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Frank D. Gilroy Movies

A magna cum laude graduate of Dartmouth College, Frank D. Gilroy completed his education at the Yale School of Drama. He entered television as a writer in the early '50s, contributing to the many live dramatic anthologies of the era (Kraft Theatre, Omnibus, Playhouse 90 et al.) In 1962, Gilroy won the Obie Award for his off-Broadway piece Who'll Save the Plowboy; in 1964, he walked away with the Pulitzer Prize and the Critics' Circle Award for his first Broadway play, The Subject Was Roses, which took two years to reach the stage after having been turned down by practically every "name" actor in the business. In 1971, Frank Gilroy made his movie-directing bow with the Manhattan-filmed Desperate Characters (1971); he has since directed such films as the revisionist western From Noon Till Three (1976), and the curious "regeneration" seriocomedy The Luckiest Man in the World (1989). ~ Hal Erickson, Rovi
1998  
 
In this drama, a Vegas casino worker's love affair with a beautiful hooker turns dangerous when he allows her to draw him into a gambling scam. ~ Sandra Brennan, Rovi

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Starring:
Roy ScheiderSonia Braga, (more)
 
1989  
 
The Luckiest Man in the World is a rare foray into directing by Frank D. Gilroy, the Pulitzer Prize-winning playwright best known for The Subject Was Roses. Phillip Bosco, usually a movie supporting player (though a Tony-winning star on Broadway), is top-billed in the role of a nasty executive. After narrowly surviving a plane crash, Bosco has a complete character and goal turnover. Believing there's some mystic reason for his salvation, he sets out to making up for all the pain he's caused. ~ Hal Erickson, Rovi

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Starring:
Philip BoscoDoris Belack, (more)
 
1985  
 
Every week, six men from various walks of life get together to play music for their own satisfaction. Trombonist Wayne Rogers is a used-car dealer; drummer Daniel Nalbach is a mother-dominated dentist; clarinetist Jerry Matz is a somewhat self-centered music teacher; trumpeter Warren Vache could have been a professional musician, but opted for a socially convenient wealthy marriage; and bass violinist Stan Lachow prefers to keep to himself the rest of the week. What happens to this informal aggregation when the opportunity arises for a paying gig at a Catskills resort forms the heart of this picture. Dissention in the ranks comes about when Lachow can't make the engagement, and is replaced by veteran musician Cleavon Little, who is disdainful of being surrounded by amateurs. The Gig is a model "small" picture, a clear labor of love for writer/ director Frank D. Gilroy. ~ Hal Erickson, Rovi

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Starring:
Wayne RogersCleavon Little, (more)
 
1982  
R  
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Jinxed is an apt name for this disastrous project which, sadly, turned out to be Don Siegel's final film. The film takes place in Reno, where blackjack dealer Willie Brodax (Ken Wahl) becomes an innocent victim of a broken-down gambler named Harold Benson (Rip Torn). Such is Willie's luck that when he sees Benson sit down at his blackjack table, he realizes that he will soon be out of a job. Benson is also giving his girlfriend Bonita Friml (Bette Midler) a difficult time. When she notices Willie and sees how Bensen is putting him through the wringer, she begins to fall for him and gets him involved in a scheme to kill her boyfriend. ~ Paul Brenner, Rovi

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Starring:
Bette MidlerKen Wahl, (more)
 
1979  
PG  
Playwright Frank D. Gilroy wrote and directed this subtle, down-to-earth and autobiographical depiction of an American screenwriter in Paris who befriends his chauffeur and has an affair with a British aristocrat. Wayne Rogers is Michael Moore, an American scenario writer who has traveled to Paris for the first time in his life in order to serve as a script doctor on a troubled film script. Upon arriving at the airport, he's met by his driver Jean-Paul Barbet (Jack Lenoir Gilroy's real-life chauffeur), who has served time in prison for manslaughter. Michael is assured that his chauffeur will be immediately replaced with a driver without a prison record, but Michael lets him stay, and the two become fast friends. All is going along swimmingly until Michael meets his hotel neighbor, attractive upper-class British woman Susan Townsend (Gayle Hunnicutt). ~ Paul Brenner, Rovi

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Starring:
Wayne RogersGayle Hunnicutt, (more)
 
