James Gleason Movies

One-time movie song-and-dance man James Dunn won an Academy Award for his "comeback" performance in A Tree Grows in Brooklyn. Based on the best-selling novel by Betty Smith, the film relates the trials and tribulations of a turn-of-the-century Brooklyn tenement family. The father, Dunn, is a likable but irresponsible alcoholic whose dreams of improving his family's lot are invariably doomed to disappointment. The mother, Dorothy McGuire, is the true head of the household, steadfastly holding the family together no matter what crisis arises. The story is told from the point of view of daughter Peggy Ann Garner, a clear-eyed realist who nonetheless would like to believe in her pie-in-the-sky father, whom she dearly loves. Joan Blondell co-stars as the family's brash, freewheeling aunt, whose means of financial support is a never-ending source of neighborhood gossip. This first film directorial effort of Elia Kazan earned a special Oscar for "Most Promising Juvenile Performer" Peggy Ann Garner. A Tree Grows From Brooklyn was remade for TV in 1974, and also served as the basis of a Broadway musical. ~ Hal Erickson, All Movie Guide

Ned Trumpet (Wallace Beery), the chief pilot of a Navy blimp, is given to weaving accounts of the fighting prowess of his non-existent son. His friendship with widow Maude Weaver (Selena Royle) and her son Jess (Tom Drake) in effect sets him up with a real family. Jess enters the service and goes on to sink an enemy submarine -- from a blimp. Having that real-life feat to brag about, Ned can at last quell all the longtime doubts of his friend Jimmy (James Gleason), and he decides to marry Maude. Bit-Part Alert: Watch for a young Blake Edwards, the future writer/director of 10, S.O.B., and Victor/Victoria, as a flier. ~ Nicole Gagne, All Movie Guide

Based on Norman Corwin's satirical radio play My Client Curley, Once Upon a Time is an engaging bit of whimsy, completely dominated by the personality of star Cary Grant. It all begins when fly-by-night Broadway producer Jerry Flynn (Grant) learns of a trained caterpillar (!) that dances to the tune of "Yes, Sir, That's My Baby." In short order, Jerry has promoted Curly the Caterpillar to international stardom-and in the process he alienates both Pinky Thompson (Ted Donaldson), the impressionable 9-year-old who owns Curley, and Pinky's attractive older sister Jeanne (Janet Blair). Eventually, Flynn comes to his senses and regains his essential decency-though it's too late to continue capitalizing on Curley, who has turned into a non-dancing butterfly! Full of delightful contemporary references and "cameo appearances" by such celebrities as producer Walt Disney and radio commentator Gabriel Heatter (both played by uncredited impressionists), Once Upon a Time proved an agreeable diversion for wartime audiences. ~ Hal Erickson, All Movie Guide

Opening in England during the middle of World War II, A Guy Named Joe tells the story of Pete Sandidge (Spencer Tracy), a tough, devil-may-care bomber pilot who's amassed an enviable record in combat, mostly by taking chances that give his C.O. (James Gleason) the shakes, much as he and the top brass appreciate the results. Pete lives to fly, but he also appreciates the fairer sex, which for the last couple of years means Dorinda Durston (Irene Dunne), herself a hot-shot air-ferry pilot. She's also worried about the chances he takes, even after Pete and his best friend, Al Yackey (Ward Bond), are transferred to Scotland and switched to flying reconnaissance missions. Pete finally agrees to take a training position back in the States, but he must fly one last mission, to locate a German force threatening an Allied convoy. He and Al do the job and have turned for home when the German fighter cover attacks; Pete's plane is damaged and he's wounded, and after his crew bails out he takes the burning ship down and drops his bomb-load on the main German attack ship (a carrier, which is totally inaccurate) at zero altitude. His plane is caught in the blast and destroyed, and that's where the main body of the movie begins.

