano (Thomas Hulce) is the moderately retarded twin brother of highly intelligent young intern Eugene (Ray Liotta). Anxious to become a successful doctor, Eugene finds he must devote most of his time to caring for Dominick. For his part, Dominick has been contributing to the family unit as a trash collector; in fact, it is his earnings that keeps food on the table. All Dominick wants out of life is a house by the lake where he and his brother can be together for all time. But the ambitious Eugene can't always bring himself to share that vision. ~ Hal Erickson, All Movie Guide

In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past. He skillfully digs into her psyche, forcing her to reveal her innermost traumas and putting her in a position of vulnerability when she can least afford to be weak. The film mingles the horrors of criminal acts with the psychological horrors of Lecter's slow-motion interrogation of Clarice and of her memories that emerge from it. ~ Mark Deming, All Movie Guide

Kathryn Bigelow's fourth action film follows FBI agent Johnny Utah (Keanu Reeves) as he goes undercover to infiltrate a cache of Southern California surfers suspected of robbing banks. Utah, a former football player, is assigned to Los Angeles. There, four bank robbers, who wear rubber masks and call themselves "Ex-Presidents," have executed a series of successful robberies which embarrassingly have the FBI stumped. Utah, and his partner Pappas (Gary Busey) suspect that the robbers are surfers and hatch a plan for catching them. ~ Linda Rasmussen, All Movie Guide

Set in 1969 Los Angeles, this movie aims at nostalgia but really is more a depiction of the tragedy of a dysfunctional family. Young Andrew, a 13-year-old male on the brink of manhood, is saddled with a Father who is a compulsive gambler and a Mother who is immersed in constant battle with him because of it. Often desperate for money, their dependence on Andrew's older sister for money is one more cause of tension and anxiety in an already unhappy household. As Andrew cares for himself and his younger sister, the symbol of his coming of age--his approaching bar-mitzvah--comes to symbolize more than just a rite of passage. ~ Tana Hobart, All Movie Guide

At the time of its release, Jonathan Demme's Philadelphia was the first big-budget Hollywood film to tackle the medical, political, and social issues of AIDS. Tom Hanks, in his first Academy Award-winning performance, plays Andrew Beckett, a talented lawyer at a stodgy Philadelphia law firm. The homosexual Andrew has contracted AIDS but fears informing his firm about the disease. The firm's senior partner, Charles Wheeler (Jason Robards), assigns Andrew a case involving their most important client. Andrew begins diligently working on the case, but soon the lesions associated with AIDS are visible on his face. Wheeler abruptly removes Andrew from the case and fires him from the firm. Andrew believes he has been fired because of his illness and plans to fight the firm in court. But because of the firm's reputation, no lawyer in Philadelphia will risk handling his case. In desperation, Andrew hires Joe Miller (Denzel Washington), a black lawyer who advertises on television, mainly handling personal injury cases. Miller dislikes homosexuals but agrees to take the case for the money and exposure. As Miller prepares for the courtroom battle against one of the law firm's key litigators, Belinda Conine (Mary Steenburgen), Miller begins to realize the discrimination practiced against Andrew is no different from the discrimination Miller himself has to battle against. The cast also includes Antonio Banderas as Andrew's partner, Joanne Woodward as Andrew's mother, and Stephanie Roth as Joe's wife. ~ Paul Brenner, All Movie Guide

Tom Hanks made his directorial debut in this bright comedy set in the mid-1960's about a rock group and their brief fling with fame. Guy Patterson (Tom Everett Scott) works as a salesman at his father's appliance store and plays the drums in his spare time, fancying himself a jazz musician. One day, a buddy of Guy's tells him a local rock band, The One-Ders (it's pronounced "wonders"), are in need of a drummer -- they have Battle of the Bands coming up and their usual timekeeper has broken his arm. Guy agrees to sit in, but when it's time to play their best original, a love ballad called "That Thing You Do," Guy lays in a sharp, driving beat that turns the tune into an uptempo pop-rocker. Lead singer Jimmy (Johnathon Schaech) isn't happy at first, but guitarist Lenny (Steve Zahn) and the nameless Bass Player (Ethan Embry) think the song sounds better that way -- and they notice the girls like it just fine. Soon people are actually requesting the song at their shows, and the One-Ders scrape together some money to press a single of "That Thing You Do" to sell between sets. A DJ puts the song on the radio, and opportunity knocks in the form of Mr. White (Tom Hanks), who works for the very major Play-Tone Records label. Play-Tone buys the rights to "That Thing You Do" and puts the band on the road as their song makes it way to the top of the national charts. But what can The Wonders (as Play-Tone have re-named them) do for an encore? And what should Guy do about his infatuation with Jimmy's girlfriend, Faye (Liv Tyler)? Real-life 60's obsessed rocker Chris Isaak has a small part as a recording engineer, and fans of real 60's garage bands will appreciate the wealth of small, accurately observed details (for example, halfway through the film, when a few "That Thing You Do" royalty checks have presumably kicked in, the band's inexpensive Danelectro guitars disappear and the Wonders are suddenly playing on brand new Fender gear -- the height of rock style in 1965). ~ Mark Deming, All Movie Guide