Sidney Gilliat Movies

This mystery, adapted from an Agatha Christie story, tells the tale of an ambitious British chauffeur who marries his American employer, one of the richest women in the US and persuades her to buy a palatial country estate. She literally loves it to death and that is where all the real trouble begins. ~ Sandra Brennan, Rovi

In this British wartime comedy, a group of captured con-artists must choose between jail terms or military service. Naturally they choose the army. Once they are assigned to a post they set up successful gambling and liquor operations. When they go overseas, they do the same thing. They are then asked to start a social club to boost morale. They do so, and the operation is only a hair's breadth away from being a brothel. They attempt to keep the joint a secret from visiting Parliamentary members, but it is not long before the cathouse is out of the bag. ~ Sandra Brennan, Rovi

One in the series of St. Trinian's off-beat, irreverent comedies that began in 1953 and continued strong through the '60s, this farce by Frank Launder features the usual bevy of comely young women who attend the school. This time around, the femmes terribles have just burnt down the school and shock the world by getting acquitted when hauled into the Old Bailey. It seems the judge is keen on Rosalie (Julie Alexander) and besides, an unscrupulous shyster posing as a professor offers to rebuild the school. Instead, he takes the offenders on a bogus tour of Greece and once they are underway, he leads them to his real goal -- forced matrimony to the sons of an Arab sheik. As always, this St. Trinian's comedy is meant for audiences who enjoy its own brand of humor. ~ Eleanor Mannikka, Rovi

The Bridal Path is standard comedy fare about a young man, Ewan McEwan (Bill Travers) sent out from his island home to go bride-hunting. The introverted, taciturn Ewan is reaching marriageable age just when the island's elders come up with a new decree. They have decided that there is too much in-breeding on their fair shores and as a consequence, they forbid first cousins to marry. With his bridal selection almost curtailed at home, Ewan heads off to the mainland with a little book of commandments on what to look for and what to avoid in a potential lifetime mate. Aside from encounters with several charming, winsome young women, Ewan soon discovers that the police are after him -- and he does not know why. The chase is on, though all misunderstandings are eventually cleared up. ~ Eleanor Mannikka, Rovi

Oliver Branwell (Jack Hawkins) is an honest, decent man, dedicated to his job as an insurance claims assessor -- until he makes a business call, to assess the damage from a fire, on Tracey Moreton (Dennis Price) and meets Morton's wife Sarah (Arlene Dahl), with whom Oliver had been involved romantically five years earlier. He's thrown off balance by her presence and the seeming friendliness of Tracey and his mother (Violet Fairbrother), both members of the upper-class who have found their lifestyle squeezed and trimmed back by England's dire postwar economy and taxes. But soon, Oliver finds himself in more than a personally awkward position over his friendship with Tracey and lingering attraction to Sarah -- he accidentally uncovers evidence of a massive insurance fraud committed by Tracey, and doesn't want to report it for fear of implicating Sarah. And matters only get worse when Tracey's family home is burned to the ground, in a fire that was definitely arson, killing Tracey (or did it?) in the process. And just when Oliver's dilemma seemingly couldn't get worse, he and the newly-widowed Sarah are married. And then the police start sniffing around, along with a blackmailer (Bernard Miles) who is after a share of the 30,000 pounds insurance that Sarah collected on Tracey's life. ~ Bruce Eder, Rovi

Alistair Sim plays a mild, innocuous little watchmaker who spends his off-hours as a professional assassin. His present target is windbag cabinet member Raymond Huntley. After various misfire attempts, Sim plants a bomb in a small radio and waits for the tube to warm up--but the authorities by now are on to him. The Green Man has some excellent setpieces, notably a droll snatch of black humor involving a body stuffed in a piano. The film's only debit is that, in the play upon which it is based, Frank Launder and Sidney Gilliat's Meet the Body, Sim's character is secondary, almost peripheral. By reshaping the film into a star vehicle, much of the play's intimate (albeit ghoulish) charm is dissipated. ~ Hal Erickson, Rovi

Also known as Geordie, the British comedy Wee Geordie was immensely popular worldwide. A slight of frame and puny gamekeeper's son named Geordie (Paul Young), who is coming of age in the Scottish highlands, grows sick and tired of being picked on. He thus decides to answer a Charles Atlas-style bodybuilding ad. Flash forward several years: the little runt is now a strapping, muscle-bound, disgustingly healthy Olympic champ (portrayed by Bill Travers, who actually did "pump up" and slim down to play this role). Evidently his muscles have spread to his head, for Geordie sees no need for emotional fulfillment, and alienates his longtime girlfriend (Norah Gorsen). But in the process, he becomes the top-ranked hammer thrower at the Highland Games and is chosen to represent the UK in the Olympics at Melbourne, Australia. When Geordie finally falls in love again, it is with towering shot-putter Helga Doris Goddard -- the first woman ever able to best him on the athletic field. Director Frank Launder cowrote the screenplay for Wee Geordie with his longtime collaborator Sidney Gilliat; the film is based on a novel by David Walker. ~ Hal Erickson, Rovi