Pete arrives in a hereafter that's a pilot's version of heaven, including a five-star general (Lionel Barrymore). He doesn't even appreciate what's happened to him until he meets Dick Rumney (Barry Nelson), a friend and fellow pilot who was previously killed in action. It seems that the powers of the hereafter are contributing to the war effort, sending departed pilots like Pete and Dick to Earth to help guide and help young pilots; Pete himself discovers that he benefited from these efforts in peacetime. Pete ends up at Luke Field near Phoenix, AZ, where he takes on helping Ted Randall (Van Johnson), a young pilot who lacks confidence. By the time he's done, riding along while Ted "solos," Ted is a natural in the air and ends up as the star of his squadron when he become operational in New Guinea -- in a group under the command of Al Yackey -- and ends up taking over command when their own leader is shot down. Pete's like a proud teacher, and also enjoys his unheard ribbing of Al and his ex-C.O. to Rumney, over their promotions, but then Dorinda shows up, and suddenly Pete finds all of his unresolved feelings about her recalled, even as he sees that she's never gotten over losing him. And when, with Al's help, she and Ted meet and seem to fall for each other, Pete's jealousy gets the better of him. It's only when he is made to realize just how important life was to him, and how important the future is for those still living, that he begins to understand that he has to let go of his feelings, and let Dorinda and Ted get on with their lives. But first he has to help Dorinda survive a suicide mission that she's taken over from Ted, attacking a huge and heavily defended Japanese ammo dump. ~ Bruce Eder, All Movie Guide

Wally Brown and Alan Carney, RKO's own Abbott and Costello ripoffs, star in the comedy western The Girl Rush. As usual, Brown is cast as fast-talking Jerry Miles and Carney plays slow-witted Mike Strager. This time, Jerry and Mike are travelling showmen, stranded in San Francisco when the 1849 gold strike at Sutter's Mill commandeers all available transportation. Making the best of things, our heroes decide to stage a girl-filled musical revue for the entertainment-hungry miners. They also promise that the girls will prove to be excellent wives for the prospectors. Only one problem: where are the girls? This slapped-together effort would be utterly unmemorable were it not for the presence of Robert Mitchum, cast as a clever outlaw who at one point in the film disguises himself as a mail-order bride! ~ Hal Erickson, All Movie Guide

Tales of Manhattan is a sumptuous multipart film centered around a formal tailcoat. The coat is specially designed for stage actor Charles Boyer, who wears it during a rendezvous with his lady friend (Rita Hayworth). The lady's husband (Thomas Mitchell) shoots Boyer, thus the tailcoat is damaged merchandise and sold at a discount to a bridegroom (Cesar Romero). When the groom's peccadillos catch up to him, the bride (Ginger Rogers) chooses to marry the best man (Henry Fonda) instead, and the coat is shipped off to a second hand store. It is purchased by a would-be composer (Charles Laughton), who wears it the night that he is to conduct his first symphony; alas, the coat is too tight and tears apart, nearly ruining the conductor's debut. Stitched back together, the coat is donated to a skid row mission, wherein the kindly proprietor gives the coat to a down and out drunkard (Edward G. Robinson) so that the shabby gentleman can attend his 25th college reunion. Later on, the coat is stolen by a crook (J. Carroll Naish) in order to gain entrance to a fancy charity ball. The crook holds up the ball and stuffs the loot in the pockets of the coat, but while escaping in an airplane he loses the outer garment. The coat floats down to an impoverished African American shanty community; a farmer (Paul Robeson) decides to distribute the "money from heaven" amongst his needy neighbors. At the end, the tattered coat adorns the shoulders of a scarecrow. Tales of Manhattan is one of the best "portmanteau" dramas turned out by Hollywood; it was directed by French expatriate Julien Duvivier, a past master of the multi-story technique. ~ Hal Erickson, All Movie Guide

Instant recall allows a man to become a very valuable Good Samaritan in this comedy. ~ All Movie Guide

Those obviously hastily assembled to cash in on current headlines, Manila Calling shows no signs of this haste in its execution. Lloyd Nolan stars as Lucky Mathews, the leader of an American guerilla unit, sworn to keep fighting even after the Japanese invasion of Mindano. Likewise staying on is nightclub entertainer Edna Fraser (Carole Landis), who has fallen in love with Mathews, and radio engineer Jeff Bailey (Cornel Wilde). Relying on Bailey's electronic knowhow, the guerillas construct a short-wave radio station and continue broadcasting information of Japanese troop movements to the Allies. As in MGM's Bataan, the ultimate deaths of the courageous protagonists is treated as a moral and spiritual victory. Of interest in the cast is Martin Kosleck, frequent screen impersonator of Joseph Goebbels, in a rare sympathetic role. ~ Hal Erickson, All Movie Guide

