Amos Gitai Movies
A former architecture student who turned to filmmaking following a harrowing near-death experience, Amos Gitai entered the world of film as a documentarian and gradually gravitated toward more fictional celluloid subjects. Gitai's sometimes controversial works often strive to make sense of the endless cycle of violence in the Middle East, and his acute sense of social conscience often bleeds through even into his fictional works.Gitai was born just two years after the state of Israel was established; his father was a classically trained architect and his mother the daughter of Zionist pioneers. After mandatory military service, the future director attempted to follow in his father's footsteps by studying architecture at Haifa's Technion Institute. It wasn't long before he ventured stateside to study at the University of California-Berkley. Gitai's education was interrupted with the breakout of the Yom Kippur War in 1973, and it was while embarking on a search and rescue mission over Syria that his life would change forever. When the helicopter he was riding in was shot down by enemy gunfire, the cockpit exploded and the ensuing crash killed nearly everyone onboard except for Gitai. Though he would escape the tragedy with only minor physical injuries, the event shook the student to his very core -- sparking a move toward filmmaking by means of a Super-8 camera given to him by his mother as a birthday present.
Gitai's early abstract short films were comprised of obscure images of landscapes and political rallies, and revealed his rare gift for capturing powerful images; his ability to form a compelling narrative structure developed soon thereafter. In the years that followed, Gitai gained a worldwide reputation as a filmmaker unafraid to tackle difficult subjects who was unflinching in his dedication to exploring conflict and resolve to its fullest. Gitai focused his lens on everything from such intensely personal subjects as his home and family life to the intricate layers of life in the Middle East. Early efforts such as House (1978) and Field Diary (1982) explored the tragedy of Palestinian history so deeply that they were, not surprisingly, censored. After returning stateside to earn his Ph.D. in architecture from the University of California-Berkeley, Gitai even turned his lens on the United States for such works as In Search of Identity (1980) and American Mythologies (1981). A move to Paris found Gitai exploring the life of an exile in such fictional works as Berlin Jerusalem (1989, winner of the critic's prize at the Venice Film Festival). Frequent collaborations with acclaimed cinematographer Henri Alékan ensured that his films would be as visually compelling as their subject matter was mentally stimulating. After moving back to his hometown of Haifa in the mid-'90s, Gitai was as busy as ever behind the camera. Following his exploration of the events that changed his life in the 2000 war drama Kippur, Gitai contributed the segment "Israel" to the episodic drama 11'09''01 -- September 11, which probed the devastating effects of the terrorist attack on the United States on the eponymous date. ~ Jason Buchanan, Rovi
- 2010
Israeli filmmaker (Amos Gitai) travels to France for this drama of a woman whose life is taken over by greed. Marjoline (Lea Seydoux) and Daniel (Gregoire le Prince) get married in the 1940s as France is still struggling with the aftermath of World War II. Daniel works in horticulture and is trying to develop a new strain of roses; Marjoline, meanwhile, is tired of the wreckage war had made of their town and wants more new things than their budget can afford. Marjoline decides to buy a new car on credit, but the luxury auto isn't enough for her; she likes to sit in the car and listen to commercials for products that she'd like to own but Daniel's salary won't permit her to have. As the 1940s give way to the 1950s, Marjoline's lust for consumer products doesn't fade, and as she charges the things she wants, the couple digs themselves deeper into debt with no end in sight. Adapted from a novel by Elsa Triolet, Roses a Credit (aka Roses On Credit) received its North American premiere at the 2010 Toronto International Film Festival. ~ Mark Deming, Rovi
Israeli filmmaker Amos Gitai offers an impressionistic look at his nation's long history of armed conflict in this experimental feature. Carmel begins with a re-creation of a battle from the first century, with Hebrews fighting off an invading Roman army, and the cascade of images that follows explores the theme of war and violence in Israeli history. The film also touches on the 1973 Yom Kippur War (which Gitai himself fought in) and current waves of terrorism and violence, as well as the less aggressive but equally telling conflicts that are a part of everyday life and the role of the media in feeding a culture of brutality and reprisal. Carmel features narration from the legendary French actress Jeanne Moreau and an eclectic musical score than runs the gamut from Gustav Mahler to the Israeli punk-rock band the Jews. Carmel was an official selection at the 2009 Toronto International Film Festival. ~ Mark Deming, Rovi
