Philip Glass Movies
Avant-garde composer Philip Glass is internationally respected for his innovative minimalist orchestral music that is strongly influenced by both East Indian and rock music, and includes compositions utilizing traditional orchestral instruments and electronic music. Glass is also known for his modern-day operas, including Einstein on the Beach (1976). The son of Russian Jewish immigrants, he worked as a child in his father's record store and simultaneously studied at the Peabody Conservatory, Baltimore. Already an exceptional pianist, he began attending the University of Chicago at age 15. Glass also was a wrestler of note. Glass next studied composition at Julliard and then went to Paris to study under Nadine Boulanger on a Fullbright scholarship. He also became closely associated with sitarist Ravi Shankar who was a major influence on Glass' work. Glass has composed music for feature films and major documentaries such as North Star in the late '70s. ~ Sandra Brennan, All Movie Guide
Originally released in 1968, this documentary was re-released in 1992. The film is the humorous story of two socially conscious, peripatetic nuns who roam the densely populated streets of Chicago, randomly stopping pedestrians to ask them the question: " Are you happy?" The ensuing discussions make for delightful food for thought. Set in 1967, at the height of the Vietnam war, the interviews contain candid remarks about American involvement there. Also touched upon is the troubling problem of race relations and various other social issues. Pushing beyond the issues of the times, people are allowed to open their minds and hearts to reveal their deepest feelings. The Chicago Tribune called the film "a profound and moving experience for the viewer." Interviews are backed by an early soundtrack by "minimalist" composer and performer, Phillip Glass. While dated in some ways, the film still offers valuable insights into issues that continue to face America. ~ Rose of Sharon Winter, All Movie Guide
- 1980
This delightful performance video features works by conductor/composer Philip Glass, musician David Byrne, and filmmaker John Waters. ~ All Movie Guide
An art-house circuit sensation, this feature-length documentary is visually arresting and possesses a clear, pro-environmental political agenda. Without a story, dialogue, or characters, Koyaanisqatsi (1983) (the film's title is a Hopi word roughly translated into English as "life out of balance") is composed of nature imagery, manipulated in slow motion, double exposure or time lapse, juxtaposed with footage of humans' devastating environmental impact on the planet. Starting with an ancient rock wall painting, the film moves through sequences depicting clouds, waves, and other natural features, then into man-made landscapes such as buildings, earth-altering construction machinery, and cars. The message of director Godfrey Reggio is clear: humans are destroying the planet, and all of human progress is pointlessly foolish. Also notable for its intense, atmospheric score by new age composer Philip Glass, Koyaanisqatsi (1983) was a labor of love for Reggio, who spent several years filming it. The film was followed by sequels, Powaqqatsi (1988), Anima Mundi (1991) and Naqoyqatsi (1999). ~ Karl Williams, All Movie Guide
- 1983
It makes sense that an offbeat director such as Peter Greenaway (The Cook, The Thief, His Wife & Her Lover, Prospero's Books) would be attracted to a project such as 4 American Composers, a 1983 British television special profiling John Cage, Meredith Monk, Philip Glass, and Robert Ashley, four U.S. musical artists who haven't been content simply to entertain, but feel compelled to "push the envelope" of music. This episode chronicles the career of the award-winning Philip Glass, a composer trained in mathematics and philosophy, who in his twenties had a musical epiphany when he discovered the techniques of Indian music while transcribing Ravi Shankar's music for a French filmmaker. Glass eventually applied techniques from India, North Africa, and the Himalayas to his seminal work. Greenaway here provides viewers with excerpts from performances of Glass' compositions. ~ Steve Blackburn, All Movie Guide
- 1985
- R
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In Paul Schrader's unusual biopic, Ken Ogata stars as Yukio Mishima, perhaps the most celebrated Japanese novelist of the last five decades. The film begins with Mishima's youth, then moves forward in episodic fashion to his 1970 suicide, symbolically committed at a military site. Originally titled Mishima: A Life in Four Chapters, the film is neatly divided into a quartet of acts, and the screenplay does not flinch in its depiction of Mishima's hyperactive sex life. Among the many neat directorial touches is the decision to offer the narrative in black-and-white, while depicting scenes from Mishima's novels in vibrant color. Written off as self-indulgent by those impatient with Schrader's fragmentary technique, Mishima was produced in Japan by Francis Ford Coppola and George Lucas, an offshoot of Coppola's involvement with Japanese director Akira Kurosawa's Kagemusha. ~ Hal Erickson, All Movie Guide