1977  
 
Rex Stout's corpulent, orchid-loving detective Nero Wolfe would eventually headline his own 1980s TV series, courtesy of star William Conrad. This earlier unsold TV pilot stars Thayer David, whom some Stout devotees consider the best of the many media Wolfes (which included Walter Connolly and Sidney Greenstreet). Frank D. Gilroy wrote and directed this adaptation of the Stout novel The Doorbell Rang, in which Wolfe protects his client (Anne Baxter) by taking on "the whole damned federal government". As always, Wolfe remains in his easy chair to do the brainwork, while his faithful assistant Archie Goodwin (Tom Mason) handles the rough stuff. Nero Wolfe tested well in the ratings, and might well have gone on immediately to a regular weekly series, but the sudden death of star Thayer David put the whole project in mothballs--until Bill Conrad was available. ~ Hal Erickson, Rovi

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1976  
PG  
Written and directed by Frank D. Gilroy, this Western casts Charles Bronson as Graham Dorsey, a two-bit Western outlaw who has a three-hour affair with lonely Amanda Starbuck (Jill Ireland). When Dorsey is reported killed, Starbuck capitalizes on her liaison by building up the "legend" of the supposed deceased outlaw. Soon Dorsey has become an icon, glorified in song, fable, and dime novels. Imagine Starbuck's discomfort when he turns up very much alive, and extremely upset at being turned into Amanda's own private cottage industry. At the end, Dorsey isn't even left with his own identity. This picture is somewhat unconventional for a Western, downplaying violence in favor of characterization and dark humor. ~ Hal Erickson, Rovi

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Starring:
Charles BronsonJill Ireland, (more)
 
1975  
 
This TV movie was originally aired as John O'Hara's Gibbsville. Based on O'Hara's semi-autobiographical story anthology The Doctor's Son, the film tells the story of Jim Malloy (John Savage) and his youth in his Pennsylvania home town. Aspiring to become a reporter, Malloy goes to work for alcoholic editor Ray Whitehead. Biff McGuire plays Jim's doctor father; other cast members include Kathleen Quinlan, Peggy McCay and Janis Paige. Written and directed by playwright Frank D. Gilroy, Gibbsville: The Turning Point of Jim Malloy was first telecast April 12, 1975; it was the pilot for the Gibbsville TV series, also starring John Savage and Gig Young, which (after several delays) ran briefly in the fall of 1976. ~ Hal Erickson, Rovi

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1971  
R  
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Frank D. Gilroy's adaptation of Paula Fox's novel Desperate Characters stars Shirley MacLaine as Sophie, a freelance book translator who leads a comfortable life in Brooklyn with her lawyer husband Otto (Kenneth Mars). Because of their crumbling marriage and the threatening presence of urban dangers like crime and vandalism, the couple are living a paranoid, scared existence. The film chronicles their emotional and psychological state through a series of interactions with each other and like-minded friends. ~ Perry Seibert, Rovi

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1970  
PG  
Two star-crossed losers are looking for diversion but find love instead in this romantic drama. Fran Walker (Elizabeth Taylor) is a veteran Las Vegas showgirl who is also the kept woman of Lockwood (Charles Braswell), a San Francisco businessman who is happy to pay her rent and keep her in designer clothes but isn't willing to divorce his wife in order to make a long-term commitment with her. Fran falls into a fling with Joe Grady (Warren Beatty), a piano player who works with lounge comic Tony (Hank Henry) when he isn't succumbing to his addiction to gambling. Fran and Joe agree at the start that their relationship is to be about sex and nothing more, but before long, the two have fallen in love despite themselves. Though set in Las Vegas, most of The Only Game in Town was shot in Paris at the request of Taylor, whose then-husband, Richard Burton, was working in France at the time; this helped boost the budget to 11 million dollars, while the film earned less than a fifth of that figure at the box office. ~ Mark Deming, Rovi

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Starring:
Elizabeth TaylorWarren Beatty, (more)
 
1968  
 
Frank D. Gilroy's Pulitzer-winning "kitchen sink" theatrical piece The Subject Was Roses was given a no-frills film transference in 1968. Martin Sheen and Jack Albertson re-create their stage roles as a returning serviceman and his alcoholic father. Patricia Neal takes over from the play's Irene Dailey as Nettie Cleary, Timmy's (Sheen) overly protective mother, long at odds with husband John (Albertson) over his drinking. Mother and Father try to put on a facade of happiness for the benefit of their son, but soon the three of them are squabbling again, just as if the boy had never been away. With the exception of adding a few extraneous characters, the film version of The Subject Was Roses is essentially the same as its 1964 Broadway counterpart. The film helped establish the career of Martin Sheen, launched a whole new dramatic career for Jack Albertson, and represented a triumphant comeback for Patricia Neal, who'd recently recovered from a debilitating stroke. ~ Hal Erickson, Rovi

