Coral Browne Movies

In this farcical look at a female detective/mystery story writer, Cathy Palmer (JoBeth Williams) is an ordinary housewife living in Ohio with a condescending husband who is far from ideal. When Cathy wins a writing contest and has the chance to go to Paris and meet the author of the romance novels she loves, her husband tries to prevent the trip. In the end, Cathy's interests prevail, though her husband still refuses to go with her. After arriving in Paris, Cathy is knocked down by a car and wakes up in the hospital with all memory of her past life erased. In its place, she believes she is Rebecca Ryan, the heroine in the romance novels she has read. Carrying her unconscious role to the hilt, she dresses in elegant clothes and meets the comically rattled Alan McMann (Tom Conti) who becomes her partner, of sorts. Little does she know that Alan is not Rebecca's secretary, but the actual ghost writer of the Ryan novels. Cathy begins to suspect that villains are lurking everywhere, and her intuition in that regard is unerring -- she has doubts about the klutzy leader of the French opposition party (Giancarlo Giannini), and it turns out her doubts are well-founded. As the plot thickens, it becomes apparent that sooner or later Cathy-cum-Rebecca will have to realize the truth about her identity, but in the meantime, much skullduggery awaits. ~ Eleanor Mannikka, All Movie Guide

Jean Stapleton stars as Eleanor Roosevelt in this made-for-TV biography, first telecast May 12, 1982. The film recounts Mrs. Roosevelt's life after the 1945 death of her husband, President Franklin Delano Roosevelt. At the request of new president Truman, Eleanor serves as a United Nations delegate, spending much of her time tilting with dedicated anti-FDR politico John Foster Dulles (E.G. Marshall). She goes on to spearhead the Universal Declaration of Human Rights, proving to Dulles--and to Soviet delegate Freddie Jones--that she's anything but soft on Communism. The winning teleplay for Eleanor: First Lady of the World was by Caryl Ledner and Cynthia Mandenberg. ~ Hal Erickson, All Movie Guide

Paul Newman returns as private detective Lew Harper is this tale of blackmail and murder based on a novel by Ross MacDonald. Iris Devereaux (Joanne Woodward), the wife of a wealthy oilman from Louisiana, hires Harper after she receives a threatening letter. A blackmailer is threatening to tell Iris' husband James (Richard Derr) about a recent extramarital affair; she claims this indiscretion never happened, though she has been unfaithful in the past, and years ago had a brief fling with Harper. Matters become more complicated when Iris' mother-in-law Olivia (Coral Browne) is found murdered. Eventually, Harper traces the blackmail letter to Kilborne (Murray Hamilton), another bayou oil baron, and along the way encounters Schuyler (Melanie Griffith), Iris' young but ripe daughter; Pat Reavis (Andy Robinson), Olivia's former chauffeur and a key suspect in her murder; and Detective Broussard (Tony Franciosa), a police investigator who, like Harper, was once involved with Iris. This was Coral Browne's first film after her marriage to actor Vincent Price in 1974. ~ Mark Deming, All Movie Guide

Film star Lylah Clare is dead, but her legend lives on. Movie-producer Barney Sheean (Ernest Borgnine) hires Elsa Brinkmann (Kim Novak), the living image of the late Lylah, to star in a film based on Ms. Clare's life. Barney hires director Lewis Zarkan (Peter Finch), Lylah's former husband, to transform the talentless Elsa into a facsimile of the deceased screen queen. Elsa not only learns to imitate Lylah but, at crucial junctures, becomes the dead woman. While restaging the accident that killed Lylah, the obsessed Zarkan deliberately drives Elsa to her doom -- and in so doing reveals his complicity in the death of his wife. The film ends with Lylah's onetime housekeeper (Rosella Falk), gun in hand, lying in wait for Zarkan to return home while her TV blasts forth a grotesque (and possibly symbolic) dog-food commercial. A trash masterpiece, Legend of Lylah Claire works so hard at vilifying the Old Hollywood (there's even a vicious Hedda Hopper caricature) that it's a wonder the actors could keep a straight face. The film was based on a 1962 Dupont Show of the Week TV drama co-written by Wild in the Streets creator Robert Thom. ~ Hal Erickson, All Movie Guide