- Starring:
- Ken Ogata, Masayuki Shionoya, (more)
- 1986
This 1986 episode of Saturday Night Live, hosted by George Wendt with musical guest Philip Glass, is memorable for being "directed" by Francis Ford Coppola, who parodies his famous persona throughout the show. ~ Skyler Miller, All Movie Guide
- Starring:
- George Wendt, Philip Glass, (more)
- 1986
Dead End Kids is not a belated entry in Leo Gorcey/Huntz Hall manifest, but instead the film adaptation of Mabou Mines' off-Broadway play. The full title is Dead End Kids: A Story of Nuclear Power, and that is essentially that. Scientific articles, interviews and eyewitness accounts are woven together to trace the history and consequences of nuclear energy. The cast includes David Byrne and Phillip Glass, who also wrote the film's music. Though its visual style cannot be described as cinematic, Dead End Kids is one of the best of the many filmed "readings" on the subject of nuclear power that appeared in the mid-1980s. ~ Hal Erickson, All Movie Guide
- Starring:
- Ellen McElduff, George Bartenieff, (more)
Though the anti-war sentiments of Hamburger Hill come through loud and clear, the film is squarely on the side of those courageous, much-maligned Americans who fought and died in Vietnam. Based on a true incident, the story takes place in 1969, as the 101st Airborne Division confronts the Vietcong in a bloody battle over Hill 937 (aka "Hamburger Hill") in the Ashua Valley. During the next 10 days, both sides incur heavy losses, but the Cong refuse to surrender the hill. The ultimate American "victory" turns out to be a hollow one indeed. Scripted by Vietnam war vet Jim Carabatsos, Hamburger Hill not only underlines the futility of the war but also the pressures brought to bear upon the troops by an insensitive, often hostile media. By utilizing a cast of unknowns, director Jim Irvin deftly avoids the Hollywoodized slickness of such bigger-budgeted efforts as Apocalypse Now and The Deer Hunter. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Barrile, Michael Boatman, (more)
Not many filmmakers can claim to have freed a convicted murderer from jail, but Errol Morris accomplished that feat with his stunning documentary about Randall Dale Adams. Morris, whose brilliant previous features Vernon, Florida and Gates of Heaven had focused on less substantial subjects, learned of Adams' plight when the director was in Texas in preparation for a film about a psychiatrist who testified in murder trials. In November 1976, after his car broke down on a road outside Dallas, Adams had accepted a ride from a stranger, David Harris. Harris was driving a stolen car, and when Dallas police officer Robert Wood pulled the two men over to check on the vehicle, Harris shot and killed Wood. A jury believed that Adams was the killer, thanks to the perjured testimony of Harris and the misleading accounts of two witnesses. A story about Adams on 60 Minutes helped to bring public attention to the case, but it was Morris' film, which contained extensive interview material with both Adams and Harris as well as stylized reenactments of the crime, that clinched the case for Adams' innocence. He was set free on March 15, 1988. Although Morris' film made many critics' top ten lists, it was unaccountably not nominated for an Academy award, raising doubts about the credibility of the Motion Picture Academy's nominating process in this category. ~ Tom Wiener, All Movie Guide
Powaqqatsi was the second of the feature-length "non narrative" films produced, directed and co-scripted by Godfrey Reggio. As in his earlier Koyaanisqatsi, Reggio utilizes a collage of sounds and gimmicked-up images to make a comment on modern life. And as in the earlier film, Reggio's onslaught of imagery is backed up by the music of Philip Glass. This time, Reggio concentrates on Third World cultures, and the way those cultures are perceived and sometimes exploited by the power merchants of the world. Powaqqatsi was supposed to be the second in a trilogy, but wasn't as eagerly embraced by viewers and critics as its popular predecessor. ~ Hal Erickson, All Movie Guide
- 1990
- R
Indian-born, American-educated director Radha Bharadwaj based her allegorical thriller on the work of her husband with Amnesty International. The story concerns The Woman (Madeleine Stowe), a children's book writer who, in an unspecified country, is abducted from her bed in the middle of the night and imprisoned for writing subversive literature. She declares her books to be pure fantasies, but her well-dressed inquisitor The Man (Alan Rickman) sees the books as allegorical attacks on the State. In the form of a long dialogue between The Man and The Woman, The Man, through psychological and physical torture, attempts to get The Woman to confess. But The Woman endures, refusing to buckle under to The Man's relentless interrogation. ~ Paul Brenner, All Movie Guide
- Starring:
- Madeleine Stowe, Alan Rickman, (more)
- 1991
