Hoot Gibson

During a Los Angeles Christmas, a group of 82nd Airborne vets assembles under the leadership of gamblin' man Danny Ocean (Frank Sinatra) to rip off four Las Vegas casinos just after the stroke of midnight on New Year's Day. Playboy Jimmy Foster (Peter Lawford) joins in the scheme because he's sick of needing his oft-married mother's money, especially now that she's about to wed Duke Santos (Cesar Romero), a self-made man with all sorts of underworld ties. After he receives the news that he could die at any time, newly released convict Anthony Bergdorf (Richard Conte) reluctantly agrees to participate so he can leave some money to his estranged wife and young son. Ocean's own wife, Beatrice (Angie Dickinson), doesn't think much of her husband's promise of a big score to come, but her quiet protests don't dissuade him. With Las Vegas garbage man and fellow vet Josh Howard (Sammy Davis Jr.) and several casino employees among their number, the titular band of thieves have just a few days to get ready for their caper. When Duke Santos, Jimmy's mother, and one of Ocean's discarded paramours all show up in Sin City at the same time as the veterans, the crew's perfect plans face some serious hurdles. ~ Brian J. Dillard, All Movie Guide

To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves." Ken Murray himself makes a supporting appearance as a leering frontier wiseacre named "Sliding Bill Murray." ~ Hal Erickson, All Movie Guide

Unlike previous "Trail Blazers" entries, each of which starred three veteran western heroes, Marked Trails top-bills only two sagebrush favorites. Hoot Gibson and Bob Steele play a couple of wandering do-gooders who take on a gang of oil swindlers. Adopting a series of bewildering (but hardly impenetrable) disguises, the Ol' Hooter and Battling Bob manage to con the con-ners. But when it becomes absolutely necessary, our heroes rely on their fists to mete out justice. Just another western, Marked Trails is given distinction by the presence of perennial "hard-boiled dame" Veda Ann Borg. ~ Hal Erickson, All Movie Guide

Having worked as a duo in the first three entries of Monogram's low-budget "Trail Blazers" series, veteran Western stars Ken Maynard and Hoot Gibson were joined by Bob Steele in the fourth, Death Valley Rangers -- reportedly much to Maynard's dismay. Although not much younger than his august partners, Steele was still nimble enough to take care of the more strenuous fisticuffs and he was even somewhat believable in romantic clinches -- as opposed to his co-stars, whose ever expanding waistlines did not allow for tender scenes. This time, "The Trail Blazers," government agents, investigate a series of gold shipment thefts in Death Valley committed by a gang headed by Jim Kirk (Weldon Heyburn, whose name was misspelled "Hayburn" in the on-screen credits!). Kirk has hired a crooked scientist, Doc Thorne (Karl Hackett), who has discovered a method to pour the stolen gold back into the rock, where it will be indistinguishable from virgin ore. Steele infiltrates the gang and with the help of his partners, Death Valley is soon safe from Kirk and his gang. Like most of the "Trail Blazers" Westerns, Death Valley Rangers was filmed at Corriganville, actor Ray "Crash" Corrigan's movie ranch in Simi Valley, California. ~ Hans J. Wollstein, All Movie Guide

In their third and final "Trail Blazers" Western together, Ken Maynard, Hoot Gibson and Bob Steele witness what appears to be a gang of Indians raiding a stagecoach. Investigating, the three lawmen discover that the attackers are actually white bandits dressed as Indians and that their leader is one Polini (Ian Keith), a gangster smuggling diamonds in the axle grease of the stagecoach wheels. Aided by young Donny Davis (Don Stewart) and pert Ruth Hampton (Myrna Dell), the "Trail Blazers" survive several clashes with death -- including being trapped inside a cave -- before Polini and his cohort, Banker Steve Lynch (Karl Hackett), are apprehended. In only her second Western, blonde heroine Myrna Dell was not exactly in awe of her veteran leading men who, as she later recalled were "old enough to be my grandfather!" Maynard, in fact, had come to the end of his long starring career. Unable to get along with his more athletic co-star Bob Steele, the often cantankerous left the series and only returned to films in rare cameo appearances. His place in the final two "Trail Blazers" Westerns was taken by Chief Thundercloud. ~ Hans J. Wollstein, All Movie Guide

In a rather desperate attempt to duplicate the success of Republic Pictures' Three Mesqueteers B-Western series, Monogram producer Robert Emmett Tansey hired tired veterans Ken Maynard and Hoot Gibson to constitute the "Trail Blazers." Maynard and Gibson (playing themselves) are former lawmen hired to look into the disappearance of horses purchased by Commissioner Brent (I. Stanford Jolley) of the Southwestern Railroad Company. The seller of the herd, Betty Wallace (stunt rider Betty Miles), is unaware that her foreman, Tip (Glenn Strange), is also in the employ of Mel Carson (Ian Keith), a crooked saloon owner with interests in a stagecoach line whose existence is threatened by the railroad. Despite their expanding waistlines, Maynard and Gibson manage to catch the crooks and return the stolen horses, well assisted by young, law-spouting Sheriff Bob Tyler (Bob Baker). The latter, a former Universal star, was added to the cast to provide the necessary romantic sub-plot but the cantankerous Maynard disliked him so much that he was gone by the second instalment of the "Trail Blazers," The Law Rides Again. Maynard himself ended his long starring career after the sixth entry, Arizona Whirlwind (1944), replaced in the final two films by Chief Thundercloud. The initial two "Trail Blazers" films were helmed by Alvin J. Neitz (under the pseudonym of Alan James), and proved the final directorial work of this genre-specialist whose career dated back to the silent era. After the demise of the series, Hoot Gibson and new sidekick Bob Steele filmed another three Westerns for Monogram, often mistakenly referred to as "Trail Blazers" entries. ~ Hans J. Wollstein, All Movie Guide