- 2009
While Israel is a nation that has been in the center of the public eye ever since its birth, its national cinema has received relatively little attention, and only a handful of Israeli films have received extensive distribution outside the country. Raphael Nadjari at once addresses the story of filmmaking in Israel, the politics and aesthetics behind Israeli cinema, and how the nation's film industry has grown outside the interference of the west in this documentary. A History of Israeli Cinema is divided into two parts; the first half covers the years 1932 to 1978, beginning with Zionist films shot in Palestine by Jewish directors from Europe, and the second part is devoted to 1978-2005, when filmmakers embraced what locals critics called "The New Sensibility" and features with brave and defiant Sephardic heroes gave way to more nuanced fare dealing with the spiritual, political and ethical grey areas of a nation of immigrants. Along with extensive clips from a broad variety of key films, the documentary also includes interviews with noted film critic, actors and directors who talk about cinema and its role in a nation whose story is still being written. A History Of The Israeli Cinema received its world premiere at the 2009 Berlin Film Festival. ~ Mark Deming, Rovi
- 2007
At the time of its production, To Each His Own Cinema represented the latest arrival in a tidal wave of internationally oriented omnibus films, with no official relation between them but all produced within a few years of one another. Few could claim a roster of talent comparable to this one, which boasts contributions by 33 of the most acclaimed directors in world cinema,
each responsible for three minutes of celluloid. Gilles Jacob, president of the Cannes Festival, devised the project as a "gift" to commemorate the festival's 60th birthday, and recruited many Golden Palm winners in the directorial selection process. Simply put, Jacob asked each director to express, cinematically, his or her "state of mind of the moment as inspired by the motion picture theater." Featured filmmakers include Joel and Ethan Coen; Olivier Assayas; Atom Egoyan; Walter Salles; Lars von Trier; Nanni Moretti; Roman Polanski; Theo Angelopoulos; Chen Kaige; Andrei Konchalovsky; and many, many others. Many of the initial entries (by Angelopoulos and others) involve the neglect or disrepute into which contemporary cinema, as a collective viewing experience, has fallen; a few segments, such as the Coen Brothers' short, about a cowboy (Josh Brolin) who attempts to determine which movie he should go see in sunny Los Angeles, employ a light and whimsical approach. At the other end of the spectrum sits David Cronenberg's piece -- a brutal short in which he prepares to commit a very public and graphic suicide on television before millions of viewers. Other highlights include Moretti -- offering a typically witty divertissement on what cinema means -- and Zhang Yimou, who lyrically depicts the gathering of numerous rural children for a screening at a movie theater. ~ Nathan Southern, Rovi
each responsible for three minutes of celluloid. Gilles Jacob, president of the Cannes Festival, devised the project as a "gift" to commemorate the festival's 60th birthday, and recruited many Golden Palm winners in the directorial selection process. Simply put, Jacob asked each director to express, cinematically, his or her "state of mind of the moment as inspired by the motion picture theater." Featured filmmakers include Joel and Ethan Coen; Olivier Assayas; Atom Egoyan; Walter Salles; Lars von Trier; Nanni Moretti; Roman Polanski; Theo Angelopoulos; Chen Kaige; Andrei Konchalovsky; and many, many others. Many of the initial entries (by Angelopoulos and others) involve the neglect or disrepute into which contemporary cinema, as a collective viewing experience, has fallen; a few segments, such as the Coen Brothers' short, about a cowboy (Josh Brolin) who attempts to determine which movie he should go see in sunny Los Angeles, employ a light and whimsical approach. At the other end of the spectrum sits David Cronenberg's piece -- a brutal short in which he prepares to commit a very public and graphic suicide on television before millions of viewers. Other highlights include Moretti -- offering a typically witty divertissement on what cinema means -- and Zhang Yimou, who lyrically depicts the gathering of numerous rural children for a screening at a movie theater. ~ Nathan Southern, Rovi