In this frequently surrealistic romp, a satire on sex, politics, and the business of filmmaking, two young women get together after discovering sufficient provocations in their lives to deliberately set out to wreak havoc in the world around them. Joelle (Anouk Grinberg) has just been thrown out of a moving car by her abusive man-friend, when Camille (Charlotte Gainsbourg) encounters her. Joelle's bitter exclamation Merci la Vie, or "thank you, life" echoes something of Camille's feelings, and the two decide to go on a rampage, picking up and seducing numerous men and then doing things like destroying their cars. Eventually, they set their sights on a "higher" goal and decide to do in an entire town. Meanwhile, it becomes evident that a sinister medical researcher, Dr. Worms (Gérard Depardieu), has infected promiscuous Joelle with a sexually transmitted disease he invented for the sole purpose of becoming the man who finds its cure, which he hopes will make him beloved, famous and rich. At some point, an elaborate series of flashbacks enter the story, and in one sequence, Camille attempts to persuade her feuding parents to get back together long enough to conceive her. Reviewers noted that logic is not a strong point in this film, but they found its fast pace and bright performances vastly entertaining. ~ Clarke Fountain, All Movie Guide
- Starring:
- Charlotte Gainsbourg, Anouk Grinberg, (more)
- 1991
- PG
A fictionalized depiction of the ecological and holistic teachings of the philosopher Fritjof Capra filmed by his brother Bernt, Mindwalk consists almost entirely of the verbal interplay between its three archetypal characters, physicist Sonia (Liv Ullmann), conservative politician Jack (Sam Waterston), and poet Thomas (John Heard). The trio meet for the first time at Mont Saint Michel, a medieval French abbey. Each is suffering misgivings about pivotal life choices; Sonia questions the role of ethics in her work, Jack harbors fears over the government's attitude toward the environment, and Thomas' wariness over an increasingly conservative society has prompted a permanent move to France. The question haunting all three: What now? ~ Jason Ankeny, All Movie Guide
- Starring:
- Liv Ullmann, Sam Waterston, (more)
- 1991
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Enjoy these music videos of Paul Simon's album with titles such as "Graceland," "You Can Call Me Al" and "Boy in a Bubble." ~ All Movie Guide
- 1992
- G
A Brief History of Time is based on cosmologist Stephen Hawking's 1988 bestseller of the same name. This anecdotal film concerns itself as much with Hawking's day-to-day life as it does with his unorthodox theories about the universe. Only the most close-minded viewer will be bothered by the ALS-suffering Hawking's physical appearance and his inability to move and speak without assistance (as narrator of the film, he utilizes a voice synthesizer, which he capriciously refers to as "my American accent"). Director Errol Morris inventively adopts a semi-dramatized approach to his interviews with Hawking's friends and relatives: they all appear in fabricated sets, and are lovingly photographed and lit as if they were starring in a film. Though of necessity a "talking heads" effort, A Brief History of Time is also cunningly and subtly cinematic. ~ Hal Erickson, All Movie Guide
- Starring:
- Stephen Hawking
Bernard Rose followed his moody fantasy-thriller Paperhouse (1988) with this modern horror tale, based on Clive Barker's short story "The Forbidden". Compiling a thesis on urban legends, University of Illinois in Chicago graduate student Helen Lyle (Virginia Madsen) becomes aware of the prevalent superstition surrounding the legend of "Candyman" (Tony Todd)--a hook-wielding phantom who will appear if his name is recited five times into a mirror--among the tenants of Chicago's Cabrini Green project. A senior professor, hearing of Helen's research, explains the historical basis for the legend, detailing how Candyman is believed to be the vengeful spirit of a former slave who, though initially respected in academia, was set upon and mutilated by an angry mob when accused of taking a white mistress. When the clinically-detached Helen flaunts her intellectual confidence by reciting Candyman's name five times, she sets in motion an inevitable series of supernatural events -- culminating in a series of grisly killings, after which Helen is invariably found holding the bloody murder weapon. Though she is captured by the police, it becomes evident to Helen that Candyman is guiding her fate every step of the way. ~ Cavett Binion, All Movie Guide
- Starring:
- Virginia Madsen, Tony Todd, (more)
- 1995
