Roland Gift Movies

Eight master directors of world cinema combine forces for this omnibus film that focuses cumulatively on the subject of time. Bookended by cello interludes, Ten Minutes Older: The Cello presents just one parameter to each of its filmmakers: no final entry can be more or less than ten minutes long. The resulting films run the gamut of styles and moods, beginning with Bernardo Bertolucci's Histoire d'Eaux, which presents an Indian fable about a mentor's impatience. In Mike Figgis' entry About Time 2, the director continues with the experimental structure he pioneered in Timecode; similarly, Jean-Luc Godard uses his time allotment to present a fractured series of clips on youth, death, and love. Another non-narrative entry, Volker Schlöndorff's The Enlightenment presents a series of images on racism. Claire Denis' effort Vers Nancy chronicles a philosophical discussion on time between a teacher and student on a train ride; in Jirí Menzel's Ten Minutes After, the effects of time on aging Czech actor Rudolf Hrusinsky are documented. In perhaps the film's most narrative-oriented segment, director Michael Radford offers up a sci-fi vision of an astronaut returning to earth to find that his son has aged faster than he has. Ten Minutes Older: The Cello is a companion piece to 2002's Ten Minutes Older: The Trumpet, which aired in the U.S. on the Showtime cable network. ~ Michael Hastings, Rovi

In the first episode of a two-part story, Duncan (Adrian Paul) must contend with not one but two deadly foes. Renegade Watcher Horton (Peter Hudson), the man responsible for the death of Duncan's mentor Darius, has joined forces with debauched Immortal Xavier St. Cloud (Roland Gift). A confrontation with these two miscreants nearly costs the life of Duncan's friend Charlie (Philip Akin) -- prompting Duncan to sever his ties with "good" Watcher Joe Dawson (Jim Byrnes). ~ Hal Erickson, Rovi

In 1963, the conservative British government was shaken to its foundations by the Profumo Scandal. The central character in this disastrous affair was John Profumo, Britain's minister of war, who had become sexually involved with call-girl Christine Keeler, whose "sponsor" was high-priced osteopath Dr. Stephen Ward. Fancying himself a dashing international adventurer, Ward had also offered Christine to alleged Soviet spy Eugene Ivanov. Another of Ward's stable, Mandy Rice-Davies, allegedly had slept with numerous British and American luminaries. The whole sordid story, which ended with Ward's suicide and Profumo's public disgrace, was recounted with relish in director Michael Caton-Jones's Scandal, which featured John Hurt as Stephen Ward, Joanne Whalley-Kilmer as Christine Keeler, Ian McKellan as Profumo, Bridget Fonda as Mandy Rice-Davies, and Jeroen Krabbe as Ivanov. In its original form, the film was ripe enough to court an X-rating; post-production trimming enabled it to squeak by with an R. ~ Hal Erickson, Rovi

Someone to Watch Over Me, a mystery thriller directed by Ridley Scott is the story of a police officer who falls in love with the woman he is hired to protect and the effect of this affair on his marriage and his life. Claire (Mimi Rogers) an extremely wealthy socialite is the sole witness to a mob murder and is in great danger. Mike (Tom Berenger), a happily married NYC police officer is assigned to protect her and takes up residence in her foyer while she waits to testify. A romance develops between the unlikely couple which threatens Mike's marriage to Ellie (Lorraine Bracco). All of this sounds more exciting than it is, and while the film fails to generate much suspense, the love story and Mike's dilemma are interesting. All the performances are excellent, particularly that of Bracco as the no-nonsense wife. The score is exceptional and the photography and set decoration are all fine. Someone to Watch Over Me is a fine police thriller and love story. ~ Linda Rasmussen, Rovi

In this alternately comic and grave reflection on the effects of Thatcherism on polyethnic England, middle-class liberals Rosie (Frances Barber) and Sammy (Ayub Khan Din) engage in an openly adulterous marriage while living in a lower-class neighborhood in London. When they're not hiding their troubled marriage behind a series of "enlightened" affairs, the couple associates with a social circle that ranges from leftist to radical and includes enigmatic street philosopher Victoria (Roland Gift). Sammy's long-lost father, Rafi (Shashi Kapoor), a South Asian politician, arrives for a visit just as rioting erupts in response to the killing of an innocent black woman by British police. Rafi decries not only the social upheaval that has transformed the country where he spent his halcyon university years, but also the lack of propriety on display in his son's marriage. Admitting that he's on the run for allegedly corrupt and violent political activities, the well-mannered yet manipulative Rafi uses his wealth to try to rein in what he sees as Sammy and Rosie's sexual and political excesses. Meanwhile, he tries to court Alice (Claire Bloom), the proper British lady he deserted decades earlier. The messy whirl of desire, resentment, and dogma that alternately throws these characters together and rips them apart ultimately reflects the confused and confusing society in which Sammy and Rosie live; soon even the unassailable Rafi must question his beliefs about life after empire. Sammy and Rosie Get Laid marked the second collaboration between director Stephen Frears and writer Hanif Kureishi; star Ayub Khan Din would go on to write another Anglo-Asian culture-clash comedy, 1998's East Is East. ~ Brian J. Dillard, Rovi

Still in Paris, Duncan (Adrian Paul) squares off against Immortal thief, murderer and hedonist Xavier St. Cloud (Jean-Claude Deret). Having enjoyed considerable success using deadly nerve gas to commit crimes during WWI, St. Cloud intends to revive his modus operandi at an art fundraiser held by Tessa (Alexandra Van Der Noot). Meanwhile, Richie (Stan Kirsch) falls for a gorgeous socialite who happens to be married -- thus forcing Tessa into the role of "rescuer" for a change. ~ Hal Erickson, Rovi