Forced Israeli evictions from the Gaza Strip yield tremendous personal strife for a pair of cross-cultural lovers in Disengagement, director Amos Gitai's meditation on the complex relationship between interpersonal and national politics in the Middle East. Juliette Binoche stars as Ana, a woman of mixed Dutch and Palestinian origin residing in Avignon, where her biological father has just died. Newly arrived in town is her adoptive brother, the Franco-Israeli Uli (Liron Levo), with whom Ana shares a relationship so passionate that it consistently transgresses sibling boundaries. While Uli comes to terms with his foster father's passing and prepares for an upcoming work assignment that involves aggressively shuttling Israeli settlers out of Gaza, Ana visits her father's attorney (French screen legend Jeanne Moreau), takes the steps to end her unfulfilling marriage, and hopes to make contact with her long-abandoned daughter, currently residing in the Israeli settlement of Gaza. To achieve this goal, Ana insists on accompanying Uli during his trip -- but doesn't count on numerous complications that arise, including a forced separation from Uli and lengthy travels with the settlers themselves, who have grown doggedly certain that God would never allow their geographic displacement to occur. ~ Nathan Southern, Rovi
- Starring:
- Juliette Binoche, Liron Levo, (more)
- 2007
A middle-aged man studying the Mur des Noms in modern-day France recalls the time 20 years prior when he and his mother were viewing the trial of Klaus Barbie with rapt attention in this introspective drama from director Amos Gitai. The year was 1987, and Rivka lived with her son, Victor, in a disheveled apartment littered with antiques and memorabilia. The opening session in the trial against the so-called "butcher of Lyon" is being televised, and Rivka is struggling to keep her emotions under control as she prepares dinner. Meanwhile, Victor sits in his office attempting to assemble his family tree. But he too is watching the trials, and doesn't seem to hear a word spoken to him by his secretary. As mother and son sit down for dinner together, the mere mention of Barbie's trial is enough to cause Rivka to excuse herself from the table. ~ Jason Buchanan, Rovi
- Starring:
- Jeanne Moreau, Hippolyte Girardot, (more)
A Jewish-American woman still reeling from her breakup with her Spanish-Israeli fiancée hits the road with a middle-aged Israeli woman, who is looking to collect the 30,000-dollar debt owed to her by her husband's former business partner, and a Palestinian woman, who claims to know the elusive moneyman's whereabouts, in this road-trip drama from Kippur director Amos Gitai. In her efforts to escape the painful memory of her breakup with former fiancée Julio (Aki Avni), Rebecca (Natalie Portman) agrees to accompany Hanna (Hanna Laslo) on her arduous journey through Israel to the Free Zone -- a tax- and customs-free region where those from countries at war with one another amiably buy and sell cars -- in hopes of collecting a large debt owed to her by her ailing husband's business partner known only as "The American." When Hanna and Rebecca finally arrive in the Free Zone only to discover that Hanna's contact and money have mysteriously gone missing, a Palestinian woman named Leila (Hiam Abbass) agrees to lead the skeptical Hanna to both "The American" and Hanna's rightly due cash. ~ Jason Buchanan, Rovi
- Starring:
- Natalie Portman, Hanna Laslo, (more)
- 2005
Director Amos Gitai completes the trilogy that began with 1978's House and continued with 1998's House in Jerusalem with this documentary detailing why the West Jerusalem abode isn't the microcosm it appeared to be a quarter of a century ago. By connecting the relationships between the house's various inhabitants over the years with the ongoing conflict between the Israelis and the Palestinians, Gitai highlights why still it remains very much at the heart and epicenter of their longtime struggle. The inhabitants may have dispersed and the common space may have disintegrated, yet as tangible reality gives way to scattered memories, a new identity gradually begins to emerge. ~ Jason Buchanan, Rovi
Directed by Amos Gitai, Alila is based on Yehoshua Kenaz's novel Returning Lost Love and chronicles the trials and tribulations of every day life in Tel Aviv. Most of the film revolves around an apartment block on the working-class borders of Tel Aviv, where the trysts of residents Hezi (Amos Lavie) and Gabi (Yael Abecassis) attract their neighbors' attention, as does the unauthorized construction of an additional wing to the building. A neighboring family patriarch, meanwhile, is dealing with legal troubles (he hired illegal Chinese construction workers), the AWOL status of his son, and his wife's affair with a younger man. A Holocaust survivor (Yosef Carmon) and his Filipino housekeeper (Lyn Shiao Zamir) further illustrate the conflict between Jews, Jews of different extractions, and Arabs in the community. ~ Tracie Cooper, Rovi
- Starring:
- Yaël Abecassis, Uri Ran Klauzner, (more)