The fate of a remote Brazilian province will be determined by the passage of a reclamation bill. If the bill goes through the land will be destroyed. Fortunately, Father Stephen Lewis is working hard to stop it. For months he has led numerous high-profile protests, but then just a few days before the assembly retires to decide the bill, he simply vanishes. This off-beat political thriller chronicles the attempts of American reporter Michael Coleman to find the radical priest and interview him. Coleman, who works for a paper in Rio, is obsessed with finding Father Lewis for over the months the two have developed a tempestuous, argumentative relationship over the phone. Privately, Coleman wonders if the outspoken priest's actions mask ulterior motives. Still, he cannot help but respect the father's charisma and drive. So desperate is Coleman to find Lewis, that he stops at nothing, calling in every favor, and even resorting to dirty tricks. In the end it is his blatant abuse of media power that manages to keep the would-be land-grabbers from succeeding. ~ Sandra Brennan, All Movie Guide
- Starring:
- Henry Czerny
- 1995
- R
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This sequel to director Bernard Rose's superb, metaphorical Candyman is a more straightforward Gothic horror project, discarding any association with the events of the previous film (which was based on the short story "The Forbidden" by horror surrealist Clive Barker) aside from the title entity, played again by the imposing Tony Todd. A melancholy but extremely deadly ghost, Candyman is revealed -- in a compelling sequence of flashbacks -- as the vengeful spirit of Daniel Robitaille, a black portraitist in post-Civil War Louisiana who was set upon and horribly mutilated by an angry white mob in retaliation for his affair with a plantation owner's daughter. In present-day New Orleans, at the height of Mardi Gras festivities (the film's title refers to the literal translation of the Latin "Carnival"), Candyman walks the realm of the undead, with a hook in place of the hand he lost to the lynch mob, waiting to be summoned by the recitation of his name five times into a mirror. The latest victims of his evisceration skills include members of the Tarrant family, with young schoolteacher Annie (Kelly Rowan) next in line. Her family's connection with the Candyman legend is eventually revealed when Annie visits the family estate to uncover the link between her ancestors and Daniel Robitaille himself. This is a well-executed horror film, with fine performances and good use of the subtle menace underlying the Mardi Gras ambience, but the deft hand of Barker is clearly absent, leaving a standard horror plot without the mythical resonance of the original. The chilling Philip Glass score is a definite plus, though. ~ Cavett Binion, All Movie Guide
- Starring:
- Tony Todd, Kelly Rowan, (more)
In this adaptation of the novel by Joseph Conrad, Mr. Verloc (Bob Hoskins) runs a shabby corner shop in London that serves as a front for his more profitable sideline, selling pornography. However, selling sex photos is not Verloc's main order of business; he is a member of an anarchist organization, and he holds meetings in his apartment where he and his fellows plot the violent overthrow of the government. Verloc does not actually share the beliefs of his fellows -- he is in fact a double agent working with the Russians to sabotage the actions of revolutionary exiles while passing information about the anarchists along to Police Inspector Heat (Jim Broadbent). Verloc is married to Winnie (Patricia Arquette), a pretty but dour young woman who doesn't care for her husband and has married only in hopes that she would be able to afford a decent home for her brother Stevie (Christian Bale), who is mentally retarded. Inspector Heat informs Verloc that the anarchists must commit some sort of major violent action soon if the police are ever going to put any of them behind bars, so Verloc persuades the Professor (Robin Williams) to help him plant some bombs, which leads to tragedy for everyone involved. Robin Williams appears unbilled in The Secret Agent; in some listings, his role is credited to George Spelvin. ~ Mark Deming, All Movie Guide
- Starring:
- Bob Hoskins, Patricia Arquette, (more)
This Martin Scorsese film drama detailing the Dalai Lama's life story was in development for seven years, with the Dalai Lama having input into the 14 screenplay drafts by Melissa Mathison (The Black Stallion, E.T.). With four actors portraying the Dalai Lama at different ages, Scorsese's chronicle begins in 1933 with the death of the 13th Dalai Lama. Born in a remote area, the new Dalai Lama (seen at ages two and five in early sequences) is observed by monks who determine that he is the 14th reincarnation of the Buddha of Compassion. In 1944 the Dalai Lama uses newsreels and Western magazines to study WWII events, and as the war ends, he is forced to deal with Chinese Communist aggression. Protests from the Dalai Lama in 1949 are ignored as Mao (Robert Lin) maintains a military stranglehold on Tibet, eventually forcing the Dalai Lama to flee to Dharmsala, India. With a $28 million budget, Scorsese re-created Tibet's tragedy by filming in south-central Morocco with a cast of nonprofessional Tibetan actors. Second unit work took place at locations in Idaho and British Columbia. Avant-garde composer Philip Glass contributed a score with hypnotic, ritualistic overtones. ~ Bhob Stewart, All Movie Guide
- Starring:
- Tenzin Thuthob Tsarong, Gyurme Tethong, (more)