Military Intelligence officer Major Grau (Omar Sharif) investigates the brutal murder of a Warsaw prostitute in this mystery set during World War II. Grau's only clue is that the murderer was wearing the uniform of a Nazi general. The three suspects include Gabler (Charles Gray), who fears his harridan wife more than anything, the icy General Tanz (Peter O'Toole), and the scheming, resourceful General Kahlenberge (Donald Pleasence). Grau is suspicious when he is taken off the case, but he does his own investigating when the suspects are gathered in Paris two years later. He enlists the help of Inspector Morand (Philippe Noiret), a resistance sympathizer with whom Grau forms an alliance. A side plot involving an affair with the general's daughter is thrown in for distaff interest. ~ Dan Pavlides, All Movie Guide

This crime drama is set in 1910, and tells the tale of a doctor accused of murdering his wife. He swore that he didn't do it. The evidence speaks otherwise. The doctor staunchly claimed the overdose of tranquilizers found in her tea got there by accident and that he and his beautiful mistress had absolutely nothing to do with it. Never mind that after his wife's "accidental" death, he and his lover just happened to choose that moment for a Canadian vacation. Despite their absence, the London police continue investigating until they find the poor wife's body buried in the doctor's cellar. Even after his subsequent capture, extradition and guilty sentence, Dr. Crippen swears his innocence. It's unbelievable, but the story is true. ~ Sandra Brennan, All Movie Guide

Vivien Leigh plays Karen Stone, a middle-aged actress whose career is in a tailspin. To assuage her hurt feelings, Karen goes on a vacation to Rome with her husband, who dies en route. Her best friend (Coral Browne) compassionately arranges for a young Italian escort (read: gigolo) to keep Karen from wallowing in her grief in Rome. The man hired for the task is sneering, contemptuous Pablo di Leo, played by Warren Beatty. Despite Pablo's rude behavior, the lonely Karen throws herself at him, showering him with expensive gifts and demanding his undivided attention. This being an adaptation of a Tennessee Williams novel, Blanche Dubois --er, Karen Stone must pay the piper for her eleventh-hour surfeit of passion; she is dispensed with by an "Angel of Death" in the form of psycho Jeremy Spencer. More operatic than dramatic, The Roman Spring of Mrs. Stone represents the only feature-film directorial effort of experimental-theatre maven Jose Quintero; his assistant was future Bullitt helmer Peter Yates. ~ Hal Erickson, All Movie Guide

Ginger Rogers and her then-husband Jacques Bergerac costar in this British melodrama, released in the U.K. as The Beautiful Stranger. Impoverished showgirl "Johnny" Victor (Ginger Rogers) moves into the villa owned by her British millionaire sweetheart Louis Galt (Stanley Baker), who has promised to marry her once he secures a divorce from his present wife (yeah, sure). By and by, Johnny falls in love with equally impoverished French artist Pierre Clement (Jacques Bergerac). When Galt is killed, Johnny and Pierre find themselves the chief suspects, especially since all evidence points to them and them alone. Taking it on the lam, the two lovers are carefully monitored by the actual murderer, who was involved in a myriad of illegal activities with the late Mr. Galt. The film's title song, "Love From a Beautiful Stranger," was written by José Ferrer and Ketti Frings, respectively the star and screenwriter of the 1955 film The Shrike. ~ Hal Erickson, All Movie Guide

Originally released in England as The Courtneys of Curzon Street, The Courtney Affair entertainingly covers the first 45 years of the 20th century. Anna Neagle plays an Irish maid who upsets the class-distinction equilibrium by marrying aristocrat Michael Wilding. Shunned by "proper" society, Neagle leaves her husband and returns to Ireland, where she bears her child. During World War I, Wilding is reunited with Neagle, who has become a popular cabaret entertainer. Casting tradition to the winds, Wilding begs his wife's forgiveness and they start life all over again. An enormous moneymaker in Great Britain, The Courtney Affair was one more example of the international box-office clout of star Anna Neagle and her producer/director husband Herbert Wilcox (Note: the US version is eight minutes shorter than the British original--and the cuts are none too tidy). ~ Hal Erickson, All Movie Guide

In this thriller, a playwright overhears a gang of men plotting a kidnapping and enlists the assistance of a detective to investigate them. They soon find the ring is fronted by a bogus employment agency that sends "clients" to check out potential victims. Action ensues as they endeavor to stop them. ~ Sandra Brennan, All Movie Guide

This musical features many popular ballads from the 1880s as it tells the tale of a cabaret singer and her boozy husband who travel to the South African gold fields to seek their fortune. They choose an empty mine, and while her husband hopefully works in the mine, the woman gets a singing job in a local saloon. Time passes, and eventually she and the handsome proprietor begin falling in love. By the story's end though, the woman returns to her neer-do-well but sweet husband. Together they begin looking for the elusive mother lode. ~ Sandra Brennan, All Movie Guide