In the aftermath of the tragedies on September 11, 2001, the French film company Studio Canal called upon a group of filmmakers, representing various regions of the world, to address the scope of the situation in however broad or intimate a context as they saw fit. The one guideline they were given was that no one film could exceed 11 minutes, nine seconds, and one frame. The resulting omnibus film, 11'09"01, showed at festivals around the world the following year and garnered a theatrical release in 2003. Each filmmaker's entry takes a different approach: French director Claude Lelouch tells the tale of a World Trade Center tour guide who is on the verge of a breakup with his deaf girlfriend when the terrorist attacks hit; similarly, Hollywood actor-director Sean Penn chronicles the lonely existence of an old man living not far from the Twin Towers. Egyptian director Youssef Chahine and British social realist filmmaker Ken Loach created the most controversy with their entries, which, respectively, address the points-of-view of a suicide bomber and of a Chilean who recalls the brutal coup funded by the United States in his country on September 11, 1973. Alejandro González Iñárritu's piece is the most abstract, taking images from television on the day of the attacks and cutting them with selected bursts of sound. Samira Makhmalbaf, Danis Tanovic, and Idrissa Ouedraogo all tell small-scale stories of the effects of the attacks on tiny villages in Iran, Serbia, and Burkina Faso, respectively. ~ Michael Hastings, Rovi
Israeli filmmaker Amos Gitai directed this historical drama based on a true story of the conflict between Jewish refugees and Palestinians on the eve of the formation of the nation of Israel. On May 7, 1948, a freight ship, the Kedma, arrived on the coast of Palestine, carrying a load of Jewish refugees from Europe who had survived concentration camps in several nations. A few days later, the state of Israel would be created, but at the time, the passengers of the Kedma found themselves in the midst of a war, as they were greeted by British gunfire on one side, while on the other the Jewish underground army known as the Palmach stood by to defend them. The Palmach took many of the Kedma's refugees into hiding, while the rest were given weapons and asked to fight alongside the Palmach against the British and Palestinians. Over the next several days, the Palestinians and their British allies find themselves fighting with the Palmach soldiers and the Jewish refugees while interacting with one another as both sides realize how close and how far away they truly are. The cast includes Roman Hazanowski, Menachem Lang, Juliano Mer, Yussef Abu Warda, and Andrei Kashkar. ~ Mark Deming, Rovi
- Starring:
- Andrei Kashker, Helena Yaralova, (more)
- 2001
Following up on his masterful, heart-wrenching war-drama Kippur, veteran Israeli filmmaker Amos Gitaï directs his first English language work based on a novel by Arthur Miller. Set in 1939, the film centers on Kalman, a young ambitious Jewish businessman who leaves his aged father in Europe to be with his sister, Sam (Samantha Morton), in Palestine. There he finds that Sam is living with Dov, an idealistic architect obsessed with the work of the Bauhaus school. Sam, in turn, is helping professor Oscar Kalkofsky, whose visionary ideas about the future Israeli state is one of collaboration with the Arabs already living in Palestine. Another member in this intellectual group is Silvia, who passionately argues for a separate state apart from the Arabs. When the war breaks out, illegal Jewish immigrants flood into Britain from Europe resulting in the formation of the Jewish Brigade by the British Army. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, Rovi
- Starring:
- Samantha Morton, Thomas Jane, (more)
Filmmaker Amos Gitai was a first-hand witness to the 1973 Yom Kippur War, in which troops from Egypt and Syria chose one of the holiest days of the Jewish calendar to launch a surprise attack on Israel. This film examines the short but bloody conflict through the eyes of a student, Weinraub (Liron Levo). Weinraub and his friend Russo (Tomer Russo) have been instructed to join a special military unit on the Golan Heights shortly after the fighting begins, but in the confusion they are instead thrown in with an emergency medical team led by Dr. Klauzner (Uri Ran Klauzner). Weinraub and Ruso help Klauzner and his men rescue the wounded, and they find themselves in as much danger as the soldiers on the front line, as the fighting rages on around them and their helicopter is hit by enemy fire. Meanwhile, on the ground another doctor (Pini Mittleman) tries to preserve an oasis of calm and medical discipline in the midst of war. Kippur was shown in competition at the 2000 Cannes Film Festival. ~ Mark Deming, Rovi
- Starring:
- Uri Ran Klauzner
- 1999