This low-key Launder-Gilliat production was inspired by a play by James Bridie. Alastair Sim carries the ball as Captain Paris, an army chaplain who endeavors to organize a camp show for the troops. Practically everyone with whom the Captain comes in contact is an "expert" on the sort of entertainment that the soldiers will like. Ultimately, things degenerate into a battle of egos between an effete artist and his professorial wife. The film's best scenes are those in which Captain Paris tries out his own offbeat notions of entertaining the boys in khaki. Incidentally, the title of the original Bridie play was It Depends What You Mean. ~ Hal Erickson, Rovi

Despite its lighthearted title, Lady Godiva Rides Again is a fairly potent indictment of the darker side of beauty contests. Waitress Marjorie (Pauline Stroud) enters one competition after another, hoping for fame and fortune. She manages to make the finals of a "Lady Godiva" contest, never suspecting that the outcome has been rigged. By accident, Marjorie wins First Prize, a huge sum of money and a movie contract. Alas, she hasn't the talent to parlay her win into a lasting career, and soon Marjorie is scrounging around for any "girlie show" job she can find. Only when reduced to performing nude in a French cabaret review is Marjorie rescued by her Australian boyfriend Larry Burns (John McCallum), who makes her promise to stop all this nonsense and settle down to domesticity. The well-chosen cast includes Dennis Price as a lascivious movie star and Stanley Holloway and Gladys Henson as the girl's nonplused parents. Featured in smaller roles are such future leading ladies as Kay Kendall, Diana Dors, Dagmar (later Dana) Wynter and, in an uncredited bit, Joan Collins. ~ Hal Erickson, Rovi

It isn't surprising that The Great Manhunt invokes fond memories of Alfred Hitchcock; the film was scripted by Frank Launder and Sidney Gilliat, the two former Hitchcock collaborators responsible for the screenplay of The Master's The Lady Vanishes (38). Gilliat also directed this fast-paced political adventure, starring Douglas Fairbanks Jr. as an American heart surgeon summoned to operate on the ruler of a Balkan dictatorship. When the dictator dies, Fairbanks becomes a security risk for those who wish to perpetuate the totalitarian regime. The doctor desperately seeks a means of escaping the country; along the way, he teams up with a showgirl (Glynis Johns) who likewise wants to get home in a hurry. Meanwhile, the head of the secret police (Jack Hawkins) tries to keep one step ahead of Fairbanks. A healthy strain of comic cynicism pervades Great Manhunt, with both hero and villain making self-deprecating comments on the fickle nature of political power. Released in the US as State Secret, The Great Manhunt was based on Roy Huggins' novel Appointment With Fear. ~ Hal Erickson, Rovi

Assembled by the reliable team of Frank Launder and Sidney Gilliat, London Belongs to Me stars Richard Attenborough as a young, full-of-beans boy looking for fun. Bursting into a staid, wearisome London neighborhood, Attenborough exhorts the others to get some kicks out of life. Unfortunately, his search for thrills gets him involved in a murder. Just when you think that the film is a dour "slice of life" drama, a new comic element is introduced as the locals start up a petition to release Attenborough from jail. The presence of Alastair Sim in the cast should have tipped us off that London Belongs to Me wasn't meant to be taken entirely seriously. The film was released in the US as Dulcimer Street. ~ Hal Erickson, Rovi

At a World War II emergency hospital, a postman dues under anesthetic during a relatively minor operation. One of the nurses who was present announces that the man's death was no accident, but a murder -- and then she, too, is murdered. The police are called in, led by Inspector Cockrill (Alastair Sim) of Scotland Yard, and he soon determines that any one of the five surviving members of the surgical team might have had a motive for the murders. In the course of his investigation, he also uncovers an array of both eccentric and ugly personal information about most of those present, but no killer that he can ascertain for certain. He must finally draw the murderer out by putting one of the suspects at risk. In the midst of the suspense are moments of droll comedy, of the sort that one would expect from a movie made by the authors of The Lady Vanishes, along with a palpably rich late wartime atmosphere which, surprisingly, did not repel war-weary audiences on either side of the Altantic. Indeed, Sim is so beguilingly witty and charismatic in his eccentric way as Inspector Cockrill, that the wonder is that there was never a follow-up movie or even a series built around his character. ~ Bruce Eder, Rovi