Victor Mature plays an arrogant champion boxer who opts for an acting career on Broadway. He falls in love with his costar Betty Grable, who's secretly married to actor John Payne. Unwilling to make public her marriage lest it adversely affect her career, Grable is unsuccessful in fending off Mature's advance, which causes her hubby's blood to boil. As it happens, Payne is also in the show, cast as Mature's sparring partner, and it is within the bounds of this role that he gets his revenge on the pushy pugilist. With the three leading actors playing for laughs, one wonders why 20th Century-Fox put Phil Silvers in the picture. ~ Hal Erickson, All Movie Guide

In 1941, producer Hal Roach abandoned production of full-length features in favor of a new concept: The "Streamliner", a four-reel film-halfway between a short subject and a feature-designed for the double-bill market. The first Roach streamliner was the timely service comedy Tanks a Million, previewed in August of 1941 and released by United Artists the following month. Chubby William Tracy starred as Dodo Doubleday, a feckless Army draftee blessed (or cursed) with a photographic memory. Inexplicably promoted to sergeant, Doubleday becomes the bane of topkick Sgt. Ames' (Joe Sawyer) existence. On the verge of being booted out of service because of his constant bumbling, Doubleday redeems himself by curing his commanding officer of a bad case of "mike fright" just before a network radio broadcast. At 50 minutes, Tanks a Million was one of the longer streamliners, and one of the best: it would spawn several William Tracy-Joe Sawyer sequels, including Hay Foot, About Face, Fall In and Yanks Ahoy. ~ Hal Erickson, All Movie Guide

The first of director Frank Capra's independent productions (in partnership with Robert Riskin), Meet John Doe begins with the end of reporter Ann Mitchell's (Barbara Stanwyck) job. Fired as part of a downsizing move, she ends her last column with an imaginary letter written by "John Doe." Angered at the ill treatment of America's little people, the fabricated Doe announces that he's going to jump off City Hall on Christmas Eve. When the phony letter goes to press, it causes a public sensation. Seeking to secure her job, Mitchell talks her managing editor (James Gleason) into playing up the John Doe letter for all it's worth; but to ward off accusations from rival papers that the letter was bogus, they decide to hire someone to pose as John Doe: a ballplayer-turned-hobo (Gary Cooper), who'll do anything for three squares and a place to sleep. "John Doe" and his traveling companion The Colonel (Walter Brennan) are ensconced in a luxury hotel while Mitchell continues churning out chunks of John Doe philosophy. When newspaper publisher D.B. Norton (Edward Arnold), a fascistic type with presidential aspirations, decides to use Doe as his ticket to the White House, he puts Doe on the radio to deliver inspirational speeches to the masses -- ghost-written by Mitchell, who, it is implied, has become the publisher's mistress. The central message of the Doe speeches is "Love Thy Neighbor," though, conceived in cynicism, the speeches strike so responsive a chord with the public that John Doe clubs pop up all over the country. Believing he is working for the good of America, Cooper agrees to front the National John Doe Movement -- until he discovers that Norton plans to exploit Doe in order to create a third political party and impose a virtual dictatorship on the country. The last of Capra's "social statement" films, Meet John Doe posted a profit, although Capra and Riskin were forced to dissolve their corporation due to excessive taxes. ~ Hal Erickson, All Movie Guide

Affectionately Yours offers the spectacle of glamorous Merle Oberon and gorgeous Rita Hayworth jockeying for the best camera positions, virtually pushing male leads Dennis Morgan and Ralph Bellamy right off the screen! Here's the deal: Neglected wife Sue Marberry (Oberon) obtains a quickie Nevada divorce from her globetrotting war-correspondent husband Rick (Morgan). Still in love with Sue, Rick rushes home to win her back, but by now she has found solace in the arms of her new fiancee Owen Wright (Bellamy). To arouse Sue's jealousy, Rick pretends to carry on an affair with female journalist Irene Malcolm (Hayworth), a scheme that backfires when Irene decides she wants Rick for keeps. Of interest is the supporting-cast presence of Hattie McDaniel and Butterfly McQueen, two years away from their domestic duties in Gone with the Wind. ~ Hal Erickson, All Movie Guide