Peter Glenville Movies

The humorous title of this story taken from the novel by Graham Greene gives the viewer the wrong impression. The story concerns the residents of a once-posh hotel in Haiti and the fate of the country's people under the despotic dictator Papa Doc Duvalier. Martha (Elizabeth Taylor) is the philandering wife of a South American ambassador Peter Ustinov. She seeks solace in the arms of hotel-owner Brown (Richard Burton), whose main focus is to keep making improvements on his crumbling building. Alec Guinness plays Jones, the suave charlatan who claims to be a retired military officer to hide his vocation as a shadowy weapons dealer. Brown later gets a sudden twinge of morality and decides to go off to the mountains to help the rebels in their heroic cause. Watch for silent film great Lillian Gish as Mrs. Smith in this plodding drama. ~ Dan Pavlides, Rovi

A high-class costume drama with a substantive historical basis, Becket is the true story of the friendship between King Henry II (Peter O'Toole) and Thomas à Becket (Richard Burton), a royal courtier and confidant whom Henry appoints as Archbishop of Canterbury. As Becket takes his duties with the Church seriously, he finds himself increasingly at odds with the King, who finally orders the death of his once-close companion when he continues to defy the throne. Burton is very good and O'Toole is even better: both men were nominated for the Best Actor Oscar, while Edward Anhalt's screenplay, based on the stageplay by Jean Anouilh, won for Best Adapted Screenplay. The basic theme of separation of church and state still reverberates today, while the top-notch production values ensure Becket's place as one of Britain's better historical epics. ~ Don Kaye, Rovi

Tennessee Williams' Broadway play Summer and Smoke (expanded from his one-act piece Eccentricities of a Nightingale) was brought to the screen by adaptors James Poe and Meade Roberts and director Peter Glenville. Geraldine Page repeats her stage role as minister's daughter Alma Winemiller, who lives a spinsterish existence in her WWI-era Mississippi home town. Though her hateful mother (Una Merkel) has nothing but nasty things to say about men, Alma carries a torch for her handsome next-door neighbor and lifelong friend, Dr. John Buchanan (Laurence Harvey). The doctor prefers the companionship of Rosa (Rita Moreno), a "wrong side of the tracks" girl who is as open and freewheeling as Alma is shy and repressed. Desperate for Buchanan's attention, Alma begins behaving with uncharacteristic affection towards him. He misreads her signals and attempts to seduce her. Already on the edge, Alma goes ballistic, literally running out of Buchanan's life. When the doctor throws an engagement party for himself and Rosa, the neurotic Alma tells Buchanan's father (John McIntire) that a wantonly immoral get-together is taking place in the doctor's home--an act of vengeance that has long-range tragic consequences. By film's end, the previously strait-laced Alma, unhinged by previous events, has become as misguidedly passionate as her spiritual sister, A Streetcar Named Desire's Blanche DuBois. Summer and Smoke earned Academy Award nominations for both Geraldine Page and Una Merkel; while Merkel would never win an Oscar, Ms. Page finally collected her statuette for 1985's A Trip to Bountiful. ~ Hal Erickson, Rovi

British theatrical director Peter Glenville made his film directorial debut with 1955's The Prisoner (Glenville had previous helmed the London stage production of this Bridget Boland play). The film is based on the real-life travails of Hungarian Cardinal Mindszenty, who after suffering under Nazi persecution was imprisoned by the new Communist regime for remaining loyal to his religious convictions. Alec Guinness, his head shaved, plays an unnamed Cardinal in an unspecified Eastern European country who is clapped into jail. Here he is ordered by the politicos to issue a phony statement to his flock, one that will effectively end Catholicism in his country. Jack Hawkins plays the diabolically clever "Interrogator", who is almost successful in convincing Guinness that his false statement will have a beneficial effect. The Prisoner fared better in its American release than it did in Europe, where it was branded both "pro-Communist" and "anti-Communist" by various single-issue pressure groups. ~ Hal Erickson, Rovi

A classic in gothic-romantic excess, Madonna of Seven Moons was one of the most successful British films of its genre. Though she doesn't know it at first, young convent-bred Rosalinda (Phyllis Calvert) has been born under a curse: before her life comes to a close, she will be wife, mother and mistress all in one. As a child, Rosalinda is raped by a gypsy, an experience that renders her a schizophrenic. Years later, she is the seemingly contented wife of prosperous Italian businessman Giuseppe (John Stuart) and the mother of attractive teenager Angela (Patricia Roc). From time to time, however, Rosalinda disappears from her home and retreats to the slums of Florence, where she assumes the identity of lustful gypsy girl Maddelina, the mistress of criminal leader Nino (Stewart Granger). Then she returns to her husband and daughter, completely unaware of her "other" self or even that she's been absent. Understandably curious about her mother's long absences, Angela follows Rosalinda during one of her sojourns into the Florentine underworld. Far from home and hearth, poor Angela is targetted for seduction by Sandro (Peter Glenville)--the very gypsy who'd assaulted the younger Rosalinda! And just when it seems that things can't get any more unbelievable?..well, this one is definitely better seen than described. Originally released at 100 minutes, Madonna of Seven Moons was expertly cut to 88 minutes for US consumption. ~ Hal Erickson, Rovi

This WWII drama, based on a novel by Oscar E. Millard, takes place in Nazi-occupied Belgium. Andre Delange (Eric Portman) owns a nightclub but is connected with the resistance movement. He used to secretly publish an anti-Nazi paper before the German invasion. Now his underground comrades want to put out the paper again. Delange's assistant publisher is the alluring Julie Lanvin (Phyllis Calvert). But the co-owner of the cabaret, Charles Neels (Peter Glenville), is jealous of Lanvin's relationship with Delange. Neels informs on the publishers, the Nazis raid the newspaper, and the staff is arrested -- but Delange and Lanvin escape. When the two of them manage to put out another issue of the paper, the Nazis believe that they have arrested the wrong people, and they release the staff. Veteran British director Anthony Asquith was at the helm. ~ Michael Betzold, Rovi

The Two For Danger in this British comedy-mystery are lawyer Tony Grigson (Barry K. Barnes) and art museum curator Diana (Greta Gynt). The son of a police commissioner, Grigson decides to play detective himself to find out who's been pilfering valuable paintings from the collection under Diana's care. The principal suspects include an American (Tony Shaw), a German (Gordon MacLeod) and an Australian (Ian McLean). Intrigued by the prospect of a bit of excitement in her humdrum life, Diana enthusiastically joins Grigson on his hunt, resulting in all sorts of hair's-breadth escapes for them both. Two for Danger was produced through the Teddington Studios facilities of Warner Bros., who distributed the film in the US. ~ Hal Erickson, Rovi