Having functioned as Alvin J. Neitz's assistant director in the first two "Trail Blazers" Westerns, Monogram producer/jack-of-all-trades Robert Emmett Tansey took full charge of the third, Blazing Guns. Aging lawmen Ken Maynard and Hoot Gibson are lured out of retirement once again, this time to help rancher Jim Wade (Roy Brent) fight off his own brother, Duke (LeRoy Mason), the self-declared boss of Willow Springs.When Duke retaliates, Ken and Hoot recruits some of the country's most notorious gunslingers, including Lefty (Frank Ellis), Cactus Joe (Eddie Gribbon), Weasel (George Kamel) and Eagle-Eye (Emmett Lynn), to act as backup. Although the aptly named Weasel betrays his friends to Duke, Ken, Hoot and the remaining recruits manage to rid Willow Springs of its less desirable elements. Considering the expanding waistlines of both Maynard and Gibson, the film's obligatory romantic elements were left up to supporting players Roy Brent and Cay Forester. ~ Hans J. Wollstein, All Movie Guide

Western favorites Ray "Crash" Corrigan and Hoot Gibson head the cast of the 12-chapter Republic serial The Painted Stallion. Corrigan plays American federal agent Steve Clark, on assignment in Santa Fe to draw up a trade agreement with the newly installed Mexican governor. Meanwhile, Walter Jamison (Hoot Gibson) leads a wagon train from Missouri, hoping to take advantage of the new agreement. Among Jamison's passenger are famed frontiersman Jim Bowie (Hal Taliaferro) and a very youthful Kit Carson (Sammy McKim). The destinies of all these personalities intersect when villainous ex-governor DuPrey (LeRoy Mason) schemes to undermine the treaty and take over the New Mexico territory for his own vile purposes. Somewhere along the way, Davy Crockett (Jack Perrin) joins the "good guys" in their efforts to thwart the despicable DuPrey. Years after the release of The Painted Stallion, film historian William K. Everson waxed rhapsodic over a particulary exciting chapter ending-then commented that he hoped never to see that particular ending again, just in case it proved to be less exciting than he remembered. ~ Hal Erickson, All Movie Guide

After 25 years, notorious western outlaw Harry Carey is released from prison. He returns to his frontier home town, only to discover that the place has been streamlined and modernized beyond all recognition. Even worse, virtually everyone in town has forgotten Carey; most of the younger folk consider him a nuisance, addressing him derisively as "Pop" (Carey's double-take reaction to this familiarity is priceless). The ex-outlaw seeks out H.B. Walthall, the sheriff who sent him up, hoping for a fond reunion with his old friendly enemy. Alas, Walthall has been relegated to a do-nothing position by new sheriff Ray Mayer, a staunch advocate of "scientific" crime-fighting methods. But when bad guy Tom Tyler and his mob rob a bank and take Carey's daughter Margaret Callahan hostage, it is Carey and Walthall's "old fashioned" methods which save the day. Hoot Gibson co-stars as Callahan's boyfriend, while singing-cowboy Fred Scott appears in a marvelous sequence wherein Harry Carey reacts with disgust upon watching a musical western movie. The Last Outlaw was based on a story by John Ford, who directed a silent version in 1919. ~ Hal Erickson, All Movie Guide

Based on Tracks, a 1928 short story by Stephen Payne, this low-budget Western from Diversion Pictures told the ancient story of a carefree drifter falsely accused of murdering a rancher. As he had so many times before, Hoot Gibson played the drifter, Ralph Lewis, of the silent era, was the murder victim, and June Gale, Gibson's girlfriend at the time, played the murdered man's pretty daughter. The real culprit, as Gibson learns, is the victim's adopted son and foreman (Wally Wales), who is in cahoots with an unscrupulous attorney (William Gould). Like Gibson's other five Westerns from Diversion Pictures, Swifty proved a generally well-received 62 minutes of sagebrush entertainment. ~ Hans J. Wollstein, All Movie Guide

In his second and last Western for low-budget company First Division, veteran cowboy star Hoot Gibson played Neil Gibson, Jr., a city boy turned rodeo champion much against the wishes of his wealthy father (Oscar Apfel). After a drunken spree in Chicago, Neil and his brother-in-law Bert (Charlie Hill) find themselves on a freight train headed West. They embark in the middle of nowhere and obtain jobs as cowhands on a ranch belonging to pretty Ann Ware (June Gale). When the foreman, Dorgan (Stanley Blystone), is revealed to be in cahoots with a combine that is attempting to take over the ranch, Ann replaces him with Neil. The combine turns out to be headed by Thomas Stark (Warner Richmond), Gibson, Sr.'s crooked partner. In the end, Stark and his gang are ousted from the area by the cowboys and Neil proposes to Ann, who gladly accepts. Leading lady June Gale was Hoot Gibson's girlfriend at the time. She later married music eccentric Oscar Levant. Leaving First Division, Gibson signed with Walter Futter's Diversion Pictures for his final series of solo starring Westerns. ~ Hans J. Wollstein, All Movie Guide