Noted Israeli filmmaker Amos Gitai directs this documentary about the history of Zionism, focusing particularly on the life and work of Theodor Herzl, who founded the movement in 1897. Gitai features not only standard interviews with a number of historians and journalists, but also more lyrical imagery such as a woman reading the Old Testament over family photographs. ~ Jonathan Crow, Rovi
- Starring:
- Efratia Gitai
A dark drama of women living in a society where they are second-class citizens, Kadosh/Sacred begins with Meir, an Orthodox Jew living in the Mea Shearim district of Jerusalem, greeting the day with his morning prayers, which includes the phrase, "Thank you, oh Lord, for not having made me a woman." Meir begins to understand just how poorly regarded women can be in the Orthodox faith when his rabbi suggests he should leave his wife. Meir and Rivka (Yael Abecassis) have been married for ten years and have a solid relationship based on affection and mutual respect. However, they have been unable to have children, and as Meir is reminded, the Talmud says a woman without children may as well be dead. Consequently, the rabbi advises Meir to divorce Rivka and take up with a younger woman who can give him a family. Meanwhile, Rivka's younger sister, Malka (Meital Barda), is soon to wed Yossef (Uri Ran Klauzner) in a match arranged by their parents, even though Malka loves another man, Yaakov (Sami Hori), who has dared to question the teachings of the Orthodox faith. Yossef soon proves to be blind to Malka's emotional and physical needs, and she begins to wonder how long she can continue to live within this circle, even though it is the only world she knows. Destined to be controversial in its native Israel, Kadosh/Sacred was shown in competition at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi
- Starring:
- Yaël Abecassis, Yoram Hattab, (more)
Amos Gitai directed this Israeli-French family comedy-drama, the second film in a trilogy about contemporary Israeli cities. A Jewish woman, Hanna (Hanna Maron), runs a bakery with her Arab husband Yussef (Yussef Abu Warda), while their son Moshe (Moshe Ivgi) has problems with his wife Didi (Dalit Kahan). With a proposed retail mall in the future, Yussef feels there are inherent political implications if he were to sell the bakery to the Israeli developer. Shown at the Montreal World Film Festival. ~ Bhob Stewart, Rovi
- Starring:
- Moshe Ivgi, Hanna Maron, (more)
- 1998
Two decades after highlighting the growing pains of Israel in his 1978 documentary The House, director Amos Gitai reveals how each successive resident of the longstanding residence serves as a metaphor for the conditions in the young nation. By exploring the surrounding neighborhood, Gitai underscores the volatile conditions experienced by the Israelis who chose to settle in this part of Jerusalem while casting a light on the suffering experienced by the expropriated Palestinian family that contends with the pain of seeing something that was once theirs, and knowing that they'll never have it again. ~ Jason Buchanan, Rovi
- 1997
Amos Gitai wrote and directed this Israeli documentary diary in which the filmmaker reflects on his role as a 23-year-old soldier in the 1973 Yom Kippur War, incorporating super-8mm footage he shot at that time. Gitai interviews survivors of a mission when a helicopter was shot down over Syria. Shown at the 1997 Venice Film Festival. ~ Bhob Stewart, Rovi
- 1997
The directors of this 16mm French-Israeli documentary, Palestinian Elia Suleiman (Chronicle of a Disappearance) and Israeli Amos Gitai, travel from Paris to the War and Peace Film Festival in Vesoul. On the train, the longtime friends chat about their pasts in Haifa and Nazareth, their passports, and foreign travel. In Vesoul, they meet with both the festival director and the French-speaking press (with Gitai translating for Suleiman). Shown at the 1997 Venice Film Festival. ~ Bhob Stewart, Rovi
- 1996
Haunting and deeply personal, this stylized film reflects director Amos Gitai's feelings and response to the 1995 assassination of Israeli leader Yitzhak Rabin. Essentially a series of images shot from a moving vehicle in key Israeli and Polish cities, with a focus on the death place of Prime Minister Rabin, the film is narrated by several notable personalities reading passages from the writings of Josephus Flavius, a Jewish commander who lead the Israeli Jews in a desperate bid to keep the Romans out of their holy land in 73 A.D. The Hebrews lost and Josephus was allowed to live, provided he write a history of the devastating battle from the Roman viewpoint. Interspersed amongst the readings and the moving scenes are a few exquisitely sad songs. ~ Sandra Brennan, Rovi
Rating Systems
Blockbuster
BLOCKBUSTER name, design and related marks are trademarks of Blockbuster L.L.C.
2013 Blockbuster L.L.C. All rights reserved.
Portions of Content Provided by Rovi Corporation. 2013 Rovi Corporation.