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Starring:
Patricia NealJack Albertson, (more)
 
1960  
NR  
The "mutual admiration society" consisting of actor James Cagney and actor/director Robert Montgomery culminated in the 1960 film The Gallant Hours. Cagney stars as war hero Admiral William F. "Bull" Halsey. On the verge of retirement, Halsey recalls his most fateful wartime experience: his five-week showdown between himself and Japanese Admiral Yamamoto (James T. Goto) in 1942. In command of the American naval forces in the Pacific, Halsey scores a crucial, tide-turning victory at Guadalcanal. In concentrating on the participants rather than the battle itself, The Gallant Hours is a character study of a remarkable American. The a cappella "score" performed by Ken Darby and the King's Men Quartet is a matter of taste. ~ Hal Erickson, Rovi

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Starring:
James CagneyDennis Weaver, (more)
 
1959  
 
In the third episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, Slaughter (Tom Tryon) and another Texas ranger are sent to a bank to pick up the ranger's payroll. Unfortunately, the bank is held up by the vicious Barko gang, who kill Slaughter's comrade and leave him beaten and unconscious. Upon recovering, Slaughter takes it upon himself to bring in the leader of the gang -- Mrs. Barko (Beverly Garland), a sadistic murderer who holds her husband and his henchmen in thrall. Originally telecast as part of the Walt Disney Presents anthology, "Killers From Kansas" and the subsequent episode "Showdown at Sandoval" were edited together in 1961 and released overseas as the "feature film" Gunfight at Sandoval. ~ Hal Erickson, Rovi

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1959  
 
In the fourth episode of Walt Disney's 17-part miniseries The Tales of Texas John Slaughter, Slaughter (Tom Tryon) has captured outlaw leader Mrs. Barko (Beverly Garland) who, though she faces the gallows, refuses to explain why she was trying to join forces with another notorious bandit, Dan Trask (Dan Duryea). With the nervous approval of his Texas Rangers superior officer Captain Cooper (Judson Platt), Slaughter formulates a plan whereby he and his fiancée Adeline Harris (Norma Moore) will impersonate Mrs. and Mr. Barko and infiltrate the Trask gang. Originally telecast as part of the Walt Disney Presents anthology, "Showdown at Sandoval" and the previous episode "Killers From Kansas" were edited together in 1961 and released overseas as the "feature film" Gunfight at Sandoval. ~ Hal Erickson, Rovi

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1958  
 
A perennial victim of bullying, shy young Kurt Sprague (Peter Breck) hires Paladin (Richard Boone) to teach him how to use a gun. Paladin proceeds according to plan, but when it becomes obvious that Kurt enjoys the prospect of shooting down other men, he is told to "take that gun off and forget it." But it's already too late: The next time Paladin sees Kurt, the boy has transformed into a sadistic gunslinger who kills for the love of killing. This episode was written by Frank D. Gilroy, future author of the prize-winning Broadway play "The Subject Was Roses." ~ Hal Erickson, Rovi

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1958  
 
In the second episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, newly installed Texas ranger Slaughter (Tom Tryon) has succeeded in rounding up the last members of Frank Davis' outlaw gang. Unfortunately, Davis (Robert Middleton) has been released on bail and has fled to Laredo. Together with fellow ranger Ben Jenkins (Harry Carey Jr.), Slaughter tracks Davis down to his new hideout, where he is conferring with five other outlaw bosses in hopes of creating a vast criminal empire. Originally telecast as part of the Walt Disney Presents anthology, "Ambush at Laredo" was in 1960 edited together with the previous episode "Texas John Slaughter", and released theatrically overseas as a "feature film", also titled Texas John Slaughter. ~ Hal Erickson, Rovi

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1958  
 
Michael Landon guest stars in this, the third episode in The Rifleman series. Injured after saving the life of little Mark McCain (Johnny Crawford), young outlaw Will Fulton (Landon) learns the benefits of straight living while recuperating with Mark and Lucas (Chuck Connors). When the gang returns to reclaim him, a defiant Will stands side-by-side with Lucas in the climactic shootout. ~ Hans J. Wollstein, Rovi

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1956  
NR  
In this western, a pacifistic store owner does all he can to avoid association with his father, a notorious gunfighter. One day he gets drunk and shows off his own considerable skills with a pistol. Unfortunately, this attracts the attention of the man who fancies himself the town's fastest draw and he heads to the store for a little confrontation. ~ Sandra Brennan, Rovi

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Starring:
Glenn FordJeanne Crain, (more)